Sighthound Crazy
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♪ Poets of the Fall - Moonlight Kissed ♪
"For my words are the salt of lust
On that ivory skin
Difficult to hear at all
Through the everyday din
What is this if not some witchcraft? "
Pose : entangled poses - Tisiphone1 - by entangled poses
Lingerie : OSMIA - Mary.Set - Bordo - by OSMIA @ Frou Frou
Hair : rezology Protector of the Realm (mesh hair) - by rezology
Collar : .aisling. Nura Collar {Gems&Chains} - by .aisling.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
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Info's zum Foto hier
www.wald-vielfalt.ch/walderlebnis/fliegenpilz/detail
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Why is it red? We never made a red one. They’ve been iterating new models of their own, but they only ever reused colours from our original designs, or raw material colours. Why is it red? It makes no logical or tactical sense. It brings them no value, no advantage. Why is it red? Painting fast objects red is an inherently human tendency. Why is it red?!
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Third droneuary build, racing past the finish line just in time! I'd prefer leaving more breathing room in between posts but the calendar waits for nobody.
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More images: www.instagram.com/p/DFgImgXtOhB/
my 2nd appearance on flickr
an outing with my friends
from left: it's me!, atikah, sakini, najwa, karimah and farhana
My dear Allah,
may You love me through others and
may You love others through me…
titipkan kemesraan untuk kami,
agar dapat kami merasai,
sucinya cinta kasihMu ^_^
Location: Pantai Tanjung Lumpur, Kuantan, Pahang.
050909
3 foto
Oggi Andrea mi ha chiesto di fare qualche foto al gigante buono Achille, perché dice che è ancora cucciolone e può ancora trovare adozione, mentre se invecchia, lui così grande, diventa sempre più difficile. Di lui diciamo che è nero, e si vede, ma non si vede quanto è buono, e anche bravo in passeggiata. Si trova al rifugio Ohana presso l'associazione Banda a 4 Zampe Umbria. 100% pura forza canina!
Klebsiella pneumoniae growing on ChromID CPS chromogenic agar. Isolate from a patient with long term history of urinary tract infections. Isolate partially resistant to Carbapenem antibiotics. Isolate confirmed as a KPC-3 carbapenemase producer by PCR.
Some summer wagashi from Minamoto Kitchoan to bring you the last bit of "warmth" before the winter holidays start.
So pretty! I don't think I could eat it!
August 2006, NYC
Egy kellemes októberi délutánon halad a dombóvári 1080-as Szili a 8504-es Budapest-Déli - Nagykanizsa sebesvonattal Székesfehérvár felé.
"Tommy Agar-Robartes was the eldest son and heir of Thomas Agar-Robartes, 6th Viscount Clifden, and his wife Mary (née Dickenson) and was brought up at Lanhydrock House, Bodmin. He was the eldest of ten (including a twin sister). Educated at Oxford and a keen horseman, he played in the Oxford University polo team that beat Cambridge in 1903.
He was commissioned a second lieutenant in the Royal 1st Devon Imperial Yeomanry on 4 June 1902. At the outbreak of World War I he joined the Royal Bucks Hussars as an officer. Tommy then joined the Coldstream Guards and was subsequently posted to France & Flanders. He was wounded in the Battle of Loos on 28 September and killed by a sniper on 30 September 1915 after rescuing a wounded comrade under heavy fire for which he was recommended for the Victoria Cross." [Wikipedia]
I have photographed the night sky set against this dead tree near Berry, New South Wales, Australia, on a handful of occasions over the past four years. The tree is hard up against the edge of the asphalt strip named Agars Lane, a narrow and mostly straight rural road in the region.
At a rough guess, I’d reckon that I’ve only ever seen five or six cars pass along the road while I’ve been lurking in the dark with my tripod and camera. In one of those “what are the chances of that” moments that life sometimes serves up, during the hour that I was shooting photos on this particular night, two cars drove along the road and passed each other right near the tree. Their headlights seemed to be set for “kill” rather than “stun”, with my night-vision being their target. It can take up to half an hour for a person’s low-light sight to reach full sensitivity and I didn’t want to have to set my internal timer back to zero and start over, so covered my eyes until the much dimmer tail lights were all that I could see.
When reviewing the photos, later on, I saw just how intensely the headlights had lit up the area. Three pictures were so bright and washed out that they were unusable, but a couple of shots either side of those were images showing only a few of the tree branches illuminated. I used those photos to make up this star-trails composite, as well as the remaining darker frames, to give the tree its half-dark/half-lit look. The gaps that you can see in the trails show where I had to leave out the overcooked shots, but they don’t take away too much from the concept of stellar inscriptions on the night sky.
My final, edited image here was created from 200 individual photos, and I shot each of those with a Canon EOS 6D camera, a Rokinon 24mm f/1.4 lens @ f/2.4, using an exposure time of 15 seconds @ ISO 6400.