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Como es habitual en la escultura románica, en el relieve del Descendimiento del claustro de Silos, prevalecen los valores simbólicos sobre los afanes naturalistas. La escena no intenta conmover, sino ilustrar y adoctrinar.
Sin embargo, en este relieve se cuida cada detalle y en su composición abundan las líneas ondulantes que le proporcionan un extraordinario dinamismo.
La Cruz ocupa el centro de la composición, Cristo aparece con la mano derecha desclavada que es sujetada por la virgen hacia su rostro; gesto de respeto con origen en el mundo bizantino.
Cristo es de mayor tamaño que el resto de personajes, siguiendo el mismo esquema que la perspectiva jerárquica del arte románico con origen en el bizantino.
As usual in Romanesque sculpture, in the relief of the Descent from the cloister of Silos, symbolic values prevail over naturalistic desires. The scene does not try to move, but to illustrate and indoctrinate.
However, in this relief every detail is taken care of and its composition abounds in undulating lines that provide it with extraordinary dynamism.
The Cross occupies the center of the composition, Christ appears with his right hand unnailed, which is held by the Virgin towards her face; gesture of respect originating in the Byzantine world.
Christ is larger than the rest of the characters, following the same scheme as the hierarchical perspective of Romanesque art originating from the Byzantine.
"Szombierki" combined heat and power plant in Szombierki district of Bytom, Poland. Launched in 1920, nowadays operates at a limited capacity, considered as a monument due to its architectural values.
The name was given to what was the oldest Florentine bridge when the bridge to the Carraia was built, then called "Ponte Nuovo" in contrast to the pons Vetus. Beyond the historical value, the bridge over time has played a central role in the city road system, starting from when it connected the Roman Florentia with the Via Cassia Nuova commissioned by the emperor Hadrian in 123 AD.
In contemporary times, despite being closed to vehicular traffic, the bridge is crossed by a considerable pedestrian flow generated both by the notoriety of the place itself and by the fact that it connects places of high tourist interest on the two banks of the river: piazza del Duomo, piazza della Signoria on one side with the area of Palazzo Pitti and Santo Spirito in the Oltrarno.
The bridge appears in the list drawn up in 1901 by the General Directorate of Antiquities and Fine Arts, as a monumental building to be considered national artistic heritage.
PP work in Luminar Neo filters and Topaz Labs Star Effects filters.
Vischering-10-02-2024-0546
In this photo I tried to make use of a yellow filter to enhance the sky values in a black and white image. So I added a Cokin filter holder and Cokin light yellow filter. The effect is not as pronounced as I would have expected. Maybe I will have to go red next time.
Nikon Zf, FTZII adaptor, Samyang T-S 3.5/24, yellow filter, Adjusted in Lightroom.
Bromeliads are a type of succulent that are valued for bold foliage and colorful, exotic and long lasting flowers. The genus Aechmea contains many cold hardy bromeliads of which the most widely available is the Matchstick Bromeliad, Aechmea gamosepala. Each tightly clustered rosette of foliage forms a “tank” which holds water for the plant to absorb during dry weather. In late Fall and Winter, each rosette can produce a colorful scape of flowers held just above the foliage.
nwdistrict.ifas.ufl.edu/hort/2021/12/15/cold-hardy-bromel...
Processed in Capture One Windows
Cropped (4:3)
Exp. Program: Normal
Metering mode: Pattern
Exp. Corr. Value: +0.0 EV
WB Settings: Auto
100: I reckon you are a number.
103: I count you as a number
142: I value you higher than the former two
*** : I think you are superfluous.
(temporary assemblage)
Thank you everyone so much for sharing your quality photos which is a great way to see and keep in touch with the world from home. Also for your kind comments and favours which are much valued.I am not able to take on any more members to follow or to post to groups. I prefer not to receive invites to groups
“Remain true to your values. If you don’t stand for something, you’ll fall for anything.”
