Phoneography | Mobile Phone and Tablet Photo Addicts
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Sometimes I see potential in a photo for these effects. Sometimes I just go willy nilly and see what happens. Sometimes I just put the photo in the trash and start over.
This is done using a layer mask and blur effect in Photoshop Elements.
Happy Slider Sunday
ⓒRebecca Bugge, All Rights Reserved
Do not use without permission.
These three plaques (two can be seen properly here) are made of pure gold and nailed to a wall for anyone to read, in around 500 B.C. They are from the Etruscan town of Pyrgi and are written in two languages: Etruscan and the Punic dialect of Phoenician (the one to the left here is in Etruscan and the one next to it is in Phoenician - if you look closely you can see that the letters are different). The texts are about how the ruler of Caere, Thefarie Velianas, dedicated a temple to the Etruscan goddess Uni, the goddess of love and marriage (here identified with the Phoenician goddess Astarte). They were excavated in 1964 and are now on display at Villa Giulia, Rome.
Actually, the texts in the two different languages aren't completely word for word translations from one to the other. My husband has written an article about the significance of the differences in an article which can be found here: www.academia.edu/14327680/The_Religio-Social_Message_of_t... (if you want to read it but are not a member of the site, you can log in with Facebook)
(The thing in the lower left corner is the nails with which the tablets were nailed to the wall.)
On April 30 I had a lovely chat with friendly visitors from space and I even could sneek a peek into their cockpit and take an image of it ! You see the captain of the crew.
Unfortunaltely this space ship was too small for me to hop in myself ... but it was a fun encounter nonetheless !
Crazy Tuesday - theme of May 3rd, 2022: Made of Plastic
This is actually the plastic head of a reusable metal cocktail stick for finger food; taken in front of the keyboard of my tablet with internal lighting switched on; additional lighting with a coloured LED-light
[ taken with the manual Laowa 60mm 2x magnification lens @ about f/4; the "head"' is about 2.5 cm high ]
I will catch up in the evening ! :)
* * * * * * * * * * * * *
Am 30. April hatte ich ein nettes Gespräch mit freundlichen Besuchern aus dem All und konnte sogar einen Blick in ihr Cockpit werfen und Aufnahmen davon machen ! Ihr seht den Kapitän der Crew.
Leider war das Raumschiff zu klein für mich, um einzusteigen ... dennoch: eine lustige Begegnung !
Crazy Tuesday - Thema: aus Plastik gemacht / Plastik
Das ist tatsächlich ein Cocktail-Spieß / Partyspießchen für Fingerfood (wiederverwendbar mit Metallspieß und witzigen Plastikfigürchen als Kopf; es sind insgesamt 8 verschiedene in der Packung), die Tastatur meines Tablets mit eingeschalteter Beleuchtung im Hintergrund und zusätzliche Beleuchtung durch farbiges (rotes) LED-Licht
Created for Treat This 241
www.flickr.com/groups/1752359@N21/discuss/72157713189094288/
Thank you Vera Jane for the starter image:
www.flickr.com/photos/95044232@N03/49561850041/in/datepos...
The other used image is my own photo.
Created with Tablet
Left Hand Art VI - Filmstreifen© ArtundUnart 2020
All rights reserved
NR.20200222
Don't download or print any of them or use my images on websites, blogs, facebook or other media without my written permission.
Macro Mondays ……. Theme " Remedy"
The daily routine of taking medication, taken from their blister packs,the macro highlights the subtle differences in size,shape and the alpha numeric identification in this assortment of tablets.
I am pleased to say the medication is not prescribed to me.
Thank you for your views, faves and comments very much appreciated.
Thanks for view and comment!
Created for Kreative People / Treat This 180
www.flickr.com/groups/1752359@N21/discuss/72157686347766801/
Thank you Pauline for the source image:
www.flickr.com/photos/lemonart/37237090766/
Tablet
The others used images are my own.
