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Sentence: Im not afraid of failing - The Alchemist by Paulo Coelho.
Fonts:
- Wickhop Handwriting (http://www.fontspace.com/wickhop/wickhop-handwriting)
- Spirits Regular (http://www.1001freefonts.com/SpiritsRegular.php)
I tried to make the text look weird and 'out of place', to imply that the writer doesn't care if it's wrong, they're not afraid of the consequences. I tried to make the word 'afraid' fade into the background a little, this re-enforced the idea that they're 'NOT!' afraid. I left every other word gray because I didn't want the main focus to be on those words. The background was suppose to symbolize someone's exam or assignment, so because they got a F for it, they wanted to respond to it. Which is why I chose a handwriting font.
This old guy has been in a cage for 25 years. Just look into his eyes and wonder what he is thinking.
Sentence in one of the verses of flanders great classic poets Guido Gezelle painted on a wall in Bruges as part of a memorial tour.
Every time passing when returning or leaving for a holiday at the nearby railway station, I get confronted with the antipode: What would happen if you (or me) wouldn't come back ?
The phrase "Born into a death sentence" with a new born baby in the background, the number 13 is represented into the letter 'e.'
On 21 August 2009, Vietnam and the UK ratified the agreement on transfer of sentenced persons. Photo: Ambassador Mark Kent and Vietnamese Deputy Minister for Foreign Affairs Nguyen Thanh Son at the signing ceremony
MTA New York City Transit President Demetrius Crichlow and EAGLE Team Special Inspector Patrick Daley at Brooklyn Supreme Court on Tuesday, May 26, 2026 where Samuel White was sentenced to 15 years in prison for shooting Daley while on the job in 2023.
(Marc A. Hermann / MTA)
A photomanipulation work in photoshop. Credit to mjranum for the model, Dracoart_Stock for the background penitentiary, and textures by Irisb477, hearthy, and pink sherbet, thank you all.
Sentence slider made from cardboard and colored paper to highlight grammar for beginner E.S.L. students.
[ In February 5, 2013, protests began in Shahbag, Bangladesh following demands for capital punishment for Abdul Quader Mollah, who had been sentenced to life imprisonment, and for others convicted of war crimes by the International Crimes Tribunal of Bangladesh. On that day, the International Crimes Tribunal had sentenced Mollah to life in prison after he was convicted on five of six counts of war crimes. Later demands included banning the Bangladesh Jamaat-e-Islami party from politics including election and a boycott of institutions supporting (or affiliated with) the party.
Protesters considered Mollah's sentence too lenient, given his crimes. Bloggers and online activists called for additional protests at Shahbag. Tens of thousands of people joined the demonstration, which gave rise to protests across the country.]
Thai Journalist Sentenced to 2 Years For Defamation via Twitter www.breakingasia.com/biz/thai-journalist-sentenced-to-2-y...
Taken at the taping of Live Wire Radio Episode 243 with author Sherman Alexie, comedian W. Kamau Bell, and music from Portland's Run on Sentence. Listen to the full episode here: www.livewireradio.org/content/live-wire-243-sherman-alexi...
Photos by Jennie Baker / Jennie Baker Photography
MTA New York City Transit President Demetrius Crichlow and EAGLE Team Special Inspector Patrick Daley at Brooklyn Supreme Court on Tuesday, May 26, 2026 where Samuel White was sentenced to 15 years in prison for shooting Daley while on the job in 2023.
(Marc A. Hermann / MTA)
Exposició al Born Centre Cultural sobre el projecte "Cinc sentències de mort", de Josep Benet. Text explicatiu de l'exposició: "Durant la dictadura era impossible accedir a la documentació necessà ria i el projecte va quedar aparcat, però no oblidat. Ja en plena democrà cia el llibre es va acabar convertint en cinc. Un per a cadascun d'aquells homes. Aquesta exposició vol ser un doble homenatge als cinc executats i a Josep Benet, personalitat clau en la lluita per la recuperació de les llibertats de Catalunya".
LluÃs Companys i Jover
Manuel Carrasco i Formiguera
Joan Peiró i Belis
Carles Rahola i Llorens
Domènec Latorre i Solé
Six Sentences, Volume 2
Edited by Robert McEvily
The second print anthology of the New York Times recommended writing site "Six Sentences," featuring an introduction by Neil LaBute, a guest appearance by Rick Moody, and hundreds of original sixes by a talented lineup of international authors.
