Math Art
View allAll Photos Tagged Sofware
Sofware used :
Oloneo Photo Engine
Photoshop Element
photoshop Plug-in filter Virtual photographer by Optik Verve Labs
Orton effect
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Six shots in verticale with my 18-105 DX stock lens.
I merge all six photo in Adobe Photoshop.
I also pop out the sky and contras with a filter (Photoshop plugins: Nik sofware - Color Efex Pro)
Place: The Netherland, Groningen at #HermanColleniusbrug.
And part of the core of our galaxy - Y parte del núcleo galáctico
Nikon D5100 + Nikkor Q-Auto 135mm (early 1970's!) + Omegon Minitrack
1 hour - f4 - ISO 800
Siril, Darktable and some other free sofware
Bortle 3
A lot of fun
Somebody pointed out that I have not done an adequate job explaining what a Lora is. Technically it is sofware used to finetune the AI model. Finetuning means you teach the model how you want images to look when generated by showing it images you have created and associating each image with a carefully crafted caption. For example I will show the AI what I mean when I ask for an image of a 17th century middling sort cottage. I call the images I use to teach the AI "training images." The "Lora" trains on each image, using my captions as a guide to what words to associate with the image.
In the attached training image, I am teaching the AI program what a 17th century middling sort of village looks like. I am teaching it what kind of clothes the middling sort wears. I am showing it what the landscape looks like. And so on.
The AI model already understands what a 17th century English middling sort of cottage looks like. But it gets details wrong, and gets the perspective wrong, has trouble showing people at a distance and so on. So I finetune it by showing how I want these structures and objects rendered.
I am currently producing a library of training images that describes the part of the 17th century world I want to visualize. Note that I said "the part of the 17th century world" meaning the specific place, time, events and activities I want to include in my story. I am in effect creating a world. Then I can use the Lora to generate new images that are faithful to the world I have created.
My location is Stogumber, Somerset, England and my time period is the 1630s and 1640s. I will develop specialized Loras for different aspects of this world. In the case of the specialized Lora trained on the attached image, the focus is on the buildings and landscape, the people are secondary. Placeholders. I will have at least one other Lora devoted to clothing. I can run both Loras at the same time and give each Lora a different weight, meaning how much it influences the final image.
I used Loras to produce the attached image. It defined how the clothes will look. It defined how the overall scene looks. I have a specialized Lora that helps me implement the tenebrism style appropriate to this period. "Tenebrism" is a type of lighting attributed to Caravaggio where there is a strong contrast between the light and dark areas of the image.
My current training images are a mix of computer generated images, images where I have done a lot of digital painting and processing and photographs of real people wearing costumes or real landscapes that I have edited. But in future Lora generations the real photographs will be abandoned entirely in favour of images that I have crafted using all my different tools. What does that mean? It will mean that the world my Loras generate will have my style of painting embedded in it.
Does it sound like I have become the director of a movie calling to my palette a host of helpers, like an entire wardrobe department and lighting crew and art director? Yes, exactly, except I am still holding the camera, creating and adjusting the clothing, manipulating the lighting etc. I just have a lot of assistants embodied in the AI and constrained by Loras. Loras are my instructions to the AI.
Yes, another M33! Inevitable at this time of year. 96% Moon!!
This was my first clear night in weeks but of course it coincided with a pretty much full Moon. Back in the year I bought an Altair Astro Tri-Band OSC filter which I had not had occasion to use so thought I'd give it a go. I couldn't find many examples taken with this filter so it was an unknown quantity. Quite pleased with the result.
A bit noisy and there were severe 'light pollution' gradients which required processing persistence to eradicate. APP's light pollution removal tool was excellent but not 100% so the remainder was removed manually in Affinity Photo. I thought processing would be quite involved but APP has a setting for this filter type which made it very straight forward.
Nice to know that I can now make use of those clear but Moon filled nights!!
x13, 300 second exposures along with calibration frames.
SkyWatcher 25cm f4 Quattro. Belt modded EQ6. QHY8L OSC camera.
Capture software. APT, PHD2, Cartes De Ciel.
Processing sofware. AstroPixelProccesor, Affinity Photo. Topaz Denoise.
Inspired by the title of a Rober Heinlen novel.
Created with 3D products from Digital Artist Zone and Topaz 2D sofware.
This is a look in black and white at an Epiphyllum flower that was white with yellow tips. I converted the image to black and white using Nik Sofware's Silver Efex Pro 2.
