Watch / Uhren / Clock / Schmuck / Jewelry
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I'm entering my busiest time of year right now so my time on Flickr will be limited to say the least, but I'll pop in when I can. Thanks in advance for your patience.
The Buttermere Pines in the early morning light.
The lake is 1.25 miles (2,010 m) by .25 miles (400 m) wide, and is 75 feet (23 m) deep. It has an elevation above sea level of 329 feet (100 m). A place of considerable scenic value, it is situated towards the head of the valley of the River Cocker and is surrounded by fells, notably the High Stile range to the south west, Robinson to the north east, Fleetwith Pike and Haystacks to the south east and Grasmoor to the north west.
I'm not sure of values these days. Seems to be more selfishness in my mind. This constant heat is another worry. We have had pretty unbearable humid heat here in Ontario. This has been two months of this. Hard to do anything.Even the bears won't go out.
Happy Teddy Bear Tuesday
Thistle is the common name of a group of flowering plants characterised by leaves with sharp prickles on the margins, mostly in the family Asteraceae. Prickles can also occur all over the plant – on the stem and on the flat parts of the leaves. These prickles are an adaptation that protects the plant from being eaten by herbivores. Typically, an involucre with a clasping shape similar to a cup or urn subtends each of a thistle's flowerheads. The comparative amount of spininess varies dramatically by species. For example, Cirsium heterophyllum has minimal spininess while Cirsium spinosissimum is the opposite. Typically, species adapted to dry environments have greater spininess. The term thistle is sometimes taken to mean precisely those plants in the tribe Cardueae (synonym: Cynareae), especially the genera Carduus, Cirsium, and Onopordum. However, plants outside this tribe are sometimes called thistles, and when this is done, "thistles" would form a polyphyletic group. A thistle is the floral emblem of Scotland and Lorraine, as well as the emblem of the Encyclopædia Britannica. Biennial thistles are particularly noteworthy for their high wildlife value, producing such things as copious floral resources for pollinators, nourishing seeds for birds like the goldfinch, foliage for butterfly larvae, and down for the lining of birds' nests. 12710
sim: Whimberly
uber: maps.secondlife.com/secondlife/Whimberly/181/212/26
Tune: www.youtube.com/watch?v=-2U0Ivkn2Ds
Les Films du Poisson
en.wikipedia.org/wiki/Les_Films_du_Poisson
In Cooperation with:
MGM Studios
Is Proud To Present
A Twain Orfan Film:
Say Something !
The Critics Have Spoken:
'I haven't had much time to see Twain's movies lately, .. but this one really got to me. I was with a friend of mine, trying to eat pop corn, ya know ? ..and, .. I could barely chew it .. tears were just streaming down my face. It was really an emotional experience for me... One of his best films to date I'd have to say. [Gwyneth Evergarden / New York Times / Flickr Artist ]
'So, Lobo and me went to see this movie and we were like, ya know, the acting of the main star, Mollie. She was like .. 'Wow'. I guess Twain's directing skills have improved quite a bit. He'll never be a musician like my Lobo is. And this windlight he uses has got to go ! But, .. yeh. Great movie ! I kept pulling Lobo's arm around me for comfort. It was sad .. and touching. Bravo Twain ! [Carisa Franizzi / Baby Girl Times / Flickr Artist ]
'I don't really know Twain at all. So I thought I'd check out one of his movies and, ..well, .. the
cinematography was awesome ! It just hit me in my gut ! The lead actor, Mollie, she projected such emotion ... I felt her isolation. I just wanted to get up from my theater seat and give her a hug, ya know? It was a solid movie. [Betta B. / Chicago Times / Flickr Artist ]
'I finally had the time to see this movie of Twain's. It is definitely moody, sad, and pulls at your heart strings. It hits all the right notes. The Production behind the movie by both Claire Danes
www.imdb.com/name/nm0000132/bio/?ref_=nm_ov_bio_sm and also by Reese Witherspoons Production Company 'Hello Sunshine' en.wikipedia.org/wiki/Hello_Sunshine_(company) insured the quality of the Production would be top notch !! Twain as the Director .. yes. He did seem to work with Mollie well. I can feel through out the film this constant searching for something 'more' .. the missing element. It is sad and touching. I admit .. I loved it.
