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A month ago, I quoted some analysts saying that it won't last more than 3 months and now here we are right at the endgame. As Graham E Fuller -- formerly vice-chair of the National Intelligence Council, having served as Station Chief in Kabul for the CIA -- put it succinctly in his blog on 16th this month :
" The final end of the government in Kxxx is at hand as the inexorable logic of regime collapse gains momentum. It seems more of a surprise to current policymakers than to those many observers with a long-time familiarity with the country’s dynamics. It will not be pleasant to watch, but it has long been inevitable given the utterly unrealistic ambitions and poor policy execution that Washxxx has maintained in Afgxxx. Unfortunately, those darker, but more insightful views on the entire enterprise have long been largely stifled by our media...
... it is the overall decline of Amxxx domestically and geopolitically that is the telltale sign of its deeper weakness; there is an increasing international belief that the UX is living inside a fantasy bubble of denial about maintaining its global hegemony. If the 20-year UX military presence in Afgxxx had actually ever shown any serious concrete advancement towards concrete goals, that would be one thing. But the neocons are ever content to throw good money after bad in the blind pursuit of hegemony — even in the very heart of “the graveyard of empires...
But Washxxx’s focus on Afgxxx in reality has had very little to do with establishing a better and more equitable society for the Afgxxx... "
*
On another occasion, I opined that ( amongst the Russian cellists ) " the audience have probably heard too much of Rostropovich, too little of Daniil Shafran, rarely of Knushevitsky, hardly of Yakov Slobodkin, mostly due to the monopoly of the media! Has it occured to them that the order should be the other way round ? " That is to say, if one is really looking for genuine artists and musicians instead of virtuoso, showmanship, playing to the tune of propaganda narratives :
www.youtube.com/results?search_query=rachmaninoff+cello+
www.youtube.com/watch?v=ovuH2eWyykY
*
Clara Schumann's pupil Carl Friedberg, who was 3 years older than Rachmaninoff and was rather closely associated with Kreisler, Carl Flesch, Schnabel and having collaborated directly with Mahler :
www.youtube.com/watch?v=r6mWDbui258
*
DOWN IN THE VALLEY (RUSSIAN FOLK SONG) - IVAN SKOBTSOV
A month or so ago, I quoted some analysts saying that it won't last more than 3 months and now here we are, right at the endgame. As Graham E Fuller -- formerly vice-chair of the National Intelligence Council, former Station Chief in Kabul for the CIA -- put it succinctly in his blog on 16th this month :
" The final end of the government in Kxxx is at hand as the inexorable logic of regime collapse gains momentum. It seems more of a surprise to current policymakers than to those many observers with a long-time familiarity with the country’s dynamics. It will not be pleasant to watch, but it has long been inevitable given the utterly unrealistic ambitions and poor policy execution that Washxxx has maintained in Afgxxx. Unfortunately, those darker, but more insightful views on the entire enterprise have long been largely stifled by our media...
... it is the overall decline of Amxxx domestically and geopolitically that is the telltale sign of its deeper weakness; there is an increasing international belief that the UX is living inside a fantasy bubble of denial about maintaining its global hegemony. If the 20-year UX military presence in Afgxxx had actually ever shown any serious concrete advancement towards concrete goals, that would be one thing. But the neocons are ever content to throw good money after bad in the blind pursuit of hegemony — even in the very heart of “the graveyard of empires...
But Washxxx’s focus on Afgxxx in reality has had very little to do with establishing a better and more equitable society for the Afgxxx... "
*
On another occasion, I opined that ( amongst the Russian cellists ) " the audience have probably heard too much of Rostropovich, too little of Daniil Shafran, rarely of Knushevitsky, hardly of Yakov Slobodkin, mostly due to the monopoly of the media! Has it occured to them that the order should be the other way round ? " That is to say, if one is really looking for genuine artists and musicians instead of virtuoso, showmanship, dancing to the tune of propaganda narratives :
www.youtube.com/watch?v=W_X5_cBftUc&list=RDGMEM8h-ASY...
www.youtube.com/results?search_query=rachmaninoff+cello+
www.youtube.com/watch?v=ovuH2eWyykY
*
Clara Schumann's pupil Carl Friedberg, who was 3 years older than Rachmaninoff and was rather closely associated with Kreisler, Carl Flesch, Schnabel and having collaborated directly with Mahler :
www.youtube.com/watch?v=r6mWDbui258
*
Beethoven's Violin sonatas, Haskil & Grumiaux
www.youtube.com/watch?v=HILbYu16eHg
*
Enrico Caruso, Una Furtiva Lagrima, 1904, remastered
www.youtube.com/watch?v=t936rzOt3Zc
Enrico Caruso - E lucevan le stelle 1904. Digitally remastered.
www.youtube.com/watch?v=3TjEoAXzJ9E
Torna a surriento
www.youtube.com/watch?v=MsVk9sGiDcc
Ch'ella mi credo libero
Freightliner Shed 66519 pauses at Nuneaton for a crew change as a couple of folk, each with rather different intentions, assess the contents of their electronic screens.
The train is the 9.25am Southampton Maritime CT - Garston FLT containers (4M58).
A number of enthusiasts had been lined up at the end of the platform waiting on a steam locomotive movement from Southall to Crewe, 'Black 5' 45212, and expecting it to use the slow lines.
It came through all right but, to almost everyone's surprise, used the fast lines - and wasn't hanging around either! Needless to say there was much disappointment amongst the thwarted photographers, some commiserations, and just a hint of disgust.
Ces't la vie ......... as Larry Grayson might have said.
3.46pm, 24th April 2018
© Leanne Boulton, All Rights Reserved
Posed street portrait from Glasgow, Scotland. This is Naziyah Mahmood, an incredibly remarkable young woman who should be an inspiration to us all! Naziyah is partially sighted and has not allowed that to hold her back at all - she is an astrophysicist, aerospace engineer, space mission analyst, martial arts expert, writer, model and poet. Enjoy!
Kind of funny though......Amethist is a purple stone...my birth stone, but prefer to wear Rubies or Emeralds instead...LOL!!..go figure!!
Black: The color of night a.k.a. the color of protection. Well we often see this in funeral... This darkness betokens a lack of warmth and often clear mindedness. Grieving for yourself and others because you are in a negative state of being, it is difficult for you to see the light. Analysts suggest a correlation between acute depression and the choice of black-as this is actually devoid of any color-life
Gold Or Silver: Luxirious colors. These colors have always been associated with wealth, feeling up, owing to the metals that they mirror.
Purple: Romantic color. Even if you cannot draw a straight line, you see life as an artist. You'd be defined as an bizarre, sometimes even a solitary. You surely have made an impact.
Gray: 'Steady' color.Gray subconsciously denotes respect for elders and the wisdom that comes with it, it can nevertheless be associated with one's feeling washed up and exhausted.
Green: The color of nature. Reflecting springtime, you are always in the mood to start anew. Although you can be down at times, it is very easy for you to spring back into action. The color most associated with life and relaxation, is has been said that a room colored so has an emotionally calming and soothing effect.
Red: The Fire and Passion.The blood in your guts announces your excitement to all. You can be very up and very down and almost simultaneously. Your love of life is great, unless someone happens to get in the way. Associated with fear tension and, psychologists suggest that the color reflects the anxiety of getting hurt seeing blood.