I lit the flower with a manual Yongnuo flash in an 8.6 inch Lastolite soft box hand held at camera left. The flash and camera were triggered with a Yongnuo RF-603N.
Other plants, flowers, fruit or thingys that I've photographed using strobes can be seen in my Strobe Lit Plant set. For each image in the set, and there are over 1400 of them, I describe how I set up the lighting for that particular shot. www.flickr.com/photos/9422878@N08/sets/72157628079460544/
Other black and white images that I've attempted can be seen in my Black And White Album.
Thank You Deep Dream Generator (AI software) and photohop CC and Picasa 3 (a very old piece of sofware)
These are the buds (some partially open) of an Asiatic Lily plant. I converted the image to black and white using Nik Sofware's Silver Efex Pro 2 software.
Lighting stuff: Lit with a single Yongnuo manual flash in a 24 inch gridded soft box at camera left and just out of the frame. Fill light is from a hand held mirror at camera right. The flash and my tripod mounted camera were triggered with a Yongnuo RF-603N.
Other plants, flowers, fruit or thingys that I've photographed using strobes can be seen in my Strobe Lit Plant set that has over 1300 images in it. In the description for each image, I describe the lighting setup that I used. www.flickr.com/photos/9422878@N08/sets/72157628079460544/
I love black and white, and have an album with over 170 black and white images if you like that sort of thing.
take'n with:
camera pentax K10D
lens fix 50mm
aparture 1/45s f/1.7
iso 400
no using flash....
sofware: adobe photoshop cs3
I used this image as an excuse to play with this newly free (very nice!) Google NIK sofware. For this I used the Silver Effects and RAW sharpening programs... With my PS CS4 they were easy enough to use and worked nicely... but I'm not sure that I like using them any better than the RAW development program I usually use, LightZone.
Grâce à PhotoFiltre,cette photo floue (proue d'un bâteau de pêche) a pu être radicalement transformée .
Probably a once-proud fishing vessel, this name-sake boat of the area now lies decaying upon a sand bar in Tomales Bay.
Over the years, many images of this boat have been posted on Flickr, so it's not an unusual find. I posted the original of this one quite some time ago, but this time I applied a painting effect using Topaz' Impressions sofware (reccommended by Barry S.) and changed to sky to include a rainbow using Photoshop's Sky Replacement tool.
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◘ Camera: Canon PowerShot S5 IS.
◘ Lente: Canon Zoom Lens 36-432 mm (equiv)
◘ ISO: 80
◘ Diafragma: f/3.5
◘ Distância Focal: 72mm
◘ Tempo de Exposição: 1/500
◘ Exif Completo: Clique aqui!
◘ Veja Grande: Clique aqui!
▌Informações do Lugar
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◘ Local: Vista do Terraço do Prédio da RBS
◘ Cidade / Estado: Porto Alegre / Rio Grande do Sul
◘ Veja localização no mapa: Clique aqui! [?]
▌Informações de Edição
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◘ Sofware/Plugin: Photomatix PRO 3.0.1 / Photoshop CS3 / Tonal Contrast / Lucisart 2
◘ Descrição: HDR de 3 exposições(Photomatix) (-2 0 2), Mais contraste e detalhes nos tons medios e baixos [Prédios e nuvens] e tons altos [nuvens mais claras e prédios mais claros] (Tonal Contrast), Curvas, Balanço de Cor, Cor Seletiva, Luz localizada manual(dodge tool) [alguns prédios passaram por uma "pintura manual" com dodge tool] (Photoshop) Mais luz e detalhes nos tons baixos [módulo escultura](Lucisart)
◘ Tempo de Edição: ± 20min
Revisting this www.flickr.com/photos/boblyp/2281904952/, taking the original photos and reprocessing them through new HDR sofware, joining two HDR images through new panorama software. Previously with www.flickr.com/photos/boblyp/2281904952/ I was a bit scared of the amount of red/orange in the picture. However, this is much closer to the conditions at the time and the new HDR software allows me to make a little more of the huddle of people at the top of the slope on this most extraordinary of sunset evenings
One of my favorite sunrise shots taken at the Bay Bridge.
Processed in the way and mood I felt when watching this beautiful scene.
Technique: f/11 t: 1/25 sec and slower ISO:100 focal length: 18mm
Processed with LREnfuse to combine three exposures. Final touch in Photoshop using NIK filters.
© All rights reserved
I am trying to get better at that tiltshift technique.
