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I woke up early in the morning to wait for sunrise, and to try some long exposure shots for the Serenity series. This particular capture was exposed for 60 seconds, so the clouds are blurry and the water is clear. It was raining a little bit earlier and I think that I really need to clean my lens somewhat. But I am happy with the result.
Photographed with the Canon EOS 6D + Canon EF 17-40mm f/4L USM mounted on tripod in Ma On Shan, Hong Kong.
日出雲影 Sunrise Cloudscape / 寧 Serenity / SML.20140715.6D.32930.P1
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I have two choices one let the person or persons who think and tell people how bad I am make me feel bad or two be the silly me and make a joke of how foolish some can be so this is my choice ........be silly laugh at how spiteful and mean others can be ......
Daisy the pistol carrying sword swinging evil pirate wench who destroys all who stands in her way of that secret treasure........wherever you go her name is spoken in fear ......many have tried to stop here and many have fell doing so......her name became a legend ...many thanks to the ones who enjoy telling people about her ......smlles
Long exposure photography used to take a lot of time. I would travel to a remote location and stayed for hours, then circled back to the studio and worked on it for yet more hours. It still takes a lot of time but removing travel in the equation is far more efficient in the equation.
When I used to live in New York, I would sit in front of the Manhattan Bridge for hours with my tripods to do long exposure HDRs. But after 9-11, police would come and hurry me away, thinking that I am plotting an attack. Seriously WTF? Yes, I bet that a terrorist would spend 3 hours sitting under the bridge with a tripod just so you can see that he is analysing the structural engineering for attacks. NYPD has always been a hassle to me and is very annoying.
So more Hong Kong awesomeness for me now is that I can just mount my camera on the tripod at home and do landscape photography before I go to bed at night. This is a 30-second exposure and everything gets mixed to a beautiful blur. I love it so much that I have decided to try my hand at some Chinese poetry which rhymes.
夜雨霧濃山無形 水影明照彩霞城
# SML Translate
+ 夜: night.
+ 雨: rain.
+ 霧: fog.
+ 濃: concentrated, thick. Describes the fog.
+ 山: mountains.
+ 無: no, not.
+ 形: forms.
+ 夜雨霧濃山無形: On a rainy night, the fog is thick and the mountains are left with no form.
+ 水: water, lake, ocean, sea.
+ 影: reflection, image.
+ 明: bright, clear.
+ 照: image, light, bright.
+ 彩: rainbow (color).
+ 霞: red cloud, after glow.
+ 城: city.
+ 水影明照彩霞城: The water reflects the bright lights from the city to render a city painted in the colors of a rainbow.
# SML Workflow
Photographed with the Canon EOS M + EF 17-40 f/4L mounted on a tripod. Noise reduction in Lightroom 4. Processed in Photoshop CS6.
# SML Data
+ Date: 2013-02-06 02:07:29 GMT+0800
+ Dimensions: 4958 x 3306
+ Exposure: 30.0 sec at f/4.0
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS M
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°26'58" N 114°12'26" E
+ Serial: SML.20130206.EOSM.01652.P1
+ Series: 寧 Serenity
“夜雨霧濃山無形 水影明照彩霞城”
/ 夜之寧 Serenity at Night
/ SML.20130206.EOSM.01652.P1
/ #寧 #serenity #SMLSerenity #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #夜 #night #水 #water #山水 #landscape #霧 #fog #攝影 #摄影 #photography #lights #reflection #香港 #HongKong #中國 #中国 #China
Nature has a very magical property: under the right condition, one can look like another.
This looks like an aerial view of a snowy mountain, but in fact is a 11 second long exposure of the sea. The white streaks are mostly a result of the sunlight being reflected on the moving water surface. Eleven seconds is a long time for water to travel, and so it renders a rather unexpected capture.
In my mind, I had imagined that it would leave a long trail of something, but I too did not expect these results. Trust that I will be trying this more in the future, perhaps with a wider lens also.
