The bouquet is brittle now—faded, dust-covered, and long past the moment it was placed with care. The gravestone beneath it bears a date carved in stone, but the silence speaks louder than the inscription. Time has settled here. The petals, once vibrant, now echo the slow erosion of memory. There is no wind, no movement—only the quiet persistence of what was left behind. This is not neglect. It’s endurance. A monument to love that outlasted color, and a reminder that even plastic flowers decay when no one’s watching.

 

My latest photography is now available for purchase at crsimages.pixels.com/, featuring prints, framed art, and more from my curated collections.

Indianola Pioneer Cemetery lies beneath a canopy of tangled vines and whispering leaves, where time has softened the edges of stone and memory. Established in 1898 by Thomas H. Sanders and his wife Mary, this 4.36-acre resting ground holds the bones of Merritt Island’s earliest white settlers—soldiers of the Civil War, veterans of the Spanish-American War, and those who served through Vietnam. The forest presses inward, as if trying to reclaim what history once marked as sacred.

 

Here, the air is heavy with silence—not peace, but presence. The gravestones lean like weary sentinels, their inscriptions fading into moss and shadow. Once part of Evergreen Cemetery, now it stands alone, a monument to lives that shaped the land and then surrendered to it. The ground feels watchful. The trees seem older than they should. And the wind carries stories that no longer have names.

This is not a place of mourning—it is a place of memory, wrapped in decay and reverence. A place where the past is not buried, but waiting.

 

My latest photography is now available for purchase at crsimages.pixels.com/, featuring prints, framed art, and more from my curated collections.

photo rights reserved by B℮n

 

Metekhi Church is one of the most iconic historical landmarks in Tbilisi, the capital of Georgia. Perched on a cliff on the banks of the Mtkvari Kura River, overlooking the Old Town, this church offers both spiritual significance and stunning views. The original church was built in the 12th century during the reign of King Vakhtang I Gorgasali, who, according to legend, also founded Tbilisi. However, the site had previously served as a royal fortress and palace. Over the centuries, the church was destroyed and rebuilt several times, especially during invasions by foreign powers such as the Mongols. The current structure dates mainly from the 13th century. Metekhi Church is built in a typical medieval Georgian style, with a cruciform plan and a dome. The design is simple yet elegant, with solid stone walls and an austere appearance, in keeping with the ancient Georgian church architecture. The church is dedicated to the Virgin Mary. Metekhi has strong religious and national symbolism. In addition to being a church, it was also an important place in Georgian history, as it served as a royal residence and a refuge for the population during wars. In addition, the site was used as a prison by the Russians in the 19th century, which made the location even more loaded with historical significance. In front of the church, there is a large statue of King Vakhtang I Gorgasali on horseback, the founder of Tbilisi. This statue reinforces the historical significance of the site. Today, Metekhi Church is a popular tourist destination and an active religious center, where visitors can experience the rich history of Tbilisi and enjoy panoramic views of the city.

 

Perched high on a cliff overlooking the Mtkvari River, the Metekhi Church in Tbilisi is one of the city’s most historic sites. Towering over the Old Town, surrounded by the serene atmosphere of the small park and the stately row of cypress trees at the back, the tranquil ambiance allows visitors to delve into the rich history of this place. Amidst these cypresses, which stand like silent sentinels, walks an elderly woman dressed in black and a headscarf, a faithful visitor to the church. She follows the narrow path, observing the subdued silence, her gaze directed towards the church entrance. Her slow, deliberate steps seem to reflect the centuries-old tradition of devotion and faith. A sacred place where spirituality and history come together.

 

