View allAll Photos Tagged background_removal,
Taken a couple of days ago - my lovely Marnie, mother of three litters of 5 or 6 puppies each before we adopted her two years ago. Now she's my constant friend and I feel like she's almost my daughter too. I couldn't imagine a more loving, trusting and kind companion.
It's taken me a quite a long time to make this portrait of her, as I removed the background - something I've never done before with any editing tool - this one being PicMonkey. A little tweaking in Topaz Studio too.
We were out for a walk in a high wind - hence the even more 'windblown' look ! If you magnify by clicking twice, you may see my reflection in her eye 😃 .
Thanks as always for your kind comments, faves and support - each is so very much appreciated.
A re-edited shot I took in 2015. Always found it to be overdone. As photography improves with practice, editing is a neverending process too I guess. Hope you like this version, it's more realistic without background removal. Thank you for your time and appreciation!
Kind regards,
Christophe.
Another in the series of reworked Toronto Zoo shots. This one was taken when the Giant Pandas were visiting.
Post processing (including background removal) done in Luminar 4.2
This African Crowned Crane at the Toronto Zoo was in fine shape during my visit in 2018.
This version of the photo was with me playing with background removal in my editing tools.
KWP_4411-Enhanced-Edit-Edit_LuminarNeo-edit
Apologies for faulty background removal.
I've always wanted to make some small Japanese houses, like Ninjago City, but I never knew exactly how I wanted to go about it. Finally, I managed to figure it out! I tried to keep it small, while still detailed. Hopefully, I can make a full strip of these if I find the time.
Another in the series of reworked shots. This beady eyed reptile was see at the Toronto Zoo.
Tonal and background removal done in Luminar4.2
#Connect2Nature
This is a reprocessed version of my last image. This time I show the entire frame uncropped, and have taken more pains with light pollution background removal. Furthermore the color is that resulting from the Photometric Color Calibration process in PixInsight and then stretched with ArcSinhStretch process. I have also oriented the image to represent how it looks on the sky. I think I like the full frame version better since it shows the extent of the dust and creates a sense of place for the nebulae. The print is stunning.
Wait, hold on... something's not right here...
The Castle of Illusion - 100% photoshop free (except for background removal, natch).
An entry for the Colossal Castle competition over at www.classic-castle.com
UPDATE: This won 2nd place in the Fantasy Castle category.
Wherever you find Peony plants, you will find ants. It is said that these two have a symbiotic relationship where the ant 'frees' the flower by consuming the sticky sweet coating. Some have discounted this relationship, but I like to think the former is more accurate. Nature is wonderfully created with all kinds of symbiosis.
Some minor tweaking and background removal in Luminar3.1
I am currently familiarising myself with Luminar Neo, for which I have purchased a two-year subscription, having become a little tired of the increasing cost of maintaining my ON1 Photo RAW product for seemingly minor incremental gains in capability. As part of my familiarisation, I decided to look at testing background removal and layer masking by taking a previously posted shot (‘Done Shopping’) and making an ‘Adamski Effect’ image out of it.
The Adamski Effect uses multiple images, combined to create a single, composite image. The most common application is to render one element of the photo in focus, with the remainder of the image subjected to motion add/or gaussian blur effects. It is named after the Polish photographer and digital artist Antoni Adamski.
The original image was shot using a (manual focus) Samyang 85mm f/1.4 lens mounted to a A7 with using a Pentax K mount adapter form Fotodiox. It was shot at f/1.4 with and exposure of 1/400that ISO 400.
Copyright © Dave Sexton. All Rights Reserved.
This image is protected under international copyright laws and agreements. No part of the image or the Flickr Photostream to which is belongs may be reproduced, stored in retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the Copyright owner’s prior permission.
This is the other half of a pair of images, which were recently created on a beautiful Saturday night, with a barbecue with friends from the Volkssternwarte München on the side. For the other image, see: Where the Telescope Looked...