The uneven exposure on the left side of the frame is somewhat unfortunate—it comes from the shadow of the building I am in. I tried to fix it a bit inside Photoshop but perhaps I should just try to avoid this spot next time.
# SML Data
+ Date: 2013-05-19T15:04:03+0800
+ Dimensions: 5472 x 3648
+ Exposure: 11.0 sec at f/32
+ Focal Length: 84 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 70-200 f/4L USM
+ Accessories: Canon TC-80N3 Timer Remote Release, Manfrotto tripod, H&Y ND2-ND400
+ GPS: 22°25'7" N 114°13'18" E
+ Location: SML Universe HKG
+ Subject: 香港吐露港 Tolo Harbour, Hong Kong
+ Serial: SML.20130519.6D.06942.P1.L1
+ Workflow: Photoshop CS6, Lightroom 4
+ Series: 寧 Serenity, 自然 Nature, 抽象 Abstract, 形 Forms, Long Exposure 長時間曝光
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“自然抽象之形: 白浪如雪山 Nature Abstract Forms: Waves as snowy mountains” / 香港吐露港之寧 Hong Kong Tolo Harbour Serenity (11-sec ND LE) / SML.20130519.6D.06942.P1.L1
/ #寧 #Serenity #SMLSerenity #自然 #Nature #抽象 #Abstract #形 #Forms #SMLForms #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #Seascape #LongExposure #LE #ND
Thanks Croatia. Thanks Dubrovnik. Thanks freedom.
I'm happy.
("what?" "nothing, I just smlle when I'm happy")
It was raining all day when I visited Chang Bai Mountain (長白山). It was also very cold and I ended up shivering the entire time. I ended up not taking my tripod with me mostly because of the weight, so I turned to time-lapse stacks for long exposures again.
Photographed with the Canon EOS 6D + Canon EF 24-70 f/2.8L USM. 8-second LE via median stack of 11.
河水 River / 中國東北長白山 Chang Bai Mountain, Dongbei, China / SML.20140726.6D.33208-SML.20140726.6D.33218-St.BW
GettyImages: gty.im/170024046
After taking some 15-minute shots, I thought why not take some 30-minute ones, and so here it is. Unlike the purple one which was shot from the horizon [1], this one was shot from the 27th floor near my bedroom window.
For this one I left the white balance at the “natural” settings, so you can see that normally the sky is just a very reddish glow . I also had a 15-minute shot for this, and for that capture you can see the clouds more clearly. But for pure illustration of the mood, you can’t beat the sky on this capture.
There is this odd streak in the middle of the frame, which I think might be a boat, but I was not looking at this capture the whole time I was photographing this so I cannot be sure.
This might eventually be reprocessed as black and white. As you can see there is really no “correct” way of setting the white balance on these night long exposure shots, which might be precisely the reason that most photographers just process them as black and white.
# SML Translate: 夜照金空
+ 夜: night. (time)
+ 照: brightens. (describes the lights)
+ 金: golden. (the color)
+ 空: sky.
+ 夜照金空: At night the lights renders a golden sky
# Notes
1. “春夜霧朦朧 紫空燦金輝” / 香港中文大學夜之寧 Chinese University of Hong Kong (CUHK) Night Serenity (60-sec LE) / SML.20130513.6D.06547: www.flickr.com/photos/seeminglee/8737183033/
# SML Data
+ Date: 2013-05-20T02:08:32+0800
+ Dimensions: 5051 x 3367
+ Exposure: 1806.0 sec at f/20
+ Focal Length: 17 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ Accessories: Canon TC-80N3 Timer Remote Release, Manfrotto tripod
+ GPS: 22°25'10" N 114°13'26" E
+ Location: SML Universe HKG
+ Subject: 香港中文大學 Chinese University of Hong Kong (CUHK) + 吐露港 Tolo Harbour
+ Serial: 22°25'12" N 114°13'24" E
+ Workflow: Lightroom 4
+ Series: 寧 Serenity, Long Exposure 長時間曝光
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“夜照金空” / 香港中文大學夜之寧 Chinese University of Hong Kong (CUHK) Night Serenity (1806-sec / 30-min LE) / SML.20130520.6D.06972
/ #寧 #serenity #SMLSerenity #LongExposure #LE #SMLLE #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #Landscape #夜 #Night #城市 #Urban #中文大學 #CUHK
When I first posted a time-lapse video about a sunset cloudscape [1], a few people commented that they really liked the sequence about the sunset, but they wish that it was longer. Recently, I read about doing long exposure via stack sequences, so I tried to see if I can utilise this new knowledge to render a long-exposure shot this way since I have already a long series of captures done.
