View allAll Photos Tagged Talco
The first painting I have done in quite some time. Did this at Selah Ranch near Talco, Texas. Absolutely beautiful place!
selahranch.com
Watercolor on Arches 300 lb. rough.
Talco Campagna p/e 2012
Production: Nicola, Uoter
Testimonial: Paola Barale
Photographed by Luca Patrone
Assistant: Fabrizio S
Make-up: Patty
Hairstyling: Maurino
Styling: Andrea Amara
Special Thanks: Manuela, Silvia, all the Talco Team
Gino Boccasile (1901-1952) was born in Bari, Italy. He moved to Milan in 1925 at the age of 24 and worked at the Mauzan-Morzenti Agency as a student of Achille Mauzan. He travelled to Paris and afterwards to Argentina for years. Boccasile returned to Milan where he worked at the firm of Pitigrilli during the 1930’s. He created many art, prints and posters during the 1930s.
As the 1930’s came to an end, Mussolini replaced the King and went to war alongside the Nazi regime. Boccasile went to work for the fascists, creating some of the most startling images of propaganda, many of which are highly sought after today. Many have no signature due to the volatile nature of his propaganda. During and after the war, most of Boccasile's art, prints and posters were done in ‘offset’ typography.
After the war, Boccasile set up his own agency. Both he and his students were very sought after by, among others, Musati, Ferramante, Busi, Mosca, doing works for anything from Night Club acts, to travel and products ie: Lama Bolzano, Talco Paglieri, Castroreale Bagni, Yomo, Lauro Olivo, Olio Raidino and many more . Gino Boccasile died in Milano at the age of only 51. He was the most important Italian poster artist between 1930 and 1952.
Talco Campagna a/i 2011/2012
Production: Nicola, Uoter
Testimonial: Paola Barale
Photographed by Luca Patrone
Assistant: Eugenio I
Make-up: Patty
Hairstyling: Maurino
Styling: Andrea Amara
Special Thanks: Manuela, Silvia, all the Talco Team
Talco Campaign 2010
Photography: Luca Patrone
Styling: Andrea Amara
Makeup: Patrizia del Curatolo
Hair: Mauro Situra per Coppola
Video: Ruggero Longoni
Produzione: Uoter agency
Talco Campaign 2010
Photography: Luca Patrone
Styling: Andrea Amara
Makeup: Patrizia del Curatolo
Hair: Mauro Situra per Coppola
Video: Ruggero Longoni
Produzione: Uoter agency
On Explore: www.flickr.com/explore/interesting/2013/04/23/with/867500...
1° principio della dinamica
Strobist info:
borotalco (powder)
Scatto singolo, 13 sec, flash Speedlight SB-910 (1/4 di potenza, 45* on right)
due lampade LED
trigger sound
Nikon D600
Nikkor 24-85mm (52mm)
ISO 160 f/13, 13s
Talco Campaign 2010
Photography: Luca Patrone
Styling: Andrea Amara
Makeup: Patrizia del Curatolo
Hair: Mauro Situra per Coppola
Video: Ruggero Longoni
Produzione: Uoter agency
Talco Campagna a/i 2011/2012
Production: Nicola, Uoter
Testimonial: Paola Barale
Photographed by Luca Patrone
Assistant: Eugenio I
Make-up: Patty
Hairstyling: Maurino
Styling: Andrea Amara
Special Thanks: Manuela, Silvia, all the Talco Team
Auberge de Provence - Museo Nazionale di Archeologia di Malta.
Questa vetrina espone ornamenti personali e amuleti che risalgono principalmente all'Età del Bronzo maltese (circa 2400 – 1500 a.C.), molti dei quali rinvenuti nei contesti funerari del celebre Cimitero di Tarscen.
- Collane di vertebre di pesce e conchiglie (in alto a sinistra): Pendenti e vaghi da collana realizzati infilando vertebre di pesce alternate a elementi cilindrici estratti da conchiglie marine. Testimoniano l'uso di risorse costiere per la creazione di gioielli complessi.
- Pendenti a forma di uccello (al centro): Tre piccole figurine stilizzate in pietra e conchiglia che raffigurano volatili o anatre. Venivano forate e indossate come amuleti protettivi ed erano comunemente deposte nelle urne cinerarie insieme ai defunti.
- Collana di grani scuri (in alto a sinistra e a destra): Lunghi filamenti composti da vaghi geometrici scuri (spesso in pietra dura locale o osso lavorato) che formavano ricchi ornamenti pettorali.
- Pendenti e bottoni forati (numeri 5, 6 e 7): Piccoli dischi in pietra verde o scura (spesso talco o pietra ollare) e pendenti piatti con un foro apicale, utilizzati come bottoni per abiti o elementi di finitura per collane.
- Bracciale o pettorale a più fili (in basso a destra): Un fitto intreccio geometrico restaurato composto da centinaia di minuscoli grani bianchi e neri, che riproduce un antico e finissimo lavoro di artigianato tessile e ornamentale della primaEtà del Bronzo.
Auberge de Provence - National Museum of Archaeology of Malta.
This display case displays personal ornaments and amulets dating primarily to the Maltese Bronze Age (circa 2400–1500 BC), many of which were found in the funerary contexts of the famous Tarxien Cemetery.
