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Part of an early C19 terrace, developed by Richard Greene, with four storeys and basement. First floor cast-iron balcony with lead canopy. Side door entrance with canopy. Grade II listed. Once the residence of author Bram Stoker. Royal Borough of Kensington & Chelsea, London.
My sister once again suckered me out to take pictures of her kids, this time it was only her daughter. One four year old is enough! :)
Architect: James Savage, in a Neo-Gothic style using Bath stone, 1824. Grade I listed. One of the earliest Gothic Revival churches in London. Royal Borough of Kensington & Chelsea.
Terraced house with tower, built mid-to-late 1980s on part of a former dairy depot site. An extra storey added in the 2000s. Royal Borough of Kensington & Chelsea, London.
Rose in the road, Upper Cheyne Row, London, Chelsea, SW3, Wednesday 6 April 2011. This one definitely works best in large size.
London SW3 Regency House in a street just off King's Rd and close to Sloane Square.
one of the few surviving independent bookshops in London, founded in 1957, where the owners know their stuff, mix with the litterati and even write fiction - not yet shortlisted for the Booker Prize ;0)
www.telegraph.co.uk/news/main.jhtml;jsessionid=0GGNLN1XNG...
(Mountain Goat) 2008
By Steve Bishop at the Saatchi Gallery
Taxidermied goat, concrete, chalk
20181004_6491x
Chelsea London SW3
Thames Embankment
Promenades & Streetscapes
NOTE: Pargeting (or sometimes pargetting) is a decorative or waterproofing plastering applied to building walls. The term, if not the practice, is particularly associated with the English counties of Suffolk and Essex.
Chelsea Glimpses,
London SW3,
This blonde... well... she was wearing an intriguing top, with embroidery motifs which I thought had a whiff of Matisse's 'Blouse Roumaine'... I was hesitant about asking, lest she thought I was making a pass: perish the thought!
In POST POP: EAST MEETS WEST exhibition at the Saatchi Gallery.
By Tom Sachs
2001
Mixed media
243.8 x 188 x 182.9 cm
Vanhaerents Art Collection, Brussels
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National Army Museum,
London, Chelea SW3
Royal Hospital Road
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Marengo The Myth of Napoleon's Horse
The moving story of Marengo, ‘Bonaparte’s personal charger’ and ‘favourite horse’, whose career spanned the whole of the Napoleonic Wars.
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Download and read the entire book (PDF file - 560kb)
With a bullet lodged in his tail and the imperial cipher of a crowned letter 'N' burnt on his left flank, a diminutive Arab stallion drew crowds to Pall Mall, London, in 1823. Sightseers came to gaze at the horse advertised as 'Bonaparte's personal charger', whose career had spanned the whole of the Napoleonic Wars, who, to the sound of marching songs, drums, pipes and gunfire, had trotted, cantered and galloped from the Mediterranean to Paris, Italy, Germany and Austria, and at the age of nineteen, had walked three thousand miles to Moscow and back.
Since then, both dead and alive, this horse with the same sonorous name as Napoleon's great victory, Marengo, has been a star exhibit in Britain, At London's earliest military museum his articulated skeleton was seen by Queen Victoria and displayed as the horse that had carried his master at Austerlitz in 1805, at Jena in 1806, at Wagram in 1809, in the Russian campaign of 1812, and at Waterloo in 1815. For over 150 years one of his hooves has stood on a gleaming sideboard in the Officers' mess at Saint James's Palace. Today his skeleton, described as 'Napoleon's favourite horse', is the sole equine exhibit in the vast Waterloo Gallery at the National Army Museum in Chelsea, London.
Marengo (c. 1793–1831) was the famous war mount of Napoleon I of France. Named after the Battle of Marengo, through which he carried his rider safely, Marengo was imported to France from Egypt in 1799 as a 6-year-old. The grey Arabian was probably bred at the famous El Naseri Stud. Although small (only 14.1 hands.) he was a reliable, steady, and courageous mount.
Marengo was wounded eight times in his career, and carried the Emperor in the Battle of Austerlitz, Battle of Jena-Auerstedt, Battle of Wagram, and Battle of Waterloo. He also was frequently used in the 80 mile gallops from Valladolid to Burgos, which he often completed in 5 hours. As one of 52 horses in Napoleon's personal stud, Marengo fled with these horses when it was raided by Russians in 1812, surviving the retreat from Moscow; however, the stallion was captured in 1815 at the Battle of Waterloo by William Henry Francis Petre, 11th Baron Petre.
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ADDENDUM: 2008
Since rgis pgoto was taken seven years ago, in 2011, this extraordinay exhibit was resembled in a very different way which does not do it justice: the new exhibit is crowded among various parafernalia which distacts the visitor's eye.
The museographers ought to think again, for what really is a uique piece of Napoleonic and British history.