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One of my artworks from the Exhibition FRAGMENTS showed at our new Gallery THE EDGE.
The poem by Eli Medier makes it talk, ty Eli :)
"No more dreams
lead now I am
anchored to the ground
by gray children
of gray ideologies
of power and death
I live in a separate reality
spend my days
to count the days
I aspire to heaven
and sink into the abyss
Nothing more distinguishable
trapped now
in this semblance
deceptive of life
I float in hyperbolic spaces
negative geometries
the existence curve
on the infinite limit circle
I find a crack
and disperse in myriads
of subtle vibrations
Diaphanous strings
envelop me
in narrow universes
The heart dries up
with rigorous metrics
We are peripheral numbers
sobs of ancient gods
indifferent anthropophages
Inhuman tangential presences
mark the solitude
of incomprehensible absences
Forced into this garden
multitude of fools
we are in labels
of white coats
Imperfect mechanisms
aspirants to human
Our disease
is in a divine folder
an irrevocable judgment"
© Eli Medier
Thanks to our friends Inara and Oema for their kind attention :)
modemworld.me/2020/05/25/the-edge-a-new-home-in-second-life/
One of my artworks from the Exhibition FRAGMENTS showed at our new Gallery THE EDGE
Thanks to the friendly people that were with us at the opening, that favour my picture and visit our exhibition.
The Martu Artists
Martumili Ngurra (This is all Martu’s Home) presents the Martu peoples’ homelands, including the Great Sandy and Gibson Deserts. The six artists who collaborated on the work all live or have strong family associations with the remote community of Parnngurr, located 370 kms east of Newman in Western Australia. The painting includes sacred sites, waterholes, and pathways that are integral to Martu life, whilst also recording the impacts of mining and modern pastoralism.
Artists from the Martu communities in Western Australia are renowned for their collaborative works, reflecting their deep knowledge of the land and ancestral stories. These impressive paintings serve an important role in the education of younger generations, ensuring culture is preserved. They depict the desert landscape in intricate detail, mapping significant cultural, social, and ecological sites, as well as sharing geographic information and instructions on caring for Country. These works are the result of collective processes where older and younger artists come together to paint, share stories and sing, passing down Martu knowledge to future generations.
Kalyu was painted as a protest against uranium mining exploration near Karlamilyi National Park in Western Australia. It depicts a fragile ecosystem with vital underground water systems, illustrating the interdependence of each of the elements and reflecting a deep cultural and ecological connection to Country. Kalyu is a powerful statement for the preservation of the desert environment. The painting documents the landscape from below the ground up to the surface of the earth.
[We] painted to save it from the uranium mine…and to tell them there is an underground stream…There’s no water on the surface to keep the dust down. That’s why we painted this big painting, to tell them and to teach others about the water system in our land. —Ngalangka Nola Taylor, 2014
texture by picasaweb.google.com/117908798091765024199/TheSquareTextu...
and the song .. www.youtube.com/watch?v=-CrHXnnyBrg
This installation is called violenza casuale (literally "random violence"), in which a pile of wooden beams is being crushed to splinters by a hydraulic machine (that looks like an oversized cockroach).
"Dawn in Twilight"
(oil on canvas, 50x40 cm)
(Traditional Painting Meets AI)
Image made using Grok - is a free AI assistant designed by xAI to maximize truth and objectivity.
taken at
FiveMyles Art Gallery
Crown Heights, Brooklyn
one of my favorite places to visit in my neighborhood
check out my FiveMyles album to see some art exhibited there
décorez votre intérieur avec une de mes photographies, si vous ne trouvez pas votre bonheur sur ma galerie Zeinberg, envoyez moi un MP avec les références de la photographie qui vous plaît et je l'intégrerai.
Vous pouvez choisir, votre format, votre cadre, le premier prix est abordable, bonne visite et peut être à bientôt chez vous au travers d'une de mes oeuvres.
Offrez vous une de mes #Photography en tirage photographique de la #Cotedazurfrance en qualité galerie par #ZeinBerg, laboratoire de la célèbre galerie d'art #YellowKorner
unrise over the Baie des Anges in Nice,
decorate your interior with one of my photographs, if you can't find what you're looking for on my Zeinberg gallery, send me a PM with the references of the photograph you like and I'll include it.