Herbsttunnel©ArtundUnart
TBNr.20170929
©All Rights Reserved
Thanks for view and comment!
Created for Kreative People / Treat This 181
www.flickr.com/groups/1752359@N21/discuss/72157661425763578/
Thank you Vera Jane for the source images:
www.flickr.com/photos/95044232@N03/23810277048/in/datepos...
and
www.flickr.com/photos/95044232@N03/37614004976/in/datepos...
Tablet
The others used images are my own.
for the friends of bad taste©ArtundUnart
TBNr.20171013
©All Rights Reserved
For more information:
My blog: natty-capelo.blogspot.com/2022/02/t666d-tablet.html
Mainstore: maps.secondlife.com/secondlife/Coumcoum%20Island/120/185/24
Marketplace: marketplace.secondlife.com/p/Tablet/23268738
Facebook: www.facebook.com/t666design
Thanks for view and comment!
Basis für diese Bearbeitung ist ein Foto von Nürnberg.
The basis for this editing is a photo from Nuremberg.
Tablet
Nürnberg etwas anders ©ArtundUnart 2017
Nr.20170808
Alle verwendeten Bilder sind meine Eigenen wenn nicht anders angegeben.
All used images are my own unless otherwise indicated.
Thank you for your interest in my pictures
but note :
All my images are All Rights Reserved. They may not be reproduced in any way, and unauthorized use is strictly prohibited. If you would like to use my photos for any purpose please contact me.
©All Rights Reserved
Thanks for view and comment!
mobile phone/tablet
unterwegs ©ArtundUnart 2017
TBNr.20170627
Thank you for your interest in my pictures
but note :
All my images are All Rights Reserved. They may not be reproduced in any way, and unauthorized use is strictly prohibited. If you would like to use my photos for any purpose please contact me.
©All Rights Reserved
Thanks for view and comment!
Tablet
Painting and Photomanipulation
Unart© ArtundUnart 2017
Nr.20170922
Alle verwendeten Bilder sind meine eigenen wenn nicht anders angegeben.
All used images are my own unless otherwise indicated.
Thank you for your interest in my pictures
but please note :
All my images are All Rights Reserved. They may not be reproduced in any way, and unauthorized use is strictly prohibited. If you would like to use my photos for any purpose please contact me.
©All Rights Reserved
Thanks for view and comment!
*******************
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Alle verwendeten Bilder sind meine eigenen wenn nicht anders angegeben. Ich bedanke mich für das Interesse an meinen Bildern - Kommentare sind willkommen!
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All used images are my own unless otherwise indicated. Thank you for your interest in my pictures - comments are welcome!
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© All Rights Reserved.
Copyright Notice: All my images are All Rights Reserved. They may not be reproduced in any way, and unauthorized use is strictly prohibited. If you would like to use my photos for any purpose please contact me.
edit/tablet
Copyright©ArtundUnart 2016
20160721
Thanks for view and comment!
All used images are my own unless otherwise indicated.
Alle verwendeten Bilder sind meine eigenen wenn nicht anders angegeben.
©All Rights Reserved
Copyright Notice: All my images are All Rights Reserved. They may not be reproduced in any way, and unauthorized use is strictly prohibited. If you would like to use my photos for any purpose please contact me.
Tablet/Manipulation
Face23©ArtundUnart 2016
Nr.20161216
Thanks for view and comment!
Created for Kreative People / Treat This 179
www.flickr.com/groups/1752359@N21/discuss/72157689010326225/
Thank you Xandra for the source image
www.flickr.com/photos/xandram/37021977326/in/photolist-Yp...
Tablet
The others used images are my own.
Winter in Nürnberg©ArtundUnart
TBNr.20170919
A close-up shot showing one corner of my Wacom graphics tablet and pen while experimenting with my 50mm lens in low-light conditions.
Developed with Darktable 3.6.0.
Thanks for View and Comment!
Everything is welcome - especially constructive criticism!