For this photo, I have used 36 captures spaced at 10-sec each to create the final image. The time spacing is probably a bit too wide to render the smoothest clouds, because it was originally intended as a time-lapse sequence and not an LE stack. I used Photoshop’s Stack Median functionality to blend the transition, then I lowered the clarity in Lightroom to smooth out some uneven edges on the clouds and water. And voila. It works pretty well, so I will definitely work on more in the future.
Photographed with the Canon EOS 6D + Canon EF 17-40mm f/4L USM mounted on tripod in Ma On Shan, Hong Kong. Processed in Lightroom 5 + Photoshop CC 2014.
1. 風起雲湧 變幻萬千 Everchanging Cloudscape / 寧 Serenity 延時攝影 Time Lapse Photography / SML.20130706.6D.18062-SML.20130706.6D.18889-TL
+ www.flickr.com/photos/seeminglee/9240254664/
+ youtube.com/watch?v=VnG5egmMsWg/
日落雲影 Sunset Cloudscape (6-minute long exposure via time-lapse median stack of 36) / 寧 Serenity / SML.20130706.6D.18412-SML.20130706.6D.18447-ST-Median
Situated adjacent to The Chinese University of Hong Kong (CUHK) Water Sports Centre (Chinese: 香港中文大學水上運動中心), there is a ferry pier which provides regular ferry service to remote areas including Tap Mun and Ping Chau in the northeast New Territories [1, 2].
Pictured is a 15-second long exposure of the pier at night shot across the harbour from Ma On Shan. As with most super telephoto photos, I was quite surprised to see the details. For example, there is no way for me to see that someone is on the pier from so far away, and yet there he is, sitting by the pier. He appears to be fishing while a woman look on on the side.
Photographed with the 100-400 f/4.5-5.6L + 1.4x Extender, which effectively created a 560mm f/8L lens. With the exception of the Canon EOS 1D lineup, none of the other cameras can auto-focus at this size so it is manual focus. This also means that it is probably not going to be possible for me to use this combo for sports photography.
# Notes
1. Wikipedia: EN: Ma Liu Shui: en.wikipedia.org/wiki/Ma_Liu_Shui
2. Wikipedia: ZH: 馬料水: zh.wikipedia.org/wiki/馬料水
# SML Data
+ Date: 2013-04-18T00:43:11+0800
+ Dimensions: 5341 x 3560
+ Exposure: 15.0 sec at f/10
+ Focal Length: 560 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM + Canon EF 1.4x Extender III
+ Accessories: Canon TC-80N3 Remote, Manfrotto tripod
+ GPS: 22°25'22" N 114°13'8" E
+ Location: SML Universe HKG
+ Subject: 中國香港馬料水渡輪碼頭 Ma Liu Shui Ferry Pier, Hong Kong, China
+ Workflow: Lightroom 4
+ Serial: SML.20130418.6D.00932
+ Series: 寧 Serenity, 長時間曝光 Long Exposure
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“馬料水渡輪碼頭 Ma Liu Shui Ferry Pier” / 香港夜之寧 Hong Kong Night Serenity (15-sec LE) / SML.20130418.6D.00932
/ #寧 #serenity #SMLSerenity #LongExposure #LE #SMLLE #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #Landscape #夜 #Night #城市 #Urban #碼頭 #Pier
Purple and gold are the school colors for The Chinese University of Hong Kong (香港中文大學 CUHK), and so I feel that it would be fitting to process this night-time long exposure as such.