Blue: The sky. As serene as the sky and sea, your desire is to be at peace with yourself. The sky and the sea are mostly empty bodies, reflecting the person's desire to be freed.
A FEW MORE
White: Symbolic of purity, innocence and naivete, white has strong connotations of youth and purity. If you are an older person, your preference for white could indicate a desire for perfection and impossible ideals, maybe an attempt to recapture lost youth and freshness. It may also symbolize a desire for simplicity or the simple life.
Maroon: Harsh experience has probably matured the Maroon person into someone likeable and generous. It is often a favorite color of someone who has been battered by life but has come through. It indicates a well-disciplined Red personality—one who has had difficult experiences and has not come through unmarked but who has grown and matured in the process.
Pink: This color embodies the gentler qualities of Red, symbolizing love and affection without passion. Women who prefer Pink tend to be maternal. Pink desires protection, special treatment and a sheltered life. Pink people require affection and like to feel loved and secure, perhaps wanting to appear delicate and fragile. Pink people tend to be charming and gentle, if a trifle indefinite.
Orange: This color of luxury and pleasure appeals to the flamboyant and fun-loving person who likes a lively social round. Orange people may be inclined to dramatize a bit, and people notice them, but they are generally good-natured and popular. They can be a little fickle and vacillating, but on the whole they try hard to be agreeable. Orange is the color of youth, strength, fearlessness, curiosity and restlessness.
Blue-Green: Exacting, discriminating, poised and attractive, the Blue-Green person tends to be sensitive, intellectual and refined, persevering and stable if rather detached. Blue-Greens have excellent taste, and are usually courteous and charming, capable but often refusing help or guidance.
Turquoise: Complex, imaginative and original, Turquoise people drive themselves hard and may be in a state of turmoil under their outwardly cool exterior.
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I don't usually take photos of people without either asking beforehand or telling them I've done so after the fact. Neither happened in this particular case, so the face of the young lady pictured here is somewhat obscured by the post-processing I chose to perform.
She was seated with her male companion at the table in front of mine at a restaurant in Bel Air, Maryland; the town in which I currently reside.
I went there last evening to eat dinner and watch part of the Celtics-Magic basketball game. This photo was taken at half-time of that game as one of the ESPN analysts was babblin' on about the first half highlights.
She was obviously between me and the TV, as that's the analyst you see in the background.
What I really wanted was a photo of her peace sign earrings.
The camera was sitting on the table having dinner with me, though it didn't actually eat. I didn't pick the camera up off the table so as to not draw attention to the fact I was about to photograph someone who's permission I had not been granted.
I merely tilted the camera up towards the earring and took this single photograph.
I liked it. Maybe you will, too.
You can get a better view of that earring by clicking here.
Prepare yourself to meet
The girl who cannot sleep
Dividing every question
Till the questions are complete
Every twisted tongue,
She studies everyone.
She won't leave any stone unturned
The night is oh so young
She's traveling back in time,
Questioning every line
That someone said
She's trying to understand
Can you be sure we haven't met
See the eyes they don't forget
They wander through the passage-ways
That tease a restless mind
Can't afford to slip
The picture has to fit
Her world's a photograph
That gets dissected bit by bit
Free her mind, She's always the analyst
The analyst - Delta Goodrem.
Mozzarella Stick Onion Rings Recipe by Tasty
tasty.co/recipe/mozzarella-stick-onion-rings
These Onion Rings were delicious. It is not something you want to put together last minute.
It is time consuming to make, and ‘fussy’, as I would say. My suggestion is to prepare the onion rings when you are not rushed. Freeze the rings and fry another day.
Will eventually post my rendition on my blog, sometimes SAVORY.
sometimessavory.wordpress.com/
Super Bowl LV, the 55th Super Bowl
Date: Sunday, February 7, 2021
Location: Raymond James Stadium, Tampa, FL
Halftime show: The Weeknd
Stadium: Raymond James Stadium
Arena: Tampa
Announcers: Jim Nantz (play-by-play), Tony Romo (analyst)
M-A
28mm Elmarit-m ASPH
Bergger Pancro 400
Ber49 20C 23:00
Decommissioned 1984
Titan II Specs
Length: 103 feet
Width: 10 feet in diameter
Weight at liftoff: 330,000 pounds
Warhead: W-53
Yield: 9 Megatons
Launch sequence (initiation to liftoff): 58 seconds
Time to target (liftoff to detonation): 25 to 30 minutes
Range: 6,000 miles
Velocity: 16,000 mph
Underground Launch Duct: 146 feet deep, 26 feet in diameter
Cost to build (1963 dollars): $8.3 million for each missile site
$2.2 million for each missile
From liftoff to target, the flight time was 30 minutes. Only 5.5 minutes of that was powered flight. The other 24.5 minutes was ballistic free flight. Each site consisted of a missile silo, a launch control facility and an access portal. The sites were staffed 24 hours per day, 365 days per year, by 4-person missile combat crews who deployed to the missile sites for 24-hour shifts, called alerts. Each crew pulled an average of 8 to 9 alerts a month, meaning they often worked the equivalent of 5 weeks in a 4-week month. Crew members consisted of two officers—the Missile Combat Crew Commander (MCCC) and the Deputy Missile Combat Crew Commander (DMCCC), and two enlisted personnel—the Ballistic Missile Analyst Technician (BMAT) and the Missile Facilities Technician (MFT).
In the early 1980s, Zuritanian analysts realized that their country faced a bomber gap: foreign powers in Yafran and Emmeria had developed Mach 3 bombers capable of penetrating Zuritanian airspace and dropping nuclear weapons. Too fast for SAMs to catch, only an interceptor could stop them. President Fischer ordered a development program for a new Mach 3 jet to counter them, but anything going that fast is expensive. Budgetary pressures put the project on hold for 10 years. In 1989, with tensions on the rise, the Security Department restarted the program and adopted neighboring Kimmeria's Meme-25, already 20 years old, as a stopgap. It could intercept enemy bombers, but lacked the payload to serve as a bomber itself. Luckily, it never had to prove itself as an interceptor. Finally, in 1989, the engineers at West Rodinian Aviation made a breakthrough: we don't need better engines to reach Mach 3, only bigger engines. That did the trick.
In the photo above, the first B-5 is pulled out from a factory hanger onto the taxiway by a pushback tractor for test flights. It has not yet received its coat of expensive RAM paint, but is otherwise ready for service.
Analyst.
Διδασκαλία μυαλού καινοτομίες διαφωνίες που επιβεβαιώνουν αξιώσεις απόλυτα μηνύματα που αναφέρουν αρχές που εξαρτώνται από παράγοντες που ξεφεύγουν από διαφορές που ανακαλύπτουν διαδρομές,
žlugdanti realybė kliudė sprendimams koreguoti diskursyvius komponentus, apimančius puslapius su neprilygstamomis darbų sąvokomis, žinant, kodėl reikia kurti pastangas,
أخطاء ديدان دلالات مجالات عوائق متصاعدة أسئلة مضيئة أخبار مطلقة تزهر نباتات تعاليم تقليدية تفسيرات تنبيهات,
sonidos que distraen al maestro atento actividades mentales energías conscientes reconocer egos terrores abrumadores facultades de ensueño olores distantes,
percevoir des objets contempler des confusions des voix tumultueuses tourner des contenus montrer des idées des miroirs réfléchissants dissimuler des formes maléfiques,
裂け目 深い習慣 行為を制御する 呼び出し 嫌がらせ 幽霊 心理レベル フォローする 大きな視野 思考 マスター 無意味な状態 答えを交換.
