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review-holen-modernart-dec15 by Drenched

Exhibition Review - Yngve Holen:'Earthling' Stuart Shave/ Modern Art, London till 18th Dec 2015.

Yngve's alien-encounter is a version

of the total angle that eyed me

in the shape of a deep signal breach. - Drenched Co

Comment: "In this exhibition, I believe Yngve is still concerned with ideas about how our relationship to objects is constantly being undermined and made needlessly complex through human agency. My 'scooter' is alien to me, however much I need and depend on it. It is an alien casting its evil eye upon me, smirking like a hater-head, mirroring the distrusting and secretive industries that put it together. " - JayZee.

See www.modernart.net/view.html?id=1,4,1383,1384

Caption: Image above: Yngve Holen© Exhibition View Modern Art, London 2015

Image courtesy of the artist and Modern Art, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #stuartshavemodernart #modernart #stuartshave #yngveholen #earthling #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #artexhibition #artinstallation #installationart #sculpture #germanart #artgerman #artingermany #artinnorway #artnorway #norwegianart #alienencounter #deepsignal #alienation #scooter #evileye

review-Pleitner-Kerlin-mar16 by Drenched

Exhibition Review - Jan Pleitner:'Water for the Tribe' Kerlin Gallery, Dublin till 12th March 2016.

Charge your heart with paint

and rush its imprint through a

dragnet of emotions. - Drenched Co.

Comment: "Mr Pletiner's young star is on the rise. I first saw his work in 2014, and now, as then, Pleitner's lines, his gesture, his pallete, reminds me of De Kooning's sinewy abstractions (see for instance Women 1 (1952)), highly energetic, all-action, all expression. With Pleitner I see a barren landscape of muscle and sinew, coiled, taut and tense, rigid and strained beneath the skin, torn down and rebuild in singular expiration of energy. You get involved with this energy, his emotions, his honest instinctual out-pour. Yet you wonder how much of it is honest, how much is performed emotion. Or does it matter?" - FaSa

See www.kerlingallery.com/exhibitions/jan-pleitner

Caption: Image above: Installation view Jan Pleitner© Kerlin Gallery, Dublin 2016

Image courtesy of the artist and Kerlin Gallery, Dublin.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #WaterfortheTribe #JanPleitner #KerlinGallery #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #installationart #artinireland #irishart #artireland #artingermany #germanart #artgerman #actionpainting #Dekooning #abstractexpressionism #sinew #muscle #performanceart #instinct #oldenburgart #LeeLozano #dusseldorfart

review-vonwulffen-studiovoltaire-mar17 by Drenched

1

Exhibition Review - Amelie von Wulffen:'The misjudged Bimpfi', Studio Voltaire, London till 2nd April 2017.

“The past stealing ballast of this light

that still shines through to places unknown,

ruins that a nation carries in its heart,

putting more shadow in the shadows,

shattering a mirror to stare at ghosts."- Drenched Co.

Comment: "There are shadows in Amelie's work, dark clouds that spread through her paintings, overcoming them, rising as though from some scene of an unatoned crime, filled with ghosts and spectres that do not die their own death. As a 'Nachgeborenen', perhaps Amelie is introducing us to the impossibility of mourning, leaving us with bottles of ether and somewhere in a place between consciousness and unconsciousness, filled with immovable obstacles to repentance and salvation. Or perhaps she is telling us about the traumatising loss of innocence and something that may inaugurate the work of mourning. Perhaps Amelie is suggesting this through the example of Mann's hero in Doktor Faustus, by dropping harmony and counterpoint and a legacy that is univocal and given, and assembling her dark montages of memories in the rhythm of various painterly traditions, always equally fluid and disjointed. Either that or Amelie is telling us that art is incurably sick and impotent against the monsters in us, foretelling perhaps a dark coming. I found her installation/sculpture especially interesting and revealing." - FaSa

See www.studiovoltaire.org/exhibitions/

Caption: Image above: Installation view Amelie von Wulffen© Studio Voltaire, London 2017.

