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This is probably my favourite Bulgarian personalized plate yet. It doesn't have much meaning, but it looks funny and different!
In Veliko Tarnovo, Bulgaria.
Cmt* + fav đi :)
- Đừg kóa ckùa :-j
- Mng là ckó hay là người dợ. Ngta nói ít hĩu nkèo dùm kái. Kóa cái fav kũq đ' đc àk :'j
- Ckùa pấm mịa hếc luôg đi nka :)) Tkứ ababab.. :))
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Trả lại a vòng tay ấm áp xưa vội trao, trả lại a mùi hương trên tóc ngọt ngào
Trả lại a bao nụ hôn say đắm nồng nàn, trả lại cho a hạnh phúc khi mình còn bên nhau
Tình yêu chợt đến vội đi chỉ thoáng như một giấc mơ
Giờ nuối tiếc kỉ niệm cũng đã quá xa vời
Mong sao thời gian sẽ chôn dấu để quên hết quá khứ đau lòng
Bình yên lại đến với e như ngày xưa, như lúc ta chưa từng có nhau. :)
- Click: mp3.zing.vn/bai-hat/Tra-Lai-Em-Hanh-Phuc-Minh-Vuong-M4U/I...
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Lề: Nôn tớiiiii tết qá ckằn luôg :"> Tới lẹlẹ đi :x
- Ai ckơi fb add: www.facebook.com/shyn.shyntumeo?ref=tn_tnmn
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This is probably my favourite Bulgarian personalized plate yet. It doesn't have much meaning, but it looks funny and different!
In Veliko Tarnovo, Bulgaria.
title: df
artist: df
tool: mouse
country: zh-CN
date: 7-14-2010
colors: 661
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background: #f1f1f1
size: 1920 x 1047
action: drips.nalindesign.com
artist: df
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I'm almost at the end of my journey in folding Maarten van Gelder's caterpillar. This really seems to be the last transformation... so this is the first of the four configurations I got... Everything has an end sooner or later and I feel it's time to stop... this patterns comes from an idea of rythm I had while reading ruimfroda's profile, having at the same time the kids learning drums while preparing a lesson about Gestalt in visual perception. Actually I thought to give a rythm to folds by sinking caterpillar's spikes in a pattern... if we were in symmetry we would be talking of a frieze... this has actually an ABABAB rythm but obviously many more can be studied... I'm thinking about a model that could really express rythm meshing visual and brain music... we could call it sort of origami synesthesia... My brain is working but not yet getting to a real solution... that I'd like to be really minimal... let's say I'm looking for a drum, not for a marimba. Have a good rythmic week and a happy folding my friends :-)
Also, since I optimistically thought that somebody might be interested in the caterflower phenomenon itself I organized it into a set.
... and for those who asked (many many many thanks for having been interested!!!!)... in other pictures might have not been so clearly legible but this is basic kraft paper (post office store) and this is always the same sheet of paper as in the first revolution... maybe I should have done many different and save them for the future... you never know... but I'm afraid I'm quite whimsical in these affairs and I get bored quickly... so maybe... if I will ever feel that posterity can't do without...
Only two more lives are left in my journey in folding Maarten van Gelder'scaterpillar. This really seems to be the last transformation... so this is the second of the four configurations I got... Everything has an end sooner or later and I feel it's time to stop... this patterns comes from an idea of rythm I had while reading ruimfroda's profile, having at the same time the kids learning drums while preparing a lesson about Gestalt in visual perception. Actually I thought to give a rythm to folds by sinking caterpillar's spikes in a pattern... if we were in symmetry we would be talking of a frieze... this has actually an ABABAB rythm but obviously many more can be studied... I'm thinking about a model that could really express rythm meshing visual and brain music... we could call it sort of origami synesthesia... My brain is working but not yet getting to a real solution... that I'd like to be really minimal... let's say I'm looking for a drum, not for a marimba. Have a good week and a happy folding my friends :-)
Also, since I optimistically thought that somebody might be interested in the caterflower phenomenon itself I organized it into a set.