Steve.D.Hammond.
The Swat Valley is known as the Switzerland of the East. I first visited it in August 1998 and have been back many times since. Swat was a tranquil area, serene but ruined by militancy in the last 3 years. It was a popular tourist destination for the summer. Its beauty attracted people from the other side of Pakistan. Swat had always been one of the most peaceful areas within the North-West of Pakistan but the Afghan war changed that.
Swat rises from over 900 metres above sea level to its highest peak of over 6000 metres. It is a green and fertile district which is heavily forested in some regions, specially Upper Swat and the side valleys. Sadly lower Swat has lost so much of it's tree cover making it look like the drier regions further to the south. Swat is green because of good rainfall and the river. Black Bear, Leopard, Wolves, Goral, Markhor, Ibex, Musk Deer, Pheasants, partridges, Redstarts, Wagtails, Flying Squirrel are some of the species found here. Sadly the 6 larger species mentionned are very rare thanks to over-hunting and habitat loss.
Lets pray for peace and normalcy to come back to Swat. So far the military operation has been very successful but the militants are never to be under-estimated!
en.wikipedia.org/wiki/Swat,_Pakistan
Swat (Pakhto: سوات) is a valley and an administrative district in the North-West Frontier Province (NWFP) of Pakistan located 160 km/100 miles from Islamabad, the capital of Pakistan. It is the upper valley of the Swat River, which rises in the Hindu Kush range. The capital of Swat is Saidu Sharif, but the main town in the Swat valley is Mingora.[1] It was a princely state (see Swat (princely state)) in the NWFP until it was dissolved in 1969. With high mountains, green meadows, and clear lakes, it is a place of great natural beauty that used to be popular with tourists as "the Switzerland of Pakistan".[2].
In December 2008 most of the area was captured by the Taliban insurgency and it is now considered dangerous for tourism. The Islamist militant leader Maulana Fazlullah and his group Tehreek-e-Nafaz-e-Shariat-e-Mohammadi have banned education for girls and have bombed or torched "more than 170 schools ... along with other government-owned buildings."[3] The Pakistani government in late May 2009 began a military offensive to regain control of the region.
History
See also History of Swat (princely state)
The Swat River is mentioned in the Rig Veda 8.19.37 as the Suvastu river.[4] The first historical mention of the valley goes back to a hymn of the Rigveda(Stein, 1929:viii).[5] Swat has been inhabited for over two thousand years and was known in ancient times as the Udyana. The independent monarchs of this region came under Achaemenid influence, before reverting back to local control in the 4th century BC.[citation needed] In 327 BC, Alexander the Great fought his way to Udegram and Barikot. In Greek accounts these towns have been identified as Ora and Bazira. By 305 BC, the region became a part of the Mauryan Empire.[citation needed]
Buddhist heritage of Swat
Padmasambhava (flourished eighth century AD), also called Guru Rimpoche, Tibetan Slob-dpon (teacher), or Padma ‘byung-gnas (lotus born) legendary Indian Buddhistic Mystic who introduced Tantric Buddhism to Tibet and is credited with establishing the first buddhist monastery there.
According to tradition, Padmasambhava was native to Udyana (now Swat in Pakistan).[6] Padmasambhava was the son of Indrabhuti, king of Swat in the early eighth century AD. One of the original Siddhas, Indrabhuti flourished in the early eighth century AD and was the king of Uddiyana in north western India (identified with the Kabul valley). His son Padmasambhava is revered as the second Buddha in Tibet. Indrabhuti's sister, Lakshminkaradevi, was also an accomplished siddha of the 9th century AD.[7]
Ancient Gandhara, the valley of Pekhawar, with the adjacent hilly regions of Swat and Buner, Dir and Bajaur was one of the earliest centers of Buddhist religion and culture following the reign of the Mauryan emperor Ashoka, in the third century BC. The name Gandhara first occurs in the Rigveda which is usually identified with the region [8]
The secular Swat museum has acquired footprints of the Buddha, which were originally placed for devotion in the sacred Swat valley. When the Buddha ascended, relics (personal items, body parts, ashes etc.) were distributed to seven kings, who built stupas over them for veneration.
The Harmarajika stupa (Taxila) and Butkarha (Swat) stupa at Jamal Garha were among the earliest Gandhara stupas. These were erected on the orders of King Ashoka and contained the genuine relics of the historic Buddha.[citation needed]
The Gandhara school is credited with the first representations of the Buddha in human form, rather symbolically as the wheel of the law, the tree, etc.[citation needed]
As Buddhist art developed and spread outside India, Indian styles were imitated. In China the Gandhara style was imitated in bronze images, with gradual changes in the features of these images over the passage of time. Swat, the land of romance and beauty, is celebrated throughout the Buddhist world as the holy land of Buddhist learning and piety. Swat was a popular destination for Buddhist pilgrims. Buddhist tradition holds that Buddha himself came to Swat during his incarnation as Gautama Buddha and preached to the people here.
It is said[by whom?] that the Swat valley was filled with fourteen hundred imposing and beautiful stupas and monasteries, which housed as many as 6,000 gold images of the Buddhist pantheon for worship and education. Archaeologists now know of more than 400 Buddhist sites covering an area of 160 km in Swat valley alone. Among the important excavations of Buddhist sites in Swat an important one is Butkarha-I, containing original relics of the Buddha. A stone statue of Buddha, is still there in the village Ghalegay.[citation needed] There is also a big stupa in Mohallah Singardar Ghalegay.[citation needed]
Hindu Shahi Rulers and Sanskrit
Swat was ruled by the Hindu Shahi dynasty who have built an extensive array of temples and other architectural buildings now in ruins. Sanskrit was the language of the Swatis.[9]
Hindu Shahi rulers built fortresses to guard and tax the commerce through this area. Their ruins can be seen in the hills of Swat: at Malakand pass at Swat’s southern entrance.[10]
Advent of Islam by Mahmud of Ghazni
Scenery from a restaurant near Mingora, Swat ValleyAt the end of the Mauryan period (324-185 BC) Buddhism spread in the whole Swat valley, which became a very famous center of Buddhist religion .[11]
After a Buddhist phase the Hindu religion reasserted itself, so that at the time of the Muslim invasions (AD1000) the population was solidly Hindu (ibid,ix)[12]
In 1023 Mahmood of Ghazni attacked Swat and crushed the last Buddhist King, Raja Gira in battle. The invasion of Mahmood of Ghazni is of special importance because of the introduction of Islam as well as changing the Chronology.[13]
These invasions caused no break in local traditions: the place–names given in the early Greek sources may be recognized in the names of major villages of modern Swat.(ibid,47,60), Conversion to Islam was thus something imposed by a small group of warrior lords, with the bulk of the population maintaining its secular Indian traditions. The main body of the modern agricultural tenants in Swat are probably descended from this formerly Hindu population.
