View allAll Photos Tagged SpiritualGuide
22-23 February 2025 Malta.
Weekend program with Satguru Sirio Ji in Malta.
The Universal, Timeless Science of Spirituality transcending place, culture and religion - for all Seekers
Introductory lecture and intense meditation day, questions and answers.
سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمن مدظلہ الاقدس کا تبلیغی دورہ ساہیوال ۔ 23 اپریل بروز اتوار 2017 ء
ڈاکٹرعبدالحسیب سروری قادری صاحب کے گھر
محمد اشرف اعجاز سروری قادری صاحب کے گھر
النصر اشفاق سروری قادری صاحب کے گھر
Sultan-ul-Ashiqeen Hazrat Sakhi Sultan Mohammad Najib-ur-Rehman Sahab ka Tableegi Dorah Sahiwal (on 23 April, 2017)
www.sultan-ul-faqr-publications.com
www.sultan-ul-faqr-digital-productions.com
#faqr #tehreekdawatefaqr #sultanbahoo #sultanulfaqr #sultanulashiqeen #ishq #love #sarwariqadri #islam #sufism #mysticism #Allah #insanekamil #spiritualguide #spiritual #haqbahoo #lahore #ismallahzaat #ismmohammad #religious #sultanmohammadnajib #murshid #murshidkamilakmal #divine #truepath #shaikh #shaikhekamil #ghausulazam #ya_ali
مورخہ 23 اکتوبر 2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو ؒ نشست ہفتم کی صدارت فرمائی۔ آپ مدظلہ الاقدس ہر اتوار خانقاہ سلطان العاشقین میں اپنی تصنیف مبارکہ ابیات باھُو ؒ کامل سے شرح فرماتے ہیں۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman presided over the seventh Bazm-e-Bahoo ra at Khanqah Sultan-ul-Ashiqeen on Sunday, 23rd October 2022.
DM us on Instagram@sultanulashiqeen
The Swan, The SUW/UW Series, Group IX: Part I
No. 13, 1915
Hilma af Klint
Oil paint on canvas
‘Thought defines the universe in geometrical figures.’
Hilma af Klint, 1916*
New Old Geometries
In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.
Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.
The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.
Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*
[Tate Modern]
From the exhibition
Hilma af Klint & Piet Mondrian: Forms of Life
(April – September 2023)
This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.
‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914
‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917
[*Tate Modern]
Taken in the Tate Modern
Sultan-ul-Ashiqeen Hazrat Sakhi Sultan Mohammad Najib-ur-Rehman Sahab ka Tableegi Dorah Kala Gujran, District Jhelum and Sarai Alamgir, Barot. on 16 April, 2017
www.sultan-ul-faqr-publications.com
www.sultan-ul-faqr-digital-productions.com
#faqr #tehreekdawatefaqr #sultanbahoo #sultanulfaqr #sultanulashiqeen #ishq #love #sarwariqadri #islam #sufism #mysticism #Allah #insanekamil #spiritualguide #spiritual #haqbahoo #lahore #ismallahzaat #ismmohammad #religious #sultanmohammadnajib #murshid #murshidkamilakmal #divine #truepath #shaikh #shaikhekamil #ghausulazam #ya_ali
The Swan, The SUW/UW Series, Group IX: Part I
No. 8, 1914–15
Hilma af Klint
Oil paint on canvas
‘Thought defines the universe in geometrical figures.’
Hilma af Klint, 1916*
New Old Geometries
In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.
Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.
The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.
Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*
[Tate Modern]
From the exhibition
Hilma af Klint & Piet Mondrian: Forms of Life
(April – September 2023)
This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.
‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914
‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917
[*Tate Modern]
Taken in the Tate Modern
Sultan-ul-Ashiqeen Hazrat Sakhi Sultan Mohammad Najib-ur-Rehman Sahab ka Tableegi Dorah Kala Gujran, District Jhelum and Sarai Alamgir, Barot. on 16 April, 2017
www.sultan-ul-faqr-publications.com
www.sultan-ul-faqr-digital-productions.com
#faqr #tehreekdawatefaqr #sultanbahoo #sultanulfaqr #sultanulashiqeen #ishq #love #sarwariqadri #islam #sufism #mysticism #Allah #insanekamil #spiritualguide #spiritual #haqbahoo #lahore #ismallahzaat #ismmohammad #religious #sultanmohammadnajib #murshid #murshidkamilakmal #divine #truepath #shaikh #shaikhekamil #ghausulazam #ya_ali
مورخہ 23 اکتوبر 2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو ؒ نشست ہفتم کی صدارت فرمائی۔ آپ مدظلہ الاقدس ہر اتوار خانقاہ سلطان العاشقین میں اپنی تصنیف مبارکہ ابیات باھُو ؒ کامل سے شرح فرماتے ہیں۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman presided over the seventh Bazm-e-Bahoo ra at Khanqah Sultan-ul-Ashiqeen on Sunday, 23rd October 2022.