In ancient times, purple was the color worn by Roman Emperors and magistrates, and later by Roman Catholic bishops. Since that time, it has been commonly associated with royalty and piety. The color gold is likely to represent the phoenix in the university’s emblem.
This is a 60-second long exposure using the 6D + 24-70 f/2.8L mounted on Manfrotto tripod, remote release with the Canon TC-80N3.
# SML Translate: 春夜霧朦朧 紫空燦金輝
+ 春: spring (describes the season).
+ 夜: night (describes the time).
+ 霧: fog, foggy (describes the weather).
+ 朦朧: fogginess (descries the scene due to the foggy weather).
+ 紫: purple (the color).
+ 空: sky.
+ 燦: sparkles (with).
+ 金: gold (color).
+ 輝: bright lights.
+ 春夜霧朦朧 紫空燦金輝: On a foggy spring night, golden lights shine brightly under the purple sky.
# References
1. Chinese University of Hong Kong: Wikipedia: EN: en.wikipedia.org/wiki/Chinese_University_of_Hong_Kong
2. Purple: Wikipedia: EN: en.wikipedia.org/wiki/Purple
3. Gold: Wikipedia: EN: en.wikipedia.org/wiki/Gold_(color)
# SML Data
+ Date: 2013-05-13T22:48:09+0800
+ Dimensions: 5318 x 3534
+ Exposure: 60.0 sec at f/11
+ Focal Length: 24 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 24-70mm f/2.8L USM
+ Accessories: Canon TC-80N3 remote release, Canon Angle C Finder, Manfrotto tripod.
+ GPS: 22°25'14" N 114°13'25" E
+ Location: 香港馬鞍山海濱長廊 Ma On Shan Promenade, Hong Kong
+ Subject: 香港中文大學 Chinese University of Hong Kong (CUHK) + 吐露港 Tolo Harbour
+ Workflow: Lightroom 4
+ Serial: SML.20130513.6D.06547
+ Series: 寧 Serenity, 長時間曝光 Long Exposure
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“春夜霧朦朧 紫空燦金輝” / 香港中文大學夜之寧 Chinese University of Hong Kong (CUHK) Night Serenity (60-sec LE) / SML.20130513.6D.06547
/ #寧 #serenity #SMLSerenity #LongExposure #LE #SMLLE #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #Landscape #夜 #Night #城市 #Urban #中文大學 #CUHK
Clouds move quite a bit, and if exposed for long enough, they would look like a blur. In broad daylight, it is marginally possible to expose for up to maybe a second without using any filters, but this is not enough to get the clouds to blur. Al most it would look like a mistake.
To do this, I use an ND2-ND400 variable filter set to the max. By using variable filters (which is essentially a stacked adjustable circular polariser) I can set to min to focus on the image and then dial the ND to the max to expose. A better setup which I prefer is to just drop an ND filter in front when I wish to expose, but I do not have something like that right now, so the variable filter does its magic—which allows just enough light for me to see what I am photographing.
The Canon TC-80N3 timer cable release is used to manually set the shutter speed, 19 seconds in this case, and minimize vibration of the setup.
# SML Translate: 龍窩雲海藏電纜
+ 龍: dragon.
+ 窩: nest.
+ 龍窩: dragon’s nest, though here used to designate the name of the mountain 九肚山 Kau To Shan, which as Wikipedia suggests is the ancient name of the mountain [1].
+ 雲: clouds.
+ 海: sea. (describes the vastness of the cloudscape).
+ 藏: hides.
+ 電: electric, electricity, power.
+ 纜: cable.