The first Muslim masters of Swat were non–Pakhtun Dilzak tribes from south-east Afghanistan. These were later ousted by Swati Pakhtuns, who were succeeded in the sixteenth century by Yisufzai Pakhtuns. Both groups of Pakhtuns came from the Kabul valley [14]
Later, when the King of Kabul Mirza Ulagh Beg attempted to assassinate the dominant chiefs of the Yousafzais they took refuge under the umbrella of the Swati Kings of Swat and Bajour. The whole area was dominated by the Swati/Jahangiri Sultans of Swat for centuries. According to H. G. Raverty, the Jahangiri Kings of Swat had ruled from Jalalabad to Jhelum. After more than two decades of guerrilla warfare, they were dispossessed by the Yousafzais.
Demographics
The population at the 1981 Census was 715,938, which had risen to 1,257,602 at the next Census in 1998. The main language of the area is Pakhto. The people of Swat are mainly Pakhtuns, Yousafzai's, Kohistanis and Gujars. Some have very distinctive features[neutrality disputed]. Most probably they are originated from the same tribe who are roamed around the great trans-Himalayan mountain ranges thousands of years before, and now remained in some isolated but extremely beautiful pockets of Himalayan mountain ranges.
The Dardic people of the Kalam region in northern Swat are known as Kohistanis and speak the Torwali and Kalami languages. There are also some Khowar speakers in the Kalam region. This is because before Kalam came under the rule of Swat it was a region tributary to Chitral the Kalamis paid a tribute of mountain ponies to the Mehtar of Chitral every year.
Tourist attractions
PTDC Motel at Malam Jabba Ski Resort.There is a popular ski resort in Swat at Malam Jabba, 40 km north east of Saidu Sharif, closed in 2007 due to the decreasing ability of the Pakistani government to maintain security in the region. In June 2008, the ski resort was burned down by militants.[15]
Administration
The region has gone through considerable changes over the last few years since the dissolution of the Swat (princely state) in 1969. Members of the former Royal family have been elected to represent the area in the Provincial Assemby and National Assembly on occasion since then.
The district is represented in the provincial assembly by seven elected MPAs who represent the following constituencies:[16]
Taliban insurgency
Main article: Battle of Swat
By January 2003, there was a notable increase in violence as militant groups in the Swat valley, led by radical cleric Maulana Fazlullah, began attacking and killing civilians as well as police checkposts in Swat.[18] In 59 villages, the militants set up a "parallel government" with Islamic courts imposing sharia law. By 2009 the region was largely under effective militant control, despite the presence of 20,000 Pakistani troops.[19] Local opponents of the militants have been harshly critical of Pakistani civil society for its lack of concern for their plight as well as critical of the military and provincial government for their ineffective measures for controlling the tide of militancy.[20]
Late 2007
After a four-month truce ended in late September 2007, fighting resumed.[21] The paramilitary Frontier Constabulary was deployed to the area, but initially were reported to be ineffective. On November 16, 2007 Militants were reported to have captured Alpuri district headquarters in neighbouring Shangla. The local police fled without resisting the advancing militant force which, in addition to local militants, also included Uzbek, Tajik and Chechen volunteers.[22]
In late November 2007, Pakistani regular forces threw out Tehreek-e-Nafaz-e-Shariat-e-Mohammadi militants from its stronghold in the Kabal District of north-western Swat. About 250 militants died in two weeks of fighting according to Pakistani authorities and the militants retreated into the mountains.[1] By December 2007, the militants were on the run, with the valley "largely cleared".[23] Pakistani officials stated at that time that it would take four months to re-establish functioning institutions in the area, in the wake of Islamist ruin.[23]
Developments in 2009
A January 21, 2009 issue of the Pakistan daily newspaper The News, reports Taliban enforcement of a complete ban on female education in the Swat district. Some 400 private schools enrolling 40,000 girls have been shut down. At least 10 girls' schools that tried to open after the January 15, 2009 deadline by the Taliban were blown up by the militants in the town of Mingora, the headquarters of the Swat district.[27] "More than 170 schools have been bombed or torched, along with other government-owned buildings."[3]
In a stated attempt at bringing peace to this region, the Pakistani Government on 16 February 2009, signed a peace accord with the Taliban and agreed to the imposition of Sharia law in Swat and suspension of military offensives against the Taliban. This agreement invoked mixed reactions from the locals: some are relieved on the prospect of relative peace, while others are more skeptical about the Talibanisation of this scenic paradise and the push that this accord would give to the spread of Taliban's movement in Pakistan.[28] International concern primarily stems from the rigidity with which the Taliban is seen to be imposing Sharia. Others point to the impact such an accord will have in empowering radical Islamists and the jihadi movement in Pakistan and elsewhere.[29]
February 2009 ceasefire
Main article: Nizam-e-Adl Regulation 2009
The Pakistani government announced on February 16, 2009 that it would allow Sharia law in the Malakand region. In return, Fazlullah's followers agreed to observe a ceasefire negotiated by Sufi Muhammad.[30][31][32]
Reactions to Ceasefire
NATO feared that the agreement would only serve to allow militants to regroup and to create a safe haven for cross-border attacks into Afghanistan.[33]
Amnesty International expressed concern that the agreement would legitimize human rights abuses in the region.[30]
The people of Swat have welcomed this peace-agreement as welcome respite from the fighting that had brought their lives to a standstill.[who?] However, reports from the area suggest that this agreement has been accepted by them out of fear of continuous fighting that has destroyed the once scenic tourist haven.[citation needed] With the imposition of Nizam-e-Adl, some colleges and schools, including those for women, have reopened.[citation needed] However, women have to conceal themselves from head to toe as per the Islamic law or Shariah.[citation needed] Furthermore, Pakistanis are now scared that this deal may only serve to embolden militants to spread their influence into more settled parts of Pakistan.[citation needed]
Despite the reported ceasefire, the Taliban have refused to lay down their arms[34]. Various international political and security analysts are opining that this deal and refusal to lay down arms may have devastating effects on the stability of Pakistan.[35][36][37]
April-May 2009 Pakistani offensive
Through a media broadcast, the Pakistani government announced in late April that it would fight the Taliban in the Swat Valley, this war is called swat operation. This led to a humanitarian crisis. The United Nations Commissioner for Refugees announced that between 150,000 to 200,000 civilians had fled the war zone.[citation needed] The Pakistani military took back multiple Taliban strongholds, such as Rama Kandhao ridge in Matta and a Taliban headquarters in Loenamal. On the 8th of May, the Pakistani military announced that around 80 Taliban fighters had been killed and two Pakistani soldiers had been injured. Air strikes, artillery bombardment and rocket attacks by helicopter gunships are being undertaken extensively. As of 11 May, the military spokesperson of the ISPR report that as many as 200 militants had been killed in the fighting with Pakistan Army troops, also that Pakistan helibourne commandos had been inserted in the area which is the main stronghold of these militants.[38] By early June 2009, most of Swat was freed from Taliban and Mingora, the main town of Swat, was in complete government control and then pakistan government started focusing army on South Waziristan.[citation needed]
"Oil Below $30 Sets Stage for Further Declines, Analysts Say" by STANLEY REED via NYT t.co/gkSzHcI1J6 (via Twitter twitter.com/felipemassone/status/687993550240350209)
Natural light portrait - light from the window
***
I took this picture today morning, while my daughter was getting ready for work in the office
After graduating from university, she found a job as an analyst in a software company
All last week they have been working remotely from home and this Monday, going to go out, the child was sad that she would have to trudge to the office, instead of lying on the bed with her laptop all day
30 minutes later, my wife received a call and in the course of the conversation, I realized that the child was returning home
Wondering what happened, I thought about different things that could happend, but my wife dispelled my doubts, it’s just that my daughter’s work continues to be remote
Would you hire such an analyst?
