FOLCLORISTAS
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[Vips Creations] - ORIGINAL - Female Dress - [Kendia 3]
available in Swan Event
A&A Shirley - Anne Hair
Details on my blog:
melissandrablade.wixsite.com/newssandra-blog/post/post-no...
Sasha all by herself. No other bears to bother her. There are more boy bears than girl bears. Not my fault, there just is. So I thought I would let her shine all by herself.
Happy Teddy Bear Tuesday
Website: www.magdabanach-photo.pl
Instagram: www.instagram.com/magdabanachphoto/
500px: www.500px.com/magdabanach/
Flickr: www.flickr.com/magdabanach13/
Generated By Midjourney V8.2 .
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Alice, vue de dos, avance lentement sur une **ancienne allée pavée traversant une forêt fantastique monumentale**, en direction d’une arche mystérieuse baignée d’une lumière dorée presque surnaturelle. Sa silhouette demeure petite face à l’immensité du décor, renforçant la sensation de voyage, de découverte et de passage vers un monde situé au-delà du temps. Elle porte une robe bleu profond inspirée d’un imaginaire victorien merveilleux, avec jupe évasée, manches courtes structurées, tablier ivoire noué dans le dos, tissus crédibles, plis naturels et mouvement subtil accompagnant sa marche.
Au centre de la forêt s’élève une **gigantesque porte-horloge ancienne**, fusion organique entre architecture oubliée, mécanique horlogère et végétation sauvage. Son immense cadran circulaire en métal sombre patiné domine l’arche, entouré de pierres anciennes envahies par le lierre. Les chiffres romains dorés sont parfaitement ordonnés et lisibles de **I à XII**, avec espacement régulier et disposition horlogère cohérente. Deux aiguilles métalliques finement ouvragées partent exactement du même axe central, avec mécanisme crédible, engrenages délicats, cercles concentriques et détails techniques raffinés. Aucun chiffre déformé, répété, manquant ou incohérent.
L’architecture possède une présence massive et ancienne : colonnes sculptées, chapiteaux érodés, pierres sombres couvertes de mousse, fissures naturelles, reliefs patinés et racines végétales s’insinuant dans les joints. Le lierre grimpe librement autour du cadran et des piliers sans masquer les éléments essentiels de l’horloge. La construction semble abandonnée depuis des siècles mais demeure structurellement crédible, comme le vestige d’une civilisation ayant tenté d’emprisonner le temps dans la pierre.
De gigantesques **amanites rouges à points blancs** bordent le chemin et émergent de la végétation à différentes profondeurs. Elles présentent des tailles, inclinaisons et stades de croissance variés, avec chapeaux rouges organiquement irréguliers, verrues blanches naturelles, lamelles fines sous les chapeaux et pieds ivoire légèrement texturés. Certaines dominent le premier plan tandis que d’autres deviennent progressivement plus petites dans la profondeur de la forêt. Aucun champignon cloné, aucune répétition géométrique, aucune disposition artificiellement symétrique.
La forêt est dense, ancienne et profondément immersive : troncs hauts et irréguliers, écorces tactiles, fougères, mousses, petites plantes forestières, racines, feuilles mortes et lierre composent plusieurs couches naturelles. Les arbres s’élèvent très haut hors du cadre et créent une véritable cathédrale végétale. La végétation possède des variations crédibles de vert olive, vert mousse, brun terreux et presque noir dans les zones les plus profondes.
Une **lumière dorée de fin de journée** traverse puissamment les arbres derrière l’arche. Des rayons volumétriques fins pénètrent entre les branches, illuminent le passage central et transforment l’ouverture de la porte en seuil lumineux. La lumière se reflète subtilement sur les pavés légèrement humides, sur les contours des champignons, sur les chiffres romains et sur les aiguilles de l’horloge. Les zones périphériques restent plus sombres afin de guider naturellement le regard vers la jeune femme et l’arche.
Le chemin pavé possède une perspective centrale profonde et crédible. Les pierres sont anciennes, irrégulières, légèrement humides et séparées par des joints naturels où apparaissent mousse et petites pousses végétales. Les reflets dorés restent fragmentés par leur relief, avec quelques petites flaques et variations de matière. La silhouette de la jeune femme projette une ombre naturelle vers le premier plan, renforçant sa présence physique et son avancée vers la lumière.
L’atmosphère doit évoquer un **conte merveilleux consacré au temps, au passage et à l’inconnu**, avec une magie dominante mais jamais artificielle. L’horloge devient le symbole monumental d’une frontière entre deux réalités, tandis que la jeune voyageuse représente l’échelle humaine face au mystère. Composition frontale et presque symétrique autour de l’arche, profondeur cinématographique, richesse organique, lumière spectaculaire, Fantasy merveilleuse, réalisme photographique des matières et sentiment d’émerveillement silencieux.
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Alice, seen from behind, walks slowly along an **ancient cobblestone path crossing a monumental fantasy forest**, heading toward a mysterious archway bathed in almost supernatural golden light. Her silhouette remains small against the immensity of the surroundings, reinforcing the feeling of journey, discovery, and passage into a world beyond time. She wears a deep blue dress inspired by a wondrous Victorian imagination, with a flared skirt, structured short sleeves, an ivory apron tied at the back, credible fabrics, natural folds, and subtle movement accompanying her steps.