― Frank Sonnenberg
Location: Green story
"The value of a life does not depend on the place we occupy;
it depends on the way we occupy that place." ~ Therese of Lisieux
This is Lost Lake (yes, I found it) up atop Kebler Pass.
Thank you for viewing,
Bev
Kebler Pass
Colorado
USA
© All Rights Reserved
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
My loyalty is with Flickr. But, you can also see me on Instagram. Follow me: @dyslexsyk
SN/NC: Rosa Sp, Rosaceae Family
Garden roses are predominantly hybrid roses that are grown as ornamental plants in private or public gardens. They are one of the most popular and widely cultivated groups of flowering plants, especially in temperate climates. An enormous number of garden cultivars have been produced, especially over the last two centuries, though roses have been known in the garden for millennia beforehand. While most garden roses are grown for their flowers, often in dedicated rose gardens, some are also valued for other reasons, such as having ornamental fruit, providing ground cover, or for hedging. Roses are one of the most popular garden shrubs in the world with both indoor and outdoor appeal. They possess a number of general features that cause growers and gardeners to choose roses for their gardens. This includes the wide range of colours they are available in; the generally large size of flower, larger than most flowers in temperate regions; the variety of size and shape; the wide variety of species and cultivars that freely hybridize.
As rosas de jardim são predominantemente rosas híbridas que são cultivadas como plantas ornamentais em jardins privados ou públicos. Eles são um dos grupos de plantas com flores mais populares e amplamente cultivados, especialmente em climas temperados. Um grande número de cultivares de jardim foi produzido, especialmente nos últimos dois séculos, embora as rosas sejam conhecidas no jardim há milênios. Enquanto a maioria das rosas de jardim são cultivadas por suas flores, muitas vezes em jardins de rosas dedicados, algumas também são valorizadas por outras razões, como ter frutas ornamentais, fornecer cobertura do solo ou cobertura. As rosas são um dos arbustos de jardim mais populares do mundo, com apelo interno e externo. Eles possuem uma série de características gerais que fazem com que produtores e jardineiros escolham rosas para seus jardins. Isso inclui a ampla gama de cores em que estão disponíveis; o tamanho geralmente grande da flor, maior do que a maioria das flores em regiões temperadas; a variedade de tamanho e forma; a grande variedade de espécies e cultivares que hibridizam livremente.
Las rosas de jardín son predominantemente rosas híbridas que se cultivan como plantas ornamentales en jardines privados o públicos. Son uno de los grupos de plantas con flores más populares y ampliamente cultivados, especialmente en climas templados. Se ha producido una enorme cantidad de cultivares de jardín, especialmente durante los últimos dos siglos, aunque las rosas se conocen en el jardín desde hace milenios. Si bien la mayoría de las rosas de jardín se cultivan por sus flores, a menudo en jardines de rosas dedicados, algunas también se valoran por otras razones, como tener frutas ornamentales, proporcionar cobertura del suelo o setos. Las rosas son uno de los arbustos de jardín más populares del mundo, tanto para interiores como para exteriores. Poseen una serie de características generales que hacen que los cultivadores y jardineros elijan rosas para sus jardines. Esto incluye la amplia gama de colores en los que están disponibles; el tamaño generalmente grande de la flor, más grande que la mayoría de las flores en las regiones templadas; la variedad de tamaño y forma; la amplia variedad de especies y cultivares que hibridan libremente.