***
Md & MUA: Daughter
Ph & retouch: mine
***
Date: October 26, 2020
Camera: Sony a7 iii (ILCE7M3)
Lens: Carl Zeiss Batis 85mm f/1.8
Exposure: 1/200sec at f/1.8, 85mm, ISO 1600
Adrienne Elrod
President, Elrod Strategies; Analyst, MSNBC
Frank Luntz
Founder and President, Luntz Global
Western defense analysts are uncertain of this new version’s full capabilities, but it is believed that the new SMT-version has advanced avionics and weaponry very close to-, or on par with state-of-the-art western hardware. Backing these claims is the alleged export ban on the new MiG-35 version issued by the West-Russian government.
Complete rebuild of my old Mig-29 SMT model, now converted to a fictitious future upgraded version of the MiG-35. Several of the upgrades takes a great deal of inspiration from Julius D's brilliant 1:33 scale MiG-29.
Some literary analysts have described Pinocchio as an epic hero. Like many Western literary heroes, such as Odysseus, Pinocchio descends into hell; he also experiences rebirth through metamorphosis, a common motif in fantasy literature.
Throughout the work, Collodi chastises Pinocchio for his lack of moral fiber and his persistent rejection of responsibility and desire for fun. Since Collodi frequently wrote in support of Italian Unification and the new state that was to arise from it, the book may be seen as having been influential in nation-building.[9] Before writing Pinocchio, Collodi had written a series of pedagogic story books for use in the new nation's elementary schools. The series was called Il viaggio per l'Italia di Giannettino ("Little Johnny's voyage through Italy").
The structure of the story of Pinocchio follows that of the folk-tales of peasants who venture out into the world but are naively unprepared for what they find, and get into ridiculous situations. At the time of the writing of the book, this was a serious problem, arising partly from the industrialization of Italy, which led to a growing need for reliable labour in the cities; the problem was exacerbated by similar, more or less simultaneous, demands for labour in the industrialization of other countries. One major effect was the emigration of much of the Italian peasantry to cities and to foreign countries such as the United States.
The main imperatives demanded of Pinocchio are to work, be good, and study. And in the end Pinocchio's willingness to provide for his father and devote himself to these things transforms him into a real boy with modern comforts
An analyst from the task force began to identify patterns that led her to believe that Al-Asad fighters were massing in the Naran Darre mountains. Intelligence Officer codename Grayhawk was brought in to assist due to his intimate knowledge of the mountains.
The task force's first objective is to perform close target reconnaissance on the suspected cave complex. Grayhawk hand-picked three recon operators for this task. To prevent alerting the fighters in the mountains, the team prepared UTVs for insertion into the AO.
To be continued...
Note: The story, all names, characters, and incidents are fictitious.
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
Analyst tells clients to expect record sales for the Apple iPhone 7 during the 2016 holiday quarter2
Disneyland Paris is an entertainment resort in Chessy, France, 32 kilometres (20 miles) east of Paris. It encompasses two theme parks, resort hotels, a shopping, dining and entertainment complex, and a golf course. Disneyland Park is the original theme park of the complex, opening in 1992. A second theme park, Walt Disney Studios Park, opened in 2002. Disneyland Paris celebrated its 30th anniversary in 2022; by then 375 million people had visited, making it the most visited theme park in Europe. It is the second Disney park outside the United States, following the opening of the Tokyo Disney Resort in 1983, and the largest. Disneyland Paris is also the only Disney resort outside of the United States to be completely owned by The Walt Disney Company. It includes seven hotels: Disney Hotel Santa Fe, Disney Hotel Cheyenne, Sequoia Lodge, Newport Bay Club, Hotel New York – the Art of Marvel, The Disneyland Hotel, and Davy Crockett Ranch.
Disneyland Paris is considered to be the largest single-site employer in France with its 17,000 employees.
Ownership
Walt Disney announced a €1 billion ($1.25 billion) bailout plan to rescue its subsidiary Disneyland Paris, the Financial Times reported on 6 October 2014. The park is burdened by its debt, which is calculated at about €1.75 billion ($2.20 billion) and roughly 15 times its gross average earnings.
Until June 2017, Disney only held a minority stake in the resort. In 2017, The Walt Disney Company offered an informal takeover of Euro Disney S.C.A., buying 9% of the company from Kingdom Holding and an open offer of 2 euros per share for the remaining stock. This brought The Walt Disney Company's total ownership to 85.7%. The Walt Disney company also invested an additional 1.5 billion euros to strengthen and develop Disneyland Paris. In June 2017, Disney completed a tender offer to own over 97% of Euro Disney and then implemented a full buyout of the shares they did not already own. In 2018, after taking full control of Disneyland Paris, Walt Disney reported its plans to invest 2 billion euro ($2.47 billion) in Disneyland Paris. The investment aimed to expand the park with a lake and new themed areas based on Marvel superheroes, Disney's animated movie Frozen and Star Wars. The investment also sought to develop 'new attractions and live entertainment experiences'.
History
Following the success of Disneyland in California, plans to build a similar theme park in Europe emerged in 1966 with sites in Frankfurt, Paris, London or Milan under consideration. Under the leadership of E. Cardon Walker, Tokyo Disneyland opened in 1983 in Japan with instant success, forming a catalyst for international expansion. In late 1984 the heads of Disney's theme park division, Dick Nunis and Jim Cora, presented a list of approximately 1,200 possible European locations for the park. Britain, France, Italy and Spain were all considered. However, Britain and Italy were dropped from the list due to both lacking a suitable expanse of flat land. By March 1985, the number of possible locations for the park had been reduced to four; two in France and two in Spain. Both nations saw the potential economic advantages of a Disney theme park and offered competing financing deals to Disney.
Both Spanish sites were located near the Mediterranean and offered a subtropical climate similar to Disney's parks in California and Florida. Disney had asked each site to provide average temperatures for every month for the previous 40 years, which proved a complicated endeavour as none of the records were computerised. The site in Pego, Alicante became the front-runner, but the location was controversial as it would have meant the destruction of Marjal de Pego-Oliva marshlands, a site of natural beauty and one of the last homes of the almost extinct Samaruc or Valencia Toothcarp, so there was some local outcry among environmentalists. Disney had also shown interest in a site near Toulon in southern France, not far from Marseille. The pleasing landscape of that region, as well as its climate, made the location a top competitor for what would be called Euro Disneyland. However, shallow bedrock was encountered beneath the site, which would have rendered construction too difficult. Finally, a site in the rural town of Marne-la-Vallée was chosen because of its proximity to Paris and its central location in Western Europe. This location was estimated to be no more than a four-hour drive for 68 million people and no more than a two-hour flight for a further 300 million.
Michael Eisner signed the first letter of agreement with the French government for the 20-square-kilometre (4,940-acre) site on 18 December 1985, and the first financial contracts were drawn up during the following spring. The final contract was signed by the leaders of the Walt Disney Company and the French government and territorial collectivities on 24 March 1987. Construction began in August 1988, and in December 1990, an information centre named "Espace Euro Disney" was opened to show the public what was being constructed. Plans for a theme park next to Euro Disneyland based on the entertainment industry, Disney-MGM Studios Europe, quickly went into development, scheduled to open in 1996 with a construction budget of US$2.3 billion. The construction manager was Bovis.
