Everything Must GO !
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It took a lot out of me today to shoot this but I truly loved being outside exploring. There are to many days where I’m bed bound with this horrendous non stop illness I have. I cannot explain in words how much getting out with my camera can lift my mood at times. This shot wasn’t pre planned I just asked to get taken to an area I hadn’t been before and to stretch out in a new direction to explore. The light was beautiful as the sun was getting lower and it left me in awe of Mother Nature. If you actually zoom into my photo right hand side you will also be able to make out a ferry making it’s way across.
did this one with sofs when he was in town the other week.. its nice to meet someone who you always admired then even better when you find that you are both on the same page..
Se resaltan los naranjas (orange) y los azul verdosos (teal), colores opuestos y complementarios para dar resalte. Se utiliza en el cine.
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This landscape belongs to the sandstone peak forest landform in Zhangjiajie, Hunan, China. Crustal uplift changed the sedimentary rock stratum into a hilly and mountainous area, then the sandstone was carved by exogenic processes like weathering and erosion into rugged rock pillars.
Zhuangjiajie is known for its breathtaking landscape of majestic mountains. It made the news after James Cameron's blockbuster Avatar movie and by the success of wingsuit skydivers flying through the hole in the needle of Tianmen Mountains. UNESCO World Heritage site Wulingyuan is within the Zhuanjiajie National Park.
張家界市, 舊稱大庸, 位於湖南省西北部。市境東臨常德市，南達懷化市，西南界湘西州，西北接湖北省恩施州。地處武陵山脈腹地，地形以山地為主。石灰岩分布廣泛，多岩溶、峰林、溶洞等地貌。澧水橫貫全境，並有漊水等支流。張家界是著名的旅遊城市，素有「奇峰三千，秀水八百」的美譽。武陵源砂岩峰林地貌景觀為世所罕見，1992年12月獲聯合國教科文組織列入世界自然遺產。
Little Rock, Arkansas
THe old mill is appearing in the opening sequences of the 1939 blockbuster, “Gone With the Wind.”
Join me:
When menhaden are roiling the water of the bayou, even the Laughing Gulls--opportunists that they are--get in on the action. The title in this case refers to the oddly symmetrical, broken white square reflecting on the rippled surface of Mud Lake.
It might be the heatwave of 1976 but it was still fairly overcast on this summer Friday down at Liskeard in Cornwall.
Captured here is Brush class 47 no. 47123 rolling in to the station with an up train of Mark 1 carriages, destination unknown, but perhaps headed to South Wales seeing as the loco was (I think) Cardiff allocated at the time.
Anyhow, more interesting than the loco is the mail trolley neatly parked against the wall, with the centre-pivot semaphore signal above it. And walking down the platform, arms behind his back and confident of his position in life, looks to be the smartly dressed Station Master wearing the BR uniform of the day, complete with tie - no sign of an orange vest here.
On the fashion front, aside from the flares, what really stands out are those shiny platform boots - didn't we all own a pair of those at sometime or other - and am I the only one who can hear 'Blockbuster' by The Sweet playing in the background?
Looks best full-screen.
Ilford FP4 rated at 125asa, developed in Acutol
23rd July 1976
Here's an oldie I recently dug up... certainly got my $$$ worth on this silver & black... Painted in 2001 on a major Highway... Ran clean until 2008. Seven years is a pretty good run. The spot looks like absolute SHIT these days. I guess I could go back and do it again, but that's an old chapter. Been there, done that.
Generated By Midjourney V6
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**Prompt :**
Vaisseau spatial futuriste massif au design aérodynamique, fusion de métal poli noir et de structures luminescentes bleu électrique et orange incandescent, traversant à très haute vitesse un champ d’astéroïdes dense et chaotique dans l’espace profond. La scène capture un moment de tension extrême : plusieurs chasseurs d’escorte plus petits, aux formes anguleuses et agressives, filent autour du vaisseau principal en formation serrée, laissant derrière eux des traînées d’énergie ionisée brillantes.
