View allAll Photos Tagged Realization

The realization hit me I never took an individual pic of Bedlam, my Unoa Lusis, with her faceup, eyes, and hair. So here she is! First pic of 2014 goes to her. :D

From Wikipedia, the free encyclopedia

 

Park Inn Hotel

U.S. National Register of Historic Places

U.S. Historic district

Contributing property

 

Park Inn Hotel is located in Iowa

Park Inn Hotel

 

Location15 W. State St.

Mason City, Iowa

Coordinates43°09′05.7″N 93°12′06″W

ArchitectFrank Lloyd Wright

Architectural stylePrairie School

Part ofMason City Downtown Historic District (ID05000956)

NRHP reference No.72000470

Added to NRHPSeptember 14, 1972

 

The Historic Park Inn Hotel and City National Bank are two adjacent commercial buildings in downtown Mason City, Iowa, United States, designed in the Prairie School style by Frank Lloyd Wright. Completed in 1910, the Park Inn Hotel is the last remaining Frank Lloyd Wright-designed hotel in the world, of the six for which he was the architect of record. The City National Bank is one of only two remaining Frank Lloyd Wright-designed banks in the world. It was the first Frank Lloyd Wright-designed project in the state of Iowa, and today carries both major architectural and historical significance. In 1999, the Park Inn Hotel was named on the Iowa Historic Preservation Alliance's Most Endangered Properties List.[1]

 

The Park Inn Hotel was the third hotel designed by Wright and served as the prototype for Midway Gardens in Chicago and the Imperial Hotel, Tokyo, which was torn down in 1968.[2]

 

In 1907, when law partners James E. Blythe and J. E. E. Markley were looking for an architect to compete in quality with the eight-story bank building that would be built across the corner, they didn't hesitate to give the commission to Frank Lloyd Wright, a young architect who was building a reputation in the Chicago area. For them Wright would build a complex, multi-purpose building that would give them multiple income streams. Their law offices would be on the second floor of the building's narrower central waist and the hotel's east wing, surrounded on the south by a two-story banking room with rental office space above. On the north would be a 42-room hotel, with basement shops beneath the bank and hotel. Wright managed to pack all these functions into an aesthetically well-integrated building that architecturally would be the bridge between Wright's Prairie School period and his Midway Gardens and the Imperial Hotel to follow.

Construction

 

Wright's drawings of the bank and hotel are dated from as early as December 17, 1908. Construction began on April 1, 1909, with supervision by Wright until his departure for Europe in late October of that year. At that time, architect William Drummond, from Wright's Oak Park Studio in Oak Park, Illinois, took over supervision of the construction. During his subsequent visits, Drummond was commissioned to design a Prairie style home for a prominent Mason City family, not far away.

 

The law office of developer-owners Blythe and Markley opened for business on August 29, 1910, with the gala opening of the new hotel and bank buildings, two weeks later, on September 10. A month later, Wright returned to the Midwest from his year in Europe.

 

Despite its glossy, up-to-date appeal and choice location, just west of Mason City's primary downtown intersection of Federal Avenue and State Street, overlooking Central Park from the south, the Park Inn Hotel struggled through a relatively short life. The building had simply cost too much, and the return on investment was simply too little. During its first ten years, the hotel seldom made a profit. By 1922, the business was barely afloat, and the restaurant was closed more than it was open. Then, just when things could hardly get worse, disaster struck.

 

Nearby, overlooking Central Park from the west, the regal, stylish, 250-room Hotel Eadmar was newly-completed, and now open for business. The 250-room Eadmar, four massive stories of Edwardian elegance and comfort, made a powerful statement. On the other hand, with just 43 rooms, the Park Inn had very little to say. No longer stylish, now regarded as strictly second-class, the Park Inn couldn't compete. It soon went bankrupt, and closed for good in 1925.

 

Adding insult to injury, 1925 also saw the closure and liquidation of the City National Bank. It was quickly absorbed by another local bank, which, just a few months later, would itself fail. The nationwide farming crisis had, for Mason City, led to a banking crisis as well. By the end of 1925, four of the city's five banks had failed.