De Metekhi Kerk is een van de meest iconische historische bezienswaardigheden van Tbilisi, de hoofdstad van Georgië. Deze kerk ligt op een klif aan de oevers van de rivier de Mtkvari Kura, met uitzicht op de oude stad, en biedt zowel spirituele betekenis als een prachtig uitzicht. De oorspronkelijke kerk werd gebouwd in de 12e eeuw tijdens de regering van koning Vakhtang I Gorgasali die volgens de legende ook Tbilisi stichtte. De locatie diende echter eerder al als een koninklijk fort en paleis. Door de eeuwen heen werd de kerk meermaals verwoest en herbouwd, vooral tijdens invasies van buitenlandse mogendheden, zoals de Mongolen. De huidige structuur dateert voornamelijk uit de 13e eeuw. De Metekhi Kerk is gebouwd in een typische middeleeuwse Georgische stijl, met een kruisvormige plattegrond en een koepel. Het ontwerp is eenvoudig maar elegant, met stevige stenen muren en een sobere uitstraling, passend bij de eeuwenoude Georgische kerkarchitectuur. De kerk is gewijd aan de Maagd Maria. Metekhi heeft een sterke religieuze en nationale symboliek. Het was niet alleen een kerk, maar ook een belangrijke plek in de Georgische geschiedenis, omdat het diende als koninklijke residentie en een toevluchtsoord voor de bevolking tijdens oorlogen. Daarnaast werd de plek in de 19e eeuw door de Russen gebruikt als gevangenis, wat de locatie nog meer beladen maakte met historische betekenis. Tussen deze cipressen, die als stille wachters staan, loopt een oudere vrouw, gekleed in zwarte kleren en een hoofddoek, een trouwe bezoeker van de kerk. Ze volgt het smalle pad, de ingetogen stilte in acht nemend, terwijl haar blik richting de ingang van de kerk is gericht. Haar langzame, bedachtzame stappen lijken de eeuwenoude traditie van toewijding en geloof te weerspiegelen .Een heilige plek waar spiritualiteit en historie samenkomen.

God is Immanent in Humans

 

Keeping Holy the Holy days in Havana's Cathedral

 

The interior of the Cathedral is relatively austere and neoclassical rather than baroque,thanks to a radical 19th-century neoclassical makeover.The vaulted ceilings and the massive stone pillars are still there and the frescoes above the altar,painted by the Italian artist Giuseppe Perovani,date from the late 1700s ; the paintings and other frescoes that adorn the side walls,are copies of originals by Murillo and Rubens,painted by the French painter J.Baptiste Vermay.

 

☼ ڿڰۣ-ڰۣ— 🌻🌻🌻 இڿڰۣ-ڰۣ இڿڰۣ-ڰۣ— 🌻🌻🌻 இ ڿڰۣ-ڰۣ— ☼

  

- the Prayer of the Heart in the Catedral de San Cristóbal -

 

"And the peace of God, which surpasses all comprehension, which transcends all understanding, will guard your hearts and your minds." Philippians 4:7

 

According to a person’s degree of spiritual maturity,the prayer can be either active or contemplative.In the latter case,it becomes a true intrapersonal prayer to "God-by-Whatever-Name",we reach out and touch our immanent deity and the heart is transformed by Grace ...

 

“Deep down in every human heart is the serene desire to communicate with the Supreme Power.” Mother Teresa

 

Shortly after,I - found myself - in Mother Teresa of Calcutta Garden looking for the Greek Orthodox church in Old Havana.

 

Memorable moments,both Culturally and Spiritually and without Prejudices and Ideological Blindfolds ...

 

" Join Faith to Reason,as far as possible." Boethius

 

PS : With the greatest respect for various dogmas and religions,

which all co-exist in a state of ongoing dialogue with their divine immanence.William Grassie calls it "Religion from the Inside",and it is perhaps better to draw a sharp distinction between beliefs and faith.

 

" God made so many different kinds of people; why would God allow only one way to worship ?" Martin Buber

 

"The true meaning of religion is thus not simply morality, but morality touched by emotion." Matthew Arnold

 

"The principal thing in this world is to keep one's soul aloft."

Gustave Flaubert

 

I think it would be supreme if we had a Religion based on the Unity of all Faiths and the Unity of Humanity.Don't you think ?

 

To all of you who are creative thinkers & to those who have an ecumenical disposition and a latitudinarian attitude ...