In order to provide lodging to patrons, it was decided that 5,200 Disney-owned hotel rooms would be built within the complex. In March 1988, Disney and a council of architects (Frank Gehry, Michael Graves, Robert A.M. Stern, Stanley Tigerman, and Robert Venturi) decided on an exclusively American theme in which each hotel would depict a region of the United States. At the time of the opening in April 1992, seven hotels collectively housing 5,800 rooms had been built.
An entertainment, shopping, and dining complex based on Walt Disney World's Downtown Disney was designed by Frank Gehry.
With its towers of oxidised silver and bronze-coloured stainless steel under a canopy of lights, it opened as Festival Disney. For a projected daily attendance of 55,000, Euro Disney planned to serve an estimated 14,000 people per hour inside the Euro Disneyland park. In order to accomplish this, 29 restaurants were built inside the park (with a further 11 restaurants built at the Euro Disney resort hotels and five at Festival Disney). Menus and prices were varied with an American flavor predominant and Disney's precedent of not serving alcoholic beverages was continued in the park.
2,300 patio seats (30% of park seating) were installed to satisfy Europeans' expected preference of eating outdoors in good weather. In test kitchens at Walt Disney World, recipes were adapted for European tastes. Walter Meyer, executive chef for menu development at Euro Disney and executive chef of food projects development at Walt Disney World noted, "A few things we did need to change, but most of the time people kept telling us, 'Do your own thing. Do what's American'."
Recruitment/employment
Unlike Disney's American theme parks, Euro Disney aimed for permanent employees (an estimated requirement of 12,000 for the theme park itself), as opposed to seasonal and temporary part-time employees. Casting centres were set up in Paris, London, and Amsterdam. However, it was understood by the French government and Disney that "a concentrated effort would be made to tap into the local French labour market". Disney sought workers with sufficient communication skills, who spoke two European languages (French and one other), and were socially outgoing. Following precedent, Euro Disney set up its own Disney University to train workers. 24,000 people had applied by November 1991.
In 2011, the park provided 55,643 direct and indirect jobs in France. According to Damien Audric, Director of Development and the Environment, Disneyland Paris would generate 63,000 jobs by 2022. Overall, in 2022, Disneyland Paris was still Seine-et-Marne's largest employer.
Controversies
The prospect of a Disney park in France was a subject of debate and controversy. Critics, who included prominent French intellectuals, denounced what they considered to be the cultural imperialism of Euro Disney and felt it would encourage an unhealthy American type of consumerism in France. On 28 June 1992, a group of French farmers blockaded Euro Disney in protest of farm policies supported at the time by the United States.
A journalist at the centre-right French newspaper Le Figaro wrote, "I wish with all my heart that the rebels would set fire to [Euro] Disneyland." Ariane Mnouchkine, a Parisian stage director, named the concept a "cultural Chernobyl", a phrase which would be echoed in the media during Euro Disney's initial years.
In response, French philosopher Michel Serres noted, "It is not America that is invading us. It is we who adore it, who adopt its fashions and above all, its words." Euro Disney S.C.A.'s then-chairman Robert Fitzpatrick responded, "We didn't come in and say O.K., we're going to put a beret and a baguette on Mickey Mouse. We are who we are."
Topics of controversy also included Disney's American managers requiring English to be spoken at all meetings and Disney's appearance code for members of staff, which listed regulations and limitations for the use of makeup, facial hair, tattoos, jewellery, and more.
French labour unions mounted protests against the appearance code, which they saw as "an attack on individual liberty". Others criticised Disney as being insensitive to French culture, individualism, and privacy, because restrictions on individual or collective liberties were illegal under French law, unless it could be demonstrated that the restrictions are requisite to the job and do not exceed what is necessary.
Disney countered by saying that a ruling that barred them from imposing such an employment standard could threaten the image and long-term success of the park. "For us, the appearance code has a great effect from a product identification standpoint," said Thor Degelmann, Euro Disney's personnel director. "Without it we couldn't be presenting the Disney product that people would be expecting."
Opening day and early years
Euro Disney opened for employee preview and testing in March 1992. During this time visitors were mostly park employees and their family members, who tested facilities and operations. The press was able to visit the day before the park's opening day on 12 April 1992.
On 12 April 1992, Euro Disney Resort and its theme park, Euro Disneyland, officially opened. Visitors were warned of chaos on the roads. A government survey indicated that half a million people carried by 90,000 cars might attempt to enter the complex. French radio warned traffic to avoid the area. By midday, the car park was approximately half full, suggesting an attendance level below 25,000. Explanations of the lower-than-expected turnout included speculation that people heeded the advice to stay away and that the one-day strike that cut the direct RER railway connection to Euro Disney from the centre of Paris made the park inaccessible. Due to the European recession that August, the park faced financial difficulties as there were a lack of things to do and an overabundance of hotels, leading to underperformance. The failure of Euro Disney caused the cancellation of several projects like WestCOT, Disney's America, Tomorrowland 2055 at Disneyland and Beastly Kingdom at Disney's Animal Kingdom.
A new Indiana Jones roller-coaster ride was opened at Euro Disney in 1993. A few weeks after the ride opened there were problems with the emergency brakes which resulted in guest injuries.
In 1994, the company was still having financial difficulties. There were rumours that Euro Disney was getting close to having to file for bankruptcy. The banks and the backers had meetings to work out some of the financial problems facing Euro Disney. In March 1994, Team Disney went into negotiations with the banks so that they could get some help for their debt. As a last resort, the Walt Disney Company threatened to close the Disneyland Paris park, leaving the banks with the land.
In May 1992, entertainment magazine The Hollywood Reporter reported that about 25% of Euro Disney's workforce, approximately 3,000 people, had resigned from their jobs because of unacceptable working conditions. It also reported that the park's attendance was far behind expectations. The disappointing attendance can be at least partly explained by the recession and increased unemployment, which was affecting France and most of the rest of the developed world at this time; when construction of the resort began, the economy was still on an upswing.
Euro Disney S.C.A. responded in an interview with The Wall Street Journal, in which Robert Fitzpatrick claimed only 1,000 people had left their jobs. In response to the financial situation, Fitzpatrick ordered that the Disney-MGM Studios Europe project would be put on halt until a further decision could be made. Prices at the hotels were reduced.
Despite these efforts in May 1992, park attendance was around 25,000 (some reports give a figure of 30,000) instead of the predicted 60,000. The Euro Disney Company stock price spiraled downwards and on 23 July 1992, Euro Disney announced an expected net loss in its first year of operation of approximately 300 million French francs. During Euro Disney's first winter, hotel occupancy was so low that it was decided to close the Newport Bay Club hotel during the season.
Initial hopes were that each visitor would spend around US$33 per day, but near the end of 1992, analysts found spending to be around 12% lower. Efforts to improve attendance included serving alcoholic beverages with meals inside the Euro Disneyland park, in response to a presumed European demand, which began 12 June 1993.