Criticism’s welcome :)
Sofware: Gimp, Focus Blur Plugin.
happy weekend everyone!
| View On Black | A Song I like |
Lake Estes, Estes Park Colorado. Taken when the lake was drained in 2012, edited recently using Topaz Textures. The original photo was blah. If I remember correctly, this tree was gone last time I was there in 2015. This POV only could have been taken from the lake, via boat, or like I mentioned when the lake was drained. Walked past this little tree about a thousand times.
I miss you Lake Estes...sniff sniff.
Happy Sliders Sunday
©All Rights Reserved.
Please do not use this photo on websites, facebook, books or blogs without my explicit written permission.
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◘ Camera: Pentax *ist D
◘ Lente: Pentax-F FISH-EYE 1:3.5-4.5 17-28mm
◘ ISO: 200
◘ Diafragma: f/7.1
◘ Distância Focal: 17mm
◘ Tempo de Exposição: 1/1250
◘ Exif Completo: Clique aqui!
◘ Veja Grande: Clique aqui!
▌Informações do Lugar
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◘ Local: Bar Boca na Botija em Maracaípe, Porto de Galinhas, Ipojuca - Pernambuco
◘ Informação Adicional: O Bar e Restaurante Boca na Botija é um transado ambiente com arquitetura estilo balinesa com muito charme e requinte na beira da praia. Venha saborear o que há de mais gostoso no Pontal de Maracaípe. Peixe, camarão, lagosta, carne, frango, carangueijo e muito mais. (fonte: Portal Maracaípe)
◘ Cidade / Estado: Ipojuca / Pernambuco
◘ Veja localização no mapa: Clique aqui! [?]
▌Informações de Edição
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◘ Sofware/Plugin: Photomatix 3.0.3 / Photoshop CS3 / Viveza
◘ Descrição: HDR de 3 exposições (Photomatix), Ajuste de azul, amarelo e verde com u-points separados (Viveza), Curvas, Balanço de Cor, Cor Seletiva (Photoshop)
◘ Tempo de Edição: ± 8min
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No group invites, badges and awards, please!
Não envie convites para grupos, flickr badges ou prêmios de grupos, por favor!
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1k-0433-35#3a-dec
This was the surprise of the series. I had made my panorama (previous in the photostream) my desktop wallpaper. The sofware compressed the pano into a typical 3 by 4 ratio shot. What resulted was an increase in information in the "squished" space. Squished is a technical term, by the way. =^) Try it large, there are some interesting rain forms at the bottoms of the clouds.
No, it didn't actually LOOK like this: 1st, it's compressed horizontally. 2nd, I modified the levels (especially light and dark areas) to bring out the color. If you look at the more ORANGE sunset, that's more like it really looked. Even then, I had my camera on the CHROMA setting, which gives a more saturated tone to the photo.
Name: Cabo Espichel Light
Also known as: Farol Cabo Espichel
Nearest Town or City: Azóia, Portugal
Location: South of Lisbon.
Managing Organization: Lighthouse Service, Naval Department
Tower Height: 102
Height of Focal Plane: 551
Characteristic and Range: White flash every 4 seconds, visible for 26 nautical miles.
Description of Tower: White hexagonal tower with red lantern in center of rectangular keeper's dwelling.
This light is operational
Date Established: 1790
Date Present Tower Built: 1790
Date Automated: 1980
Optics: 1947: Fourth order Fresnel lens.
Fog Signal: Horn, 8-second blast every 31 seconds.
Current Use: Active aid to navigation.
Notes:
There was a light in this area as early as the 15th century, when monks maintained a tower topped by torches.
** HDRs from RAW **
This is not really an HDR. It was made from a single RAW photo from which three jpegs with different exposures were generated by using ufRaw. Then HDR sofware was used, to merge the jpegs into a single one, and the result tone mapped. This can not really be called an HDR as the Raw file is already my HDR image, and the treatment made does not add any additional information. For me it is just a convenient way of manipulating the images, and this could have been done directly with any good raw processing software.
Here are the most Popular Pictures from my stream. Thanks !
Telescope SW : 200/1000
Mount : SW neq-6 pro goto
camera : ZWO asi 120mm
sofware : sharpcap3 , Registax6 , Photoshop
This photo has already been presented earlier, but when I looked at it an invitation appeard to use a program within Flickr that was an editing sofware. I tied it and the above resulted.
I cannot find the same software again though.
