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loift draußen und drinnen. portrait über valentina und tagesbericht von gestern lesen!
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This fucked my day up.
possibly my whole month of may.
does anyone know how to fix this (other than using an external monitor) for cheap?
Preliminary preparations. I discovered that the developer I have on hand is not specified for sheet film - which may explain why they look so thin. I did a little math to estimate developing time by comparing roll film and sheet film times for D76.
note: This workflow is too old. Now (in 2015) I'm just scan with Plustek Optic Film 7400 (for 35mm).
Made this for work. The printed copy says something like "Don't kill the workflow use In/Out boxes and DA 200s" It's made using various Go Media vectors
note: This workflow is too old. Now (in 2015) I'm just scan with Plustek Optic Film 7400 (for 35mm).
TaskOPad’s Kanban Board feature enables you to get visual representation of #workload and organizational work stages. Let’s catch up to TaskOPad & discuss the scope of this advanced team task management software.
OK, this isn't a photo, but it is very much about photography.
I posted a similar workflow diagram back in 2017, shortly after escaping my monthly Adobe subscription. Nine years on, I thought it was time to share the current version.
A lot has changed over those nine years, including my move from full-frame to Micro Four Thirds. Over time I realised that the creative and technical skills behind an image usually have far more influence on its impact (or lack thereof) than the camera itself. On top of that, I find I just engage better with my MFT gear and like the 4:3 aspect ration.
Despite occasionally wanting to rationalise my software, I've largely stuck with the core applications in my workflow:
- XnView MP for asset management.
- DxO PhotoLab 9 for RAW development (best I have used for this task, especially noise reduction).
- ON1 Photo RAW for creative styling (its masking tools are excellent).
- Affinity Photo for the pixel editing and compositing tasks that I would previously have used Photoshop for.
XnView MP and Affinity are free, and the other applications do not require a subscription, so I can decide for myself whether each new major release of DxO PhotoLab or ON1 Photo RAW is worth paying for.
In an ideal world, DxO would produce an integrated application that combined PhotoLab's superb RAW processing with the creative editing capabilities of the Nik Collection in a fully non-destructive, layered workflow as I think they are best for quality of output. Better still, they'd produce a native Linux version as I now only boot Windows for photo processing.
All that said, the workflow itself has evolved into something that's more about the progression of an image than the software used to process it. Each stage produces a master artefact that becomes the authoritative input to the next stage, helping to maximise image quality while preserving editability and ensuring that every important milestone can be backed up.
Anyway, I hope some of you find it interesting, and perhaps even useful in developing your own workflow.