Les roses de jardin sont principalement des roses hybrides qui sont cultivées comme plantes ornementales dans les jardins privés ou publics. Ils sont l'un des groupes de plantes à fleurs les plus populaires et les plus cultivés, en particulier dans les climats tempérés. Un nombre énorme de cultivars de jardin ont été produits, en particulier au cours des deux derniers siècles, bien que les roses soient connues dans le jardin depuis des millénaires auparavant. Alors que la plupart des roses de jardin sont cultivées pour leurs fleurs, souvent dans des roseraies dédiées, certaines sont également appréciées pour d'autres raisons, telles que la présence de fruits ornementaux, la couverture du sol ou la couverture. Les roses sont l'un des arbustes de jardin les plus populaires au monde avec un attrait intérieur et extérieur. Ils possèdent un certain nombre de caractéristiques générales qui poussent les producteurs et les jardiniers à choisir des roses pour leurs jardins. Cela inclut la large gamme de couleurs dans lesquelles ils sont disponibles ; la taille généralement grande de la fleur, plus grande que la plupart des fleurs des régions tempérées; la variété de taille et de forme; la grande variété d'espèces et de cultivars qui s'hybrident librement.
Le rose da giardino sono prevalentemente rose ibride che vengono coltivate come piante ornamentali in giardini privati o pubblici. Sono uno dei gruppi di piante da fiore più popolari e ampiamente coltivati, soprattutto nei climi temperati. È stato prodotto un numero enorme di cultivar da giardino, soprattutto negli ultimi due secoli, sebbene le rose fossero conosciute in giardino da millenni. Mentre la maggior parte delle rose da giardino vengono coltivate per i loro fiori, spesso in roseti dedicati, alcune sono apprezzate anche per altri motivi, come avere frutti ornamentali, fornire copertura del suolo o per siepi. Le rose sono uno degli arbusti da giardino più popolari al mondo con un fascino sia per interni che per esterni. Possiedono una serie di caratteristiche generali che inducono coltivatori e giardinieri a scegliere le rose per i loro giardini. Ciò include l'ampia gamma di colori in cui sono disponibili; la dimensione generalmente grande del fiore, più grande della maggior parte dei fiori nelle regioni temperate; la varietà di dimensioni e forma; l'ampia varietà di specie e cultivar che si ibridano liberamente.
Tuinrozen zijn overwegend hybride rozen die als sierplant in particuliere of openbare tuinen worden gekweekt. Ze zijn een van de meest populaire en meest gekweekte groepen bloeiende planten, vooral in gematigde klimaten. Er is een enorm aantal tuincultivars geproduceerd, vooral in de afgelopen twee eeuwen, hoewel rozen al duizenden jaren eerder in de tuin bekend waren. Hoewel de meeste tuinrozen worden gekweekt voor hun bloemen, vaak in speciale rozentuinen, worden sommige ook om andere redenen gewaardeerd, zoals het hebben van sierfruit, het verstrekken van bodembedekkers of voor afdekking. Rozen zijn een van de meest populaire tuinheesters ter wereld met zowel binnen als buiten aantrekkingskracht. Ze hebben een aantal algemene kenmerken die kwekers en tuinders ertoe brengen om rozen voor hun tuinen te kiezen. Dit omvat het brede scala aan kleuren waarin ze verkrijgbaar zijn; de over het algemeen grote bloemgrootte, groter dan de meeste bloemen in gematigde streken; de verscheidenheid aan grootte en vorm; de grote verscheidenheid aan soorten en cultivars die vrijelijk hybridiseren.
Gartenrosen sind überwiegend Hybridrosen, die als Zierpflanzen in privaten oder öffentlichen Gärten angebaut werden. Sie sind eine der beliebtesten und am weitesten verbreiteten Gruppen von Blütenpflanzen, insbesondere in gemäßigten Klimazonen. Vor allem in den letzten zwei Jahrhunderten wurde eine enorme Anzahl von Gartensorten produziert, obwohl Rosen im Garten schon seit Jahrtausenden bekannt waren. Während die meisten Gartenrosen wegen ihrer Blüten angebaut werden, oft in speziellen Rosengärten, werden einige auch aus anderen Gründen geschätzt, z. B. als Zierfrüchte, als Bodendecker oder zur Absicherung. Rosen sind einer der beliebtesten Gartensträucher der Welt und sowohl im Innen- als auch im Außenbereich attraktiv. Sie besitzen eine Reihe allgemeiner Merkmale, die Züchter und Gärtner veranlassen, Rosen für ihre Gärten zu wählen. Dazu gehört die große Auswahl an Farben, in denen sie erhältlich sind; die im Allgemeinen große Blume, größer als die meisten Blumen in gemäßigten Regionen; die Vielfalt an Größe und Form; die große Vielfalt an Arten und Sorten, die frei hybridisieren.