[》Sιℛι《 Amblack 《 / Independent World Association / Flickr Artist ]
'I am on the same sim as Twain is ..I'm working near by on the MGM Studio lot. I am dressed in only a rather skimpy swimsuit. Twain comes up to me and asks me if I could help him out and be in this photo for him. Now .. I had heard that Twain is a bit of a caution. Actually .. insane ! Here I am in the middle of a photo shoot ..almost naked. I was ready to turn him down ..then he tells me. 'You'll need to put more clothes on for this movie.' .. Well? I've never had a Director tell me I'd need more clothes ! So I thought that was a good sign. So I walk off the MGM studio lot and go with Twain to this remote area. I sit down on these pillows, all comfy. Twain tells me.. 'No! No pillows ! ' Twain throws out the pillows .. ? So I'm sitting there on the bare wood. He asks me to tell him a sad story .. and I start to tell him about when I was much younger, and how I had this puppy .. how it suddenly took ill, .. and .. and .. [waves her hands in front of her face ],... sorry, .. I , ... I just can't ... go there ... Anyways, .. I just felt so sad and isolated. Alone. Twain really knew how to draw out my emotions. The funny thing is most Directors are really very talky .. talk a lot. Twain was really very quiet. It must have taken about an hour to do this one scene alone. But he seemed rather 'normal' ? I'd work with him again. The pay wasn't that great. But he seemed a good Director and he gave me a coupon that has a $35.00 Linden value at any Perkins Restaurant. He let me watch the dailies of the filming as it proceeded which no other Director had ever let me do before. Seemed like a decent fellow. So .. yeh .. I'd work with him again. What else can I say?
He dresses in a formal suit on set everyday .. that's a bit much. Other than that no complaints.
[Mollie Pop / Lead Actress / Flickr Artist ]
I think I’ve solved our winter energy crisis!
When the lights get turned off between 4 and 7 on those dark winter nights you just need to turn on a few fairy lights!
Problem solved!
I would suggest that there is a double benefit in that when they stop working, you could just sauté then in a little butter and that’s supper sorted too, however these bonnets are not toxic but have no nutritional value, a bit like a cream cracker in that respect.
So far I’ve collected about 150 and arranged them strategically around the house and guess what happened when I turned all the lights off…….…..yes, **** all!
The drawing board beckons, or was it the corkscrew?
The modern history of the library can be traced back to 1802, the time of the restoration of the Benedictine order. The first records referring to the library date back more than a thousand years, so except for a few interruptions, it is the oldest and most valuable art collection in the country. The library now consists of approximately 400,000 volumes compared to the original 70-80 codices. In terms of topics, the collection includes every conceivable scientific discipline. The language is more often Latin, but the books were also written in Hungarian, French and German. After the restoration of the Benedictine order, the library also made great strides, it began to prosper, and the collection reached its great size through purchases, collections and legacies. The Abbey, its library and its spiritual value was designated a UNESCO World Heritage Site in 1996.
Another sad entry from my late aunt Edie's autograph book. The poppy would suggest that he didn't come back.
A treasure with great sentimental value, especially so, as we approach armistice day once again.
Both light and shadow are the beginning of all beginnings,
and their tendency to clash is natural.
No one has abolished their values.,
And yet the sun dominates the shadow.
This Higher Light holds the world in its palms,
descending from heaven, spreading across the seas and lands,
Hope, faith - as a guide.
Kindness inspires, heals the soul...
Kojori Fortress was built atop Azeuli Mountain, at a height of 1,250 metres above sea level. According to historians, the fortress was constructed sometime during the 11th century. Built in multiple layers atop the cliffs, this fortress once protected the caravan road connecting Tbilisi to Armenia, and was of immense strategic importance during the Middle Ages.
Korjoli Fortress was built of crushed stone and brick, and was plastered with thick mortar. Today, only the ruins of the walls and two of its towers remain, but these ruins speak to numerous battles and sieges over the centuries. The ruins afford visitors a beautiful view of Kartli’s wide-open spaces.
The last battle to take place at Kojori Fortress took place in 1921, when the 11th Army of the Russian Red Army faced Georgian cadets. A memorial in honour of these fallen cadets stands there today.
In addition to its historical value, Kojori is also a spectacular place for relaxing in nature, having a picnic, and doing a little light hiking in the nearby forest. This region, once the summer residence of kings, is today open to the public to enjoy.
12th April 1099
85013 & 85035 head south at Brock at around 19:00 with a real mixed bag ECS.
Not the best of quality unfortunately but uploaded for rarity value.
Ria del Nervión, margen izquierda, Bilbao, Vizcaya, País Vasco, España.