L’environnement spatial est spectaculaire et riche : des centaines d’astéroïdes de tailles variées, textures rocheuses détaillées avec fissures, poussières et reflets métalliques, flottent dans toutes les directions. En arrière-plan, une nébuleuse flamboyante mélange des teintes de rouge, orange et violet, illuminant partiellement la scène avec une lumière diffuse et volumétrique. Des étoiles scintillantes et quelques planètes lointaines ajoutent de la profondeur cosmique.
Le vaisseau principal présente des détails mécaniques complexes : panneaux imbriqués, turbines lumineuses, réacteurs à fusion incandescents, lignes d’énergie pulsantes visibles sous la coque. Les moteurs projettent des jets de plasma extrêmement lumineux avec effets de distorsion thermique et particules dynamiques. L’éclairage est cinématographique avec forts contrastes, reflets réalistes sur les surfaces métalliques et effets de lens flare subtils.
Angle de caméra dynamique en contre-plongée, proche du vaisseau principal, donnant une sensation d’échelle monumentale et de vitesse fulgurante. Profondeur de champ maîtrisée, motion blur sur les chasseurs et astéroïdes proches pour accentuer la vitesse. Style hyperréaliste, rendu 8K, détails extrêmes, textures photoréalistes, illumination globale, rendu digne d’un blockbuster de science-fiction, ambiance épique, immersive et intense.
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**Prompt:**
A massive futuristic spacecraft with a sleek aerodynamic design, blending polished black metal with glowing electric blue and incandescent orange energy lines, racing at extreme speed through a dense and chaotic asteroid field in deep space. The scene captures a moment of intense tension: multiple smaller escort fighters, with sharp and aggressive angular designs, dart around the main ship in tight formation, leaving behind bright ionized energy trails.
The space environment is rich and spectacular: hundreds of asteroids of varying sizes, featuring highly detailed rocky textures with cracks, dust, and subtle metallic reflections, drift in all directions. In the background, a blazing nebula swirls with vivid hues of red, orange, and violet, casting soft volumetric lighting across the scene. Countless stars shimmer in the distance, with a few distant planets adding depth and cosmic scale.
The main spacecraft showcases intricate mechanical details: interlocking panels, glowing turbines, fusion reactors burning with intense light, and visible pulsating energy conduits beneath the hull. The engines emit powerful plasma jets with thermal distortion effects and dynamic particle emissions. Lighting is cinematic, with strong contrast, realistic reflections on metallic surfaces, and subtle lens flare effects.
Dynamic low-angle camera shot, positioned close to the main ship, emphasizing monumental scale and blistering speed. Controlled depth of field, with motion blur applied to nearby fighters and asteroids to enhance the sensation of velocity. Hyperrealistic style, 8K resolution, extreme detail, photorealistic textures, global illumination, rendered like a high-budget sci-fi blockbuster, epic, immersive, and intense atmosphere.
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--ar 16:9 --v 6 --style raw --q 2 --s 750 --chaos 15 --seed 12345
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Thanks to all for your comments , for some health problems I can't respond 💕
Tom Clancy's The Division
Cinematic Tools by HattiWatti
ReShade 1.1
SRWE for Hotsampling
found that one.
I LOVE SOUTHALL!
We are promised, 'Most luxurious 3 screen cinema', showing all the latest Bollywood and
Lollywood blockbusters. It was once the very busy and popular Liberty (Lee-burr-tee, as pronounced in Lahore!) Cinema where I spent nearly every Sunday afternoon with my family watching all the latest releases; I distinctly remember watching Bobby, Pakeezah, and a few loud Pakistani Punjabi fillums here, as well as running up and down the stairs in the halls! The other two, both further down the road, were the Century and the Dominion cinemas.
All the shows were sold out, every weekend, and whole families would turn out. During
the Interval, we would always eat samosay and jalebi, and were always excited to drink Coke from a can. The current cinema was restored in the late 1990s for £3 million, and does a good trade since reopening in 2001, although nothing like the 1970s, where
there were crowds and crowds of cinema-goers thronging the pavements at show times.