 

photo rights reserved by Ben

 

As we entered the church, a rare and sacred event was taking place: the ordination of a new priest, a ceremony that has been the soul of Georgian Orthodox tradition for centuries. Inside Gergeti Trinity Church, the atmosphere was solemn. The smell of incense filled the icon-adorned space, and the flickering candlelight cast long shadows across the ancient frescoes. The bishop, dressed in a glittering golden robe, stood before the altar, surrounded by a circle of priestly candidates and deacons. The church slowly filled with the faithful, who silently took their places, their heads bowed in reverence. The ceremony began with a series of ancient chants, which filled the cold stone walls with a warm, heavenly sound. The bishop anointed the young monk’s forehead and hands with holy oil as he recited the age-old prayers that would make him a priest. With each blessing, he felt the burden of his new calling lift upon his shoulders, but also a deep, unshakable peace fill his heart. When the last blessing was pronounced, the new priest raised his head. His eyes shone with humility and determination. The bishop handed him the chalice and paten, symbols of his new ministry, and the crowd responded with a solemn Amen. After the service, the faithful streamed outside, where the sun was now shining brightly and the snow-capped peaks of the Caucasus stood out brightly against a steel-blue sky. The air was fresh and pure, as if the entire mountain had been blessed by the holy event.

 

The church leaders wear magnificent liturgical vestments and richly decorated miters. The bishop (on the right, dressed in white and red vestments) holds a three-branched and a two-branched candle, symbolizing the Holy Trinity and the two natures of Christ. The atmosphere in the church is intimate and spiritual, with burning candles, religious icons, and crosses in the background. The young boy and the other clergy participate in the ceremony with full attention and reverence. I was not supposed to take pictures here. But as a photographer, that is difficult at such a special event. The solemnity, the chants, and the age-old rituals begged to be captured without disturbing the sanctity of the moment. Unfortunately, I was no longer allowed to use my camera, so I switched to my phone instead. Outside, the people waited, ready to welcome their new priest with bread, wine and the timeless hospitality of the Georgian people. That day, a new priest was ordained high in the mountains, a moment of silence and reflection under the impressive shadow of Mount Kazbek.

 

Toen we de kerk binnenkwamen, vond hier een zeldzame en heilige gebeurtenis plaats: de wijding van een nieuwe priester, een ceremonie die al eeuwenlang de ziel van de Georgisch-Orthodoxe traditie vormde. Binnen in de Gergeti Trinity Church hing een plechtige sfeer. De geur van wierook vulde de met iconen versierde ruimte, en het flakkerende kaarslicht wierp lange schaduwen over de oude fresco’s. De bisschop rechts, gekleed in witte en rode gewaden houdt een driearmige en een tweearmige kaars vast, die de Heilige Drie-eenheid en de twee naturen van Christus symboliseren. De sfeer in de kerk is intiem en spiritueel, met brandende kaarsen, religieuze iconen en kruizen op de achtergrond. De jonge jongen en de andere geestelijken nemen met volle aandacht en eerbied deel aan de ceremonie. Eigenlijk mocht ik hier geen foto's maken. Maar als fotograaf is dat toch wel moeilijk bij zo'n bijzondere gebeurtenis. De plechtigheid, de gezangen en de eeuwenoude rituelen vroegen erom vastgelegd te worden, zonder de heiligheid van het moment te verstoren. Helaas mocht ik mijn camera niet meer gebruiken, dus ik schakelde over op mijn telefoon. De ceremonie begon met een reeks oude gezangen, die de koude stenen muren vulden met een warme, hemelse klank. De bisschop zalfde het voorhoofd en de handen van de jonge monnik met heilige olie, terwijl hij de eeuwenoude gebeden uitsprak die hem tot priester zouden maken. Met elke zegen voelde hij hoe de last van zijn nieuwe roeping op zijn schouders daalde, maar ook hoe een diepe, onwrikbare vrede zijn hart vulde. Toen de laatste zegen was uitgesproken, hief de nieuwe priester zijn hoofd op. Zijn ogen schitterden van nederigheid en vastberadenheid. De bisschop overhandigde hem de kelk en de paten, symbolen van zijn nieuwe dienstwerk, en de menigte antwoordde met een plechtig Amen. Na de dienst stroomden de gelovigen naar buiten, waar de zon inmiddels fel scheen en de besneeuwde pieken van de Kaukasus helder afstaken tegen een staalblauwe hemel. De lucht was fris en zuiver, alsof de hele berg was gezegend door de heilige gebeurtenis.