La ría de Bilbao (también conocida como ría del Nervión o del Ibaizábal) es la desembocadura que forma el sistema de los ríos Nervión e Ibaizábal, así como sus últimos afluentes, en su llegada al mar Cantábrico, en el golfo de Vizcaya. Atraviesa Bilbao, divididiendo la ciudad en dos: a la derecha, Deusto, Uribarri, Begoña y Otxarkoaga-Txurdinaga, y a la izquierda, Basurto-Zorroza, Rekalde, Abando y Ibaiondo.
Pasando la jurisdicción de Bilbao, se prolonga 23 kilómetros hasta su desembocadura en el mar, entre los municipios de Santurce, Guecho y Ciérvana.
Antaño las márgenes izquierda y derecha del curso inferior de la ría, a las afueras de Bilbao, eran opuestas en cuanto a sus características sociales: la derecha era residencial y la izquierda, industrial y obrera. En Bilbao, la diferencia reside en que mientras la margen derecha conserva su valor histórico, la izquierda, completamente renovada, se ha convertido en el centro económico de la ciudad, con su epicentro en la Gran Vía de Don Diego López de Haro y la Plaza Moyúa. Ambas orillas han experimentado un desarrollo urbano impresionante, con interesantes lugares destinados al disfrute de locales y visitantes.
Margen derecha:
En el término de Bilbao se pueden observar la torre de la Catedral de Santiago y la iglesia de San Antón se erige a metros de las aguas. Más adelante se encuentra el Mercado de la Ribera, el Teatro Arriaga, el Ayuntamiento y el paseo del Campo de Volantín. El edificio de la Universidad de Deusto se levanta sobre la Avenida de las Universidades.
Más abajo aparecen los municipios de Erandio y Lejona, que a lo largo de los siglos XIX y XX fueron perdiendo parte de su suelo rural para alojar industrias y viviendas de obreros.
En Guecho, el barrio de Romo tuvo un similar carácter obrero, mientras que en los de Neguri y Las Arenas se pueden apreciar algunas fastuosas mansiones de la burguesía vasca.
Margen izquierda:
En la orilla izquierda, dentro del término de Bilbao se encuentran Abando, Indauchu y Zorroza.
La estación de Santander, los paseos de Uribitarte y Abandoibarra son recorridos por su ecológico tranvía eléctrico y llegan al inconfundible Museo Guggenheim Bilbao, símbolo de la nueva era que atraviesa la ciudad. Más adelante, el complejo centro comercial Zubiarte ofrece compras, gastronomía y salas de cine. El Palacio Euskalduna después, y más tarde lujosos hoteles como el hotel Meliá de Bilbao y parques. Por último, el Itsasmuseum Bilbao ofrece exposiciones referentes al pasado ligado al mar de la villa.
Más al norte se encuentran los municipios de Baracaldo, Sestao y Portugalete y, en la desembocadura, Santurce y Ciérvana.
The Bilbao estuary (also known as the Nervión or Ibaizábal estuary) is the mouth that forms the system of the Nervión and Ibaizábal rivers, as well as their last tributaries, as they reach the Cantabrian Sea, in the Bay of Biscay. It crosses Bilbao, dividing the city in two: on the right, Deusto, Uribarri, Begoña and Otxarkoaga-Txurdinaga, and on the left, Basurto-Zorroza, Rekalde, Abando and Ibaiondo.
Passing the jurisdiction of Bilbao, it extends 23 kilometers to its mouth in the sea, between the municipalities of Santurce, Guecho and Ciérvana.
In the past, the left and right banks of the lower course of the estuary, on the outskirts of Bilbao, were opposite in terms of their social characteristics: the right was residential and the left, industrial and working class. In Bilbao, the difference is that while the right bank preserves its historical value, the left, completely renovated, has become the economic center of the city, with its epicenter in the Gran Vía de Don Diego López de Haro and the Plaza Moyua. Both shores have experienced an impressive urban development, with interesting places for the enjoyment of locals and visitors.
Right margin:
In the municipality of Bilbao you can see the tower of the Cathedral of Santiago and the church of San Antón stands meters from the water. Further on is the Mercado de la Ribera, the Arriaga Theater, the Town Hall and the Campo de Volantín promenade. The University of Deusto building stands on Avenida de las Universidades.
Below are the municipalities of Erandio and Lejona, which throughout the 19th and 20th centuries lost part of their rural land to accommodate industries and workers' houses.