I would definately recommend a visit to Southall if you're ever in town; there is fantastic shopping here for all things desi (not matched anywhere in London, not even in Green Street, imho), you can even speak to the shopkeepers in any desi language, Punjabi being the lingua-franca around here! There are numerous mouth-watering and unforgettable food places to eat, and ample places for you to worship, whether you are Muslim, Hindu, Sikh or Christian. And every religious day is celebrated with gusto, Eid, Diwali and Holi, and all the Gurus' birthdays. The Southall Mela draws hundreds every summer to Southall Park, as well as for Baisakhi and Basant celebrations. Parking and traffic is horrendous and rush-hour lasts all day long, seven days a-week. But, you are promised a total desi experience in the the west of London. It's not called Little India for nothing y'know!
Aka; the first appearance of the modern Suicide Squad, which you may well know, is my favorite super-team of all time. After seeing Xenomorph79's shot of the line-up I realized it was one of the major Squads I hadn't completed yet, so I jumped onto that ship.
Flag has an updated torso/legs, and Floyd's toting the gun used to help bring down Brimstone, Boomerang has a bandoleer now, and Tiger is Tiger.
Enchantress however, has a CMF Wacky Witch hat that I painted green and black, and a scarf made from the CMF Judge's robes.
Now let's talk about Blockbuster. I knew if I was gonna make a Bigfig, it was gonna be him, cause I just couldn't find a way to represent him as a standard minifig that I actually like. I've never done a Bigfig before, but for my skills I feel like he turned out pretty okay. Face is a little wonky but, it is in the comics too, so I'm alright with that. Base is just a standard Hulk fig, and indeed he does have his trademark mullet, albeit just painted down his back because a sculptor I am not.
The paint used was Model Masters over a spray-on white primer base for both Blockbuster and Enchantress's hat.
Anyways, I'm stoked to have this classic line-up together at last.
Let me know what you think!
ALSO: Reverse shots of Enchantress and Blockbuster can be seen here: www.flickr.com/photos/145864739@N04/31614324484/in/datepo...
Standalone shots of just Blockbuster and Enchantress can be seen here:
www.flickr.com/photos/145864739@N04/32079321290/in/photos...
And an alternate group shot can be found here:
www.flickr.com/photos/145864739@N04/32306273142/in/photos...
Cheers!
Another blockbuster day of migration here in southern Ontario, even with the downpour of rain, at times the number of migrants (Kinglets - Ruby Crowned / Golden Crowned) were simply overwhelming which makes it impossible to lock onto one bird and get the shot. In between the madness I managed to grab a few frames of this Brown Creeper!
Standalone shots of the figs seen here: www.flickr.com/photos/141220843@N07/32306047122/in/datepo...
What I like about shooting in the city is that I always seem to capture a scene within a scene. My target was the beer delivery truck. Later, while looking at the photo I noticed that I'd caught two people, unaware of each other, going about their business.
My attention was initially drawn to the delivery guy who is mindfully doing his job. And then there's the woman running toward the bank like her hair is on fire -- probably frantic to get some money deposited before recent expenditures overdraw her checking account.
Strangers passing in the night. It wouldn't take much tweaking to create a storyline that could become one of the great chick flicks of all time -- steady beer truck delivery guy meets artistic fly-by-the-seat-of-her-pants city girl -- think Ben Stiller and Jennifer Aniston. Or maybe thats already been done. Meanwhile, I have a hankering for a beer.
San Francisco CA
After a blockbuster day in South Carolina on the Pickens, the weather turned pretty bad. Even though it was cloudy and rainy, we had had a blast chasing the N&W "J" 611 on the old Southern and Virginian mainline. The 611 is racing northbound passing the cemetery of the Trinity Episcopal Church in Gretna, Va on Sunday April 24, 2017.
OBSERVE Collective
All images are © Copyrighted and All Rights Reserved
germanstreetphotography.com/michael-monty-may/
OBSERVE Collective
All images are © Copyrighted and All Rights Reserved
germanstreetphotography.com/michael-monty-may/