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Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

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© 2016 stefanorugolo | All rights reserved.

As mentioned on a previous post I'm alternating spring/summer captures with autumn captures. This is a SPRING shot from last year.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

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© 2016 stefanorugolo | All rights reserved.

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Back to summer Sweden images. I don't have more autumn images and I hope to manage to go out and shoot some

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

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From a frosty morning autumn walk from last year

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Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

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© 2016 stefanorugolo | All rights reserved.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)

_

 

© 2015 stefanorugolo | All rights reserved.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

_

 

© 2015 stefanorugolo | All rights reserved.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

_

 

© 2016 stefanorugolo | All rights reserved.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

All shots of this series done with the Samyang 135/2 wide-open plus reflector (in this case the window pane through which the shot was done).

Separating the private (the estate of Markyate Cell, to the left) from the public (the church, to the right). All shots of this series done with the Mitakon Speedmaster at F0.95.

A very HMBT to you all!

 

Shot with Super Takumar 50mm f1.4 (8-element version)

All shots of this series done with the Mitakon Speedmaster wide-open (F0.95).

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

All shot from the hip. The locals understandably did not allow focused photography in the old city market area.

One of the lovely Thursley bird I forgot about. I felt the timing looked a little awkward in this shot. Weirdly the shutter speed I had set at the time perfectly matched the wing beat, so all shots in the sequence the wings were in the same position.

.... the first of a short series of images I took recently up at my usual haunt. They were all shot in colour.

Nashville & Western Railway B23-7 4245 works Strategic Materials in Ashland City, TN. Unfortunately that place is so dusty all shots are a little hazy..

No claim to this being an original idea. Began as a bit of fun; quickly became a labour of love.

 

All shot with a Vivitar 55mm(@55mm) f2.8 macro.

We've all shot it , the image that goes begging but you know it's been done over and over and finally you just do it. This is one of those shots for me in Adelaide. Now that Ive done it I'm happy and I can look at it when I pass it by and look away without guilt.

All shots of this series done with the Helios 44M-7 wide-open.

All shots of this series done with Leica M8 plus Voigtlander AS 2.8/90 wide-open. The location is one of Hertfordshire's garden centres (which, as I have told you before, I do regard as one of our barometers gauging the status of contemporary culture). This time, I had the chance of talking things through with one of the managers of the centre. First, the garden centre acquires and exhibits sculptures (and almost all sorts of them) because customers buy them. No surprise here, but as well no explanation as why they do so. Two, and importantly, the centre displays the sculptures according to visual criteria (difference of colour, background, focal or points of attraction). Three, the sculptures (as stand alone figures or in clusters) are located on critical junctions of the passage way through the centre. All this, in my view, creates a semi-sacred topography where customers (believers in the regeneration and wholeness of nature) perambulate as if on a procession. The content and individuality of any specific religion does not seem to matter, however, a general and undefined kind of spirituality does.

All shot with Nikon Z5; 300mm PF + TC20E III.

All shot in Hinchingbrooke Country Park with a Panasonic Lumix DMC-FZ48

all shots by KHWD from our travels worldwide, originally shot 30/4/17

want to see more images of papamoa beach or read the blog?

www.holiday2013.co.uk/NEWZEALAND

 

Alternating autumn and spring/summer pictures. Aquilegia vulgaris

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Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

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© 2016 stefanorugolo | All rights reserved.

All shots of the whale sharks were taken responsibly, i.e. snorkeling, without using flashes and with sufficient distance.

The animals were not fed and swam in plankton-rich waters in a natural seasonal migratory corridor for whale sharks. When they had had enough, they dived into the depths.

All shots of this series done with the Helios 44M-7 wide-open.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

SARDENYA 2024

SARDENYA 2024

Hadn't been out with camera for a week, poor light and rain etc. so had a go today. Just about to leave when she turns up at 12:00 ! Best light of the day, sometimes you need luck if you persevere and she didn't disappoint, another 45min session. The squirrels saved the day when I switched off the camera at 12:00 , they all shot up the trees and started their warning calls which was my cue to get ready for "Polly". Still cant believe she keeps turning up at mi-day , needless to say I "filled my boots" and my SD card 😁 Always important to get her to show her paws which they seem to hide most of the time !

Canon EOS R5 +300mm f2.8MKII @11 metres 1/320 f3.2 iso 2500

#Velociraptor at @zoomiami The name Velociraptor means ‘swift seizer’. Velociraptor lived in the late Cretaceous Period (around 73 million years ago). The Velociraptor played a large role in the Jurassic Park movies but was often shown inaccurately. Rather than being a larger, human sized dinosaur, the Velociraptor was around the size of a Turkey. It is also believed to have had feathers that were not shown in the movie portrayal.

 

A fully grown Velociraptor could grow up to 2m (6.6ft) in length, 0.5m (1.6ft) in height at the hip and weigh up to 15kg (33lb). The Velociraptor is thought to have killed its prey with sickle shaped claws on its rear feet.

 

The first known Velociraptor fossil was found in the Mongolian Gobi Desert in 1922.

 

One of the most famous dinosaur fossils ever found features a Velociraptor in the middle of battle with a Protoceratops... #wildlife #animal #zoo #zoomiami #nature #photo #photos #pic #pics #TagsForLikes #picture #pictures #snapshot #art #instagood #picoftheday #photooftheday #color #all_shots #exposure #composition #focus #capture #moment

Negative scanning: not quite there yet

 

This photo was converted differently from the preceding image. Most significantly, it was converted from a negative that was shot one stop overexposed (in the digitization process; all shots were correctly exposed at ISO 200 on film), while the previous one was converted from a shot that was one stop underexposed. The difference in grain and noise is quite obvious to my eyes.

 

I am continuing to work on my negative scanning skills with mixed but improving results. This is my latest conversion. The photo was taken on Kodak Portra 400 exposed at ISO 200. I'm not sure that this was the best approach and will be shooting at 320 in my next experiment. One stop of overexposure adds saturation and appears to do some odd things to the sky (or is it that my skills at converting negatives and color correction are simply not there yet?).

 

For this one, I digitized the film using my Canon EOS R and my trusty Sigma 105mm Macro. Upon importing into Adobe Lightroom, I used the Enhance command, which refines the quality of raw files and creates an enhanced DNG file. I converted the DNG file using Negative Lab Pro, which gave me better colors than Negmaster for some reason. I then finished processing the image in Photoshop.

 

Any hints, critiques, advice, and/or other input is cordially requested. Any questions will be answered to the best of my ability.

 

Technical information:

Camera: Zenza Bronica ETRSI

Lens: Zenzanon PE 50mm f/2.8

Filme: Kodak Portra 400 overexposed by one stop (ISO 200)

Processed by Memphis Film Lab

Digitized with a Canon EOS R, Sigma 105mm Macro, the Valoi 360 film holder, and converted with Negative Lab Pro software in Adobe Lightroom, then edited in Adobe Photoshop

All shots of this series done with the Helios 44M-7 at F8.

Wagtail. Part of my continuing series with birds on boats, every wildlife image I see is usually a bird on a stick or in what is considered to be the natural habitat of the bird, I have decided to do one with a difference, all the birds in this series are all shot on or about boats.

Another from my forks session. Trying to create an abstract series with the simple table fork. These were all shot on a mirrored table with black backcloth and illuminated with a multiple LED light.

 

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Copyright © RogerGreenPhotography 2015

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No part of this picture may be reproduced or transmitted in any form or by any means (on websites, blogs) without prior permission.

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