- Fish Vertebrae and Shell Necklaces (top left): Pendants and necklace beads made by stringing fish vertebrae alternating with cylindrical elements extracted from marine shells. They demonstrate the use of coastal resources to create complex jewelry.
- Bird Pendants (center): Three small, stylized stone and shell figurines depicting birds or ducks. They were pierced and worn as protective amulets and were commonly placed in cinerary urns with the deceased.
- Dark Bead Necklace (top left and right): Long strands of dark geometric beads (often made of local hard stone or worked bone) that formed rich pectoral ornaments.
- Pierced Pendants and Buttons (numbers 5, 6, and 7): Small discs of green or dark stone (often talc or soapstone) and flat pendants with a hole at the top, used as clothing buttons or necklace finishing touches.
- Multi-Strand Bracelet or Pectoral (bottom right): A dense, restored geometric weave composed of hundreds of tiny black and white beads, reproducing an ancient and very fine work of textile and ornamental craftsmanship from the Early Bronze Age.
IMG20260105141502m
Un nuevo intento, en este caso con dos flashes: el BESEL 828DFE, disparado con sonido, y otro disparado con el destello del Besel, el OLYMPUS FL36R. Como fondo utilicé un paño de color negro.
Modo Manual - Exposición: 5" - Apertura: F13 - ISO 125
Talcott Mountain & Hublein Tower, Simsbury, Connecticut, USA
Long shadows cast from surrounding woodlands reach across rows of corn as the sun sinks low in the sky, signaling the conclusion of a balmy, autumn day. On the horizon, Talcott Mountain rises nearly 1,000 feet from the surrounding countryside; the iconic Hublein Tower crowns the ridge crest, an unmistakable fleck against bold clouds, forest and traprock cliffs.
In 1823, Encyclopedia Britannica summed up Connecticut as “generally broken land made up of mountains, hills and valleys”. Among the rugged features of this landscape is the Metacomet Range, a distinctive chain of long, sheer ridges that weave through the Connecticut Valley.
Talcott Mountain is just one of many prominent summits of the Metacomet Range, which begins near the Connecticut coast and traces a rocky path north for 100 miles up into northern Massachusetts. Some of the more colorfully named mountains in Connecticut’s length of the chain include Sleeping Giant in Hamden and Wallingford, Meriden’s Hanging Hills and the Barndoor Hills in Granby.
If you enjoy this image, please share it with your friends.
To buy a print of “Fields ‘neath Talcott” or inquire about licensing, visit my website:
www.jgcoleman.com/landscape-photography/connecticut/talco...
You can also see more of my work from Talcott Mountain and Hublein Tower:
www.jgcoleman.com/landscape-photography/connecticut/talco...
I went to the Los Indianos Talcum Powder Carneval Festival.
Thousands of revellers turned to the streets of Santa Cruz de la Palma in the Canary Islands at the 27th of February for the annual rituals where people throw talcum powder over each other.
More Pictures/Infos:
breuertheflaneur.wordpress.com/2017/03/07/babypowder-fest...
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© Copyright: Breuerphotos 2014 - 2017 The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use, personal or commercial, without my prior written permission is strictly prohibited.
Quizá se convierta en la 21/365 pero no lo sé, voy a intentar hacer una mejor a lo largo del día (ya que sin ps todo es un poco más dificil) pero por si acaso no la consigo, aquí la dejo =)
my links:
Follow me on By Any Means Tumblr : itsmajno.tumblr.com/
and
Facebook : www.facebook.com/smajno
© Stefano Majno
Talco Campagna p/e 2012
Production: Nicola, Uoter
Testimonial: Paola Barale
Photographed by Luca Patrone
Assistant: Fabrizio S
Make-up: Patty
Hairstyling: Maurino
Styling: Andrea Amara
Special Thanks: Manuela, Silvia, all the Talco Team
El globo de la izquierda tiene talco el de la derecha agua.
The baloon on left hand has talc and right hand has water.
Talco Campagna p/e 2012
Production: Nicola, Uoter
Testimonial: Paola Barale
Photographed by Luca Patrone
Assistant: Fabrizio S
Make-up: Patty
Hairstyling: Maurino
Styling: Andrea Amara
Special Thanks: Manuela, Silvia, all the Talco Team
los pequeños detalles engrandecen los estantes y ahora tienen un segundo aire Vintage.
An history in another epoch
The small details enlarge the shelves and now they've a second vintage air.
Con está foto quiero agradecer a mi muy querida Angie ❥ tic tac toe... { Summer Vintage Style }
por sus bellisimas palabras que hace unos días [14] para ser exactos, me dejó en un testimonial,
decirte Angie que tus palabras me llegaron hondo y directo al corazón.
Y que crees linda, que cuando Efrén [mi hijo] y Yo, nos fuímos a encontrar tesoros para LVM
a la explanada de Palacio, al llegar a la carpa de antigüedades, mi mirada se fué directamente
a esta lata de talco para bebes...
-Está lata le encantará a Angie.
-Cómo, dijo la chica [desconocida] que atendía la carpa.
-Ooh, exclame, estaba pensando en voz alta, [sonreí] diciendole,
es una amiga española muy querida para mí.
I love to find a great vintage secondhand shop
[Bridget Hall]
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