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Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
14 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Natasha Razina
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
14 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Natasha Razina
Giuseppe Verdi Aida
Amneris: Yekaterina Semenchuk
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
25.11.2016
Real-Time Music Visualization by Roberto Vitalini
Sonic Events from "Die Waldstätte" DampSchiff Symphonie by Cyrill Schläpfer
4k real-time rendering : vvvv.org #bashiba #noir
info@bashiba.com
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
14 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Natasha Razina
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Amneris: Yekaterina Semenchuk
Aida: Yekaterina Shimanovich
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Amneris: Yekaterina Semenchuk
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin BaranovskyGiuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
Giuseppe Verdi Aida
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Lighting Designer: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini, BASHIBA
Costume Designer: Giovanna Buzzi
Props Designer: Hugo Gargiulo
Make-Up Designer: Chiqui Barbé
11 June 2011
Mariinsky Concert Hall, St Petersburg, Russia
Photos: © Mariinsky Theatre | Valentin Baranovsky
許歴代家族祖宗佳城 A。 (Carpio Lapida)
顯考許公諱龍明佳城。 (Jaime 'Ogie' Dionisio Carpio)
生於中華民國三十九年庚寅四月初六日吉時，
(Born; May 22, 1950)
卒於中華民國一百零二年癸巳五月廿三丑時。
(Died; June 30, 2013) 顯妣許母羅瑪理佳城。
亡男許經瑞住生佳城。 (Max Ertena Carpio)
生於中華民國八十八年己卯三月廿九日吉時， (Born; 1999)
卒於中華民國九十六年丁亥正月廿五日辰時。 (Died; 2007)
孝男; 文東。 (MarkJaime (Hogan) 孝女; 美錦，(Maryjane) 美美，(Myra) 美玲，(Miriam (Ma-an) 美蘭，(Marilyn) 美敏。 (Majorie)
仝敬立 。
Xǔ lìdài jiāzú zǔzōng jiā chéng A.(Carpio Lapida) xiǎn kǎo xǔ gōng huì lóng míng jiā chéng.(Jaime'Ogie'Dionisio Carpio) shēng yú zhōnghuá mínguó sānshíjiǔ niángēng yín sì yuèchū liù rìjí shí, (shēng yú 1950 nián 5 yuè 22 rì) zú yú zhōnghuá mínguó yībǎi líng èr nián guǐsì wǔ yuè niàn sān chǒushí. (Sǐ yú 2013 nián 6 yuè 30 rì) xiǎn bǐ xǔ mǔ luó mǎ lǐjiā chéng. Wáng nán xǔjīngruì zhù shēng jiā chéng.(Max Ertena Carpio) shēng yú zhōnghuá mínguó bāshíbā nián jǐ mǎosān yuè niàn jiǔ rìjí shí,(shēng yú 1999 nián) zú yú zhōnghuá mínguó jiǔshíliù nián dīnghài zhēngyuè niàn wǔ rì chénshí.(Qùshì; 2007 nián) xiàonán; wén dōng.(MarkJaime(Hogan) xiàonǚ; měi jǐn,(Maryjane) měiměi,(Myra) měilíng,(Miriam(Ma-an) měilán,(Marilyn) měi mǐn.(Majorie) tóng jìng lì.
BASHIBA Video Scenography
Musical Director and Conductor: Valery Gergiev (for the première)
In the video above the conductor is: Mikhail Agrest
Director: Daniele Finzi Pasca
Production Concept: Daniele Finzi Pasca and Julie Hamelin
Set Designer: Jean Rabasse
Costume Designer: Giovanna Buzzi
Lighting Designer: Alexis Bowles and Daniele Finzi Pasca
Video Designer: Roberto Vitalini
Make-Up Designer: Chiqui Barbé
Orchestra: Mariinsky Theatre Symphony Orchestra
Verdi´s Requiem -- the Italian master´s only composition of musical drama that is not an opera -- has gone down in the history of music as the most theatrical version of the traditional Catholic Mass for the Dead. It was written as a result of circumstances in the composer´s private life: at the turn of the 1860s and 1870s Verdi lost a great many people who were dear to him. His father, his close friend and collaborator the librettist Piave, and his brilliant fellow-countryman and predecessor in opera Rossini all died one after the other. This mournful list was completed by the death of the poet and writer Alessandro Manzoni, who was for Verdi "a model of virtue and patriotism", and for whom the composer had a profound respect both as a man and as an author.