This was the main course of the evening: NGC7380, also known as the Wizard Nebula, in the constellation Cepheus. It is one of the of the better recognizable shapes of all the nebulae out there. I had seen many beautiful examples of this object here on Flickr, and thought it would be framed nicely on the telescope and camera I had available here. Indeed, I think the framing turned out well!
In contrast to many other images of this object, this one was taken without any filters with a color camera, i.e., it's what the eye could see if it could see colours at night, and if it could do long exposures. Accordingly, the stars appear very dominant here, since they are not suppressed by narrowband filters. But I think it gives the image its own appeal and offsets it a bit form the others. Let's just imagine the many stars are the sparkles set off by the Wizard's magic! Also, I still find it fascinating what wonders you can wrestle from the light-polluted Munich downtown sky with (moderate!) digital post-processing.
Image information:
Acquisition: 345x 30s
Camera: ASI 294 MC Pro, Gain 120, Brightness 30
Acquisition software: SharpCap Pro, live stacking mode with sigma clipping and digital gradient reduction
Correction: 256x flats with flat-darks, 120x darks
Filters: none
Telescope: Meade LX200 16" Schmidt-Cassegrain, f/10
Reducer: Starizona SC corrector, x0.63
Effective focal length: 2524 mm
Mount: custom-built, stationary equatorial mount, no guiding
Post-processing:
SiRiL: Photometric calibration with plate solving, fine background removal, first de-noising step
Fitswork: sharpening, wavelet noise reduction
Luminar 2018: final touch (sharpening, saturation)
Washing machine is busted and there are loads of clothes that i saved for weekend washing. The stupid machine says close door even when its closed..
Does not look like that i will spend the Sunday as planned :(
Hope that you all spend it as planned.. Cheers
Camera Canon EOS Digital Rebel XSi
Exposure 0.003 sec (1/400)
Aperture f/5.6
Focal Length 275 mm
ISO Speed 200
Exposure Bias -2/3 EV
Lens EF 70-300
I use Adobe Photoshop CS4 but most all versions of Photoshop should have all these features. I am making the assumption that you already have a good understanding of how Photoshop works and how to set up layers and such. If not, there are plenty of tutorials on that elsewhere.
I'm not claiming that this is the best way to do this. This is just the way I do it. There are a ton of different ways to get the same results in Photoshop.
Tomorrow's Tutorial: Editing (Background Removal .cont)
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I use Adobe Photoshop CS4 but most all versions of Photoshop should have all these features. I am making the assumption that you already have a good understanding of how Photoshop works and how to set up layers and such. If not, there are plenty of tutorials on that elsewhere.
I'm not claiming that this is the best way to do this. This is just the way I do it. There are a ton of different ways to get the same results in Photoshop.
Tomorrow's Tutorial: Editing (Background Removal)
Including The Flame Nebula, The Horsehead Nebula, The Running Man Nebula, The Great Orion Nebula
Tracked Image with AstroTrac TT 320
280 * 30 Seconds @ F/5.6
Stacked in Deep Sky Stacker
Background Removal in PixInsight
Final Edits in Photoshop
I use Adobe Photoshop CS4 but most all versions of Photoshop should have all these features. I am making the assumption that you already have a good understanding of how Photoshop works and how to set up layers and such. If not, there are plenty of tutorials on that elsewhere.
I'm not claiming that this is the best way to do this. This is just the way I do it. There are a ton of different ways to get the same results in Photoshop.
Tomorrow's Tutorial: Editing (Adding Effects)
Strobist: Single SB-800 Highish camera right.
Some Contrast, background removal and slight blue tint.
I think I like this one better?
Clipping Path Saffron (CPS) is an internet based outsourcing graphic studio providing clipping path service,multi clipping path service,image masking, background removal,drop shadow, retouching,neck joint, raster to vector, image manipulation and other Photoshop services at realistic price within short turnaround time.