ガーデンローズは主に、プライベートガーデンまたはパブリックガーデンで観賞用植物として栽培されるハイブリッドローズです。それらは、特に温暖な気候において、最も人気があり、広く栽培されている顕花植物のグループの1つです。バラは何千年も前から庭で知られていましたが、特に過去2世紀にわたって、膨大な数の庭の栽培品種が生産されてきました。ほとんどの庭のバラは花のために栽培されていますが、多くの場合専用のバラ園で栽培されていますが、観賞用の果物を持っている、地被植物を提供する、または生け垣などの他の理由で評価されるものもあります。バラは、屋内と屋外の両方で魅力的な世界で最も人気のある庭の低木の1つです。それらは、栽培者と庭師が彼らの庭のためにバラを選ぶようにする多くの一般的な特徴を持っています。これには、利用可能なさまざまな色が含まれます。一般的に大きなサイズの花で、温帯地域のほとんどの花よりも大きい。サイズと形状の多様性;自由に交雑する多種多様な種と栽培品種。
ورود الحدائق هي في الغالب ورود هجينة تزرع كنباتات للزينة في حدائق خاصة أو عامة. إنها واحدة من أكثر مجموعات النباتات المزهرة انتشارًا وشعبية ، خاصة في المناخات المعتدلة. تم إنتاج عدد هائل من أصناف الحدائق ، خاصة خلال القرنين الماضيين ، على الرغم من أن الورود كانت معروفة في الحديقة لآلاف السنين مسبقًا. بينما تُزرع معظم ورود الحدائق لزهورها ، غالبًا في حدائق ورود مخصصة ، يتم تقدير بعضها أيضًا لأسباب أخرى ، مثل الحصول على فاكهة الزينة ، أو توفير غطاء أرضي ، أو للتحوط. الورود هي واحدة من أشهر شجيرات الحدائق في العالم مع جاذبية داخلية وخارجية. لديهم عدد من الميزات العامة التي تجعل المزارعين والبستانيين يختارون الورود لحدائقهم. يتضمن ذلك مجموعة واسعة من الألوان التي تتوفر بها ؛ الحجم الكبير للزهرة بشكل عام ، أكبر من معظم الأزهار في المناطق المعتدلة ؛ تنوع الحجم والشكل. مجموعة واسعة من الأنواع والأصناف التي تهجين بحرية.BOT
Europe, The Netherlands, Zuid Holland, Den Haag, Kunstmuseum, P.H. Berlage, Dick Braeckman, 5 B&W photos. People (uncut)
Walking thru the Kunstmuseum The Hague, formerly Gemeentemuseum The Hague) it is sometimes difficult to choose to focus on the delightful early modernist Berlagian flow of space and light or the artworks on display. Luckily there’s photography to balance things out and have it both ways, like in the pic shown here – a light court doing its magic.
Check out Hendrik van Leeuwen's text below to learn about Dirk Braeckman and this work. Thanx Hendrk, also for your narration during the visit to the museum.
“Dirk Braeckman (born in 1958 and closely associated with Ghent) felt that painting was not for him. Just as Odysseus was lured to the rocks by the song of the Sirens, an inner voice lured him to the darkroom of photography. To the magician's chamber that Dutch enthusiasts abbreviate to 'doka'. He felt at home there. Classical rules about tonal value, focus and composition were soon thrown overboard. He started painting with lamps and chemicals, in an increasingly larger format.
With him, every print has a life of its own. In the Kunstmuseum, five photos of the sea hang next to each other. All made from the same negative and yet the differences are enormous. "In my armchair, I often think about art and philosophy, but in the darkroom, I act impulsively," says Braeckman. "I want to surprise myself. Time and again. That is possible with this profession."