Features my stories "Traveling to the Moon on a Budget" & "Wild Dinosaurs in the Back Yard."
AVAILABLE NOW: www.amazon.com/6S-2-Robert-McEvily/dp/1442125152/ref=sr_1...
Taken at the taping of Live Wire Radio Episode 243 with author Sherman Alexie, comedian W. Kamau Bell, and music from Portland's Run on Sentence. Listen to the full episode here: www.livewireradio.org/content/live-wire-243-sherman-alexi...
Photos by Jennie Baker / Jennie Baker Photography
Taken at the taping of Live Wire Radio Episode 243 with author Sherman Alexie, comedian W. Kamau Bell, and music from Portland's Run on Sentence. Listen to the full episode here: www.livewireradio.org/content/live-wire-243-sherman-alexi...
Photos by Jennie Baker / Jennie Baker Photography
Daughter: Iranian rights activist Abdolfattah Soltani sentenced to 13 years in prison
Daughter: Iranian rights activist Abdolfattah Soltani sentenced to 13 years in prison
By Associated Press, Published: June 12 BERLIN — A prominent Iranian human rights lawyer has been sentenced to 13 years in prison by a Tehran
MTA New York City Transit President Demetrius Crichlow and EAGLE Team Special Inspector Patrick Daley at Brooklyn Supreme Court on Tuesday, May 26, 2026 where Samuel White was sentenced to 15 years in prison for shooting Daley while on the job in 2023.
(Marc A. Hermann / MTA)
Hung up on their way to their final resting place on the forest floor. Lots about death, I know. We're getting towards Autumn, and I guess death is in the air. It's not nearly as romantic as Spring.
The other sentence I read on the outside of the DVD cover for OneLight Workshop read,...
Aperture controls flash exposure.
What does this mean?
Once more, for this series of photos, I was standing in the living room/dining room. All the lights were still turned on, and the brightest light in the room, the dining room candleabra, was behind me and slightly to the camera's right.
As you can see in these photos, very little to no ambient light (as seen in the previous series) made it into the exposure. Pretty much the only light was that of the flash. In the photo in the upper left, I started with an exposure of 1/250 sec at f/3.5, with an ISO of 100. I chose to start with this exposure for the following reasons: 1) 1/250th of a second is the fastest speed at which my camera will sync with the flash; 2) f/3.5 is the largest aperture available at the focal length I used (35mm); and 3) the sharpest and least grainy images are obtained at the lowest ISO.
The sequence of exposures go from left to right, top to bottom. If you move your mouse over the notes, you can see the exposure for each image. Going from the first to the last photo, the difference between each exposure is 'one stop' of light. That means that in each subsequent image the smaller aperture used reduced the amount of light entering the camera from my flash by one-half. So, the difference between photo #1 and photo #3 is one-quarter, and the difference between photo #1 and photo #4 is one-eighth, etc.
This is pretty much the basics behind flash photography. There are other factors, but these two are your primary means of control over the lighting of your subject. Everything else is practice and perfection of craft.
(One effect of changing your aperture, whether you use a flash on- or off-camera, or even if you don't use any flash at all, is that the DOF changes. Some call DOF 'depth-of-field' and others call it 'depth-of-focus'. Both are accurate terms, but 'depth-of-focus' is, for those not familiar with this term, probably the most descriptive of what actually happens. At each aperture, there is a range of distance that is in focus. The larger the aperture (represented by smaller numbers, like f/3.5), the smaller the depth-of-focus. It is this smaller depth-of-focus that creates the effect called 'bokeh'. The smaller the aperture (represented by larger numbers, like f/22), the greater the depth-of-focus. So, if you want to take a photo of something, and have that background thrown out of focus, use a large aperture.)
You might be wondering why this series shows only six photos and not nine, like the last set. Simply put, I wanted to demonstrate one-stop intervals since that involves cutting the amount of light in half, or doubling the amount of light. At 35 mm, the smallest aperture available on my current lens is f/22, and that was just one-third of a stop down from f/20, the last stop used in the sixth photo. You can see, though, that if I'd been able to go down by one more stop to f/29, that a seventh photo would've been completely black. Any photos beyond what I've shown here really would've been pointless.