I've never spent this long staring at Photoshop before. By far the most difficult background removal I've tried! I don't think I want to see another layer mask for a least a few weeks, lol
OK well I used my recently new (fair enough) photograph skills on my Executor one last time.
A decent photo does not make background removal any easier though...
Building instructions and .ldr file available freely here. I strongly advise to have a look at it before doing anything.
Credits inside the building instructions. Enjoy!
Minor design changes may occur during the life of the MOC. When implemented, I make a new post in the album as soon as the building instructions are updated and available (the .zip file will indicate the date of the revision)
Equipment used, Fuji XT5 Fuji 80mm Macro, Photography light box. One Chain Saw Spark Plug.
Focus bracketing in camera 21 shots, Initial editing in Lightroom,Focus Stacking in Photoshop, background removal, engine background as replacement then a bit of jiggery pokery re blending
Wedding Photo Editing Service Providing from Photo Solutions. We provide all wedding photo, photography photo, Fashion photo, product photo editing, clipping path, Background Removal, Photo Retouching Service and color correction service etc.
#Wedding, #Photography #Weddingphotos #weddingphotoediting #photographyphoto #photographypostproduction #photoediting #photoeditingservice #imageediting #imageeditingservice #colorcorection #background #backgroundremoval #photoeditor #imageeditor #Retouching #photoretouching #imageretouching #photographyeditor #weddingphotoeditor #photobackground #imagebackground #clippingpath #clippingpathservice #deepetching #photoclippingpath #imageclippingpath
Is it Nirvana or Apocalypse?
An improvised mini study in prep for a commercial graphic. Finger-sized toy robot is a USB memory stick branded gadget/gift. Shot it with my phone in a variety of poses against a bright wall found at the office. The idea was to use bright colour as a 'green screen' for chromakey background removal fo subsequent graphic design. The accidental base (back of a book that was lying around) turned out such a good match for the orange, that I thought (despite later bw graphic manipulation) the colour raw material was not a throwaway :)
I googled "random" then blended the images without any particular goal in mind. Basically wanted to play with background removal. The title is a reference to a semi-racist joke.
Noncitizen presenting for speech class: Everyone has cows in their life. Cows at home. Cows at work. Cows in our families. Cows can take over everything. But how do we get rid of the cows?......
Teacher:Chaos.It's pronounced 'chaos'..........
Messier 13, Hercules Globular Cluster
Getting used to the equipment - a quick test run.
Setup:
* Shot through the haze of fireworks
* 55 30-second exposures (lights only)
Equipment/Tech:
* Nikon D5300
* William Optics Zenithstar 73
* Skywatcher HEQ5 Mount
* KStars
Processing:
* Stacked and adjusted in Affinity Photo - levels, colors, background removal
This is a lot of firsts for me... my first tree, my first attempt to use super-basic photoshop for background removal (eye dropper tool and everything!), first attempt to use a pattern in something sort of real-life-ish. Anyway, I'm sort of trying to make a courtyard, but I'm waiting for more bricks to come in the mail. In the meantime, I liked my tree. :-) Oh, and I liked the filling for the spaces left by the arches, too.
Shot in Chisinau, Republic of Moldova (Bortle 6), during the nights of 8th, 9th and 10th of May 2021.
Sky-Watcher Star Adventurer
Sky-Watcher Evostar 72ED (72/420mm)
IDAS LPS-D3 (formerly NGS1) light pollution filter
ES field flattener
ZWO ASI533MC Pro
KStars + Ekos for capturing (120s, 0 gain, 0 degrees Celsius)
Astro Essentials 32mm f/4 Mini Guide Scope
Logitech Fusion modded webcam
lin_guider for guiding
Pre-processed, registered and stacked all 200 frames using Siril
Siril for basic post-processing (photometric calibration, background removal, SCNR)
RawTherapee for advanced post-processing
Sent through starfixer
enfuse in 2 iterations to fixup the background
Final assembly in Gimp (2 layers, one for background sky and one for colorful galaxies)
Photoshop Tutorial: How to Remove Background from Image
www.colorexpertsbd.com/clipping-path-services.html
For the background removal of a product (here, a car) from its image, clipping path is a widely used technique. It is done with Adobe Photoshop’s pen tool. The tutorial shows the background removal of a car from its image using a clipping path technique.