12 November 2011
Real Time Video Scenography
Music: Persepolis, by Iannis Xenakis.
Fifty-six minutes, eight-track tape, apocalyptic-sounding work distinguished by rising waves of intensity.
In this picture: Giulia Troiano
Project: www.persepolis-project.org/
In applying mathematical and physical laws to the composition of music, Iannis Xenakis exposed the implicit connections between science and art -- rooted in theories of statistical probability, his stochastic method revolutionized not only the composition of music but also its performance, exploring the boundaries of sound and space
Konzert: Samstag, 12. November 2011
22.00 Uhr
Museum für Gestaltung, Vortragssaal
Giulia Troiano, Performer
Téo Ghil, Choreographie
Roberto Vitalini, Roberto Macchiut, Design, Real Time Videosynthesis
Fabrizio Rosso, Klangprojektion und Konzept
Iannis Xenakis
Persepolis (1971)
Fassung für Tonband, Licht, Klang und Bewegung (2009)
12 November 2011
Real Time Video Scenography
Music: Persepolis, by Iannis Xenakis.
Fifty-six minutes, eight-track tape, apocalyptic-sounding work distinguished by rising waves of intensity.
In this picture: Giulia Troiano
Project: www.persepolis-project.org/
In applying mathematical and physical laws to the composition of music, Iannis Xenakis exposed the implicit connections between science and art -- rooted in theories of statistical probability, his stochastic method revolutionized not only the composition of music but also its performance, exploring the boundaries of sound and space
Konzert: Samstag, 12. November 2011
22.00 Uhr
Museum für Gestaltung, Vortragssaal
Giulia Troiano, Performer
Téo Ghil, Choreographie
Roberto Vitalini, Roberto Macchiut, Design, Real Time Videosynthesis
Fabrizio Rosso, Klangprojektion und Konzept
Iannis Xenakis
Persepolis (1971)
Fassung für Tonband, Licht, Klang und Bewegung (2009)
MARIINSKY's production of "Aida"
Premiere on June 11, 2011 at the Concert Hall of the Mariinsky Theatre in St. Petersburg during the White Nights Festival.
Video Shot by Roberto Vitalini while working on Video and Lights with Alexis Bowles, Daniele Finzi Pasca, Jean Rabasse and team.
Libretto: Antonio Ghislanzoni
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Light Designers: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini for BASHIBA.com
L’Amour de Loin (Love from afar)
music : Kaija Saariaho
librettist: Amin Maalouf
Location: English National Opera, ENO, London
Creative team members: Conductor Edward Gardner; Director/Lighting Designer Daniele Finzi Pasca; Set Designer Jean Rabasse; Costume Designer Kevin Pollard; Seascape Projections Roberto Vitalini for bashiba.com; Assistant Lighting Designer Alexis Bowles; Artistic Associate Julie Hamelin; Assistant Director Gabriele Finzi Pasca; Translation Richard Stokes, (May - June - July 2009)
Photographer: Roberto Vitalini | BASHIBA.com
12 November 2011
Real Time Video Scenography
Music: Persepolis, by Iannis Xenakis.
Fifty-six minutes, eight-track tape, apocalyptic-sounding work distinguished by rising waves of intensity.
In this picture: Giulia Troiano
Project: www.persepolis-project.org/
In applying mathematical and physical laws to the composition of music, Iannis Xenakis exposed the implicit connections between science and art -- rooted in theories of statistical probability, his stochastic method revolutionized not only the composition of music but also its performance, exploring the boundaries of sound and space
Konzert: Samstag, 12. November 2011
22.00 Uhr
Museum für Gestaltung, Vortragssaal
Giulia Troiano, Performer
Téo Ghil, Choreographie
Roberto Vitalini, Roberto Macchiut, Design, Real Time Videosynthesis
Fabrizio Rosso, Klangprojektion und Konzept
Iannis Xenakis
Persepolis (1971)
Fassung für Tonband, Licht, Klang und Bewegung (2009)
L’Amour de Loin (Love from afar)
music : Kaija Saariaho
librettist: Amin Maalouf
Location: English National Opera, ENO, London
Creative team members: Conductor Edward Gardner; Director/Lighting Designer Daniele Finzi Pasca; Set Designer Jean Rabasse; Costume Designer Kevin Pollard; Seascape Projections Roberto Vitalini for bashiba.com; Assistant Lighting Designer Alexis Bowles; Artistic Associate Julie Hamelin; Assistant Director Gabriele Finzi Pasca; Translation Richard Stokes, (May - June - July 2009)
Photographer: Roberto Vitalini | BASHIBA.com
The earth was without form and void, and darkness was over the face of the deep.
