View allAll Photos Tagged Temporary
The road through the Habrouside/Strand reconstruction works was made two-way during the Easter school holidays, from Good Friday 29th March until Sunday 14th April. this eased the traffic flow considerably.
Drainage and kerbside work on the eastern side of Strand has also been partially completed, as has a loading bay - this was used as a temporary taxi rank during the two-way flow. Two sets of temporary traffic lights remained on site but were used to provide two temporary signalled pedestrian crossings at either end of Strand.
Temporary art installation at the West Hollywood Aquatics and Recreation Center. January 2023 - December 2023.
Photos provided courtesy of the City of West Hollywood. Some rights reserved. Photo credits: Jon Viscott
the red structure mounted outwith the concrete pier and the main steelwork are temporary bearings used to slide the bridge deck sections out into place. Once all sections are in place these bearings will be removed and the bridge deck lowered onto the fixed bearings which allow movement between the pier and bridge deck.
Used for discussions between both sides. That's the North Korean side past the blue buildings, a line is drawn between the buildings partitioning them
Taylor Muse of Quiet Company, at The Spot in Tyler, Texas. This might be a temporary file, as my laptop is dead. More pictures Tuesday!
Sometimes I do ;)
And sometimes when I have to shelve a book with the call number of 398.40000888994, I don't! ;P
"Let's Make the Third Eye Listen"
Liz Cambron, Sara Condo, Grace Cross, Rachel Glass
...
#documentMyArtDotCKOssers
“In his view, pure contemporarity would never be possible, because being absolutely with time would permit no future, no past, and this no present. It would amount to the identity of being and time - an impossibility” (Smith, pp.12)
“The bold reversal of contemporary usage was understandably slow in being accepted; occasionally, where the context left no room for doubt, Vasari himself relapses into the earlier habit of using the word moderno in the sense of “no longer classical” (vis., “mediaeval”) instead of in the sense of “no-longer mediaeval” (viz., ‘of the present”)” (Panofsky, pp.35)
“ . . . you must simultaneously affirm the existence of the object while denying the relevance of the tern that designates that existence. Or perhaps it might be better to admit that the notions, that cluster around the word ‘modern’ are as unavoidable as they are unacceptable” (Jameson, pp.13)
“Newer modernists operate on the principle of intensification and desire, they want to loosen modernism and give it some more of what it had” (Lavin)
When you celebrate your birthday, you feel happy, loved and complete. A utopia is a place or state where everything is perfect. Before blowing out candles, everyone feels a utopia, even if only for a minute.
This image was shot by Caroline Schurman-Grenier and was submitted for the 2016 Photo Prize competition.
TEMPORARY TEMPLE by TASMAN RICHARDSON & RKO (FR, CA)
v-atak.com
tasmanrichardson.com
Performing as «mediums» pulling from recorded media, the power of the dead. Clips are collected to form video «dictionaries » of primary symbols or universal archetypes. The performers will improvise a duet made entirely of the video clips. The sounds will come from the source videos. The performance will create a temporary temple for the audience. A focal point filled with celebrities, static and gods. Video content will be selected in a stream of consciousness style of editing, music concrete meets video cut ups inspired by Burroughs and Gysin.
Jouant comme des “mediums” puisant le pouvoir de la mort dans divers matériaux enregistrés. La performance est nourrie de «dictionnaires» vidéos composés de symboles primitifs et d’archétypes universaux. Les participants improvisent un duo entièrement composé de vidéo clips. Le son provient des sources vidéo.
La performance construit un temple éphémère à destination du public. Avec une prédominance de célébrités, parasites et dieux. Le contenu des vidéos est choisi dans un style de montage proche du flux de conscience, la musique concrète côtoie des cut-up vidéo inspirés de Burroughs et Gysin.
Una domenica pomeriggio come tante, ma nell'aria qualcosa di nuovo. I tavoli di meltin pop si rivestono di rosso, compaiono uova e farina, spianatoie e mattarelli...ecco gli apprendisti sfoglini, si inizia!!
Chi non ha mai provato ad amalgamare la pasta si ritrova con le mani infarinate, tutto diventa piacevole ed interessante, tutto diventa collaborazione e momento di scambio.