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◘ Camera: Pentax *ist D
◘ Lente: Pentax-F FISH-EYE 1:3.5-4.5 17-28mm
◘ ISO: 200
◘ Diafragma: f/18
◘ Distância Focal: 17mm (3x)
◘ Tempo de Exposição: 1/60
◘ Exif Completo: Clique aqui!
◘ Veja Grande: Clique aqui!
▌Informações do Lugar
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◘ Local: Em frente a Igreja Nossa Senhora dos Navegantes na praça principal da Vila Itapuã, localizada na cidade de Viamão.
◘ Informação Adicional: A Vila, com sua rua principal de paralelepípedos, conserva ainda, as características de um povoado acolhedor e tranqüilo. Pode-se passear por suas ruas, conhecer a Igrejinha de Nossa Senhora dos Navegantes, observar os barcos dos pescadores atracados ao longo do arroio, caminhar na praia de Itapuã, junto aos molhes, que protegem a marina do Clube Náutico dos ventos e das ondas que, em algumas épocas do ano, são bem fortes. (fonte: Farol de Itapuã)
◘ Cidade / Estado: Viamão/ Rio Grande do Sul
◘ Veja localização no mapa: Clique aqui! [?]
▌Informações de Edição
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◘ Sofware/Plugin: PTgui PRO 7.8 / Photomatix PRO 3.0.3RC2 / Photoshop CS3 / Viveza / Lucisart
◘ Descrição: Vertorama (Panoramica vertical de 3 fotos) (PTgui), HDR de 3 exposições (Photomatix),mais luz nos tons baixos [módulo escultura] (Lucisart) Ajuste de contraste e brilhos em cores com u-points separados (Viveza), Curvas, Balanço de Cor, Cor Seletiva, Motion Blur, Defish (Photoshop)
◘ Tempo de Edição: ± 15min
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No group invites, badges and awards, please!
Não envie convites para grupos, flickr badges ou prêmios de grupos, por favor!
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I am starting to make dark hdr pic, coz there is no sunlight !!
One pic, with arpenture sofware I produced 3 pics -2 IL, 0 IL, +2 IL, and I put all in the photomatix software and I tonemapped.
I always begun by choosing a gamma value, and I adjusted the other parameters.. each time I made something news..
Just another random shot when I was walking. Hope you like it!
Enjoy!
Disclaimer: If you recognise yourself in this photo and/or you feel disturbed, you can easily send me a message to delete it. Thank you.
I like that I live where the public transportation is called BART - Bay Area Rapid Transit. Strange though, I just call it the "train".
I took this on the way to the airport. It was on the pano mode and with that, you are to move the camera/phone slowly to capture the long photo. When I did this, the train was moving and I was moving in another train. It gave a cool effect, but I like it better with the blue tones.
Happy Sliders Sunday
This is part of my art coursework at school. - for those on twitter wondering what the rain machine was for :) Unortunately, I haven't been able to edit it at all because I don't have any video editing sotware for my linux, and the stuff I downloaded didn't work. So this is straight off the camera (the 5d Video quality is amazing) and unedited yet, but hopefully if i can find some sofware i'll be able to post the final video.
How to make a rain machine tutorial will be posted on our blog!
ALSO some big news, me and my friend Ali who lent me his 5D are going to team up and start shooting weddings together in order for me to raise some money for America time this July! We're sooo excited, and are doing a mock-wedding shoot next week to get some practice in and some portfolio pictures for the website we are making!
If anyone has any tips on weddings, from pricing to composition, i would love to hear them!!!
the song is from youtube's "copyright free" music audioswap library - its called "waves crash" by "jamie k" :)
Yes, this is a high dynamic range image - and yes, I know some who view this have a real distaste for the process.
However I took several single frames of this scene and none could capture the nuances of light and color present at the moment....only when I blended three images with Photomatix sofware was I able to bring out the actual colors that my naked eye saw when I was holding the camera.
Like all HDR imagery, this is better when viewed at the larger sizes....
55 subs 15 sec exposure
iso 1600
lens canon ef 200mmL f/1.8 @ 1.8
camera canon 20D astro modified
astrotrac travel system for tracking the sky
location Erymantheia Greece
max visual mag 5
View Large in black (press L )
sofware images plus and Ps5 ( no darks, no flats, no bias ).
Thanks for visiting my photo !
HdR
phomatix :Tone mapping details enhancer.
Photshop:Noise ninja y filtro paso alto.