 

photo rights reserved by Ben

 

As we entered the church, a rare and sacred event was taking place: the ordination of a new priest, a ceremony that has been the soul of Georgian Orthodox tradition for centuries. Inside Gergeti Trinity Church, the atmosphere was solemn. The smell of incense filled the icon-adorned space, and the flickering candlelight cast long shadows across the ancient frescoes. The bishop, dressed in a glittering golden robe, stood before the altar, surrounded by a circle of priestly candidates and deacons. The church slowly filled with the faithful, who silently took their places, their heads bowed in reverence. The ceremony began with a series of ancient chants, which filled the cold stone walls with a warm, heavenly sound. The bishop anointed the young monk’s forehead and hands with holy oil as he recited the age-old prayers that would make him a priest. With each blessing, he felt the burden of his new calling lift upon his shoulders, but also a deep, unshakable peace fill his heart.

When the last blessing was pronounced, the new priest raised his head. His eyes shone with humility and determination. The bishop handed him the chalice and paten, symbols of his new ministry, and the crowd responded with a solemn Amen. After the service, the faithful streamed outside, where the sun was now shining brightly and the snow-capped peaks of the Caucasus stood out brightly against a steel-blue sky. The air was fresh and pure, as if the entire mountain had been blessed by the holy event.

 

I was not supposed to take pictures here. But as a photographer, that is difficult at such a special event. The solemnity, the chants and the age-old rituals begged to be captured without disturbing the sanctity of the moment. The new priest remained in the church for a while, kneeling before the altar, praying for strength and wisdom in his new role. Outside, the people waited, ready to welcome their new priest with bread, wine and the timeless hospitality of the Georgian people. That day, a new priest was ordained high in the mountains, a moment of silence and reflection under the impressive shadow of Mount Kazbek.

 

Toen we de kerk binnenkwamen, vond hier een zeldzame en heilige gebeurtenis plaats: de wijding van een nieuwe priester, een ceremonie die al eeuwenlang de ziel van de Georgisch-Orthodoxe traditie vormde. Binnen in de Gergeti Trinity Church hing een plechtige sfeer. De geur van wierook vulde de met iconen versierde ruimte, en het flakkerende kaarslicht wierp lange schaduwen over de oude fresco’s. De bisschop, gekleed in een glinsterend gouden gewaad, stond voor het altaar, omringd door een kring van priesterkandidaten en diakens. De kerk stroomde langzaam vol met gelovigen, die in stilte hun plaatsen innamen, hun hoofden gebogen in eerbied. Eigenlijk mocht ik hier geen foto's maken. Maar als fotograaf is dat toch wel moeilijk bij zo'n bijzondere gebeurtenis. De plechtigheid, de gezangen en de eeuwenoude rituelen vroegen erom vastgelegd te worden, zonder de heiligheid van het moment te verstoren. De ceremonie begon met een reeks oude gezangen, die de koude stenen muren vulden met een warme, hemelse klank. De bisschop zalfde het voorhoofd en de handen van de jonge monnik met heilige olie, terwijl hij de eeuwenoude gebeden uitsprak die hem tot priester zouden maken. Met elke zegen voelde hij hoe de last van zijn nieuwe roeping op zijn schouders daalde, maar ook hoe een diepe, onwrikbare vrede zijn hart vulde. Toen de laatste zegen was uitgesproken, hief de nieuwe priester zijn hoofd op. Zijn ogen schitterden van nederigheid en vastberadenheid. De bisschop overhandigde hem de kelk en de paten, symbolen van zijn nieuwe dienstwerk, en de menigte antwoordde met een plechtig Amen. Na de dienst stroomden de gelovigen naar buiten, waar de zon inmiddels fel scheen en de besneeuwde pieken van de Kaukasus helder afstaken tegen een staalblauwe hemel. De lucht was fris en zuiver, alsof de hele berg was gezegend door de heilige gebeurtenis.