... and for those who asked (many many many thanks for having been interested!!!!)... in other pictures might have not been so clearly legible but this is basic kraft paper (post office store) and this is always the same sheet of paper as in the first revolution... maybe I should have done many different and save them for the future... you never know... but I'm afraid I'm quite whimsical in these affairs and I get bored quickly... so maybe... if I will ever feel that posterity can't do without...
An interior designer needs to be well versed with these principles to arrange/organize the elements so that a good composition is achieved. So without further ado, let’s jot down these principles of interior design and understand their significance in the world of interior design!
1. Unity
The principle of Unity, as the name implies stresses on the fact that there should be a sense of uniformity or harmony among all the elements used. Interior design should serve as a visual guide for a person to understand a living space, and without unity, the visual guide will only end up confusing the person. All the elements used should complement one another and a smooth transition should exist from one to another. A good understanding of Alignment of objects, Similarity of color/pattern/texture, Proximity (spacing) of objects, Repetition (grouping) of elements based on similarity, Continuation and Overlapping of interior design elements are a few ways to achieve ‘Unity’ in an interior design arrangement.
2. Balance
The principle of balance refers to the ordered distribution of elements of equal visual weight to achieve a visual equilibrium. Balance is only achieved when the visual weight of the elements are evenly distributed along a central axis or point that can be both real and imaginary. Balance can be achieved by three popular ways namely Symmetrical, Asymmetrical and Radial. In Symmetrical, a space is divided into two equal halves centered on a central axis and both the halves are equally compensated to give out a calm feel to the living space. In Asymmetrical, any odd number of elements can be used by keeping an imaginary central axis as the focal point. Though asymmetrical balance is a little hard to achieve when compared to symmetrical, the output is more natural and energetic when compared to the former. Radial balance involves a central piece (like a chandelier or a round dining table) from which all other elements seem to radiate to arrange themselves in circular symmetry.
3. Rhythm
The principle of Rhythm essentially suggests a connected movement between different elements of interior design. This movement is essential to maintain a visual tempo between elements that have different visual weights. Elements repeated in an orderly fashion and the spaces between them create a sense of rhythm. Rhythm can be achieved in any living space by following these three methods – Repetition, Alternation and Progression. Repetition refers to the repeated use of the design elements like color, texture and pattern or any other physical attributes like home décor items in an orderly way. Alternation is the method of creating rhythm by alternating two or more elements in a pre-defined fashion like ABABAB or ABCABC and so on. In Progression, elements are arranged ascending or descending based or their size, color gradient or any other distinctive characteristic.
4. Emphasis
Emphasis, as the name suggests, is a principle of interior design that says that a central piece of art or furniture must play the role of a focal point or attention grabber of a particular living space. Elements like color, pattern and texture must be used to emphasize a particular focal point. In fact these elements must be used in such a way that the focal point dominates the rest of the décor items and pulls the room together. Other items that surround the focal point must complement the latter and share a contrast that puts the focal point in the top priority.
5. Contrast
Contrast refers to the difference in the luminance or color of objects that differentiates them from one another. In interior design, contrast can be achieved by three elements namely color, form and space. One can use pillows or prints of two opposite colors like black and white to achieve contrast and make an object distinguishable. Contrast can also be achieved by combining two or more forms; for example one can combine a circular mirror and a rectangular sofa to balance and distribute the attention between both the items. One can also achieve contrast in a living space by dividing the available space efficiently into usable positive and negative spaces.
6. Details
Details are like cherries on an ice cream, they might seem extra but without cherries the ice cream isn’t just complete! Be it the small embroideries on a pillow cover or the color within those embroidery patterns, every detail adds a little bit of life to the overall interior design, adding their own distinctive feature to the overall composition. Another way is to add faux stone panels on the accent wall.