+ 電纜: power lines.
+ 龍窩雲海藏電纜: power cable lines hide amidst the vast cloudscape on the dragon’s next Kau To Shan.
# Notes
1. 狗肚山，雅稱九肚山，古稱龍窩，是香港一座山峰，位於新界沙田區火炭之西北，海拔399米。 zh.wikipedia.org/zh-hk/狗肚山
# SML Data
+ Date: 2013-05-19T15:01:40+0800
+ Dimensions: 5472 x 3648
+ Exposure: 19.0 sec at f/32
+ Focal Length: 200 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 70-200 f/4L USM
+ Accessories: Canon TC-80N3 Timer Remote Release, Manfrotto tripod
+ GPS: 22°25'5" N 114°13'16" E
+ Location: SML Universe HKG
+ Subject: 香港九肚山 Kau To Shan, Hong Kong
+ Serial: SML.20130519.6D.06935.P1.L1.BW
+ Workflow: Photoshop CS6, Lightroom 4
+ Series: 寧 Serenity, Long Exposure 長時間曝光
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“龍窩雲海藏電纜” / 香港九肚山之寧 Hong Kong Kau To Shan Serenity (19-sec ND LE) / SML.20130519.6D.06935.P1.L1.BW
/ #寧 #Serenity #SMLSerenity #自然 #Nature #黑白 #BW #SMLBW #LongExposure #LE #SMLLE #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #Landscape #ND
25-second long exposure with the new 100-400 mounted on tripod. The 7D is in the shop right now so here with the 6D. Pretty sweet. I am testing the long end right now so this frame is probably a little bit too tight—but the fact that I can see the doors on in the building across the harbor is nice, I must say.
With these new toys I think that it is easy to get carried away with tech—sorry. Someone said that a self portrait of me playing with the 6D looks like a kid in the candy store—well maybe because I am [1]. :)
# SML Data
+ Date: 2013-04-17T20:02:17+0800
+ Dimensions: 5115 x 3410
+ Exposure: 25.0 sec at f/11
+ Focal Length: 400 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM
+ Accessories: Canon TC-80N3 Remote, Manfrotto tripod
+ GPS: 22°25'10" N 114°13'28" E
+ Location: SML Universe HKG
+ Subject: 中國香港吐露港公路 Tolo Highway, Hong Kong, China
+ Serial: SML.20130417.6D.00921.BW
+ Workflow: Lightroom 4
+ Series: 寧 Serenity, 長時間曝光 Long Exposure
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
# Notes
1. “SML + Canon EOS 6D Remote shooting via wifi with the iPhone app” / SML Me / SML.20130413.6D.00472: www.flickr.com/photos/seeminglee/8644004997/
“吐露港公路 Tolo Highway” / 香港夜之寧 Hong Kong Night Serenity (25-sec LE) / SML.20130417.6D.00921.BW
/ #寧 #serenity #SMLSerenity #黑白 #BW #SMLBW #LongExposure #LE #SMLLE #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #Landscape #夜 #Night #城市 #Urban
Gearing up for this coming weekend. I'll be showing at the Ocean Springs Art and Fresh Market. So I made a batch of my Palm Folk to bring in the big smiles.
painted palm fronds that I collected after hurricane katrina .I put in wooden sticks so they can be put in plants or gardens or whereever a smile is needed.
smlle
a group of mexicana wooden carved masks ranging from scary to happy,,notice the middle one has a snake nose...free pix just mention www.paperskull.com
I'm tired of hearing about how I never smile in any of my self-portraits. Yes, I do smile, all the time in fact! I believe I am a relatively smiley person. And no, "tortured" is not my "artsy face." I just feel goofy taking pictures of myself with a big toothy grin, okay? Are you happy now?
(grave with the broken headstone & the one behind the angel)
MUDFORD.— On Thursday. November 14. 1918, Hilda, dearly beloved daughter of John and Ellen Mudford, of 18, Hayden Street; aged 21.
