The region in north eastern Tasmania that surrounds the town of Scottsdale is rich pastoral land. This one is a view from a lookout near Scottsdale and facing east towards the fertile valley and the mountains beyond.

As with all my infra reds, I am looking for an impression (a bit like early photography). In fact during this series I will show you some examples where infra red makes the best use of the light. That's not so much the case here, although the infra red did cut through a very thick haze that covered this valley in the morning.

Because I am using a converted compact camera the resolution is much more akin to a pinhole camera, and my framing of this one alludes to that idea.

Kodak Ektacolor paper (unfixed)

1hr exposure

I’m in a bit of a slump with film so I thought I’d try lumenprints instead.

Gumoil alternative process

gumoil alternative process

Lumen print made from flowers and grasses growing in our garden.

My first attempt at cyanotype photography. I have a lot to learn.

Cyanotype N°144 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Pentax SuperA + 28mm - Pan400

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Cyanotype N°110 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - fuji xe2 + 55-200

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Cyanotype N°45 - Viré au maté + thé noir / yerba maté + black tea toned

Papier - Moulin du coq

Prise de vue - Leica M5 + Ultron 28mm 1.9 - agfa APX400

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Cyanotype N°61 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - Leica M5 + 35mm - agfa apx400

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Cyanotype N°136 - Tonifié au maté + café/ yerba maté + cofee toned

prise de vue durant une projection du film "Renault 12" de Mohamed El Khatib

Papier - Moulin du coq - le rouge

Prise de vue - Leica M5 + ultron 35mm - trix

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Cyanotype N°146 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Leica M5 + ultron 28mm - Ilford Pan400

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8"x10" cyanotype on Canson Montval watercolor paper.

First attempt with digital negatives. I used Permajet digital film, which worked really well. It gives a dense negative with a lot of detail. This image was exposed in indirect sun for 3 hours. It was washed in acidified water. The following day, it was toned in black coffee and washed in a vinegar bath a few times, then left to sit in the black coffee for about 15 minutes. The coffee turns the blue into a more navy color, which I like a lot.

Things I learned here (for those who might be interested in making cyanotypes themselves):

1. I read a tutorial that suggested using the rougher back side of the watercolor paper. I tried that, and the paper didn't take the emulsion evenly. Next time, I will use the correct side.

2. I need to make my borders wider when using these large negatives. The edges aren't as sharply defined as I would like.

3. Coffee toning without bleaching first gives the colors that I prefer. I will definitely do that again.

4. I used a curve to create my negative, something based on the one created by Peter Mahar. This worked really well to maintain a variety of midtones. I will continue to use that when making digital negatives in the future.

Side note: This is an amazing mélange of technologies. The image was shot with a medium format camera on film, the negatives were scanned, processed digitally, given the special cyanotype curve, reversed to create a negative. The negative was printed on digital film and then used to make the contact print. It's an incredible process! I am glad to have all the tools that permit me to explore the possibilities that exist within this type of printing.

Cyanotype N°153 - Tonifié au maté / yerba maté toned

Papier - Moulin du coq - le rouge

Prise de vue - mamiya c220 + 55mm - foma200

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Cyanotype N°71 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + Fuji Pro400H (conversion NB)

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Cyanotype N°93 - Tonification au maté + café / yerba maté and cofee toned

Papier - Moulin du coq - Le rouge

Prise de vue - fuji ga645w + infrared400

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Cyanotype N°460- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned

Papier - Canson Montval

Prise de vue - Rolleifleix wide + Ilford HP5+

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Cyanotype N°130 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Bristol Fabriano

Prise de vue - Mamiya Six K2 + HP5

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Cyanotype N°141 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Leica M5 + 50mm canon + agfa apx400

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Cyanotype N°138 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Olympus OM10 + zuiko 50mm - agfa apx400

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Cyanotype N°152 - Tonifié au maté / yerba maté toned

Papier - Moulin du coq - le rouge

Prise de vue - Rollei 35T + fuji c200 (conversion NB)

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Solarplate Gravure

Fabriano Tiepolo Paper

Cyanotype N°69 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - Olympus OM10 + 28mm - Agfavista400 (conversion NB)

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Cyanotype N°81 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + Portra 400 (conversion NB)

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Cyanotype N°115 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Bronica EC + 150mm + Portra 400 (conversion NB)

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Cyanotype N°92 - Tonification au maté + café / yerba maté and cofee toned

Papier - Moulin du coq - Le rouge

Prise de vue - Leica M5 elmarit28mm - trix@800

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Cyanotype N°149- Tonifié au maté + café/ yerba maté + cofee toned

Papier - bristol fabriano

Prise de vue - ?? + APX400

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Cyanotype N°67 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + portra160 (convertie en NB)

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Debonair Camera/HP5

Moersch Lith/Foma Variant 123

Selenium & Gold toned

Cyanotype N°57 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - Pentax P30T + sigma 28mm - tmax400

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Cyanotype N°151 - Tonifié au maté / yerba maté toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + fuji pro400H (conversion NB)

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Chine-collé print gampi/Rives 10x15cm

Cyanotype N°128 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - pentax MZ5 + zénitar 16mm - foma100

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Cyanotype N°48 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - Le rouge

Prise de vue - Bronica EC + 50mm - Foma 200@400

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Platinum/Palladium on Hahnemühle Platinum Rag Paper

Massif du Sancy - Juillet 2024

Cyanotype N°461- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned

Papier - Canson Montval

Prise de vue - Minolta freedom Vista + Kodak trix400

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Cyanotype N°134 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Bristol Fabriano

Prise de vue - Bessa R3A + 40mm rokkor - Trix

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Debonair (Diana clone) Tri-X

Moersch Lith/Slavich Unibrom 2

selenium & gold toned

Cyanotype N°56 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - Pentax P30T + sigma 28mm - tmax400

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Vivitar Ultra Wide Slim/Rollei 200

Moersch Lith/Foma 123

Selenium & Gold toned

Cyanotype N°106 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Canson Montval

Prise de vue - Leica M5 + summaron 3,5cm - neopan400

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Cyanotype N°104 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - Olympus OM10 + 28mm - Agfavista400 (conversion NB)

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Cyanotype N°130 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Bristol Fabriano

Prise de vue - Mamiya Six K2 + HP5

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Cyanotype N°125 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Bronica EC + 50mm - dos 4,5x6 - Kodak PlusX@250

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Platinum on vellum over gold leaf

Cyanotype N°118 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - Leica M5 + 28mm elmarit - Trix@800

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Cyanotype N°77 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + Rollei RPX400

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Cyanotype N°65 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + portra160 (convertie en NB)

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