 

By early 1926, the worst seemed to be over. That year, the former City National Bank building and the former Park Inn Hotel, were sold, but as separate properties. The old bank building underwent an extensive, quite unsympathetic remodeling, then reopened as a new commercial venture in 1928. As for the Park Inn, the two upper floors were clumsily converted into small, cheap apartments. No longer a hotel, the building was renamed. in honor of its world-renown architect, becoming the Frank Lloyd Wright Apartments East and West.

 

For the next 45 years, the once-charming Park Inn would be anything but charming. The ground floor had hosted a multitude of different businesses - for a brief period, in the early 1970's, it had even been a strip club - and the two floors above were now cramped, dreary, just-getting-by apartments, the renters who chose them couldn't afford to be choosy. The building, in decline for years, now began to deteriorate. Finally, in 1972, the few remaining tenants were served notice, then were sent packing.

 

For the next 25 years, the building stood empty. Derelict and neglected, city residents and city leaders fretted, fussed, fumed, and fought about what to do with the dingy, shabby, all-too-conspicuous eyesore. Even the cachet of the architect's name meant little or nothing. In Mason City, most people didn't really know who Frank Lloyd Wright was, and those who did know didn't really care. Almost everyone knew, and most agreed, that the building wasn't really worth saving.

 

What almost no one knew, however, was that the Park Inn had been the only remaining hotel in the world designed by Frank Lloyd Wright, who, even years after his death, retained almost a legendary status as an architect. What's more, Wright had designed only six hotels to begin with - and five had long since been demolished. Now, the wrecking ball appeared to be taking aim at Number Six. Only then did Mason City realize what they had on their hands - and how very close they were, even then, to not having it at all.

 

Suddenly, seemingly overnight, Mason City had an architecturally, culturally, and historically significant treasure on their hands. But what they didn't have on their hands was much money, or much time. This realization became something of a call to arms. The people had to take action, to find the money, then to take the time to restore the Park Inn to its former glory. If they didn't, it would soon be out of their hands.

 

Renovation

 

The Park Inn Hotel received a complete interior and exterior renovation thanks to numerous grants, as well as coordination at the local level. This included a comprehensive restoration of the brick and terra-cotta façade, replacement of the art glass skylight windows, and a complete interior reconstruction.

 

Wright on the Park, Inc., the organization overseeing the work, purchased the adjacent City Bank Building and reunited the Park Inn Hotel with the City National Bank. The bank building was refitted with an elevator and provides six additional rooms for the hotel; the old bank lobby is now a hotel ballroom.

 

The restoration was completed in September 2011.[3] It builds on Mason City's rich architectural heritage, which includes a history deep in Prairie School architecture from not just Wright, but many of his associates who built in Mason City, including Walter Burley Griffin, Marion Mahony Griffin, William Eugene Drummond, and Francis Barry Byrne.

Self-realization Fellowship temple in Palisades

Highland, San Bernardino County Realization Eagle Orange Citrus Fruit Crate Box Label

Hindu Salvation is known as SELF REALIZATION ....meaning realizing one is indeed the immortal soul (Atman ) within the body and relinguishing the false belief that one is the perishable material body.

  

______________________________________________________

  

What is Hindu Salvation?

  

Hindu Salvation is the process by which a person realizes that he/she is NOT the perishable body but the Atman-the immortal soul within.

 

______________________________________________________

  

That is the reason why Hindu Salvation is known as Self Realization or Moksha (means emancipation, liberation or release from the cycles of birth, death and rebirth). realizing one is indeed the Atman (the immortal soul within the body) and giving up the false belief that one is the perishable body.

 

______________________________________________________

 

Unlike scriptures of other religions, Hindu scriptures state Salvation is for all.

  

How can one achieve Salvation ?

 

Through one of the four paths

  

1 ----Jnana Yoga –path of knowledge

2---Karma Yoga -- path of selfless actions.

3 ---Bhakti Yoga -- Path of Devotion

4 – Raja Yoga – path of breath control and Pranayama.

______________________________________________________

 

Unlike scriptures of other religions, Hindu scriptures state Salvation is for all.