Colores de nick sofware color efexc pro
Telescope / SW 200/1000 F5
Mount : SW neq-6 pro goto
camera : ZWO asi 120mm
other optic(s) : SW barlow 2X
sofware : AS2 , Registax6 , Photoshop
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EXPLORE #1 | 02/12/2013
Location: Cala Cocedores | Almeria | España
Capture:
CANON EOS 5D MARK II
Singh-Ray Daryl Benson 3-stop reverse GND filter + b+w nd64
ISO 100
17 mm
f/13
83 sec
Processing:
Photoshop CS6 + Nik software viveza 2
▌Informações da Foto
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◘ Camera: Pentax *ist D
◘ Lente: Pentax-F FISH-EYE 1:3.5-4.5 17-28mm
◘ ISO: 200
◘ Diafragma: f/4
◘ Distância Focal: 17mm
◘ Tempo de Exposição: 1/640
◘ Veja Grande: Clique aqui!
▌Informações do Lugar
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◘ Local: Espelho d'água do Parque Marinha do Brasil
◘ Informação Adicional: O Parque Marinha do Brasil foi inaugurado em 9 de dezembro de 1978. Tem área de 70,70 hectares. Localiza-se à Av. Borges de Medeiros, bairro Praia de Belas. Liga o centro da cidade de Porto Alegre com a Zona Sul, no mais harmonioso projeto de urbanização criado sobre o aterro da antiga Praia de Belas.
Apresenta notável variedade de árvores e arbustos e oferece equipamentos de lazer e esporte. É um parque essencialmente esportivo, contando com quadras de futebol de salão, tênis, vôlei, basquete além de pistas para patinação, skate, atletismo e ciclismo. Conta também com aparelhos para ginástica, campos de futebol 7, além de recantos infantis e espaço cívico com espelho d'água.
(fonte: Wikipédia)
◘ Cidade / Estado: Porto Alegre / Rio Grande do Sul
◘ Veja localização no mapa: Clique aqui! [?]
▌Informações de Edição
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◘ Sofware/Plugin: Photomatix PRO 3.0.3 / Photoshop CS3 /Viveza / Lucisart
◘ Descrição: HDR de 3 exposições (Photomatix), mais luz nos tons baixos [módulo escultura] nas árvores, chao e nuvens (Lucisart) Ajuste de contraste,brilho e saturação em cores com u-points separados (Viveza), Curvas, Balanço de Cor, Cor Seletiva, (Photoshop)
◘ Tempo de Edição: ± 10min
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No group invites, badges and awards, please!
Não envie convites para grupos, flickr badges ou prêmios de grupos, por favor!
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◘ Translate this page: Click Here
One pic, with arpenture sofware I produced 3 pics -2 IL, 0 IL, +2 IL, and I put all in the photomatix software and I tonemapped.
I always begun by choosing a gamma value, and I adjusted the other parameters.. each time I made something news..
▌Informações da Foto
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◘ Camera: Pentax *ist D
◘ Lente: Sigma Super-Wide 1:2.8 24mm
◘ Diafragma: f/2.8 (lente manual)
◘ Distância Focal: 24mm
◘ Acessórios: Polarizador Circular
◘ Tempo de Exposição: 1/500
◘ Exif Completo: Clique aqui!
◘ Veja Grande: Clique aqui!
▌Informações do Lugar
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◘ Local: Zoológico de Sapucaia
◘ Informação Adicional: Nome Científico: Calliandra brevipes Benth. (Pink Powderpuff) (Popular: esponja, esponjinha, manduruvá, quebra-foice).
◘ Cidade / Estado: Sapucaia do Sul / Rio Grande do Sul
◘ Veja localização no mapa: Clique aqui! [?]
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◘ Sofware/Plugin: Photoshop CS3 / Viveza
◘ Descrição: Ajuste de azul, rosa/magenta e verde com u-points separados (Viveza), Curvas, Balanço de Cor, Cor Seletiva (Photoshop)
◘ Tempo de Edição: ± 5min
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No group invites, badges and awards, please!
Não envie convites para grupos, flickr badges ou prêmios de grupos, por favor!
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◘ Translate this page: Click Here
▌Informações da Foto
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◘ Camera: Pentax *ist D
◘ Lente: Pentax-F FISH-EYE 1:3.5-4.5 17-28mm
◘ ISO: 200
◘ Diafragma: f/13
◘ Distância Focal: 28mm
◘ Tempo de Exposição: 1/2000
◘ Exif Completo: Clique aqui!
