View allAll Photos Tagged StructuralSteel
November 19, 2024 - Ohio Stadium Tour. My first outing with the new mirrorless Canon RS6. I donated to WOSU 89.7 NPR News during their fall membership drive and in appreciation I received an exclusive behind-the-scenes VIP Tour of Ohio Stadium with other 89.7 members.
August 14, 2025 - Orientation with Brian Maseko "Britto" our OAT Trip Experience Leader. We each introduced ourselves, said where we are from and what our occupation is/was. We had six new people join the original 10 who were traveling on the pre-trip. Makalolo Plains Camp. Hwange National Park, Zimbabwe
October 26, 2023 - The Turbine Hall is now a MLP Events Live event venue in the original 1903 Municipal Light Plant. www.mlp-events.live
November 19, 2024 - Ohio Stadium Tour. My first outing with the new mirrorless Canon RS6. I donated to WOSU 89.7 NPR News during their fall membership drive and in appreciation I received an exclusive behind-the-scenes VIP Tour of Ohio Stadium with other 89.7 members.
October 26, 2023 - The Cellar in the MLP Events Live event venue in the 1903 building. Columbus Municipal Light Plant. www.mlp-events.live
October 26, 2023 - The Generator Room has the original lighting control panels which indicated the city streets in downtown Columbus that the Municipal Light Plant provided power for. It is now a MLP Events Live event venue in the original 1903 Municipal Light Plant. www.mlp-events.live
A lone construction worker in a blue shirt and cap stands on a narrow steel beam, dwarfed by the immense, rust-streaked skeleton of a building under construction. The bright, clear sky contrasts sharply with the dark, shadowed interior, highlighting the raw geometry of the steel frame and the precarious nature of the worker's position. The image captures a moment of quiet industry and the monumental scale of modern construction.
August 14, 2025 - Orientation with Brian Maseko "Britto" our OAT Trip Experience Leader. We each introduced ourselves, said where we are from and what our occupation is/was. We had six new people join the original 10 who were traveling on the pre-trip. Makalolo Plains Camp. Hwange National Park, Zimbabwe
September 11, 2024 - This evening we attended a Red Heritage Indigenous Cultural Performance at the Red Heritage Indigenous Entertainment Hall at 644 N Navajo Drive in Page, Arizona.
August 14, 2025 - Orientation with Brian Maseko "Britto" our OAT Trip Experience Leader. We each introduced ourselves, said where we are from and what our occupation is/was. We had six new people join the original 10 who were traveling on the pre-trip. Makalolo Plains Camp. Hwange National Park, Zimbabwe
October 26, 2023 - The Turbine Hall is now a MLP Events Live event venue in the original 1903 Municipal Light Plant. www.mlp-events.live
October 26, 2023 - The Turbine Hall is now a MLP Events Live event venue in the original 1903 Municipal Light Plant. www.mlp-events.live
October 26, 2023 - The Generator Room has the original lighting control panels which indicated the city streets in downtown Columbus that the Municipal Light Plant provided power for. It is now a MLP Events Live event venue in the original 1903 Municipal Light Plant. www.mlp-events.live
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This photograph captures the intricate, geometric beauty of a large steel truss bridge under construction, with a towering yellow crane rising through its skeletal frame. The composition is dominated by strong diagonal lines and the interplay of industrial gray steel against a moody, overcast sky, creating a powerful sense of scale and engineering. The image highlights the raw, unfinished state of the structure, emphasizing its complex lattice work and the sheer magnitude of the construction project.