DM us on Instagram@sultanulashiqeen
22-23 February 2025 Malta.
Weekend program with Satguru Sirio Ji in Malta.
The Universal, Timeless Science of Spirituality transcending place, culture and religion - for all Seekers
Introductory lecture and intense meditation day, questions and answers.
The Swan, The SUW/UW Series, Group IX: Part I
No. 8, 1914–15
Hilma af Klint
Oil paint on canvas
‘Thought defines the universe in geometrical figures.’
Hilma af Klint, 1916*
New Old Geometries
In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.
Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.
The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.
Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*
[Tate Modern]
From the exhibition
Hilma af Klint & Piet Mondrian: Forms of Life
(April – September 2023)
This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.
‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914
‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917
[*Tate Modern]
Taken in the Tate Modern
The Swan, The SUW/UW Series, Group IX: Part I
No. 8, 1914–15
Hilma af Klint
Oil paint on canvas
‘Thought defines the universe in geometrical figures.’
Hilma af Klint, 1916*
New Old Geometries
In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.
Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.
The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.
Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*
[Tate Modern]
From the exhibition
Hilma af Klint & Piet Mondrian: Forms of Life
(April – September 2023)
This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.
‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914
‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917
[*Tate Modern]
Taken in the Tate Modern
22-23 February 2025 Malta.
Weekend program with Satguru Sirio Ji in Malta.
The Universal, Timeless Science of Spirituality transcending place, culture and religion - for all Seekers
Introductory lecture and intense meditation day, questions and answers.
مورخہ 23 اکتوبر 2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو ؒ نشست ہفتم کی صدارت فرمائی۔ آپ مدظلہ الاقدس ہر اتوار خانقاہ سلطان العاشقین میں اپنی تصنیف مبارکہ ابیات باھُو ؒ کامل سے شرح فرماتے ہیں۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman presided over the seventh Bazm-e-Bahoo ra at Khanqah Sultan-ul-Ashiqeen on Sunday, 23rd October 2022.
DM us on Instagram@sultanulashiqeen
22-23 February 2025 Malta.
Weekend program with Satguru Sirio Ji in Malta.
The Universal, Timeless Science of Spirituality transcending place, culture and religion - for all Seekers
Introductory lecture and intense meditation day, questions and answers.
Sultan-ul-Ashiqeen Hazrat Sakhi Sultan Mohammad Najib-ur-Rehman Sahab ka Tableegi Dorah Kala Gujran, District Jhelum and Sarai Alamgir, Barot. on 16 April, 2017
www.sultan-ul-faqr-publications.com
www.sultan-ul-faqr-digital-productions.com
#faqr #tehreekdawatefaqr #sultanbahoo #sultanulfaqr #sultanulashiqeen #ishq #love #sarwariqadri #islam #sufism #mysticism #Allah #insanekamil #spiritualguide #spiritual #haqbahoo #lahore #ismallahzaat #ismmohammad #religious #sultanmohammadnajib #murshid #murshidkamilakmal #divine #truepath #shaikh #shaikhekamil #ghausulazam #ya_ali
22-23 February 2025 Malta.
Weekend program with Satguru Sirio Ji in Malta.
The Universal, Timeless Science of Spirituality transcending place, culture and religion - for all Seekers
Introductory lecture and intense meditation day, questions and answers.
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
The Swan, The SUW/UW Series
Group IX: Part I, No. 19, 1915
Hilma af Klint
Oil paint on canvas
‘Thought defines the universe in geometrical figures.’
Hilma af Klint, 1916*
New Old Geometries
In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.
Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.
The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.
Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*
[Tate Modern]
From the exhibition
Hilma af Klint & Piet Mondrian: Forms of Life
(April – September 2023)
This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.
‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914
‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917
[*Tate Modern]
Taken in the Tate Modern
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 23 اکتوبر 2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو ؒ نشست ہفتم کی صدارت فرمائی۔ آپ مدظلہ الاقدس ہر اتوار خانقاہ سلطان العاشقین میں اپنی تصنیف مبارکہ ابیات باھُو ؒ کامل سے شرح فرماتے ہیں۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman presided over the seventh Bazm-e-Bahoo ra at Khanqah Sultan-ul-Ashiqeen on Sunday, 23rd October 2022.
DM us on Instagram@sultanulashiqeen
مورخہ 23 اکتوبر 2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو ؒ نشست ہفتم کی صدارت فرمائی۔ آپ مدظلہ الاقدس ہر اتوار خانقاہ سلطان العاشقین میں اپنی تصنیف مبارکہ ابیات باھُو ؒ کامل سے شرح فرماتے ہیں۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman presided over the seventh Bazm-e-Bahoo ra at Khanqah Sultan-ul-Ashiqeen on Sunday, 23rd October 2022.