TwoinBlack© ArtundUnart 2021
All rights reserved
Nr.20211105
digitale Malerei/ Tablet - revision with PS Elements
All used images are my own and my photos are Copyright.
Don't download or print any of them or use my images on websites, blogs, facebook or other media without my written permission.
*Features:
- 100% Mesh
- 100% original mesh and design made by myself
-Land impact 1
- The Tablet come in 2 different versions which are included on the same pack.
See details bellow:
-Version Slideshow (scripted).
contain two scripts that will slideshow your pictures once you drop them inside the tablet content.
-TIMER SETTINGS:
Left click on the tablet and click Timer in the menu.
-DEBUGGING SCRIPT:
Left click on the tablet and click Reset in the menu.
Or right click on the tablet--->Edit--->Content tab--->Reset Scripts.
-Version for store owners (not scripted)
-The tablet is not scripted and will let you drop your own script such as a redelivery, demo, joint group, subscribe, vendor.
-Please note that if you want use the tablet as a vendor you must drop a vendor script inside.
Otherwise it wont be properly working.
- 6 screen templates textures included (Full perm)
Redelivery
Subscribe
Joint Group
Fatpack
Demo
Black Screen
- Permissions
Copy / Modify / No Transfer
Thanks for view and comment!
Tablet
Feuerbad ©ArtundUnart 2017
TBNr.20170811
Alle verwendeten Bilder sind meine Eigenen wenn nicht anders angegeben.
All used images are my own unless otherwise indicated.
Thank you for your interest in my pictures
but note :
All my images are All Rights Reserved. They may not be reproduced in any way, and unauthorized use is strictly prohibited. If you would like to use my photos for any purpose please contact me.
©All Rights Reserved
>:( I'm really angry because for some reason, my pokemon game turned my Linoone into a Bad Egg. :'( Anyway, I just took out my frustrations by editing something, albeit badly. Drew the stocking-thing, jacket, franked it. Couldn't be arsed to add a reflection. xD Comments and faves appreciated. :) Her hands look strangely thin on one side, but it's just bad shading. xD
:/ You must be getting really tired of her. xD
Created for Kreative People / Treat This 178
www.flickr.com/groups/1752359@N21/discuss/72157685910658524/
Thank you abstractartangel77 for the source image!
www.flickr.com/photos/abstractartangel77/36293787162/
Tablet/InfinitePainter
The Wizard's Art ©ArtundUnart
TBNr.20170906
Thank you for your interest in my pictures
but note :
All my images are All Rights Reserved. They may not be reproduced in any way, and unauthorized use is strictly prohibited. If you would like to use my photos for any purpose please contact me.
©All Rights Reserved
Dilmun is associated with ancient sites on the islands of Bahrain in the Persian Gulf, the Cradle of Civilization.
Dilmun (sometimes transliterated Telmun) is associated with ancient sites on the islands of Bahrain in the Persian Gulf. Because of its location along the sea trade routes linking Mesopotamia with the Indus Valley Civilization, Dilmun developed in the Bronze Age, from ca. 3000 BC, into one of the greatest entrepots of trade of the ancient world.
There is both literary and archaeological evidence for the trade between Mesopotamia and the Indus Valley (probably correctly identified with the land called Meluhha in Akkadian). Impressions of clay seals from the Indus Valley city of Harappa were evidently used to seal bundles of merchandise, as clay seal impressions with cord or sack marks on the reverse side testify.
A number of these Indus Valley seals have turned up at Ur and other Mesopotamian sites. "Persian Gulf" types of circular stamped rather than rolled seals, known from Dilmun, that appear at Lothal in Gujarat, India, and Faylahkah, as well as in Mesopotamia, are convincing corroboration of the long-distance sea trade. What the commerce consisted of is less sure: timber and precious woods, ivory, lapis lazuli, gold, and luxury goods such as carnelian and glazed stone beads, pearls from the Persian Gulf, shell and bone inlays, were among the goods sent to Mesopotamia in exchange for silver, tin, woolen textiles, olive oil and grains. Copper ingots, certainly, bitumen, which occurred naturally in Mesopotamia, may have been exchanged for cotton textiles and domestic fowl, major products of the Indus region that are not native to Mesopotamia - all these have been instanced.