Genesis 1:2-3
Film + Edit : Roberto Vitalini
Music : Licensed Dark Sound Effects Library from Bluezone Corporation
Shot on Sony RX100 IV + underwater housing MPK-URX100A
info@bashiba.com
L’Amour de Loin (Love from afar)
music : Kaija Saariaho
librettist: Amin Maalouf
Location: English National Opera, ENO, London
Creative team members: Conductor Edward Gardner; Director/Lighting Designer Daniele Finzi Pasca; Set Designer Jean Rabasse; Costume Designer Kevin Pollard; Seascape Projections Roberto Vitalini for bashiba.com; Assistant Lighting Designer Alexis Bowles; Artistic Associate Julie Hamelin; Assistant Director Gabriele Finzi Pasca; Translation Richard Stokes, (May - June - July 2009)
Photographer: Roberto Vitalini | BASHIBA.com
Mathias Steinauer
con sordino - fadenscheinig op.25 (2010)
per clarinetto solo
Andrea Nagy, clarinetto
real-time video projections: BASHIBA.com
Saturday Morning, Head Office in Milan.
Stephan Janson, 7 September 2013
Copyright (c) 2013 Roberto Vitalini, bashiba.com
L’Amour de Loin (Love from afar)
music : Kaija Saariaho
librettist: Amin Maalouf
Location: English National Opera, ENO, London
Creative team members: Conductor Edward Gardner; Director/Lighting Designer Daniele Finzi Pasca; Set Designer Jean Rabasse; Costume Designer Kevin Pollard; Seascape Projections Roberto Vitalini for bashiba.com; Assistant Lighting Designer Alexis Bowles; Artistic Associate Julie Hamelin; Assistant Director Gabriele Finzi Pasca; Translation Richard Stokes, (May - June - July 2009)
Photographer: Roberto Vitalini | BASHIBA.com
L’Amour de Loin (Love from afar)
music : Kaija Saariaho
librettist: Amin Maalouf
Location: English National Opera, ENO, London
Creative team members: Conductor Edward Gardner; Director/Lighting Designer Daniele Finzi Pasca; Set Designer Jean Rabasse; Costume Designer Kevin Pollard; Seascape Projections Roberto Vitalini for bashiba.com; Assistant Lighting Designer Alexis Bowles; Artistic Associate Julie Hamelin; Assistant Director Gabriele Finzi Pasca; Translation Richard Stokes, (May - June - July 2009)
Photographer: Roberto Vitalini | BASHIBA.com
ARCHITETTI IN RI-VOLUZIONE LIVE PERFORMANCE
Lugano | Piazza Riforma | 24-05-2012
"Canto le forme dei corpi che presero nuova figura": la frase con cui si aprono Le Metamorfosi di Ovidio sono il migliore riassunto della performance che avrà luogo il giorno 24 maggio 2012 alle ore 21.00 in Piazza Riforma a Lugano.
Qui, sessanta studenti del primo anno dell'Accademia di architettura di Mendrisio dell'Università della Svizzera italiana si esibiranno in un esercizio sulle metamorfosi della forma.
Gli allievi indosseranno delle costruzioni da loro stessi realizzate, invadendo la piazza con una dislocazione determinata dalle dimensioni delle loro strutture, che "prenderanno nuova figura" sulla base della velocità di rotazione.
Lo studio della sezione, applicato a un sistema costruttivo a cerniere, grazie alla rivoluzione geometrica e alla forza centrifuga genererà così volumi in continua modificazione disegnando un esteso paesaggio metamorfico.
La grande e spettacolare coreografia, della durata complessiva di circa 30 minuti, sarà accompagnata da un brano musicale appositamente scritto dal compositore Nadir Vassena per utopianbody.org.
L'esercizio rappresenta il lavoro didattico del semestre estivo nell'atelier orizzontale di Riccardo Blumer all'interno del lavoro di primo anno coordinato dall'architetto Mario Botta.