Credits: Amelie von Wulffen, The misjudged Bimpfi, Installation view, Studio Voltaire 2017. Courtesy of the artist and Studio Voltaire. Credit Andy Keate.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #AmelievonWulffen #StudioVoltaire #ThemisjudgedBimpfi #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #theodoradorno #jacquesderrida #theworkofmourning #theimpossibilityofmourning #collage #thomasMann #doktorfaustus #germanart #artingermany #artgerman #anselmkiefer

review-jeschke-letrangere-feb16 by Drenched

Exhibition Review - Marie Jeschke:'Can't Remember Always Always' l’étrangère, London till 5th March 2016.

With Jeschke, I tug at crumpled fossils,

plots drawn from a moving landscape

to tease out the betrayal of memory. - Drenched Co.

Comment: "In her fresh and well put together little show at l’étrangère, Jeschke alludes to the altering of memory through cultural and natural effects over time. To me, Jeschke's work also suggests how a changing reference system of a given culture changes what we see and how we see. As codes of memories change, we cease to notice or alter the way we see certain elements in our environment. As well as being unreliable, memory is selective. For me, Jeschke wants us to consider how time and culture teaches us what to remember and what to ignore. I loved her aluminium totem-like sculptures." - FaSa

See letrangere.net/exhibition/marie-jeschke-3/

Caption: Image above: Installation view Marie Jeschke© l’étrangère, London 2016

Image courtesy of the artists and l’étrangère, London. Photo: Andy Keate

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #CantRememberAlwaysAlways #MarieJeschke #letrangere #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #installationart #nostalgia #memory #semiotic #mnemonic #HiddenseeIsland #artingermany #germanart

Art Berlin by Nuria Fatych

Berlin, 2010.

review-baltes-limoncello-jan16 by Drenched

Exhibition Review - Cornelia Baltes:'Drunk Octopus wants to fight' Limoncello, London till 20th Feb 2016.

I can't tell if I am intrigued more by Cornelia's comical forms or the way everything plummets into ambiguity, giggling! - Drenched Co.

Comment: " Cornelia is the bravest artist I know. She opens apertures onto places mainstream artist avoid, into the quirky undertow of our lives. And she confidently weilds humour, gobs of paint and routed mdf into wacky cacophonous imagery. And through her wonderful circuitous routes of observations, through her use of rhythms and colors and particularly through her humourous pared down depictions, these quirks of daily life bring microscopic rifts to the logic and relation of parts to the elusive whole. All the while looking so wonderfully ballsy and cool." - FaSa

See www.limoncellogallery.co.uk/exhibitions/drunk-octopus-wan...

Caption: Image above: Installation view Cornelia Baltes© Limoncello, London 2016

Image courtesy of the artists and Limoncello, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #DrunkOctopuswantstofight #CorneliaBaltes #Limoncello #limoncellogallery #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #painting #paintings #graphicart #chic #quirkyart #germanart #artgermany #artingermany #comicart #coolart

review-behlau-pmam-nov15 by Drenched

Exhibition Review - Stefan Behlau:'BANZAI' PM/AM, London till 14th Dec 2015.

Color gushes in prismed haze,

a mirage, plump with promise. - Drenched Co

Comment: "With Stefan's paintings I saw vertical rhythms and chromatic weights and meticulously calculated and executed paintings. Less of a Banzai charge, more of a measured tumble or a calculated accident. I also saw an overcrowded field and high barriers of entry. Good luck Stefan." - JayZee

See www.pmam.org/exhibitions/stefan-behlau-banzai/

Caption: Image above: Stefan Behlau Installation view PM/AM, London 2015.

Courtesy of the artist and PM/AM, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #pmam #pmamgallery #StefanBehlau #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #artexhibition #artinstallation #installationart #videoart #artvideo #filmart #artfilm #sculpture #sculptures #chromatic #colorfield #banzai #mirage #germanart #artingermany #artgerman #swissart #artswiss

review-roithmayr-bloombergspace-feb17 by Drenched

Exhibition Review - Florian Roithmayr: 'ir re par sur', Bloomberg SPACE, London till 18th March 2017.