At the heart of the forest rises a **gigantic ancient clock gateway**, an organic fusion of forgotten architecture, clockwork mechanics, and untamed vegetation. Its immense circular dial of dark patinated metal dominates the archway, surrounded by ancient stones overtaken by ivy. Golden Roman numerals are perfectly ordered and clearly legible from **I to XII**, with regular spacing and coherent clock-face placement. Two finely crafted metallic hands emerge precisely from the same central axis, accompanied by a credible mechanism, delicate gears, concentric circles, and refined technical details. No distorted, repeated, missing, or inconsistent numerals.
The architecture has a massive, ancient presence: sculpted columns, eroded capitals, dark stones covered with moss, natural cracks, weathered reliefs, and creeping roots penetrating the joints. Ivy climbs freely around the dial and pillars without obscuring the essential elements of the clock. The structure appears to have been abandoned for centuries while remaining structurally credible, like the surviving monument of a civilization that once attempted to imprison time within stone.
Gigantic **red-and-white fly agaric mushrooms** line the path and emerge from the vegetation at varying depths. They display different sizes, inclinations, and stages of growth, with organically irregular red caps, natural white warts, delicate gills beneath the caps, and subtly textured ivory stems. Some dominate the foreground while others gradually decrease in scale deeper within the forest. No cloned mushrooms, geometric repetition, or artificially symmetrical placement.
The forest is dense, ancient, and deeply immersive: tall irregular trunks, tactile bark, ferns, mosses, small woodland plants, roots, fallen leaves, and ivy create multiple natural layers. The trees rise far beyond the frame, forming a genuine vegetal cathedral. The vegetation displays credible variations of olive green, moss green, earthy brown, and near-black within the deepest shadows.
A **golden late-afternoon light** streams powerfully through the trees behind the archway. Fine volumetric rays penetrate between the branches, illuminate the central passage, and transform the opening beneath the clock into a luminous threshold. The light reflects subtly across the slightly wet cobblestones, mushroom edges, Roman numerals, and clock hands. Peripheral areas remain darker, naturally guiding the eye toward the young woman and the gateway.
The cobblestone path has deep, credible central perspective. Its stones are ancient, irregular, slightly wet, and separated by natural joints where moss and tiny plants emerge. Golden reflections remain fragmented by the uneven surface, accompanied by small puddles and subtle material variations. The young woman casts a natural shadow toward the foreground, strengthening her physical presence and movement toward the light.
The atmosphere evokes a **wondrous tale of time, passage, and the unknown**, with dominant magic that never feels artificial. The clock becomes the monumental symbol of a boundary between two realities, while the young traveler represents human scale before the mystery. Frontal composition centered around the archway, cinematic depth, organic richness, spectacular light, wondrous Fantasy, photographic realism of materials, and a profound sense of silent wonder.
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--v 8.2 --ar 16:9 --stylize 2500 --chaos 5 --quality 2 --raw
~ Inside this cold heart is a dream
That's locked in a box that I keep
Buried a hundred miles deep
Deep in my soul in a place that's surrounded by aeons of silence... ~
♪Anathema - The Beginning and the End♪
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© Copyright by Floriana Thor 2013-2015
Si j'étais une femme et que je savais m'habiller (bon, ça, même dans mon statut actuel c'est pas gagné DU TOUT x) ), j'avoue que j'apprécierais de connaître les lieux où l'on trouve d'aussi belles sandales rouges...
Miroir, miroir... Dis-moi qui a les plus beaux souliers d'Alençon...! :-)
Darkening midnight
A lonely woman laying
whilst watching the sky
==
Music (Dark Techno)
Breech - Show Me (Original Mix)
www.youtube.com/watch?v=fUBQk26AfCg
==
Hidden Desires
Hair: DOUX - Olga Hairstyle [L]
Pose: SS Female Pose 25 by Meli Imako
Wearing: Spirit - Ari Bodysuit & Dress
Carla1_Mellor_040921_036F
This image is Generated using Midjourney V8.2 software then i process in photoshop.
Thank you for your visit and faves and comment.
Prompt..
A storybook dreamscape with golden afternoon light over a cobblestone boulevard lined with pastel gingerbread cottages. A luminous young woman in a flowing iridescent sky blue dress twirls her smartphone, smiling with crinkled eyes. Beside her, an anthropomorphic fox in a tailored crimson jacket bounces with a thumbs up, amber eyes sparkling. Behind them, a fairytale castle with sapphire spires rises through cotton candy clouds, its ivy draped drawbridge hung with twinkling lanterns. Vintage streetlamps cast honeyed light while iridescent soap bubbles drift, each cradling miniature silhouettes dancing unicorns, ballerinas, tiny knights. The air hums with laughter, spun sugar, and a distant carousel calliope, evoking wonder, nostalgia, and boundless joy.
