The Global Amateur Photography Club.
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The Croda dei Toni or Cima Dodici (Zwölferkofel in German) is a mountain in the eastern Dolomites 3,094 m asl It is part of the Sesto Dolomites and its name "Croda dei Toni" is due to the dialectal pronunciation of the area of the words "Rock of Thunder "
Photograph taken from the Forcella del Camoscio at the foot of the via ferrata at Monte Paterno. Note the lower left of the image of the path that, after the “via ferrata dei camosci”, leads to the Pian di Cengia refuge.
My slide from 1981
Dartford Warbler, Curruca undata toni, Sylvia andata, 13 - 14cm. NEAR THREATENED. Bushy, coastal heath, open pine or oak wood with gorse and heather.
Dehesa Tornero, Sevilla, Andalucia, Spain.
©bryanjsmith.
Leica M-P & Super-Elmar-M 21mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
Photos and contest are protected by copyright, Gio F. Copyright © 2016 - All rights reserved For any use need my written permission
I’m Follet,
ho trovato un punto e virgola,
“In definitiva, le parole sono tutto quello che abbiamo, perciò è meglio che siano quelle giuste, con la punteggiatura nei posti giusti in modo che possano dire quello che devono dire nel modo migliore.”
Lo diceva Raymond Carver, ma io lo condivido in maniera assoluta.
La punteggiatura è ormai usata solo per allegre faccine, lo stupore è trovarle dentro romanzetti dei nostri tempi.
Mi chiedono a volte a che serve il punto e virgola, con lo sguardo sbalordito penso a che serve mettere un’emoticon in un romanzo giovanile.
Chi ha inventato le emoticon?
E se al posto dei due punti mettessimo un punto e virgola?
Ma quando?
Chi non sa non capisce nulla di questo discorso di Foll, e qui ci andava un punto, non una virgola.
O un punto e virgola.
Chi se ne frega … Foto e basta.
Un tramonto autunnale.
O invernale,
Primaverile?
Estivo?
Mi salvo e dico; toni autunnali.
Ho trovato il modo di non far sapere quando!
E, poi perché non ricordare solo il giorno in cui il tramonto, mi dette il modo di far sentire a quel che in quel preciso momento , volevo dire.
L’intuizione è una molla che fa scattare un’idea.
La trovo decisiva. Ma poi cade e viene raccolta. Presa e consumata, va perduta, come una virgola lasciata sola.
Il tramonto, ti conduce alla notte, il buio fa riposare.
E se fosse un'alba; l'alba è per pochi, come dice Piera. Al mattino le virgole trovano il loro posto, scendono da stupide faccine , lasciano i simboli ed entrano in un racconto, che diventa comprensibile.
Foll
Leica M-P & Elmarit-M 28mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
Leica M-P & Summilux-M 35mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
Leica M-P & Elmarit_m 28mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
TiC climbed over a site fence, sneaked into the building - and found herself in "the zone" with Stalker (most interesting movie character)
Out now at Ilcocoli for The Saturday Sale Official - SL
"Toni"
Mesh top and pants. Colors sold separately or in fatpack options. Fatpacks come with a texture hud(9 colors for each). Exclusive for Kupra and Kupra Kups.
Taxi: maps.secondlife.com/secondlife/Sensual%20Souls/80/162/24
(c) michael fellner 2010 all rights reserved
Reading cultural studies train stations are often referred to as the cathedrals of the 19th and 20th century. Impressive structures of steal, marble and glass giving open space to new horizons. People seem tiny but full of passions: Movement and standing still, departure and arrival, love and tragedy all at the same time. Yes, I love train stations and I like taking pictures there: www.flickr.com/photos/mfellnerphoto/sets/72157622767509898/ My working place is directly opposite Munich’s train station and so I am there almost every day and I really enjoy the thrilling atmosphere.
On Flickr you find a lot of pictures of trains and train stations. Two absolute professionals I would like to introduce to you: First is Toni from Zurich, Switzerland. He is a master of perfection, light and speed and even develops his own special equipment to capture it. He likes his country, especially the world famous Matterhorn www.flickr.com/photos/toniphotos/sets/72157616254791791/ and his hometown Zurich www.flickr.com/photos/toniphotos/sets/72057594095664232/ But he has many other subjects like stairs www.flickr.com/photos/toniphotos/sets/72157608362476329/ , driving through tunnels www.flickr.com/photos/toniphotos/sets/72157594527812711/ , and churches www.flickr.com/photos/toniphotos/sets/72157607376417847/ . But among his top favorites are- as I told you - trains and train stations: www.flickr.com/photos/toniphotos/sets/72157594153147368/ , www.flickr.com/photos/toniphotos/sets/72157600038964283/
The second photographer is Philippe from Andrésy, France. His special talent is it to show us the moving and waiting, depressed and overjoyed people in the train stations. One masterpiece he posted lately is this one: www.flickr.com/photos/44582052@N07/4390834142/. Like me he also loves shadows and silhouettes: www.flickr.com/photos/44582052@N07/4327621439/in/set-7215... , www.flickr.com/photos/44582052@N07/4131174849/in/set-7215... . And here is his amazing latest hits album: www.flickr.com/photos/44582052@N07/sets/72157623378100115/.
So Toni and Philippe keep it up. Maybe next holidays you both can buy an Interrail ticket and travel and capture the world of European train stations for us!!!
P.S.: On this picture you can see a TGV. Since last year it is possible to travel from Munich to Paris via TGV. But to take a picture you really have to get up early because it departs at 6.20 a.m.
Poor Toni looked quite lonely perched on this tree stump. Haven't seen his partner Milli for some time
Rudi Tóni (1967-2024) was the best authentic viola player in Transylvania. I learned music from him, and I thank for it. I made this portrait from him in 2022.