Deep, weathered crimson paint flakes away to reveal the oxidized, rough texture of a decaying steel beam, likely a remnant of colonial-era or early industrial railway infrastructure in the rugged Argentine Northwest. A vertical line of sturdy, convex rivets runs down the right edge of the metal plate, catching the harsh Andean sunlight and casting sharp, distinct shadows against the rusted surface. Etched hastily yet deliberately into the failing paint is a raw, human declaration: "TE AMO DIEGO F. CARMA." The photographer utilizes a remarkably shallow depth of field, rendering the arid, rocky cliff face in the background as a beautifully mottled blur of earthy ochres and dusty beige tones. This photographic technique isolates the industrial artifact, forcing the viewer to confront the intimate, scratched graffiti against the backdrop of the vast, unforgiving topography typical of the route to Iruya. The lighting is direct and intense, characteristic of high-altitude environments, which accentuates every pit, scratch, and patch of oxidized orange rust on the beam. Such isolated pieces of infrastructure often serve as impromptu canvases for travelers and locals alike, transforming utilitarian metal into a monument of personal memory within the Quebrada landscapes. The stark contrast between the heavy, corroding iron and the delicate, hand-carved letters highlights a poignant narrative of enduring emotion set against the slow decay of abandoned industrial progress. The vibrant red of the beam, though faded by relentless sun and wind, stands as a bold artificial disruption amidst the natural geological canvas of Norte Argentino. This close-up perspective not only captures a fleeting moment of human connection but also documents the textured, weathered reality of traveling through these remote, high-altitude Andean corridors. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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La pintura carmesí profunda y desgastada se descascara para revelar la textura áspera y oxidada de una viga de acero en descomposición, probablemente un remanente de la infraestructura ferroviaria de la era colonial o industrial temprana en el accidentado noroeste argentino. Una línea vertical de remaches robustos y convexos corre por el borde derecho de la placa de metal, atrapando la dura luz del sol andino y proyectando sombras nítidas y distintivas contra la superficie oxidada. Grabada apresurada pero deliberadamente en la pintura que falla hay una declaración humana y cruda: "TE AMO DIEGO F. CARMA". El fotógrafo utiliza una profundidad de campo notablemente reducida, haciendo que la árida y rocosa pared del acantilado en el fondo se vea como un borrón hermosamente moteado de ocres terrosos y tonos beige polvorientos. Esta técnica fotográfica aísla el artefacto industrial, obligando al espectador a confrontar el grafiti íntimo y rayado contra el telón de fondo de la vasta e implacable topografía típica de la ruta a Iruya. La iluminación es directa e intensa, característica de los entornos de gran altitud, lo que acentúa cada hoyo, rasguño y parche de óxido naranja en la viga. Tales piezas aisladas de infraestructura a menudo sirven como lienzos improvisados tanto para viajeros como para lugareños, transformando el metal utilitario en un monumento de memoria personal dentro de los paisajes de la Quebrada. El marcado contraste entre el hierro pesado y corrosivo y las delicadas letras talladas a mano resalta una narrativa conmovedora de emoción perdurable frente a la lenta decadencia del progreso industrial abandonado. El rojo vibrante de la viga, aunque desvanecido por el sol y el viento implacables, se erige como una audaz interrupción artificial en medio del lienzo geológico natural del Norte Argentino. Esta perspectiva en primer plano no solo captura un momento fugaz de conexión humana, sino que también documenta la realidad texturizada y desgastada de viajar a través de estos remotos corredores andinos de gran altitud. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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August 14, 2025 - This afternoon native son Britto our OAT Trip Experience Leader gave a presentation of the history of Zimbabwe. Makalolo Plains Camp. Hwange National Park, Zimbabwe
November 19, 2024 - Ohio Stadium Tour. My first outing with the new mirrorless Canon RS6. I donated to WOSU 89.7 NPR News during their fall membership drive and in appreciation I received an exclusive behind-the-scenes VIP Tour of Ohio Stadium with other 89.7 members.
September 4, 2024 - Beneath the railroad tracks along Central Avenue SE in Albuquerque, New Mexico. I had seen an Amtrak train at the Amtrak Station so I booked it over however the train left by the time I got there.
September 11, 2024 - This evening we attended a Red Heritage Indigenous Cultural Performance at the Red Heritage Indigenous Entertainment Hall at 644 N Navajo Drive in Page, Arizona.
November 19, 2024 - Ohio Stadium Tour. "Eyethink has worked with The Ohio State University on dozens and dozens of projects over the years, but there’s just one that millions of people have seen: the stained glass windows in the the rotunda at Ohio Stadium. Three panels that are 12 x 18 feet and 2,000 pounds each, have welcomed visitors for more than 15 years since their installation as part of a stadium renovation. Once the panels were designed, Columbus stained glass artist Tom Cullen created them within a grid-like structure. A meticulous installation process was required to place each piece within the grid over the course of several days. While the windows featuring offensive and defensive players, and the classic Block O, are beautiful during the day, they take on a special glow during the evening when lit." Previous description: eyethink.com/the-ohio-state-university
This photograph captures the raw, geometric beauty of an industrial structure, with rusted steel I-beams forming a complex lattice against a backdrop of weathered brick and vibrant graffiti. The interplay of strong diagonal lines and the contrast between the rigid metal framework and the organic decay of the brick wall creates a compelling urban aesthetic. Natural light filters through the gaps, highlighting textures and casting dramatic shadows that emphasize the depth and scale of the scene.