In Guecho, the Romo neighborhood had a similar working-class character, while in Neguri and Las Arenas you can see some lavish mansions of the Basque bourgeoisie.
Left margin:
On the left bank, within the municipality of Bilbao, are Abando, Indauchu and Zorroza.
The Santander station, the Uribitarte and Abandoibarra promenades are traveled by its ecological electric tram and arrive at the unmistakable Guggenheim Museum Bilbao, symbol of the new era that is going through the city. Further on, the complex Zubiarte shopping center offers shopping, gastronomy and movie theaters. The Euskalduna Palace later, and later luxurious hotels such as the Meliá hotel in Bilbao and parks. Finally, the Itsasmuseum Bilbao offers exhibitions referring to the past linked to the sea in the town.
Further north are the municipalities of Baracaldo, Sestao and Portugalete and, at the mouth, Santurce and Ciérvana.
Thank you everyone so much for sharing your quality photos which is a great way to see and keep in touch with the world from home. Also for your kind comments and favours which are much valued.I am not able to take on any more members to follow or to post to groups. I prefer not to receive invites to groups
totum visits the ethers
there is so much more to life than is ever seen
"The true sign of intelligence is not knowledge but imagination." Albert Einstein
Excerpt from historicplaces.ca:
Description of Historic Place
The Navy Hall stands alone in a carefully manicured park setting just below Fort George National Historic Site. Designed with clear, clean lines, it is a low, rectangular, stone-clad structure with a hipped-roof clad in copper, and with a symmetrical organization of its windows and entry points. The designation is confined to the footprint of the building.
Heritage Value
The Navy Hall is a Recognized Federal Heritage Building because of its historical associations, and its architectural and environmental values.
Historical Value:
The Navy Hall is a very good example of a building associated with the beginnings of the heritage movement in the first half of the 20th century. It illustrates changing approaches to the management of important historic buildings over time. In particular, it illustrates the role of aesthetics in conservation in the 1930s. Originally a commissariat storehouse, regular troops, the militia and also the Boy Scouts used the building, built in 1815. In the 1930s, the building was taken over by the Niagara Parks Commission.
Architectural Value:
The Navy Hall is valued for its good aesthetic design. The exterior fabric of the structure, the stone cladding, the copper clad roof, and the enhanced symmetry of the fenestration are features of the 1930s intervention. These features, clearly of a later era and philosophy, reflect the classical revival tastes of the period and the design idiom of the Niagara Parks Commission. Good functional design is evidenced in the placement of doors and windows, and in the spatial arrangement and planning of the interior.
Environmental Value:
The Navy Hall reinforces the landscaped parkway that runs along the Niagara lakefront and is a familiar landmark to residents and to visitors.
Character-Defining Elements
The character-defining elements of the Navy Hall should be respected.
Its good aesthetic, good functional design and good quality materials and craftsmanship, for example:
-the simple, rectangular massing.
-the low-pitched hipped roof, the copper roof cladding, and the symmetrically placed chimneys.
-the stone cladding of the exterior walls, the small multi-paned windows and large entrances.
-the interior spatial arrangement of the principal rooms.
The manner in which the Navy Hall reinforces the landscaped setting and is a familiar landmark, as evidenced by:
-its simple design and materials that harmonize with the landscaped parkway consisting of well-maintained lawns and walks, all introduced as part of the Niagara Park Commission’s parkway landscaping in the 1930s.
-its visibility and recognition by those frequenting the parkway and the National Historic Site.
The workhouse bomber of World War II. Design work first started in the mid 1930's and was plagued by design problems and there were many prototype variants and the design cost overruns almost bankrupted Boeing. However by the onset of World War II the design flaws were fixed and over 12,000 were made. After the war most of these planes were ruthlessly torn apart for their value in scrap metal and now there are less than 10 that are certified safe to fly and less than 40 that are in whole condition. The particular day I was at the museum it was quite and I talked to one of the curators of the museum said this particular plane if it was rewired, had fresh batteries and some minor parts replaced with no doubt in his mind could be made airworthy again. It's all a matter of cost.
Having only ever known city living in my nearly 60 years, I value times when I can get away to the country or the coast for a break. Alongside the slower pace of life, the fresher air and a chance to take in many surprising moments, the dark skies and quiet roads are some of my favourite reasons to escape. A recent south coast sojourn served up several such serene stops. This flat and straight section of road near Bodalla, Australia, has so little traffic on it at night that spending long periods standing in the middle of the road–or lying on it as I’ve done at least once before–to take photos is something you can almost take for granted.