You can choose, your format, your frame, the first price is affordable, good visit and maybe see you soon at home through one of my works.
Treat yourself to one of my #Photography in photographic print of #Cotedazurfrance in gallery quality by #ZeinBerg, laboratory of the famous art gallery #YellowKorner
----> fr.mylabphoto.com/?id=1025503
#Artiste #LimitedEdition #artgallery #galeriedart
retrouver sur Instagram mon laboratoire photographique et la galerie d'art qui édite ses photos chez lui
www.instagram.com/yellowkorner_official/
La Principauté de Monaco est limitrophe avec quatre communes du département français des Alpes-Maritimes (d’ouest en est : Cap d’Ail, La Turbie, Beausoleil et Roquebrune Cap-Martin) et possède une façade sur la Méditerranée.
Sa superficie est de 2 km2, dont près de 40 hectares gagnés sur la mer au cours des 20 dernières années. Elle s’étend sur une étroite bande côtière de 4100 mètres culminant à 163 mètres. Sa largeur varie de 1050 mètres à 350 mètres.
The Principality of Monaco is bordering with four municipalities of the French department of the Alpes-Maritimes (from west to east: Cap d'Ail, La Turbie, Beausoleil and Roquebrune Cap-Martin) and has a facade on the Mediterranean.
Its area is 2 km2, of which nearly 40 hectares have been won over the sea in the last 20 years. It stretches along a narrow coastal strip of 4100 meters culminating at 163 meters. Its width varies from 1050 meters to 350 meters.
Hubert Sattler (Wien 1817 - 1904 Wien)
Kosmorama: Akropolis in Athen (Griechenland), 1855
Cosmorama: Acropolis in Athens (Greece)
Öl auf Leinwand | Oil on canvas
Salzburg Museum
Currently at the exhibition "BIEDERMEIER. The Rise of an Era | Eine Epoche im Aufbruch" in the Leopold Museum in Vienna
www.leopoldmuseum.org/en/exhibitions/148/biedermeier
Hubert Sattler "traveled widely and was noted for large and minutely detailed cosmorama paintings of cities, monuments, and landscapes of many countries. [...]
Cosmoramas were exhibitions of perspective paintings of various places, often world landmarks; careful use of illumination and lenses gave the images greater realism. Sattler's cosmorama works, characterized by a high degree of detail, were sometimes displayed under lights in a dark room to paying customers looking through an aperture and often a magnifying lens."
Pieter Hugo is a photographer who primarily works in portraiture and whose work considers the role of photography between documentary and art traditions with a focus on peripheral communities. He lives in Cape Town
When visiting the amazing Aros art gallery recently in the centre of Aarhus, Denmark's second largest city, I was transfixed by a resident artist creating an impressive new art work in the moment. I was not the only one captivated by this. I think the couple in the 'front row' had been there for a while also enjoying the experience. I noticed they both wore glasses. I was waiting for the split second where you could follow both their sight with the direction of their glasses firmly at the artist. And it happened. A special moment.
"In my Head" B&W Film photography -> "You don't want to be in my head, do you?"
My equipment:
Camera - Konica IIA (Production Year 1956)
Lens - 48mm f/2 Hexanon
Film - ILFORD PAN 400
It's my unique Analog & Digital alliance.
The result: My new NFT-Drop is here, on the OpenSea marketplace, floor-price only 0.025 ETH: opensea.io/assets/ethereum/0x495f947276749ce646f68ac8c248...
"There is one thing stronger than all the armies in the world, an idea whose time has come."- Victor Hugo
ART SHOP: etsy.me/2gQ1aMQ
Gregory Dummies saw life in its diversity, could rise from the everyday to a high generalization from the perception of a real nature to her artistic understanding.
Dummies Gregorio L.-1960-2008-
Place of birth: d. Grahovo, Udmurtia
Place of death: Moscow
Corresponding Member of the Russian Academy of Arts. Honored Artist of the Udmurt Autonomous Republic. He was awarded the Silver Medal of the Russian Academy of Arts. Laureate of Russian Art Gallery (2007).
In 1978 he enrolled in the graphic arts department of the Udmurt State University. In 1987 he graduated MGHI them. VI Surikov in the studio of Professor VG Tsyplakova. In 1988 he admitted to the Union of Artists of the USSR. From 1988-1991. He worked in creative workshops of the Russian Academy of Fine Arts ..