--ar 16:9
--raw
--stylize 550
--hd
--profile akj4a36
Who knew an advent calendar could deliver this much sparkle? Thank you ADD for tonight’s blue dream.
👗 STYLE CREDITS
✦ Dress:
ADD - Alisa Dress
LM maps.secondlife.com/secondlife/ADD/
join [ADD] group to receive daily advent calendar gifts.
✦ Eyes: IKON Splendor Eyes - In Horizon
Teleport to IKON: LM📌 💛
✦ Hair:
Doux - Ylenia Hairstyle
✦ Accessories:
* MVT - Siren clutch - Silver
* MICHAN - Natalie Necklace
* Yummy - Pearl Cascade Necklace
* MVT - Fresh fruits cup (DISPENSER) (Repositioned)
* Ariskea - Emi - Glitters
You're never too young to begin photography
as evidenced by this young girl
(dressed in her Cinderella dress and colorful pink hat)
who appeared to be quite competent with her cell phone camera, taking photos of the California poppies.
I saw the scene and reacted quickly but was able to get just one shot of this winsome scene. I thought it lent itself well to editing it in an impressionistic style.
Real People Series
This picture is part of my photographic series Blanche de Castille, which I invite you to consult in the list of my albums.
Blanche of Castile, mother of Louis IX – better known as Saint Louis – was Queen of France from 1223 to 1226.
To find out the reason of her waiting amidst the ruins of the Montverd castrum, see the script in French or English in the album header.
Model: Maureen
More about this piece and others in the series by Ferdinand Hodler here:
**All photos are copyrighted**
Wearing a very very special gown: *AS* Magestic Gown Midnight. It was requested that I showcase some more views of the dress as people loved it.
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This photo was shot at RedRocks! Stay tuned and make sure you join our group! Come by the sim and check it out today.
maps.secondlife.com/secondlife/Unpredictable/154/129/24
www.flickr.com/groups/city_of_red_rocks/
WEARING
*ApoTHEOSeS*
Special Event for October
*AS* Magestic Royal Crown Jewelry
Sophisticated Jewelry, Done with 6kinds of GEMS: Diamond, Emerald Marquise & Pearl, Elegance and Class to your outfit!
*AS* Luminescence Jewelry Necklace
and
*AS* Magestic Gown Midnight
30% sale from the normal price, find it at the Booth Event Enchanted Creation!
30% discount In World : maps.secondlife.com/secondlife/Hibdon/152/78/30
Shrantal is amazing! She took over 60 hours IRL to make this dress. If you are really trying to make a statement, you should check out this amazing gown from Apatheoses!
Please check out these links:
www.flickr.com/photos/193947697@N05/?
www.flickr.com/photos/193947697@N05/albums/72157719913077627
This picture is part of my photographic series Blanche de Castille, which I invite you to consult in the list of my albums.
Blanche of Castile, mother of Louis IX – better known as Saint Louis – was Queen of France from 1223 to 1226.
To find out more about the series, see the script in French or English in the album header.
Model: Maureen
« L'espérance est le plus grand de nos biens et le plus difficile à conserver. »
'Hope is our greatest asset and the hardest to hold on to.'
Vauvenargues
***
This picture is part of my photographic series Blanche de Castille, which I invite you to consult in the list of my albums.
To find out the reason of her waiting amidst the ruins of the Montverd castrum, see the script in French or English in the album header.
Model: Maureen
A model, her partner, and a photographer walked past while I was exploring the Low Head shoreline with my daughter.
went back to my favorite pink field. the summer is about to finish, so all those little beautiful flowers are gonna die soon.
A very elegant dress, a fascinating blonde woman....the beautiful Varigotti beach in Liguria and a colorful dying sunset. I enjoyed a lot the cocktail, mixed with natural light...most of all she's my dear friend :-) Thank you Laura!
Model: Laura
Have you ever had a guy, or a girl ask you to meet at a strange location to either go on a date or be on a date? I have had a few weird ones in my life and the most memorable one was when a nice man asked me out for a Saturday night date and to come to his work as he had to do some things at his office. I drove to the address and it was of all things a construction site in a lower part of town. Several times, I was about to turn around and say "No way!!!" LOL, but he was nice and I wanted to be a lady and kept going. Driving into the parking lot and seeing his car by a small building, I kept looking for the kidnapper van as I clutched my purse and phone on speed dial and walked up to the door, knocked and there he was in a handsome suit, looking hot, holding a HUGE bouquet of red roses. Well, it was a wonderful evening and I was not thrown in with the cement. :) So never be afraid to try weird things with the right people. :)
xoxo,
Hildda
Today, the third Monday in January, is known as 'Blue Monday' which is supposedly the most depressing day of the year.
So before the wheels come off, here's a blue photo for the day thats in it.
Monday 16th January 2023.
It's #bluemonday
This picture is part of my photographic series Blanche de Castille, which I invite you to consult in the list of my albums.
Blanche of Castile, mother of Louis IX – better known as Saint Louis – was Queen of France from 1223 to 1226.
To find out more about the series, see the script in French or English in the album header.
Model: Maureen