Mesopotamian trade documents, lists of goods, and official inscriptions mentioning Meluhha supplement Harappan seals and archaeological finds. Literary references to Meluhhan trade date from the Akkadian, the Third Dynasty of Ur, and Isin - Larsa Periods (ca. 2350 - 1800 BC), but the trade probably started in the Early Dynastic Period (ca. 2600 BC). Some Meluhhan vessels may have sailed directly to Mesopotamian ports, but by the Isin - Larsa Period, Dilmun monopolized the trade. By the subsequent Old Babylonian period, trade between the two cultures evidently had ceased entirely.
The Bahrain National Museum assesses that its "Golden Age" lasted ca. 2200 - 1600 BC. Its decline dates from the time the Indus Valley civilization suddenly and mysteriously collapsed, in the middle of the 2nd millennium BC. This would of course have stripped Dilmun of its importance as a trading center between Mesopotamia and India. The decay of the great sea trade with the east may have affected the power shift northwards observed in Mesopotamia itself.
Evidence about Neolithic human cultures in Dilmun comes from flint tools and weapons. From later periods, cuneiform tablets, cylinder seals, pottery and even correspondence between rulers throw light on Dilmun. Written records mentioning the archipelago exist in Sumerian, Akkadian, Persian, Greek, and Latin sources.
Dilmun, sometimes described as "the place where the sun rises" and "the Land of the Living" is the scene of a Sumerian creation myth and the place where the deified Sumerian hero of the flood, Ziusudra (Utnapishtim), was taken by the gods to live for ever.
There is mention of Dilmun as a vassal of Assyria in the 8th century BC and by about 600 BC, it had been fully incorporated into the Neo-Babylonian Empire. Dilmun then falls into deep eclipse marked by the decline of the copper trade, so long controlled by Dilmun, and the switch to a less important role in the new trade of frankincense and spices. The discovery of an impressive palace at the Ras al Qalah site in Bahrain is promising to increase knowledge of this late period.
Otherwise, there is virtually no information until the passage of Nearchus, the admiral in charge of Alexander the Great's fleet on the return from the Indus Valley. Nearchus kept to the Iranian coast of the Gulf, however, and cannot have stopped at Dilmun. Nearchus established a colony on the island of Falaika off the coast of Kuwait in the late 4th century BC, and explored the Gulf perhaps least as far south as Dilmun/Bahrain.
From the time of Nearchus until the coming of Islam in the 7th century AD Dilmun/Bahrain was known by its Greek name of Tylos. The political history for this period is little known, but Tylos was at one point part of the Seleucid Empire, and of Characene and perhaps part of the Parthian Empire. Shapur II annexed it, together with eastern Arabia, into the Persian Sassanian empire in the 4th century.
Unlike Egyptian and Mesopotamian tablets and cylinders, the Dilmun legacy has been discovered on circular seals. The primitive forms of images carved on the seal indicate they were used as charms or talisman. Carved on wood, soapstone shells or metal, these images clearly define a complex society. Temples in the center of the agrarian village, towns, city-states, religious, and economic cultural life. All facets of the emergence of an evolutionary society are reflected in the inscriptions about the seals.
Impressions found on pottery and property is a probable usage of the seals. Burying them with the dead was probably to avoid misuse. Tiny fragments found impressed, suggest identifying property. Clearly there was an intrinsic value; each seal tells a story, has an identity.
Seals depict Enki, God of wisdom and sweet water. Gilgamesh as a massive and heroic figure, the 'Bull of heaven' hat. Ladies of the mountains 'Inanas' servants wearing her triangle signs depicting space for her power. 'Nana' is the moon god who was also named 'sin'. Symbol was the bull of heaven head. Inana, goddess of immortality.