By the summer of 1994, Euro Disney was burdened with $3 billion worth of debt. Disney CFO Richard Nanula and Wall Street financier Steve Norris worked with Alwaleed's business advisor Mustafa Al Hejailan to rescue the overleveraged company. In that deal, Disney's 49 percent stake was reduced to 39 percent, the banks agreed to forego interest payments until 1997, Disney wrote off royalties and fees until 1999, and Alwaleed agreed to pay $345 million for a 24 percent stake in Euro Disney.
1995 turnaround
On 1 October 1994, Euro Disney changed its name to Disneyland Paris. On 31 May 1995, a new attraction opened at the theme park. Space Mountain: De la Terre à la Lune had been planned since the inception of Disneyland Paris under the name Discovery Mountain, but was reserved for a revival of public interest. With a redesign of the attraction (which had premiered as Space Mountain at the Walt Disney World Resort's Magic Kingdom in 1975) including a "cannon launch" system, inversions, and an on-ride soundtrack, the US$100 million attraction was dedicated in a ceremony attended by celebrities such as Elton John, Claudia Schiffer, and Buzz Aldrin.
On 25 July 1995, Disneyland Paris reported its first quarterly profit of US$35.3 million. On 15 November 1995, the results for the fiscal year ending 30 September 1995 were released; in one year the theme park's attendance had climbed from 8.8 million to 10.7 million, an increase of 21%. Hotel occupancy had also climbed from 60 to 68.5%. After debt payments, Disneyland Paris ended the year with a net profit of US$22.8 million.
2000–2017
As of March 2002, Disneyland Paris underwent a second name change to Disneyland Resort Paris. In 2002, Euro Disney S.C.A. and the Walt Disney Company announced another annual profit for Disneyland Paris. However, it then incurred a net loss in the three years following. By March 2004, the Walt Disney Company had agreed to write off all debt that Euro Disney S.C.A. owed to the Walt Disney Company. On 1 December 2003, Euro Disney S.C.A launched the 'Need Magic?' campaign, which lasted until March 2006 to bring new, first-time European visitors to the resort. And by 2005, having been open fewer than fifteen years, Disneyland Paris had become the number one tourist destination for Europe, outselling the Louvre and the Eiffel Tower.
In March 2006, Disneyland Resort Paris launched the advertising campaign "believe in your dreams" and paired with the TGV East European Line to encourage European family attendance to the resort. Shortly after announcing a 12% increase in revenues for the fiscal year of 2007, Euro Disney S.C.A. implemented a "reverse split" consolidation of shares of 100 to 1. August 2008 brought the resort's 200 millionth visitor, and made for the third consecutive year of growth in revenues for the resort as well as a record 15.3 million visitors in attendance.
In 2009, the resort demonstrated dedication to the recruitment of new employment positions, especially for the Christmas and summer seasons, which continued in 2010 and 2011 when 2,000 and 3,000 employment contracts being offered, respectively. The 2009 fiscal year saw a decrease in revenues by 7% and a net loss of 63 million followed by stable revenues at 1.2 billion in fiscal 2010. Euro Disney S.C.A. refinanced their debt to Walt Disney Company again for 1.3 billion euros in September 2012.
A study done by the Inter-ministerial Delegation reviewing Disneyland Paris' contribution to the French economy was released in time for the Resort's 20th anniversary in March 2012. It found that despite the resort's financial hardships, it has generated "37 billion euros in tourism-related revenues over twenty years", supports on average 55,000 jobs in France annually, and that one job at Disneyland Paris generates nearly three jobs elsewhere in France.
For the first time in the resort's history, both the Disneyland Park and Walt Disney Studios Park closed from 14 to 17 November 2015, as part of France's national days of mourning following the November 2015 Paris attacks.
In 2015, Euro Disney announced major renovations for 2015, 2016 and 2017 in preparation for the complex's 25th anniversary.
The Themed Entertainment Association considers Disneyland Paris to be the leading European resort in 2016 with a total of 13,37 million visitors. With two amusement parks and 5800 rooms, it is followed by the Europa-Park resort with 5,6 million visitors and 953 rooms. The Spanish complex PortAventura World completes the rank top three in Europe. It features two themed-parks and a third being under construction, as well as 2100 rooms.
2017–present: Recent Expansions
On 19 June 2017, the resort's operating company, Euro Disney S.C.A, was acquired by The Walt Disney Company, giving them full control of the resort. In December 2018, Natacha Rafalski took over as CEO. On 1 September 2017 the resort's second nature resort opened as Les Villages Nature Paris.
On 26 March 2017, the opening of Star Tours: The Adventures Continue - a new version of Star Tours - marked the start of Disneyland Paris' 25th anniversary. On 31 March, 2017, forums announced plans for Marvel attractions at Walt Disney Studios Park as well as renovations to the Disneyland Hotel and Disney's Hotel New York in the next ten years. On 14 May 2017, to celebrate Disneyland Paris' 25th anniversary, the park welcomed actors from Pirates of the Caribbean : Dead Men Tell No Tales, for the film's European premiere.
On 27 February 2018, Walt Disney Company CEO Bob Iger announced that company would invest €2 billion into the Disneyland Paris resort. The Walt Disney Studios Park will be expanded with three new areas between 2021 and 2025, based upon Marvel, Frozen and Star Wars.
In March 2018, a Disney Parks West regional division was formed with Disneyland Resort in California, Walt Disney World in Florida, and Disneyland Paris under Catherine Powell, outgoing Disneyland Paris president. This mirrors the Disney Parks East regional division consisting of Shanghai Disney Resort, Hong Kong Disneyland and Walt Disney Attractions Japan and headed by Michael Colglazier. In September 2019, Powell exited her post as president of the Parks West division, with the division dissolving, and Disneyland Paris transferred to Disney Parks International, while the East region reverted to its prior name.
On 1 June 2019, Disneyland Paris sponsored the Magical Pride Party, an LGBTQ celebration. Previous similar events have taken place at the park since 2014, but were not officially sponsored by Disney.
Natacha Rafalski was promoted from chief financial officer to president for Disneyland Paris in December 2018. On 15 March 2020, in line with other Disney parks and resorts, Disneyland Paris was shut down due to the worldwide COVID-19 pandemic. Disneyland Park and Walt Disney Studios Park reopened to the public on 15 July with the rest of the resort. On 29 October 2020, the resort closed again due to a second nationwide lockdown. Disneyland Paris reopened on 17 June 2021.
In 2022,Disney's shares in Villages Nature Paris were sold.
In 2022, Disneyland Paris celebrated its 30th anniversary. In March 2022, in celebration of its 30th anniversary, Disneyland Paris marked its 30 years with a nightly drone show entitled 'Disney D-Light' in partnership with the Bordeaux-based company Dronisos. The visual spectacle was realized with the use of 200 drones. In fact, Disney D-Light won the Park World Excellence Awards' title of the 'Best Live Entertainment of the Year' in 2022.
In the summer of 2022, to mark the park's anniversary in France, Disneyland Paris inaugurated the Marvel Avengers Campus, an area dedicated to the superheroes of the Marvel Universe, with the presence of the actress Brie Larson who plays Captain Marvel.
At the Expo of the International Association of Amusement Parks and Attractions (IAAPA), Disneyland Paris' 30th Anniversary Celebration was elected for the 'Most Creative Property-Wide Event,Amusement Parks and Attractions, Including Water Parks, Annual Attendance More than 1 million'.