The Milky Way’s core region had risen in the southeastern sky shortly before I arrived, and the distorted view through my camera’s fisheye lens makes our galaxy’s band of stars seem to arch across the sky and the bitumen. The Large Magellanic Cloud galaxy is almost centred in the scene, to the right of the row of poplars planted next to the road. I was fortunate to have cloudless heavens for five of the eight nights I was in the area, and on every one of those nights, the sky’s predominant colour was the subtle green generated by atmospheric airglow. I couldn’t see the electrical wires hanging overhead, showing as black scores on that green sky in my photo. As is often the case, though, perfection is elusive, and the wires’ presence in the shot isn’t too distracting.
Shot as a single frame, this night sky photo was taken with my Canon EOS 6D Mk II camera and a Samyang 8mm f/3.5 fisheye lens @ f/5.6, using an exposure time of 45 seconds @ ISO 12800.
"The value of a life does not depend on the place we occupy;
it depends on the way we occupy that place." ~ Therese of Lisieux
This is Lost Lake (yes, I found it) up atop Kebler Pass.
Thank you for viewing,
Bev
Kebler Pass
Colorado
USA
© All Rights Reserved
I havested it in the autumn and it has been stored in my mini greenhouse. It needed cutting up, freezing,and some I gave to my shopper. There are many recipes. It can be made into soup or a pumpkin pie with apple and sultanas in pastry, boiled, fried or baked with other vegetables and topped with cheese or nuts.
Thank you everyone so much for sharing your quality photos which is a great way to see and keep in touch with the world from home. Also for your kind comments and favours which are much valued.I am not able to take on any more members to follow or to post to groups. I prefer not to receive invites to groups
THANK YOU ALL! We value you SO MUCH.
We have 200 random winners. Each one gets 1000L$ in store credit. We already added store credits so winners can already spend them.
If you have not won this time please do not be upset.
We will have more giveaways in future and we are also working on something where every participant will get a prize :)
200 random winners:
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The Jurassic Coast begins in Exmouth, East Devon, and continues for 95 miles to Old Harry Rocks, near Swanage, Dorset. It is England's only natural World Heritage Site, and was inscribed by UNESCO in 2001 for the outstanding universal value of its rocks, fossils and landforms.
There's something inherently sad about household objects left out for the trash man. They are like castoffs; broken or no longer cherished, and left ignominiously out on the curb. This easy chair caught my eye the other day. Part of the forlorn quality of scenes like this is the object being ripped from its normal context. I wouldn't give the chair a second look in someone's living room. But it seemed horribly out of place on the edge of the state highway that bisects the village. That, and the sedentary nature of a recliner juxtaposed against passing traffic. Wonderful visual metaphors for the life cycle of things we purchase and the passage of time (and with it life). In the eerie stillness after the truck passed I contemplated the chair and the many other personal objects scattered about the lawn behind me. There's a village-wide trash haul this weekend, and little collections such as this are springing up all around. I have to admit a weird impulse to inspect them, and yearn to pull over when driving by. I can't help but think I will find something of value (I almost never do) but also that idle curiosity about seeing the remnants of someone else's life (remember I did preface this as weird). I'll be placing some of my own items out on the curb soon. I tend to wait until the night before, perhaps to avoid having others inspect them as I did this chair. Even when it's sheer junk, I feel an odd sentimental tug about letting go of things. And that spell lasts as long as the objects remain on my tree lawn before the pickup. Much like this chair, they are in the condemned phase, but still retrievable. I can simply go back out and reclaim them. That sentiment vanishes the moment the objects are tossed onto the truck. Maybe that's why I wait until the last minute to put them out. I just can't stand that in between time.
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
Colour re-edit of a shot from July 2017. Enjoy.
Restoring intended value through an application of intended use.
Paper and masking tape.
Dimensions variable.
...have fascinated me and I am deeply impressed every time I see them somewhere in the forests of Switzerland. I know this picture is not very new anymore but I recently got some input or an idea from someone who shared his beautiful photo from a jay with us here on Flickr. I had completely forgotten that I have various pictures of jays myself, but never published them on my photostream here. This happens to me very often because I spend most of my time in the wild nature and can then take photos of various animals. The time spent out there is the most important thing for me and the wonderful moments of being able to experience it up close and in the middle of the wild. Selecting the many photos later on is always a lot of work for me and I shy away from it whenever possible. In this way, many of my photos stay on the memory card for a long time before I copy them to my computer. A lot of things are forgotten and I only discover the pictures when I really find the time or when I get a thought-provoking idea from someone like now. In this sense, I would like to thank Mike for recently publishing one of his photos of jays. www.flickr.com/photos/191055893@N07/
This was a good opportunity to check myself again to see if I have anything useful about jays - this beautiful and clever bird of the forest.