◘ Veja Grande: Clique aqui!
▌Informações do Lugar
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◘ Local: Estrada indo para o Iate Clube de Pernambuco
◘ Informação Adicional: na foto edifícios "Pier Maurício de Nassau" e " Pier Duarte Coelho". Um lugar único com vista panorâmica para Recife Antigo, os bairros de Santo Antônio e São José, o Porto do Recife, e a Bacia do Pina, onde o rio Capibaribe se encontra com o Oceano Atlântico. (fonte: Moura Dubeux Engenharia)
◘ Cidade / Estado: Recife / Pernambuco
◘ Endereço: Cais de Santa Rita 595
◘ Veja localização no mapa: Clique aqui! [?]
▌Informações de Edição
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◘ Sofware/Plugin: Photoshop CS3
◘ Descrição: Curvas, Balanço de Cor, Cor Seletiva, camada de dupla cor [Bi-Color] (azul-amarelo) (Photoshop)
◘ Tempo de Edição: ± 5min
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Pessoal estou em Recife até o final da semana que vem, aproveitando um pouco a companhia do meu amor e matando bastante a saudade XD
Matthew Cooper and I (no relation) have been doing this Disney photography thing since 2010, except on different coasts, and in different Parks. He and I were both into HDR images in Disney Parks way early on. I always thought he and I were of equal quality yet each of us has slightly different looks...From my point of view, Matt's work is clean and crisp and technically superb with those trademark stars. I tend to like details and lightplay and texture, particularly on pathways, and we both enjoy creative compositions...
I started the HDR journey by reading books and watching videos, trying different HDR sofware methods and eventually settling on mixing and masking layers and exposures manually as needed. Lately, luminosity masks have become a big part of my routine.
Having recently joined the IDP team of admins, I have enjoyed getting to know everyone and sharing my Disneyland photography experiences with them. Matthew and Sean recently made it out here to Disneyland on separate trips, and I was able to meet up briefly with them both for a couple hours in the Parks.
Matthew and I thought it would be nifty if we could shoot and process similar shots side by side. This is the first...the classic front view of Sleeping Beauty Castle. For reference, my Canon 5DIII is mounted on a fully extended tripod. Mathew's Nikon 810 is mounted on a collapsed tripod directly below mine.
For my image, I already knew from experience that my camera was not as light sensitive as the 810 and I would probably need more exposures and higher ISO for my final image. I ended up shooting 5 base exposures at ISO 200, f/9, with a 14mm Rokinon manual lens. I shot some additional images at ISO 400 and ISO 800 of the sky and to use for masking out various people as they gathered in front of the castle. I used a total of 8 images to make the final product, merged by manually masking them together and some liminosity masking. It should be noted that photos of this particular castle are a challenge to edit due to the extremely hot and colorful lighting, and the usually overcast skies that can be terribly affected by light pollution in the urban environment that Disneyland occupies....
Sígueme en mi página de Facebook (Follow me on facebook): www.facebook.com/JavierGirbesFotografiadePaisaje
Distortion corrected with the sofware LR5. What do you think about the results? As far as I´m concerned, the image is a bit stretched.
Distorsión corregida con LR5. ¿Qué os parece el resultado? En mi opinión la imagen queda un poco estirada.
View larger size: please press "L" button.
Canon 600D
Tokina AT-X PRO 11-16 mm f/2,8 DX-II
11 mm
25 sec
f/18
ISO100
Lee GND 0.9 soft
Thanks for all visits.
Gracias por vuestras visitas y comentarios.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved.
▌Informações da Foto
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◘ Camera: Pentax *ist D
◘ Lente: Pentax-F FISH-EYE 1:3.5-4.5 17-28mm
◘ ISO: 200
◘ Diafragma: f/32
◘ Distância Focal: 28mm
◘ Tempo de Exposição: 1/125
◘ Exif Completo: Clique aqui!
◘ Veja Grande: Clique aqui!
▌Informações do Lugar
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◘ Local: Parque Marinha do Brasil / Vista para o Guaiba
◘ Cidade / Estado: Porto Alegre / Rio Grande do Sul
◘ Veja localização no mapa: Clique aqui! [?]
▌Informações de Edição
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◘ Sofware/Plugin: Photoshop CS3
◘ Descrição: Curvas, Crop (Photoshop)
◘ Tempo de Edição: ± 3min