“Florian's reaches down into the religious substance out of which we are moulded."- Drenched Co.

Comment: " I liken Florian's alchemical experiments to photography, as a kind of moulding, organising various forces to a state of equilibrium to a particular moment, when through the intermediary of all materials involved - human, chemical and mechanical, an imprint is taken, creating a world as it isn't. What is interesting here is the way Florian's gestures, his subjecthood, brings agency in the processes of subjectivation to the apparatus of flow and formlessness entering a dialogue with form, structure and systems. " - Raj

See www.bloombergspace.com/artists/upcoming/ir-re-par-sur/

Caption: Image above: Installation view Florian Roithmayr© Bloomberg SPACE, London 2017.

Image courtesy of Bloomberg SPACE, London. Photo: David Morgan Photography, 2017

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #FlorianRoithmayr #BloombergSPACE #irreparsur #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #formlessness #flow #photography #mould #imprint #gesture #Acheiropoieta #GeorgesDidiHuberman #HenryColeman #RupertNorfolk #physicalinformation #Barthes #artingermany #germanart #artgerman

review-group-revuegallery-mar16 by Drenched

Exhibition Review - Aglaé Bassens and Eric Oglander:'What You Can’t See' Revue Gallery, London till 27th March 2016.

Aglaé hangs an emptiness in a trepassing slack

as color runs a stumbling presence. - Drenched Co.

Comment: "In the tradition of the best 'drab' poetry, Aglaé's paintings have little sensuous imagery and little need for histrionics. They dignify a quiet, intimate tone. And released from pretentiousness, noise and vulgarity, these paintings, as with Oglander's mirrors, have the potential of returning us to that odd cusp between thing and idea, wherefrom all poetry originates. I was bowled over by Aglaé's mural" - JayZee

See sohorevue.com/revue-gallery/current

Caption: Image above: Installation view Aglaé Bassens© and Eric Oglander© Revue Gallery, London 2016

Image courtesy of the artists and Revue Gallery, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #WhatYouCantSee #AglaeBassens #EricOglander #RevueGallery #sohorevue #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #installationart #artingermany #germanart #artgerman #mauriceblanchot #WHAuden #aquarium #mirrors #craigslist #craigslistmirrors

review-thilo-carlfreedman-sept16 by Drenched

Exhibition Review - Thilo Heinzmann: 'To Be And To Be' Carl Freedman Gallery, London till 22nd Oct 2016.

“Something happened beyond the frame.

Something left behind.

Something reframed."

- Drenched Co.

Comment: "Heinsmann's clever use of disjunctive, anachronistic elements made me think of a forensic enquiry into the Modernist project. His paintings are like 'petri dishes' used to culture the isolated craft and technique of modernism. Heinsmann substitutes the subjective and subtle process of discovery for the 'science'." - FaSa

See carlfreedman.com/exhibitions/2016/to-be-and-to-be/

Caption: Image above: Installation view Thilo Heinzmann© Carl Freedman Gallery, London 2016

Image courtesy of the artist and Carl Freedman Gallery, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #ThiloHeinzmann #CarlFreedmanGallery #CarlFreedman #ToBeAndToBe #artingermany #germanart #artgermany #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #modernism #anachronism #petridish #timeandspace #forensic #craft #technique

review-meckseper-timothytaylor-oct15 by Drenched

Exhibition Review - Josephine Meckseper at Timothy Taylor, London till Nov 14th 2015.

Instead of questioning the practice of

placing relics of a culture or a time

in a glass case in a museum or a gallery,

Meckseper's interest has become entangled

with the language of display itself. - Drenched Co

Comment: "The great grand daughter of a renown artist and architect puts on her most compelling exhibition to date at Timothy Taylor gallery. I thought her work is less about the mish mash contents of her ertswhile vitrines as the vitrines themselves. I especially loved 'ALPHAVILLE'. "- Fasa

See timothytaylorgallery.com/exhibitions/josephine-meckseper1...