From the dreams of Gilgamesh, to the philosophy of life. Seals depicting a harmonious life with nature and god are painted here in the colors and form I hope you enjoy. The colors naturally excite and stimulate, often sexually. Indisputably the ancient myths of immortality and resurrection influenced Dilmun beliefs and are abundantly supported in the seal designs, represented by gods of the sun and moon.
The Mesopotamian texts described Tilmun as situated at the 'mouth' of two bodies of water. The Sinai peninsula, shaped as an inverted triangle indeed begins where the Red Sea separates into two arms - the gulf of Suez on the west, and the Gulf of Elat (Gulf of Aqaba) on the east.
The texts spoke of mountainous Tilmun. The Sinai peninsula is indeed made up of a high mountainous southern part, a mountainous central plateau, and a northern plain (surrounded by mountains), which levels off via sandy hills to the Mediterranean coastline. Sargon of Akkad claimed that he reached as 'washed his weapons' in the Mediterranean; 'the sea lands' - the lands along the Mediterranean coast - 'three times I encircled; Tilmun my hand captured'. Sargon II, king of Assyria in the eighth century BC, asserted that he had conquered the area stretching 'from Bit-Yahkin on the shore of the salt Sea as far as the border of Tilmun'. The name 'Salt Sea' has survived to this day as a Hebrew name for the Dead Sea - another confirmation that Tilmun lay in proximity to the Dead Sea.
The cradle of civilization is sometimes referenced by the name Dilmun, or Tilmun. Here, it was said, the god Ea and his wife were placed to institute 'a sinless age of complete happiness'.
Here too animals lived in peace and harmony, man had no rival and the god Enlil `in one tongue gave praise'. It is also described as a pure, clean and `bright' `abode of the immortals' where death, disease and sorrow are unknown and some mortals have been given `life like a god', words reminiscent of the Airyana Vaejah, the realm of the immortals in Iranian myth and legend, and the Eden of Hebraic tradition
Although Dilmun is equated by most scholars with the island of Bahrain in the Persian Gulf, there is evidence to suggest that a much earlier mythical Dilmun was located in a mountainous region beyond the plains of Sumer.
But where exactly was it located Mesopotamian inscriptions do not say; however, the Zoroastrian Bundahishn text and the Christian records of Arbela in Iraqi Kurdistan both refer to a location named Dilamƒn as having existed around the head waters of the Tigris, south-west of Lake Van - the very area in which the biblical Eden is said to have been located.
Furthermore, Ea (the Akkadian Enki) was said to have presided over the concourse of Mesopotamia's two greatest rivers - the Tigris and Euphrates - which are shown in depictions as flowing from each of his shoulders.
This would have undoubtedly have meant that the head-waters, or sources, of these rivers would have been looked upon as sacred to Ea by the cultures of Mesopotamia's Fertile Crescent.
- Zecharia Sitchin The Stairway to Heaven
Dilmun was allegedly a magical land, the birthplace of the gods and the place where the arts of civilization where said first to have been transmitted to men. It was the subject of many legends told by the Sumerians, the people of southern Iraq; it was famed as a land where death and disease were unknown and men and animals lived at peace together.
It was the home of the Sumerian king who was the origin of the myth of Noah, the immortal survivor of the Great Flood, a story retold in the Qu'ran and the Bible.
The first great hero of world literature, Gilgamesh the king of Uruk, journeyed to Dilmun in search of the secret of eternal youth.
He found it deep in the waters of the Persian Gulf, off Bahrain, but lost it when the flower which restored the youth of those who sought it, was stolen by a snake, lurking in a pool as Gilgamesh returned to his kingdom; this is the reason why the snake sloughs his skin.