 

photo rights reserved by Ben

 

As we entered the church, a rare and sacred event was taking place: the ordination of a new priest, a ceremony that has been the soul of Georgian Orthodox tradition for centuries. Inside Gergeti Trinity Church, the atmosphere was solemn. The smell of incense filled the icon-adorned space, and the flickering candlelight cast long shadows across the ancient frescoes. The bishop, dressed in a glittering golden robe, stood before the altar, surrounded by a circle of priestly candidates and deacons. The church slowly filled with the faithful, who silently took their places, their heads bowed in reverence. The ceremony began with a series of ancient chants, which filled the cold stone walls with a warm, heavenly sound. The bishop anointed the young monk’s forehead and hands with holy oil as he recited the age-old prayers that would make him a priest. With each blessing, he felt the burden of his new calling lift upon his shoulders, but also a deep, unshakable peace fill his heart. A moment later, the bishop, busy with the sacred rituals in the small chapel of the church, seemed completely absorbed in the ceremony. The warm glow of the candles reflected on the old stone walls, while the icons looked on as silent witnesses. The atmosphere was imbued with peace and mysticism — a moment in which time and space seemed to blur. When the last blessing was pronounced, the new priest raised his head. His eyes shone with humility and determination. The bishop handed him the chalice and paten, symbols of his new ministry, and the crowd responded with a solemn Amen. After the service, the faithful streamed outside, where the sun was now shining brightly and the snow-capped peaks of the Caucasus stood out brightly against a steel-blue sky. The air was fresh and pure, as if the entire mountain had been blessed by the holy event.

 

I was not supposed to take pictures here. But as a photographer, that is difficult at such a special event. The solemnity, the chants and the age-old rituals begged to be captured without disturbing the sanctity of the moment. The new priest remained in the church for a while, kneeling before the altar, praying for strength and wisdom in his new role. Outside, the people waited, ready to welcome their new priest with bread, wine and the timeless hospitality of the Georgian people. That day, a new priest was ordained high in the mountains, a moment of silence and reflection under the impressive shadow of Mount Kazbek.

 

Toen we de kerk binnenkwamen, vond hier een zeldzame en heilige gebeurtenis plaats: de wijding van een nieuwe priester, een ceremonie die al eeuwenlang de ziel van de Georgisch-Orthodoxe traditie vormde. Binnen in de Gergeti Trinity Church hing een plechtige sfeer. De geur van wierook vulde de met iconen versierde ruimte, en het flakkerende kaarslicht wierp lange schaduwen over de oude fresco’s. De bisschop, gekleed in een glinsterend gouden gewaad, stond voor het altaar, omringd door een kring van priesterkandidaten en diakens. De kerk stroomde langzaam vol met gelovigen, die in stilte hun plaatsen innamen, hun hoofden gebogen in eerbied. Eigenlijk mocht ik hier geen foto's maken. Maar als fotograaf is dat toch wel moeilijk bij zo'n bijzondere gebeurtenis. De plechtigheid, de gezangen en de eeuwenoude rituelen vroegen erom vastgelegd te worden, zonder de heiligheid van het moment te verstoren. De ceremonie begon met een reeks oude gezangen, die de koude stenen muren vulden met een warme, hemelse klank. De bisschop zalfde het voorhoofd en de handen van de jonge monnik met heilige olie, terwijl hij de eeuwenoude gebeden uitsprak die hem tot priester zouden maken. Met elke zegen voelde hij hoe de last van zijn nieuwe roeping op zijn schouders daalde, maar ook hoe een diepe, onwrikbare vrede zijn hart vulde. Even later was de bisschop, bezig met de heilige rituelen in de kleine kapel van de kerk, leek volledig op te gaan in de plechtigheid. De warme gloed van de kaarsen weerspiegelde op de oude stenen muren, terwijl de iconen als stille getuigen toekeken. Toen de laatste zegen was uitgesproken, hief de nieuwe priester zijn hoofd op. Zijn ogen schitterden van nederigheid en vastberadenheid. De bisschop overhandigde hem de kelk en de paten, symbolen van zijn nieuwe dienstwerk, en de menigte antwoordde met een plechtig Amen. Na de dienst stroomden de gelovigen naar buiten, waar de zon inmiddels fel scheen en de besneeuwde pieken van de Kaukasus helder afstaken tegen een staalblauwe hemel. De lucht was fris en zuiver, alsof de hele berg was gezegend door de heilige gebeurtenis.