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RA: 19h 01m 38.54s, Dec: −36° 58′ 12.34″
www.astrobin.com/u8gdwt/#sky-plot
NGC 6729 is a variable reflection/emission nebula of the Corona Australis Molecular Cloud in the constellation Corona Australis. The Corona Australis molecular complex is one of the closer star-forming regions of the galaxy, at a distance of 130 pc.
Source: Wikipedia
OTA: Quasar 12.5" f/9 Ritchey-Chretien (ATEO-3, Insight Observatory, Deep Sky Chile).
Camera: SBIG STL-11000 (10.7 MP)
Mount: Losmandy Titan
Total integration time: 21 hrs 0 min
Subs:
30 x 600 sec RED (bin x1)
28 x 600 sec GREEN (bin x1)
19 x 600 sec BLUE (bin x1)
49 x 600 sec LUMINANCE (bin x1)
Data acquisition: 19/09/22 - 24/09/22 (Franck Jobard www.astrobin.com/95ue3u/0/)
Starbase dataset: NGC 6729 - LRGB (2022)
Calibration, alignment, integration & initial image processing (channel combination, background removal, RC-Astro toolkit, non-linear stretch): PixInsight
Post-processing & finishing: Adobe Photoshop, Corel PSP2019 & Adobe Lightroom
reprocess of yesterday's image, after learning more tricks in Lightroom and applying Pixinsight's background removal tool. This is only 15 images of 30 secs, at ISO 3200, using the Sony A7s camera and Tak E-130D scope
High-quality Clipping path, Background removal, Advanced Photoshop mask, Shadow effect, Retouching, Image optimization, Raster to vector conversion and other Photoshop services. We probably operate the best offshore Graphics design studio in the world. To make sure we keep delivering the top quality we only employ the best Desk of publishing professionals and spend much time and resources on further education and training. Great quality, best services, and great reasonable price.
RA: 04h 21m 47.46s, Dec: +19°30′28.3"
www.astrobin.com/qwf2le/B/?nc=user#sky-plot
Hind’s Variable Nebula is a variable nebula located 400 light-years away in the constellation Taurus. The nebula is about 4 light-years across. It is illuminated by the young pre-main sequence star T Tauri. Hind’s Nebula is a Herbig-Haro object, a bright patch of nebulosity in which new stars are forming. Visually, it changes in apparent size and magnitude over weeks and months. It varies in brightness because of material that occasionally comes between it and the variable star T Tauri.
Source: www.constellation-guide.com/hinds-variable-nebula-ngc-1555/
OTA: Dreamscope 16" f/3.7 astrograph (SkyPi, Pie Town, NM, US)
Camera: ZWO ASI 6200MM Pro
Pixel Size: 3.76 x 3.76 micron
Image Scale (1x1): x arcsec/pixel
FOV: 1.37° x 0.92°
Mount: Paramount ME
Guiding: Unknown
Imaging data: ATEO-1 at SkyPi, Pie Town, NM USA
Available from the Starbase website starbase.insightobservatory.com/inventory
Subs (9/11/21 - 12/11/21):
10 x 300 sec RED (bin x1)
10 x 300 sec GREEN (bin x1)
10 x 300 sec BLUE (bin x1)
10 x 300 sec LUMINANCE (bin x1)
Integration: 3 hrs 20 min
Initial image processing (channel combination, background removal, RC-Astro toolkit, non-linear stretch): PixInsight
Post-processing & finishing: Adobe Photoshop, Corel PSP2019 & Adobe Lightroom
RA: 05h 22m 37.23s , Dec: +33° 23′ 48.71″
www.astrobin.com/bobr7j/#sky-plot
The Tadpole Nebula (IC 410) is an H II region located approximately 12,400 light-years away in the constellation Auriga. The cloud of ionized gas is over 100 light-years across, sculpted by stellar winds and radiation from embedded open star cluster NGC 1893.