Symbolism - All is Myth and Metaphor in our reality
* water: flow of consciousness - creation
* restore to youth: move out of the physical body and return to higher frequency forms of sound, light, and color
* snake: DNA - the human bio-genetic experiment in time and emotion
* kingdom - Leo - Lion - King - Omega - closure
Dilmun was also the center of the most important trade routes of the third and second millennia BC. The most important commodity was copper for which Dilmun was famous and the dates for which Bahrain was always celebrated, from ancient times until the present day.
Because Dilmun was so sacred a land, there were many temples built there, the impressive remains of which can be seen today. The largest and most splendid temple surviving in Western Asia is at Barbar on Bahrain's northern shore.
The most famous of all Bahrain's rich archaeological heritage are the 200,000 grave mounds which are a feature of the landscape in the northern half of the island and which, by their size and quality of construction, show how prosperous Bahrain must have been in ancient times.
Dilmun continued to be the most important center of trade in the Gulf region throughout its history.
After the Sumerians, the Babylonians, Assyrians, even the Greeks, settled on the islands, because of their strategic importance in the movement of merchandise, north and south, east and west, by sea and by the land routes to which the seas gave access.
The records of their diplomatic relations with the kings of Dilmun, some of whose names are known from the records, testify to the importance of the islands throughout antiquity.
All left evidence of their presence, preserved today in the Bahrain National Museum and in the immense archaeological sites in which Bahrain is particularly rich.
Bahrain is an open-air treasure house of the past, a unique heritage from the earliest times when men first began to keep records of their hopes, fears and achievements.
It is the contemporary of ancient Egypt with Sumer and the peoples who succeeded them, of the great cities of the Indus Valley.
Source: www.crystalinks.com/dilmun.html
Kindle for Android is pre-installed on this tablet. Kindle for Android is pre-installed on this tablet. Great if you are into e-reading and not wanting to purchase the actual 'Kindle' e-reader.
Ellen (Strangers 10, Round 3)
Ellen, she showed me her Amnesty International card. "Can I ask you something? I speak to people and tell about the discrimination against homosexuals in countries in Eastern Europe. Do you want to sign a petition? ”. She said that she does this work as a student (she is studying the account manager training) and can thus collect some extra credits in Corona time. I was surprised that by collecting signatures you can also collect credits. It is an alternative to doing an internship. She was not alone, more students were active. I had to sign via her tablet, only that way she got credits. This is the 10th photo from my 3rd round of the 100strangers project.
Find out more about the project and see pictures taken by other photographers at the group 100 Strangers | Flickr: www.flickr.com/groups/100strangers/
Thanks for view and comment!
Tablet
own brushes and texture
Blätterwerk© ArtundUnart 2017
Nr.20170926
©All Rights Reserved
Alle verwendeten Bilder sind meine eigenen wenn nicht anders angegeben.
All used images are my own unless otherwise indicated.
Thank you for your interest in my pictures
but please note :
All my images are All Rights Reserved. They may not be reproduced in any way, and unauthorized use is strictly prohibited. If you would like to use my photos for any purpose please contact me.
Blätterwerk
20170926-USK799
Children is using notebook, while is sitting against beautiful Asian scenery in farmland,Lifestyle of rural people in Thailand
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shot with a fujifilm x-s10 and fujinon 55mm f2.2 screw-mount lens, with helicoid adapter
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my review of this lens: www.aarondesigns.org/Fujinon55mmf22Review/
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With a -17*F windchill today I decided against leaving the house. Much better to let my girls enjoy a hideout crafted from the warmest blanket in the house.
WH - Huts, Shacks and Sheds
Credits: Sister Freind
Roselline Event
🌷My Tablet Pop It
🌷Connect Hand and Decor
🌷Tablet and Pen Resize - Can Be used connected to
🌷2 Options Pose Holding - Decoration version - Connected to internet
Details:
The placing of miniature conical figures molded of clay and used as offerings, placed in shrines and or stupas.
Tsa-tsa are clay impressions made with a metal mould containing the hollowed, reversed image of a deity or sacred symbol. The stamped images are dried in the sun and in some cases fired into hardness.