______________________________________________________

 

Unlike scriptures of other religions, Hindu scriptures state

 

Salvation is for the BEST among us as well as for the WORST among us.

 

______________________________________________________

 

Unlike scriptures of other religions, Hindu scriptures state

 

You don't have to be a Hindu to attain Salvation.

 

______________________________________________________

 

Unlike scriptures of other religions, Hindu scriptures state

 

Nobody irrespective of someone is Hindu or not is not denied SALVATION.

 

______________________________________________________

 

Unlike scriptures of other religions, Hindu scriptures state

 

There is no such thing someone will rot in hell for eternity in Hinduism.

  

______________________________________________________

 

Am I A Hindu? is an international Best Seller about Hindu Culture. It is a very lively discussion between a 14 year old American born Indian teenager and his middle aged father about every aspect of Hinduism in very simple question and answer format in 90 chapters. Highly recommended for all libraries by LIBRARY JOURNAL and BOOKLIST magazines in USA….This book is used in many universities in USA and Canada in their world religion classes.

  

www.boloji.com/index.cfm?md=Content&sd=Articles&A...

 

www.amazon.com/Am-Hindu-The-Hinduism-Primer/dp/1879904063...

 

There's nothing spectacular about it, but it gives me warm fuzzies. This store is probably the coolest place in Ocean Springs. It's all Walter Anderson branded items; purses, jewelry, paintings, clothing, cards, home furnishings and it's all in the L&N Train Depot downtown. I just like the warm, toned down colors in this shot. I wish I shot further up to get the top of the clothesline as a leading line, but I can always go back.

I was only thinking of shooting reflection of flash in this photo but during processing when I increases the brightness it shows me a "Path of Karma", i.e.. 'Geeta' at the right corner.

Eye Series, 30/42" Mixed Media.Acrylics, Glass Bead Gel.

i'm not sure if i'll keep it or not.

There's nothing as earth-shaking as the shocking realization that, unlike some of you out there, I am utterly and completely on my own... I can't tell my family what I'm going through, what I've been dealing with, and am still dealing with, for over 25 years so far.

 

I've worked so hard at hiding it from my parents and sister, in order to avoid any embarassing situations, but as I get older, and as long as I don't have plans set to finally get out on my own, it's suffocating me. I will work to get out on my own sooner or later. It will happen, it will just take a while, and a lot of personal (read as "financial") sacrifice to do so, but, mark my words, days like today (Tuesday June 15, 2010) just strengthen my resolve to make it happen.

 

Remember where I mentioned letting down my guard? It doesn't even have to entail having someone come in and catch you dressed up. It can be even something as subtle as maybe subconsciously calling attention to your nails, holding them out, and even the clear base coat being noticeable.

 

Well, Mom noticed, and gave me the marching orders to clip them. (I did, though not as short as she preferred. I am an adult, and I should be able to live as I wish, but ultimately, I will have to get out on my own. I can't do anything about not having any sort of plans that I should have had about 20 years earlier, but I can work hard to make up for lost time.) She also emphasized that I shouldn't put nail polish on.

 

I will not give up, I will not purge. I will just work harder to hide it. I shouldn't have to do this. I will not give up. The door was opened, I will not be forced back into a closet I've been trying to get out of. I have to find the answer for myself. I have to find out who I am.

 

But, it sucks... It hurts... I love my parents and my sister, but it hurts terribly to know that a handful of friends online and offline can understand and accept, but my own family can't...

 

What the hell do I do? I can't give up. I won't accept defeat. I will not fade away. I will make my mark upon this world somehow... I will overcome my fears. I have to conquer my fears and become stronger, for both sides of myself.

 

I will work harder...

 

(A faint ray of hope... She didn't notice that I went through another cycle of Nair on the arms (and chest), and that I slightly redefined my eyebrows... As long as I don't make drastic changes... I guess... I won't give up... regardless...)