What drives a person? Dirk Braeckman does not want to know when he works, but he too must have core images from his youth that do not let him go. He tells us hesitantly about his father. “Unlike me, he was very sporty. He liked to dive deep into the sea. As a child, I often went with him. I would sit on the shore for hours waiting. Or worse, on a boat far out at sea. He didn’t notice it, but I never knew when he would surface again.””
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We have 200 random winners. Each one gets 1000L$ in store credit. We already added store credits so winners can already spend them.
If you have not won this time please do not be upset.
We will have more giveaways in future and we are also working on something where every participant will get a prize :)
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There's something inherently sad about household objects left out for the trash man. They are like castoffs; broken or no longer cherished, and left ignominiously out on the curb. This easy chair caught my eye the other day. Part of the forlorn quality of scenes like this is the object being ripped from its normal context. I wouldn't give the chair a second look in someone's living room. But it seemed horribly out of place on the edge of the state highway that bisects the village. That, and the sedentary nature of a recliner juxtaposed against passing traffic. Wonderful visual metaphors for the life cycle of things we purchase and the passage of time (and with it life). In the eerie stillness after the truck passed I contemplated the chair and the many other personal objects scattered about the lawn behind me. There's a village-wide trash haul this weekend, and little collections such as this are springing up all around. I have to admit a weird impulse to inspect them, and yearn to pull over when driving by. I can't help but think I will find something of value (I almost never do) but also that idle curiosity about seeing the remnants of someone else's life (remember I did preface this as weird). I'll be placing some of my own items out on the curb soon. I tend to wait until the night before, perhaps to avoid having others inspect them as I did this chair. Even when it's sheer junk, I feel an odd sentimental tug about letting go of things. And that spell lasts as long as the objects remain on my tree lawn before the pickup. Much like this chair, they are in the condemned phase, but still retrievable. I can simply go back out and reclaim them. That sentiment vanishes the moment the objects are tossed onto the truck. Maybe that's why I wait until the last minute to put them out. I just can't stand that in between time.
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
Colour re-edit of a shot from July 2017. Enjoy.
Take a moment from time to time to remember that you are alive.
I know this sounds a trifle obvious, but it is amazing how little time
we take to remark upon this singular and gratifying fact.
By the most astounding stroke of luck an infinitesimal portion
of all the matter in the universe came together to create you
and for the tiniest moment in the great span of eternity
you have the incomparable privilege to exist ...
Bill Bryson
The Merganser tried unsuccessfully for over 20 minutes to try to swallow its catch but eventually had to give up..... a little too big
English ten pound note.
If you are familiar with this banknote then this image may strike you as being a little odd. You’ll know the iridescent holograms on the left, but you may not have seen the large yellow figures ‘10’ formed in the pattern at the top.
That’s because this image was taken in UV light. There are patches of fluorescent ink printed on the note that just look like white paper in ordinary light. The five-pound note has a 5 in the same place. I couldn’t afford a £20 note to check it out for consistency (or should that be cheque?) ;)
The British pound sterling is the oldest currency in the world that has been in constant circulation. It was adopted around 800AD being modelled on the currency of the French kingdom of Charles the Great (Charlemagne) which was established a few years before. Italian, Spanish and Portuguese currency had the same roots.
The French livre (pound) had 20 sous each of 12 deniers, like the 20 shillings and 12 pennies of sterling. Interestingly although the small denomination was called a penny its symbol was the ‘d’, just like the French denier, the Spanish Dinero and the Portuguese Dinheiro. All the names derive from the Roman denarius coin.
Sterling was decimalised in 1971 which caused all the prices to go up and the parking meters to stop working :) The pound now has 100 new pennies (p or pence).
Originally one French livre was worth a pound weight of silver (equivalent to 14.6 Troy ounces), but by 850 the pound sterling was only worth eleven and a quarter Troy ounces of silver. Looking at tonight’s spot price for silver my note should be redeemable for £1868.62 of the shiny metal… times change.