About this video:
Live Recording and Editing by Roberto Vitalini | 24-05-2012
Mathias Steinauer
con sordino - fadenscheinig op.25 (2010)
per clarinetto solo
Andrea Nagy, clarinetto
real-time video projections: BASHIBA.com
Here are some pictures I shot (Roberto Vitalini, bashiba.com) during the creation of the Show "La Verità".
Here is a link to a youtube video I made if you are intererested in the video scenography.
www.youtube.com/watch?v=37RbmfREib0&feature=share&...
For more information about this show, please visit this page:
finzipasca.com/creations/la-verita/
finzipasca.com/fr/creations/la-verita/
"Dans le spectacle, il y aura aussi des projections vidéos sur la toile (réalisées par Roberto Vitalini, bashiba.com). «Ce sont des projections qui font ressentir la fluidité de la peinture de Dalí, qui fait contrepoids à ses formes plus sculpturales, plus figées, explique Daniele Finzi Pasca."
www.lapresse.ca/arts/spectacles-et-theatre/cirque/201301/...
"Autre grande force de La verità: les éclairages et les projections. Les ambiances et les textures visuelles sont extraordinaires. Avec certains tableaux - comme ce champ de pissenlits -, l'effet est saisissant. Les jeux d'ombres des interprètes, derrière le rideau de scène, sont également magnifiques."
www.lapresse.ca/arts/spectacles-et-theatre/cirque/201301/...
Special Thanks to all the people at Place des Arts for facilitating this production.
Daniele Finzi Pasca
Author, director, lights and choreographies co-design
Julie Hamelin
Creative director, producer and participation for the writing
Maria Bonzanigo
Music, choreographies co-design and sound design
Hugo Gargiulo
Set, Props and Hugojo & L’hugo creator
Antonio Vergamini
Executive Producer and artistic consultant
Giovanna Buzzi
Costumes design
Alexis Bowles
Lights Co-design
Roberto Vitalini pour BASHIBA.com
Video design
Geneviève Dupéré
Assistante à la mise en scène
Chiqui Barbé
Make-up and hairstyle Designer
Marc Laliberté
Director of production
Fabrizio Arigoni
Artistic Consultant
Facundo Ponce de Leon
Researcher
Toni Vighetto
Zig creator
Mariève Hémond
Carré creator
Marzio Picchetti
Assistant Lumière et Vidéo (QLab + Christie-L2K1000)
Interprètes: Moira Albertalli, Jean-Philippe Cuerrier, Annie-Kim Déry, Stéphane Gentilini, Andrée Anne Gingras-Roy, Catherine Girard, James Kingsford-Smith, Evelyne Laforest, David Menes, Marco Paoletti, Felix Salas, Beatriz Sayad, Rolando Tarquini
Directeur technique et machiniste: Dave Bourdages
Chef gréeur: Jens Leclerc
Chef sonorisateur: Maxime Lambert
Chef éclairagiste: Benoît Dubord
MARIINSKY's production of "Aida"
Premiere on June 11, 2011 at the Concert Hall of the Mariinsky Theatre in St. Petersburg during the White Nights Festival.
Video Shot by Roberto Vitalini while working on Video and Lights with Alexis Bowles, Daniele Finzi Pasca, Jean Rabasse and team.
Libretto: Antonio Ghislanzoni
Musical Director and Conductor: Valery Gergiev
Stage Director: Daniele Finzi Pasca
Light Designers: Daniele Finzi Pasca and Alexis Bowles
Video Designer: Roberto Vitalini for BASHIBA.com
BASHIBA SPIRAL 3D PRINTED METAL RING
BASHIBA Shop on Shapeways:
www.shapeways.com/shops/bashiba
BASHIBA Spiral:
www.shapeways.com/model/966518/bashiba-spiral-19-50-mm.html
Designed by:
Roberto Vitalini & Virginia Camilo
BASHIBA Rings:
Mathias Steinauer
con sordino - fadenscheinig op.25 (2010)
per clarinetto solo
Andrea Nagy, clarinetto
real-time video projections: BASHIBA.com
Kinetic Sculpture, blumer&friends, Academy of Architecture Mendrisio
Music: To celebrate the centenary of Benjamin Britten's birth:
Benjamin Britten, Curlew River, Op_71, Te lúcis ante términum
Video + Photos by Roberto Vitalini, bashiba.com