 

O retábulo-mor da Igreja de San Juan de Puerta Nueva, em Zamora, é uma obra notável da escultura castelhana do final do século XVI, situada num templo com origens românicas e posteriores intervenções góticas. Atribuído a Juan Moreno ou à sua escola, este retábulo policromado reflete a transição do Renascimento para o Barroco, articulando-se em corpos horizontais e ruas verticais, com um programa iconográfico focado na vida e martírio de São João Batista. A sua criação surgiu após o colapso da torre original, que destruiu a cabeceira românica, motivando a reconstrução da igreja e a necessidade de um novo conjunto litúrgico. A estrutura exibe cenas bíblicas e hagiográficas, com destaque para a Virgem com o Menino e a Crucificação, organizadas hierarquicamente para guiar a devoção e transmitir doutrina. A talha dourada, com elementos arquitetónicos renascentistas, contrasta com a sobriedade exterior do templo, evidenciando a riqueza decorativa introduzida nas remodelações da Idade Moderna e a importância da arte sacra na vivência religiosa da cidade.

 

The main altarpiece of the Church of San Juan de Puerta Nueva in Zamora is a remarkable work of late 16th-century Castilian sculpture, located in a temple with Romanesque origins and later Gothic interventions. Attributed to Juan Moreno or his school, this polychrome altarpiece reflects the transition from the Renaissance to the Baroque, articulated in horizontal bodies and vertical streets, with an iconographic program focused on the life and martyrdom of Saint John the Baptist. It was created after the collapse of the original tower, which destroyed the Romanesque apse, leading to the reconstruction of the church and the need for a new liturgical ensemble. The structure displays biblical and hagiographic scenes, notably the Virgin and Child and the Crucifixion, organized hierarchically to guide devotion and convey doctrine. The gilded woodcarving, with Renaissance architectural elements, contrasts with the sobriety of the temple's exterior, highlighting the decorative richness introduced in the renovations of the Modern Age and the importance of sacred art in the religious life of the city.

A poignant depiction of maternal grief and divine sacrifice, rendered in sepia to evoke timeless reverence.

Welcome to the tranquil grounds of the D.T. Suzuki Museum in Kanazawa, Japan. This serene image captures the museum's contemplative walking path leading to a concrete doorway that opens up to a reflective water feature. The pathway, made of stone slabs set in gravel, guides visitors through a beautifully landscaped area. Lush greenery, including a tree with hanging branches and leaves, frames the scene, enhancing the sense of peace and introspection.

 

A visitor stands in the distance, either taking a photo or quietly observing the surroundings, adding a human element to the serene setting. The water feature at the end of the path mirrors the trees and sky, creating a harmonious blend of nature and architecture. This design encourages reflection and mindfulness, aligning perfectly with D.T. Suzuki's teachings on Zen and tranquility.

 

The use of concrete and stone in the architecture is a nod to minimalist design principles, creating clean lines and a stark contrast to the lush natural surroundings. The museum's layout promotes a sense of journey and discovery, inviting visitors to slow down and absorb the serene environment.

 

Whether you're exploring Zen philosophy or simply enjoying the peaceful ambiance, the D.T. Suzuki Museum offers a unique experience. The thoughtful design and natural elements come together to provide a space for quiet reflection and deeper connection with the principles of mindfulness.

Step into the serene grounds of the D.T. Suzuki Museum in Kanazawa, Japan, a tranquil haven dedicated to the celebrated Buddhist philosopher Daisetz Teitaro Suzuki. This image captures the museum's water reflection garden, a key element that embodies Suzuki's teachings on Zen and mindfulness. The mirror-like surface of the water perfectly reflects the surrounding trees and the textured stone wall, creating a harmonious blend of natural and man-made beauty.

 

The stone wall, with its light-colored, textured surface, features a small rectangular opening near its base, inviting curiosity and contemplation. The wall serves as both a visual anchor and a symbol of the boundaries and connections between the physical and spiritual worlds. The lush greenery surrounding the pond includes a mix of vibrant green and autumnal hues, adding a rich tapestry of colors to the scene.

 

This tranquil setting encourages visitors to pause, reflect, and connect with nature. The garden's design, characterized by simplicity and elegance, aligns with the principles of Zen, offering a peaceful retreat from the hustle and bustle of everyday life. The water reflection garden is not only a visual delight but also a place for meditative practices, drawing visitors into a deeper state of mindfulness.