This image measures under 3 inches across as per the rules.
One thing that photographers should be aware of is that it is illegal to reproduce a digital picture of more than 50% of one side of the note without an overstamp, and the Queen’s head must not be distorted. There are the normal copyright issues as well and these can be rigorously prosecuted. See the Bank of England website for more details.
Thank you for taking the time to look. I hope you enjoy the image. Happy Macro Mondays :)
The fortified early Gothic church from the first half of the 14th century was built on the site of an older building. In the 15th century it was fortified with a wall and a wooden bell tower was built on the grounds in 1657. The single-nave space with a square-ended presbytery and a built-in sacristy has a painted cassette ceiling from 1758, the presbytery is characteristic by its rib vault. The mural paintings date back to the 60s of the 14th century and the creator of at least a part of them is the Master of Ochtiná presbytery. These interior frescoes were discovered in the early 20th century by I. Huszka who was restoring them in 1905. All the paintings, interior and exterior ones, were completely restored between 1983 and 1985 by J. Josefík, L. Székely and I. Žuch.
Within the almost intact medieval church, the murals have a uniquely strong impression and informative value, thanks to their scale and complexity of preservation. Thematically they focus on individual scenes from the Marian and the Passion cycle, but they do not have a uniform concept unlike the upper belt on the nave’s northern wall with a complete depiction of the St. Ladislaus legend.
Barton Hill depot in Bristol will be the temporary home for 20901 and 20905 for the next 5 weeks whilst they undergo a repaint into Balfour Beatty livery.
The depot opened in 1840 as a locomotive depot until 1870 when it became a carriage and wagon servicing facility.
I remember it being the home of the Blue Pullman in the early 70s. It was used by RES for a little bit in the mid 90s and went into Arriva ownership in 2011.
Its great to see some locomotives from the 1960s in a depot building dating back to the 1840s.
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I don't like hats. I suspect I valued my hair's "look" way too much and was terrified of the infamous terminal hat ring. Even though I don't have enough hair left now to even form a hat ring, I still don't like them. Therefore, these are the only hats in my possession.
My warm sheepskin leather with the earflaps is the only one that I do wear with any regularity and I only wear it for the really cold days of winter; it’s my Elmer Fudd hat.
My cowboy hat is a genuine Biltmore and I only wear it when I need a costume. I bought it when I lived in Calgary, Alberta, as the hotel I worked for required us to “dress western” during Calgary’s Stampede celebrations. The Stampede is held during the very hot and humid days of July and I had yet to learn cowboy hat etiquette when I bought the hat. I should have purchased one made of straw. Talk about sweating wearing a felt hat in summer! Shameless plug: The Stampede truly is the Greatest Outdoor Show On Earth. Go see it if you can.
I was given the NASCAR ball cap at work and the BiggerCity cap was won at a run I attended many years ago. Never wear either of these and they hang on the wall in my kitchen.
f(x) - Diamond
"I am a strong, unbreakable Diamond, my valued heart and essence fire with ability of one billion."
www.youtube.com/watch?v=39EUV9Q0LLo
TRACKLIST:
4 Walls: www.flickr.com/photos/91200485@N05/22500510995
Glitter: www.flickr.com/photos/91200485@N05/22553652526
Deja Vu: www.flickr.com/photos/91200485@N05/22402832980
X: www.flickr.com/photos/91200485@N05/22598343882
Rude Love: www.flickr.com/photos/91200485@N05/21931771194
Diamond: www.flickr.com/photos/91200485@N05/22690637225
Traveler: www.flickr.com/photos/91200485@N05/22477233990
Papi: www.flickr.com/photos/91200485@N05/22019615813
Cash Me Out: www.flickr.com/photos/91200485@N05/22710340341
When I'm Alone: www.flickr.com/photos/91200485@N05/22103146014