Once you are sure that you have achieved all of the above mentioned principles, it’s time for details to take over and beautify the place further.
title: europa
artist: @io_garay
tool: mouse
country: es
date: 7-12-2010
colors: 55
hex color palette: #2e3c1c #d011fe #74f627 #f8257c #381a32 #5f2a54 #949494 #747474 #8b8b8b #a5a5a5 #ababab #bebebe #dadada #efefef #f5dc29 #979797 #2e326c #fbfbfb #dfcb3a #fff80d #1d1d1d #b0b0b0 #443fb1 #eaeaea #fdfdfd #3e56a9 #f8f8f8 #f1f1f1 #7f7f7f #d83d43 #bcbcbc #c0c0c0 #e6e6e6 #f4f4f4 #80808 #ba3f72 #f75226 #b0b0b #282b5b #39428f #3f41c1 #2d43f2 #b1bff #553a94 #7a3fbc #1c7efb #cfc43f #c1923f #eae535 #fbe01c #ffe006 #cc3f91 #ff0b21 #ff7f0d #2e91f1
background: #f1f1f1
size: 1600 x 737
action: drips.nalindesign.com
artist: @io_garay
Subsaharan Africa's first light rail transportation system, with operations starting in 2015 a few months after this visit
WEBM by @WEB__MARKETING | ja | 7-24-2010 | mouse | 1678 x 965
title: webm
artist: @web__marketing
tool: mouse
country: ja
date: 7-24-2010
colors: 22
hex color palette: 35e893 33fe13 3c73dc d63d43 292929 703fc1 6c2e3d 673ff f1782e 33181a ec3258 b13fa1 441f39 89ab3e 4b31ed 7e345f e835a5 1a3538 58fc1b f5a129 ababab 201f44
background: f1f1f1
size: 1678 x 965
action: drips.nalindesign.com
artist: @web__marketing
ARBOL by MANUELPV | es | 1-6-2011 | mouse | 1024 x 580
title: arbol
artist: manuelpv
tool: mouse
country: es
date: 1-6-2011
colors: 35
hex color palette: 715630 816b35 2b2214 533b25 69532d 5f4c2a 776f32 6bc53f 7eed31 88c53f 6f9a3b a7d83d 68fa20 ff3e0b 68fe0f 80808 50fb1c 5aca3f 478837 67fb1e ededed 0 f4f4f4 60606 42ff09 5adf3a 56fc18 558837 10101 ababab 5a5a5a 949494 585858 b7b7b7 616161
background: f1f1f1
size: 1024 x 580
action: http://drips.nalindesign.com
artist: manuelpv
SINDRAGOSA by TONYCLAEL | fr | 10-7-2010 | mouse | 1680 x 857
title: sindragosa
artist: tonyclael
tool: mouse
country: fr
date: 10-7-2010
colors: 11
hex color palette: 121212 3cb5da 3bc2dd 141414 5c5c5c 3e90d2 3e64ad 20eafa 585858 ababab 90909
background: f1f1f1
size: 1680 x 857
action: drips.nalindesign.com
artist: tonyclael
FOX by LORD | de | 7-29-2010 | mouse | 1024 x 600
title: fox
artist: lord
tool: mouse
country: de
date: 7-29-2010
colors: 7
hex color palette: 4ff04 ababab d539e2 3dd846 35ea35 26121d d43d83
background: f1f1f1
size: 1024 x 600
action: drips.nalindesign.com
artist: lord
1- New selective color layer:
Reds: -100; +20; +100; -6
Yellows: -100; 0; -59; -37
Whites: 0; 0; 0; -45
Neutrals: +4; -20; -19; +6
Black: 0; 0; -6; 0
2- New layer #cbd3d5. Set to Linear Burn, Opacity 24%.
3- New layer #ababab. Set to Multiply Opacity 28% .
4- New selective color layer:
Reds: -100; 0; +8; 0
Yellows: -25; 0; 0; 0
Cyans: 0; 0; 0; -20
Blues: 0; 0. 0; -24
Neutrals: 15; -6; -11; 2
Black: 0; 0; 0; +3
texture: i25.tinypic.com/t0p0lk.jpg