Entertainment shows
On 8 July 2017, Disneyland hosted its first-ever EDM festival entitled Electroland, in celebration of Disneyland Paris' 25th anniversary. Steve Aoki, NERVO & Michael Calfan were the main highlights of the first edition. The second edition of the festival was held on 29 and 30 June 2018, which featured Afrojack, Dimitri Vegas & Like Mike, Klingande, Robin Schulz, Bob Sinclair, Mosimann and Lovely Laura & Ben Santiago. The third edition was held over a span of 3 days from 5 July through to 7 July in 2019. The theme of the third edition was based upon Disney's movie The Lion King. The lineup included Steve Aoki, Nervo, Showtek, The Magician, Nicky Romero, Alesso, Armin Van Buuren, Nora En Pure etc. Disneyland also announced the fourth edition of the 3-day festival in 2020 starting from 4 July.
Disney Junior Dream Factory
In July 2021, Disneyland Paris launched a new show; Disney Junior Dream Factory, which lasts 20 minutes and whose theme is 'dare to believe in your dreams and they will come true'. The show includes characters like Mickey, Minnie and Timon. It also features characters like Disney Junior's rising stars Vampirina and Fancy Nancy Clancy, joined by the Dream Factory crew. To enable as many people as possible to take part in the story and the theme of the show, Disneyland Paris presents a French sign language version of the show every weekend.
Together
In July 2023, Disneyland Paris introduced its new show 'Together' which includes Dory, Coco, Buzz Lightyear and all the characters from Pixar films.[91] It is a cine-concert that features a live orchestra with actors on stage, music extracted from the movies and original compositions.
Regional impact
Disneyland Paris is considered to be Europe's leading tourist destination. It is also the driving force behind the urban and economic development of the Val-d’Europe conurbation.
Disneyland is also one of Europe's leading private tourist destinations with nearly 15 million visitors every year. After 25 years of its opening, Disneyland Paris recorded 320 million visits in 2017. The same year, it was reported that Disneyland Paris benefited the French economy by €66 billion in added value since its opening in 1992. It was also noted that Disneyland Paris contributed to the French economy through producing 56,000 direct and indirect jobs in 2017.
Besides, Disneyland Paris contributes to the sector of tourism in France. Indeed, tourists visiting Disneyland Paris generate 6% of tourism revenue in France and 17% of sales in the Ile-de-France region. In 2023, it was reported that more than 375 million visitors have been to Disneyland Paris with an average of 50% French and 50% foreign.
Voting for fringe candidates
"Protest vote" also refers, in a more derogatory manner, to specific demographic categories, classifying populations according to the frequency and nature of their vote. Thus, in the US, middle-income families vote more often than the working class or marginalised populations.
After the 2002 French presidential election, in which far-right leader Jean-Marie Le Pen arrived second behind conservative candidate Jacques Chirac, many analysts put the blame of the surprising result on working class, accused of engaging themselves in "protest vote", that is in support of fringe candidates belonging to the far-left or the far-right, or even to people who present themselves as alien to the political world (in France, environmentalist René Dumont in 1974, comedian Coluche in 1981 but he withdrew his candidacy before the elections, environmentalist Pierre Rabhi who unsuccessfully tried to present himself in 2002, as well as TV showman Nicolas Hulot who almost stood for the election for 2007, before putting aside his idea, thus leaving electoral space for José Bové, a figure of the alterglobalization movement who recently decided to present himself as an independent candidate).
This kind of protest vote, where the vote is taken into account but accused of being "useless", is often considered by political analysts to be either a form of populism or, worst, of poujadism. For example, French voters were encouraged by the establishment to make a "useful" vote in the 2007 presidential election: by voting either for Nicolas Sarkozy, candidate of the centre-right Union for a Popular Movement, or for Ségolène Royal, candidate of the centre-left Socialist Party, and not for other candidates, who were considered unlikely to make the second turn of the elections.
Protest vote : In an election,it is a vote against the party you usually support in order to show disapproval of something they are doing or planning to do.
A protest vote (also known as a blank vote or white vote) is a vote cast in an election to demonstrate the caster's dissatisfaction with the choice of candidates or refusal of the current political system. In this latter case, protest vote may take the form of a valid vote, but instead of voting for the mainstream candidates, it is a vote in favor of a minority or fringe candidate, either from the far-left, far-right or self-presenting as a candidate foreign to the political system.
Along with abstention, which is simply the act of not voting, it is often considered to be a clear sign of the lack of popular legitimacy and roots of representative democracy, as depressed voter turnout endangers the credibility of the whole voting system. If protest vote takes the form of a blank vote, it may or may not be tallied into final results depending on the rules. Thus, it may either result in a spoilt vote (which is the case most of the times) or, if the electoral system accepts to take it into account, as a "None of the Above" vote.
Abstention may be considered as a form of protest vote, when it is not assimilable to simple apathy or indifference towards politics in general. Henceforth, the anarchist movement which has since its origins rejected representative democracy in favor of a more direct form of government, traditionally calls for abstention in an active and protest gesture. In states where voting is compulsory, abstention may be seen as an act of civil disobedience.
Abstention in compulsory voting systems tends to be somewhat ineffective, as the protest 'message' is likely to be confused with apathy. Voters who do not care who is elected, but are simply voting because they must, may choose to abstain, and the abstention protest votes will be confused with the apathetic abstention votes.
A second problem with abstention is it tends to help maintain the status quo, which may be seen as antithetical to the purpose of protesting in the first place. In a system where one candidate has a majority of support, protesting by abstention will increase that majority in the election results. To illustrate this, consider a group of 10 people voting for two candidates, A and B. Six support candidate A and three support candidate B, and one is wishing to protest, using their vote, against either the system or both candidates. If the protestor votes for candidate A, the results would be 70% to 30% (for A and B respectively); if the protestor abstains, the results would be 67% and 33% (A and B respectively); if the protestor votes for B, the results would be 60% and 40% (A and B respectively). In a larger election, the differences are numerically smaller but act to increase/decrease the proportional vote in the same ways.
The abstain vote actually increases the proportion of votes for the most popular candidate, while voting against the popular candidate(s) (by voting for any other option(s)) would close the electoral margin. In a wider context, closing the margin may result in a hung parliament, or a smaller difference between the parties in government, reducing the chance of a single party having control over the system, which may be seen as beneficial for the sake of protesting against the system or candidates.
20 May 2019 - TALK TOGETHER
Session : The Male Disadvantage in Education
Speakers : Camilla Stoltenberg, Director-General, Norwegian Institute of Public Health; Head, Norwegian National Commission on Gender Equality in Education
With ** Francesca Borgonovi, Senior Analyst, Policy Advice and Implementation, Directorate for Education and Skills, OECD
OECD Headquarters, Paris.
Photo : © Hervé Cortinat / OECD
An analyst from the task force began to identify patterns that led her to believe that Al-Asad fighters were massing in the Naran Darre mountains. Intelligence Officer codename Grayhawk was brought in to assist due to his intimate knowledge of the mountains.
The task force's first objective is to perform close target reconnaissance on the suspected cave complex. Grayhawk hand-picked three recon operators for this task. To prevent alerting the fighters in the mountains, the team prepared UTVs for insertion into the AO.
To be continued...
Note: The story, all names, characters, and incidents are fictitious.