 

Whether you are a devotee of Zen philosophy or simply seeking a quiet moment of reflection, the D.T. Suzuki Museum provides an enriching experience that celebrates the harmony between nature and human artistry. This serene garden invites you to explore the depths of Zen teachings and the beauty of mindful living.

Step into the serene ambiance of a traditional Japanese Shinto shrine. This image captures the essence of spiritual Japan with a stone torii gate standing proudly at the entrance. The gate, a common symbol in Shintoism, marks the transition from the mundane world to a sacred space. Its weathered stone texture and robust structure evoke a sense of timeless reverence.

 

Just beyond the torii gate lies a small shrine building with a gracefully curved tiled roof. The roof's design isn't just beautiful; it efficiently channels rainwater, highlighting the practical wisdom embedded in traditional Japanese architecture. The entrance to the shrine is adorned with lanterns and shimenawa (sacred ropes), which signify purity and protection.

 

Surrounding the shrine, lush greenery and pine trees enhance the peaceful atmosphere. The natural setting frames the shrine beautifully, adding to its serene and spiritual ambiance. The nearby building hints that this sacred space is embedded in a residential area, illustrating the harmonious blend of everyday life and spiritual sanctuaries in Japan.

 

This shrine scene isn't just picturesque; it offers a glimpse into the spiritual heart of Japanese culture. The details, from the stone torii gate to the shimenawa and lanterns, embody the deep-rooted traditions and reverence that characterize Shinto practices. This space serves as a tranquil retreat for reflection, spiritual practice, and a moment of calm amidst the hustle and bustle of daily life.

the man sits still, beads moving slowly through his fingers, each one marking a thought or a prayer. his quiet reflection contrasts with the world behind him, reflected in the glass as people move in and out of the frame. he isn't just lost in thought—he's engaging in a spiritual act, using a prayer chain to ground himself in the moment. the stillness of his body and the movement of the beads create a sense of peace amid the heat and light of the day. this was captured at plaça de la mare de déu de la salut in palma, a quiet spot where the noise of the city seems to soften, and his inner world takes center stage. time seems to slow down, as he connects with something deeper amid the city's quiet hum.

www.amazon.com/Faith-Blind-What-True-God/dp/B0F9KBJSV2/re...

The D.T. Suzuki Museum in Kanazawa is a serene architectural masterpiece dedicated to the life and philosophy of Daisetz Teitaro Suzuki, a Zen Buddhist scholar who introduced Zen to the Western world. Designed by renowned Japanese architect Tadao Ando, the museum exemplifies the harmony between modern minimalism and traditional Japanese aesthetics.

 

Set against a lush backdrop of seasonal greenery, the museum’s clean lines and reflective water features evoke a sense of tranquility and introspection. The exterior façade, captured here, showcases Ando’s signature use of concrete, light, and shadow. Vertical louvers on the wall add texture and create a dynamic interplay with sunlight throughout the day, while the meticulously placed steps and subtle guiding paths provide a seamless transition between nature and structure.

 

Visitors are invited to engage with Suzuki’s legacy through the museum’s three interconnected spaces: the Entrance Wing, Exhibition Space, and the Contemplative Space. The architectural design encourages mindfulness, with framed views of the surrounding gardens and a meditative water mirror that reflects both the sky and the soul. The subdued color palette and tactile materials create a profound sense of stillness, making the museum a destination for both art and philosophy enthusiasts.

 

This minimalist sanctuary offers a modern interpretation of Zen principles, blending simplicity with depth. While the museum is a tribute to Suzuki’s teachings, its design invites each visitor to embark on their own personal journey of reflection and discovery. Located just a short walk from Kenrokuen Garden, the D.T. Suzuki Museum is a must-visit for those seeking both architectural inspiration and spiritual peace in Kanazawa.

I won't dwell upon the past

for anger might devour my soul

Old conflicts fate has cast

Once done are then beyond control

 

I can't fret about the time

what's left is but the sum of it

Ones fortunes ebb and climb

the balance what 's become of it

 

I shan't worry 'bout the years

all that's is was long ago

My age grows hopes and fears

but wishes will not make them so

 

I don't feast upon despair

for faith still lives within my mind

though victories are rare

what matters most I'll one day find.