As you can see, I found what I was looking for, but I had a lot of trouble choosing one photo from the many that I have. On top of that, I have a lot of trouble choosing one of my usually many photos. I really hope that I have chosen the right one for you and that it is beautiful enough to enjoy?
Well, the story behind this photo might also be informative for you. Actually, I was out and about in the forests of Switzerland and my surroundings again, primarily to photograph squirrels, because I now knew very well where you could find them and at what time. But things usually turn out differently than you think and, as is so often the case out there in nature, you experience small or large surprises. Anyway, I saw squirrels and was able to photograph some very nicely, but the real star of the day was definitely the jay. Why? To my great surprise and even greater joy, the jay passed by several times where I was photographing the squirrels, or at least trying to haha..
This jay sat on a branch not very far from me and maybe watched me doing something strange. At least that's how it seemed to me and it didn't fly away straight away but stayed in the tree for a while before moving on. As if that wasn't enough, he kept coming back to me and the whole game started again. I was simply fascinated by this magnificent bird with its beautiful blue feathers on its side. What more could you expect from a day in the wild than such an amazing spectacle that you can then capture with your camera. There was just one thing that annoyed me a little: my wrong settings on my camera. I was probably a bit nervous and set the exposure time much too short because I now had a camera with image stabilization. In that sense, I could have halved the time and the ISO values would not have been so high. I can't change it now and I'm very happy despite everything because the really nice thing about it all was the great experience with the clever jay, which made me lose track of time that day.
The wonders of creation are so diverse that this beauty will never end. Creation is here. It is in you right now, it has always been. The world is a wonder. The world is magic. The world is love. And it is here, now.
- Iroquois Indian
We must protect the forests for our children, grandchildren and children yet to be born. We must protect the forests for those who cannot speak for themselves, like the birds, animals, fish and trees.
- Qwatsinas Edward Moody
Landschaftspark Duisburg-Nord --Importance of memory--
Landschaftspark is a public park located in Duisburg-Meiderich, Germany. It was designed in 1991 by Latz + Partner (Peter Latz), with the intention that it work to heal and understand the industrial past, rather than trying to reject it. The park closely associates itself with the past use of the site: a coal and steel production plant (abandoned in 1985, leaving the area significantly polluted) and the agricultural land it had been prior to the mid 19th century
Conception and creation
In 1991, a co-operative-concurrent planning procedure with five international planning teams was held to design the park. Peter Latz’s design was significant, as it attempted to preserve as much of the existing site as possible. Unlike his competitors, Latz recognized the value of the site’s current condition. He allowed the polluted soils to remain in place and be remediated through phytoremediation, and sequestered soils with high toxicity in the existing bunkers. He also found new uses for many of the old structures, and turned the former sewage canal into a method of cleansing the site.
Design
The park is divided into different areas, whose borders were carefully developed by looking at existing conditions (such as how the site had been divided by existing roads and railways, what types of plants had begun to grow in each area, etc.). This piecemeal pattern was then woven together by a series of walkways and waterways, which were placed according to the old railway and sewer systems. While each piece retains its character, it also creates a dialogue with the site surrounding it. Within the main complex, Latz emphasized specific programmatic elements: the concrete bunkers create a space for a series of intimate gardens, old gas tanks have become pools for scuba divers, concrete walls are used by rock climbers, and one of the most central places of the factory, the middle of the former steel mill, has been made into piazza. Each of these spaces uses elements to allow for a specific reading of time.
The site was designed with the idea that a grandfather, who might have worked at the plant, could walk with his grandchildren, explaining what he used to do and what the machinery had been used for. At Landschaftspark, memory was central to the design. Various authors have addressed the ways in which memory can inform the visitor of a site, a concept that became prevalent during Postmodernism.
Source: en.wikipedia.org/wiki/Landschaftspark_Duisburg-Nord
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I remember it being the home of the Blue Pullman in the early 70s. It was used by RES for a little bit in the mid 90s and went into Arriva ownership in 2011.
Its great to see some locomotives from the 1960s in a depot building dating back to the 1840s.