DM us on Instagram@sultanulashiqeen
22-23 February 2025 Malta.
Weekend program with Satguru Sirio Ji in Malta.
The Universal, Timeless Science of Spirituality transcending place, culture and religion - for all Seekers
Introductory lecture and intense meditation day, questions and answers.
The Swan, The SUW/UW Series, Group IX: Part I
No. 8, 1914–15
Hilma af Klint
Oil paint on canvas
‘Thought defines the universe in geometrical figures.’
Hilma af Klint, 1916*
New Old Geometries
In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.
Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.
The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.
Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*
[Tate Modern]
From the exhibition
Hilma af Klint & Piet Mondrian: Forms of Life
(April – September 2023)
This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.
‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914
‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917
[*Tate Modern]
Taken in the Tate Modern
The Swan, The SUW/UW Series, Group IX: Part I
No. 18, 1915
Hilma af Klint
Oil paint on canvas
‘Thought defines the universe in geometrical figures.’
Hilma af Klint, 1916*
New Old Geometries
In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.
Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.
The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.
Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*
[Tate Modern]
From the exhibition
Hilma af Klint & Piet Mondrian: Forms of Life
(April – September 2023)
This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.
‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914
‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917
[*Tate Modern]
Taken in the Tate Modern
22-23 February 2025 Malta.
Weekend program with Satguru Sirio Ji in Malta.
The Universal, Timeless Science of Spirituality transcending place, culture and religion - for all Seekers
Introductory lecture and intense meditation day, questions and answers.
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
The Swan, The SUW/UW Series, Group IX: Part I
No. 8, 1914–15
Hilma af Klint
Oil paint on canvas
‘Thought defines the universe in geometrical figures.’
Hilma af Klint, 1916*
New Old Geometries
In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.
Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.
The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.
Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*
[Tate Modern]
From the exhibition
Hilma af Klint & Piet Mondrian: Forms of Life
(April – September 2023)
This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.
‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914
‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917
[*Tate Modern]
Taken in the Tate Modern
مورخہ 23 اکتوبر 2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو ؒ نشست ہفتم کی صدارت فرمائی۔ آپ مدظلہ الاقدس ہر اتوار خانقاہ سلطان العاشقین میں اپنی تصنیف مبارکہ ابیات باھُو ؒ کامل سے شرح فرماتے ہیں۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman presided over the seventh Bazm-e-Bahoo ra at Khanqah Sultan-ul-Ashiqeen on Sunday, 23rd October 2022.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
The Swan, The SUW/UW Series
Group IX: Part I, No. 19, 1915
Hilma af Klint
Oil paint on canvas
‘Thought defines the universe in geometrical figures.’
Hilma af Klint, 1916*
New Old Geometries
In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.
Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.
The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.
Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*
[Tate Modern]
From the exhibition
Hilma af Klint & Piet Mondrian: Forms of Life
(April – September 2023)
This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.
‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914
‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917
[*Tate Modern]
Taken in the Tate Modern
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
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Reviver of Sultan Bahoo’s Work
Determined to reveal the life and teachings of Sultan Bahoo, Sultan ul Ashiqeen continues to work for his aim until today when we find him to be the most authentic authority upon Sultan Bahoo. Unfortunately, several other writers and scholars took inspiration to work on the same subject and took content from Sultan ul Ashiqeen’s well researched work. This way, they did not go through the struggle Sultan ul Ashiqeen did to find the writings, to work on it, compile and translate it.
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
His Holiness Younus AlGohar explains the pivotal role a divinely ordained Spiritual Master plays in taking a seeker of God’s love to their destination.
You can watch the live recordings of these videos every day at 22:00 GMT on younusalgohar.com
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مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen
مورخہ 25 ستمبر2022 بروز اتوار بانی و سرپرست اعلیٰ تحریک دعوتِ فقر اور امام سلسلہ سروری قادری سلطان العاشقین حضرت سخی سلطان محمد نجیب الرحمٰن مدظلہ الاقدس نے بزمِ باھُو کی صدارت فرمائی۔ جس میں آپ مدظلہ الاقدس نے اپنی تصنیفِ مبارکہ ابیاتِ باھُو کامل سے ابیات کی شرح فرمائی۔
مکمل ویڈیو جلد ہی سلطان باھو ٹی وی پر اپلوڈ ہوگی۔
Founder and Patron in Chief of Tehreek Dawat-e-Faqr and spiritual leader of Sarwari Qadri order Sultan-ul-Ashiqeen Sultan Mohammad Najib-ur-Rehman interpreted the exegesis of Abyat-e-Bahoo from his Urdu Book "Abyat-e-Bahoo Kamil" on Sunday, 25th September 2022 at Khanqah Sultan-ul-Ashiqeen.
Complete video will be uploaded soon on Sultan Bahoo TV.
DM us on Instagram@sultanulashiqeen