Interment at Waikmuete to-morrow (Friday).
paperspast.natlib.govt.nz/newspapers/AS19181114.2.87
MUDFORD.-In loving memory of our dear daughter and sister, Hilda, who departed this life on November 14, 1918, of pneumonic influenza.
A precious one from us has gone,
A voice we loved is still;
A place is vacant in our home
Which never can be filled.
Some may think we have forgotten
When at times they see us smlle.
But they little know the heartaches
Those smiles hide all the while.
Inserted by her loving parents and brother.
MUDFORD.—In loving memory of Hilda Mudford, who died on November 14, 1918. November 14, 1918.
Little thought as I bade her good-bye,
It was the last parting between her and I;
Not even her lifeless form did I see;
But still will her memory cling fondly to me.
Could I have been there In the hour of death,
And caught the Iast words of her dying breath,
One fond whisper I might have heard.
And breathed in her ear a parting word.
Inserted by her loving Tom.
MUDFORD.—In loving memory of Hilda Mudford, who died ol November 14, 1918.
Short and sudden was the call
Of one so dearly loved by alI;
Her memory still is ever dear.
For oft we shed a silent tear.
Inserted by Mr. and Mrs. Lane and family.
MUDFORD-—ln loving remembrance of my dear sister Hilda, who departed this life November 14, 1918.
We miss you most
Who loved you best.
Inserted by her sorrowing sister Gert. and family.
paperspast.natlib.govt.nz/newspapers/AS19191114.2.69
Plot 60: Hilda Mudford (27) 14/11/1918 – Miss – Influenza, Pneumonia
William John Mudford (81) 1971 – Packer
Plot 60-62: Ellen Mudford (85) 1945
Plot 62: Hector Arthur Stowell (22) 1930 – Florist
John Mudford (76) 1933 – Sailmaker
In Loving Memory
of
…......... beloved only daughter of
MUDFORD
….............
("Boyce Avenue- Broken Angel") (Like+ Share+ Tag) Intro: You showed him all the best of you. But I'm afraid your best, Wasn't good enough. And know he never wanted you, At least not the way you wanted yourself to be loved. And you feel like you were a mistake. He's not worth all those tears that won't go away. Refrain1: I wish you could see that. Still you try to impress him, But he never will listen. Chorus1: Oh broken angel. Were you sad when he crushed all your dreams? Oh broken angel. Inside you're dying 'cause you can't believe. Oh you can believe.. (Believe..) Intro2: And now you've grown up, With this notion that you were to blame. And you seem so strong sometimes, But I know that you still feel the same. As that little girl who shined like an angel, Even after his lazy heart put you through hell. Refrain2: I wish you could see that. Still you try to impress him, But he never will listen. Chorus2: Oh broken angel. Were you sad when he crushed all your dreams? Oh broken angel. Inside you're dying 'cause you can't believe. He would leave you alone, And leave you so cold. When you were his daughter. But the blood in your veins, As you carry his name. Turns thinner than water. You're just a broken angel (Angel..) Angel.. You're just a broken angel (Angel..) Oh angel.. And I promise that it's not your fault, It was never your fault. And I promise that it's not your fault, It was never your fault.. Chorus3: Oh broken angel. Were you sad when he crushed all your dreams? Oh broken angel. Inside you're dying 'cause you can't believe. He would leave you alone, And leave you so cold. When you were his daughter. But the blood in your veins, As you carry his name. Turns thinner than water. Oh he would leave you alone. And leave you so cold. When you were his daughter. But the blood in your veins, As you carry his name. Turns thinner than water. You're just a broken angel (Angel..) Angel.. You're just a broken angel (Angel..) Oh angel.. And I promise that it's not your fault, It was never your fault. And I promise that it's not your fault, It was never your fault. And I promise that it's not your fault, It was never your fault. And I promise that it's not your fault. 'Cause you're just a broken angel..