Literary Analysis

 

The choice of Psalm 113 as the introductory “Hallelujah” psalm in the Hallel Service of the prayer book was obviously dictated by the realization that this psalm is the paradigm for all Hallelujah psalms. It opens with a command or invitation to the worshipers, “the servants of the Lord,” to give praise to the Lord and proceeds with several examples of the Lord's majesty and goodness. The worshipers are enjoined to praise the Name of the Lord, His glorious manifestation among mankind. This call to praise the Lord is rendered in a stirring sequence of rhythms and repetitions suggesting a public invitation to prayer. The second verse, “Let the Name of the Lord be blessed now and forever,” is well-known as the response to the opening invitation to praise of the Lord in The Grace After Meals (Birkat hamazon). Its antiphonal usage may, indeed, have its roots in the original psalmic tradition.

 

The psalm turns to the omnipresence of the Lord's Name, His reputation generated by the manifestations of his deeds; it embraces the earth from the place of sunrise to that of sunset, both crucial acts of nature controlled by the Lord. Moreover, just as He “is exalted above all nations, “His glory is above the heavens.” The psalmist moves subtly here from the outward manifestation of the Lord's majesty to His transcendence above nature, even above the heavens. The uniqueness of the Lord is reaffirmed in verses 5 and 6 which comprise the heart of the psalm, the wonder of this God who is so transcendentally exalted, yet concerned with what happens among mankind below on earth. The combination of these two polar opposites are bound in sound by the seemingly rhymed, archaized suffixes: "hamagbihi" (who sits on high) in v. 5 with “hamashpili” (he who sees below) in v. 6.

 

The high/low contrast is continued in the next two verses in “mekimi” (He raises) and “moshivi” (He sets on high): the Lord, through His power and benevolence, raises the poor and the needy, He sets them with the great men of His people.” Verses 7 and 8 form an exquisite cluster of correspondences and parallels. “Mekimi” (He raises) in v. 7 corresponds to lehoshivi (to set them) in v. 8 in both meaning and sound. Within each of these two verses, the second part of the verse echoes its first part so that v, 8 also echoes v. 7. Their use of repeated prepositions is balanced: in v, 7 we have the “mi” (from ) twice while in v. 8 we find two instances of “im” (with) in precisely the same position of the sentence as in v. 8.

 

These two verses, 7 and 8, surprisingly prepare us for verse 9, since all three verses echoes verses from the second chapter of Samuel I, the prayer of thanksgiving Hannah sings when the Lord frees her from her childlessness by granting her a child, the prophet Samuel. Though the names are absent from verse 9, the psalmist and his audience could not miss the reference to this classical instance of God's power and mercy in setting (again “moshive”) “the childless woman (akara) amid her household as a happy mother of children.” The help the Lord extends to childless women is as old as Sarah and Abraham in Genesis. This Hallelujah psalm thus ends climactically with a well-known example, both from real life and literature, that all worshipers can identify with. The repeated use of the archaized form of these adjectives marks them as significant epithets of the Lord; these attributes add details to the characterization of His Name. In both theme and its execution, this psalm is obviously the quintessence of psalmic expression, hence richly deserving of its place as the first psalm of the traditional Hallel Service of the Prayer Book.

Saint reading scripture to evelate mind body and soul by the ganges

Evangelion Unit 01 in F-Type armor. Bandai "Movie Realization" figure.

Adyashanti, awakeness, self realization, www.Built4Love.com

"The important thing is not to stop questioning. Curiosity has its own reasons for existing. One cannot help but be in awe when he contemplates the mysteries of eternity, of life, of the marvelous structure of reality." - Albert Einstein

TRACKS ON CD...Dahlia

 

1) Dreamz

2) Withering Flowerz

3) If walls couls speak

4) My Eyes Adore you

5) Something inside my heart

6) A star is born

7)Heartbrake and Solitude

8) Circuitry

9) this fire

10) rock out

11)The Fashion Iconz

12) you dont love me

13) in the last place on earth

14) miracles

15) Top Doll!

16) the black Dahlia

 

answears about dahlia

  

1- how long have you been doing your talent?

 

answear: I was born with a song in my heart, and music in my body..i have been singing since the day i could say i love you mommy

 

2- what is unique, and special about my talent is that when i am on stage singing songs i have written, you can really feel the essence of who i am, and what i am feeling..