 

DeHoll (c) 2008

Peaceful Corner by the Beach House - A peaceful corner in a beach house, softly illuminated by warm lanterns and surrounded by lush plants — the perfect place to read, reflect, pray, and thank God for the beauty and blessings of life.

Original art quilt, 32" x 45", based on Luke 23 for Good Friday. Uses cotton fabrics, fusible web, embroidery thread, beads, tulle, yarn and cotton and other threads.

Original art quilt, 32" x 45", based on Luke 23 for Good Friday. Uses cotton fabrics, fusible web, embroidery thread, beads, tulle, yarn and cotton and other threads.

Original art quilt, 32" x 45", based on Luke 23 for Good Friday. Uses cotton fabrics, fusible web, embroidery thread, beads, tulle, yarn and cotton and other threads.

Original art quilt, 32" x 45", based on Luke 23 for Good Friday. Uses cotton fabrics, fusible web, embroidery thread, beads, tulle, yarn and cotton and other threads.

Original art quilt, 32" x 45", based on Luke 23 for Good Friday. Uses cotton fabrics, fusible web, embroidery thread, beads, tulle, yarn and cotton and other threads.

Original art quilt, 32" x 45", based on Luke 23 for Good Friday. Uses cotton fabrics, fusible web, embroidery thread, beads, tulle, yarn and cotton and other threads.

Original art quilt (12.75" x 21") based on Matthew 6:6. Uses cotton and varied fabrics, photo transfer, paint, beading, embroidery floss

Original art quilt, 32" x 45", based on Luke 23 for Good Friday. Uses cotton fabrics, fusible web, embroidery thread, beads, tulle, yarn and cotton and other threads.

Original art quilt, 32" x 45", based on Luke 23 for Good Friday. Uses cotton fabrics, fusible web, embroidery thread, beads, tulle, yarn and cotton and other threads.

Tōdai-ji Temple, nestled in Nara, stands as a monumental testament to Japan's rich cultural heritage and spiritual devotion. Home to the Great Buddha Hall, housing one of the world's largest bronze statues of Buddha, the temple exudes an aura of reverence and ancient grandeur.

 

Surrounded by lush greenery, Tōdai-ji's serene atmosphere invites contemplation and reflection. The sheer magnitude of the Great Buddha, along with the intricate details of its construction, leaves visitors in awe of the craftsmanship and dedication of ancient artisans.

 

Beyond the Great Buddha, the temple complex unfolds with mesmerizing architecture, tranquil gardens, and historic treasures, offering a glimpse into Japan's illustrious past and unwavering spiritual legacy. Tōdai-ji Temple stands as a cultural gem, inviting all to experience the profound tranquility and spiritual resonance that define its hallowed grounds.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

Tōdai-ji Temple, nestled in Nara, stands as a monumental testament to Japan's rich cultural heritage and spiritual devotion. Home to the Great Buddha Hall, housing one of the world's largest bronze statues of Buddha, the temple exudes an aura of reverence and ancient grandeur.

 

Surrounded by lush greenery, Tōdai-ji's serene atmosphere invites contemplation and reflection. The sheer magnitude of the Great Buddha, along with the intricate details of its construction, leaves visitors in awe of the craftsmanship and dedication of ancient artisans.

 

Beyond the Great Buddha, the temple complex unfolds with mesmerizing architecture, tranquil gardens, and historic treasures, offering a glimpse into Japan's illustrious past and unwavering spiritual legacy. Tōdai-ji Temple stands as a cultural gem, inviting all to experience the profound tranquility and spiritual resonance that define its hallowed grounds.

Original art quilt (12.75" x 21") based on Matthew 6:6. Uses cotton and varied fabrics, photo transfer, paint, beading, embroidery floss

Original art quilt (12.75" x 21") based on Matthew 6:6. Uses cotton and varied fabrics, photo transfer, paint, beading, embroidery floss

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

Original art quilt (12.75" x 21") based on Matthew 6:6. Uses cotton and varied fabrics, photo transfer, paint, beading, embroidery floss

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.

The Self-Realization Fellowship Lake Shrine lies a few blocks from the Pacific Ocean, on Sunset Boulevard in Pacific Palisades, California. It was founded and dedicated by Paramahansa Yogananda, on August 20, 1950.