Caption: Image above: Exhibition views - Josephine Meckseper at Timothy Taylor, 2015

Courtesy of the artist and Timothy Taylor, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #TimothyTaylor #TimothyTaylorgallery #JosephineMeckseper #artinlondon #londonart #artlondon #artreview #contemporaryart #art #artists #artexhibition #artinstallation #installationart #artgermany #germanart #artingermany #sculptures #sculpture #displayart #vitrineart

review-klauke-annelyjudafineart-sept15 by Drenched

Exhibition Review - Jürgen Klauke : 'Aesthetic Paranoia' Annely Juda Fine Art, London till Oct 24th 2015.

Klauke's hair is a conduit

to subtle cosmic energies

that tugs at him to

dread! - Drenched Co

Comment: "19 prints of Klauke's world pioneering work in both 'body art' and photography - a whopping big show by all accounts. " - JayZee

Key: A head full of interpretations and their hindering of perception spells paranoia.

See www.annelyjudafineart.co.uk/exhibitions/juergen-klauke-ae...

Supplied Caption:Jürgen Klauke Wackelkontakt (2004/2006) photo print 180 x 240 cm

Image Courtesy of the artist and Annely Juda Fine Art, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #cutsovers #drenchedco #soakedspace #JürgenKlauke #AestheticParanoia #AnnelyJudaFineArt #germanart #artexhibition #art #artist #artingermany #artgerman #artinlondon #londonart #artlondon #reviewart #artreview #artexhibition #artphotography #photographyart #sculpture # #performanceart #artperformance

review-behrens-martdublin-oct16 by Drenched

Exhibition Review - Marc Behrens: '«Phantoms»' The MART Gallery, Dublin till 22nd Oct 2016.

“To listen is to edit,

the raphsody of the wind,

to hear is to see,

its conditions of possibility."

- Drenched Co.

Comment: "To me, Behrens is our guide to the auditory unconscious, to sound that we won't hear or can't hear, to the confused swarm of elemental noise. Behrens, through his expertise in montage and editing, introduces us to the contaminated pause, to the backdrop that reveals sound. In near silence, he sensitises us to ghosts, to notions of intent and to the sounds of our imagination. The exhibition is esoteric and sparse. It requires commitment to discern the artist in his compositions. He nudges us towards the infinite but it is lost upon us. It begs another look." - Raj

See www.mart.ie/calendar/marc-behrens/

Image courtesy of the artist and The MART Gallery, Dublin.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #MarcBehrens #TheMARTGallery #themart #Phantoms #irishart #artireland #artinireland #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #photoart #artphotography #portoart #germanart #artgerman #artingermany #goetheinstitute #soundart #artsound #pause #lebruitdefond #leibniz

review-hartmutboehm-barthacontemp-oct15 by Drenched

Exhibition Review - Hartmut Böhm:'Works with Grid – Works without Grid' Bartha Contemporary, London till Oct 10th 2015.

With Böhm, I pause for the

hard-edged objectivity of the

man-made that allows me for a

few moments to retrieve my

sameness

against the overwhelming

indifference of my subjectivity. - Drenched Co

Comment: "After this exhibition I was compelled to go back to my studio to Make, to bend material to my will and to feel happy, to avoid for a few hours living in a haze of ideas and their slipperiness."- Jayzee

See www.barthacontemporary.com/exhibitions/hartmut-bohm/

Caption: Formation aus Genüberstellungen 1- 6, 2008 - 09 Dibond, 44 x 44 x 1.6 cm

Image Courtesy of the artist and Bartha Contemporary, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #BarthaContemporary #HartmutBohm #artinlondon #londonart #artlondon #germanart #artgermany #artingermany #artreview #contemporaryart #painting #paintings #sitespecificart #artinstallation #sculptures #sculpture #art #artists #artexhibition #minimalistart #minimalism #geometricart

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