OTA: AG10 CDK f/6.7
(Gemini Observatory - Lijiang, China)
Camera: ZWO ASI6200MM Pro
Mount: SkyWatcher EQ8RH
Guiding: Unknown
Total integration time: 10 hr 0 min
Subs:
14 x 600 sec SII (bin x2) mapped to RED channel
31 x 600 sec Ha (bin x2) mapped to GREEN channel
15 x 600 sec OIII (bin x2) mapped to BLUE channel
Data acquisition: 08/01/2021 - 05/02/2021 (Alpha Zhang)
Insight Observatory Starbase dataset: IC 410 - HaO3S2 (2022)
Calibration, alignment & stacking
Initial processing (channel combination, background removal, non-linear stretch, RC-Astro toolkit): PixInsight
Post-processing & finishing: Photoshop, PSP 2019, Lightroom
🃏 RABBIZARD – Custom Pokémon Card (Full Art Foil)
Photo taken during the Pool Patrol exhibition in Toulouse by LISA SALVADOR www.linkedin.com/in/lisa-salvador/ or @capturemoiça
🎨 Concept, design & production by EL JOKER
️ Limited print: 30 copies (15 Foil + 15 Standard)
📅 Created between May 29 and June 9, 2025
💬 Card Text :
Name: RABBIZARD
HP: 220 – 🔥 Fire Type – Single Strike
Ability – Inferno Rush
Once during your turn, you may attach a 🔥 Energy card from your discard pile to this Pokémon. If you do, put 2 damage counters on it.
Attack – Magma Spiral Kick (🔥🔥🔥): 150
Discard 1 Energy attached to this Pokémon. This attack also does 20 damage to each of your opponent’s Benched Pokémon. (Don’t apply Weakness and Resistance for Benched Pokémon.)
Weakness: ×2 Psychic
Resistance: None
Retreat Cost: 🔘🔘🔘
📖 Pokédex Entry:
Legends tell of Rabbizard using underground lava tunnels to ambush prey and vanish before it can be seen. Its kicks leave the ground scorched for days.
🎨 Illustrator: EL JOKER
Card Number: 42/1337 ★★
✨ Foil Finish:
Unique Crystal Pattern holographic effect – mesmerizing reflective look while keeping the card perfectly readable.
Also available in classic Rainbow foil for a clean, neat shine.
🔧 Software & Tools Used:
ChatGPT (concept, lore, balancing) → chat.openai.com
DALL·E (base AI illustration) → openai.com/dall-e
Photopea (editing & layout) → www.photopea.com
PicsArt – AI Expand → picsart.com/create/editor?app=com.picsart.edit.aiexpand
IMG Candy – 500 DPI Converter → imgcandy.com/fr/dpi-converter.html
PhotoRoom – Background Removal → www.photoroom.com/fr/outils/detourer-une-image
Dewatermark.AI – Watermark Removal → dewatermark.ai/fr/upload
GIMP → www.gimp.org
LibreOffice Draw → www.libreoffice.org
PokecardMaker → pokecardmaker.net/creator
MTG Print (printing) → mtg-print.com
MTG Card Builder (template) → mtgcardbuilder.com/creator/
PDF2CMYK (RGB → CMYK conversion) → www.pdf2cmyk.com
CompressJPEG (JPEG size reduction) → compressjpeg.com/fr/
📁 Base Scarlet & Violet Full Art template by:
🎨 aschefield101 → aschefield101.deviantart.com/
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