 

i would like to thank top doll for letting me share my talent with all of you

 

love Dahlia :o)

Synergy Electronic Realizations for Rock Orchestra, 1975.

Larry Fast is Synergy

realization of the sketch shown previously--designed to replace a stolen yard sign.

 

art by heather.

10/53 Realization

Today I finally surfed again, paddled out to Rockaway beach, 51 degree water, winds offshore, 3-4ft waves and it just hit me, Happiness. My heart is so full. I realize that it doesn't take much to be happy, serving Jah, a Board and some waves:) so forget about that girl and Gaining her affections, forget about what those people think of your decisions and the ways you want to go with your life, forget about what people say, Forget about what you don't have right now, forget about your problems that you cant solve right this instant, and be happy. We have a long way to go in this life, so why not walk the road happy, Jah will bless you with that special someone, you will stick to Jehovah and live the life that makes you happy, not anyone else, you will have what you need and more, and those problems will be solved when that day comes. i know that this moment of clarity might become clouded in time again so thats why i write this to remember and to help me realize this again when i need it. All this will require work, but being Happy is worth it.

My entry for the www.diyphotography.net/bag-o-goodies-assignment-sports.

 

This young lad had what should have been a calk-walk, the closest opposing player was #24 (green & white jersey) some 30 ft away and open field behind him to the end-zone. The ball arching beautifully through the evening sky into this young man's hands, or so we all thought.

 

I still recall Coach Pyne's calm, but sardonic tone echoing across the field "We catch the ball with our hands...remember?".

 

Strobist how-to / setup / lighting info:

No on or off-camera flash used, this is standard community college football field stadium lighting (read: awful!). Using a Canon 1D Mk III with EF 70-200mm f/2.8 L IS USM (fast lens), cranked up to ISO 3200 aperture wide-open I was lucky to squeeze out a half decent image at 1/400th sec.

-Rolleiflex Automat 6x6 - Model K4B

-Agfa APX 100

-Gelatin silver lith print 16"x20" ©2000

-Kentmere Fineprint VC F.G. Warmtone Matte

The thing that has been my visual and visceral ideal of femininity is that smooth intersection between the thighs.

This mental visualization was what "flipped my switch" so to speak and brought to me the realization that since that was what I wanted to look like, I must be different from other boys.

 

I'm dredging up older pix to make up for not yet getting into the studio this year for creating some new sets. I'll be getting to some new ones soon- I promise! I have some new minidresses that should look really good once I actually get myself into them & from there into pictures!

 

This ensemble centers on my Baltogs hot pink wet look lycra spandex leotard from nydancewear.com, pink satin opera gloves, pink fishnet hose over shiny black Platino Cleancut 15 denier pantyhose from shapings.com and Hanes Alive pantyhose along with my hot pink vinyl thigh boots with 5" heels from electriqueboutique.com.

 

To see more pix of me in other tight, sexy and revealing outfits click this link:www.flickr.com/photos/kaceycdpix/sets/72157623668202157/

 

To see more pix of me in sexy boots click here: www.flickr.com/photos/kaceycdpix/sets/72157622816479823/

 

To see more pix of me in my body hugging leotards & bodysuits click this link: www.flickr.com/photos/kaceycdpix/sets/72157622755507602/

 

DSC_2319-6

view from Self-Realization Fellowship Meditation Gardens, Encinitas, California

Evangelion Unit 01 in F-Type armor. Bandai "Movie Realization" figure.

Canon EOS Rebel X 35mm

Kodak BW400CN Film

 

His mouth was frozen open in a silent scream of horror as he realized that was the last breath he would ever take...

In the early 1950s, air forces around the world came to the realization that it made little sense to train pilots on older piston-engined trainers, then expect them to go from those aircraft to high-performance jets without a high accident rate. Most nations with an aviation industry then embarked on designing jet trainers and a training syllabus entirely with jets.

 

For the Soviet Union, it would not only need a jet trainer, it would need thousands of them, to equip not only its own air force, but those of the Warsaw Pact and client states. The Khrushchev regime learned that two of the Pact nations were working on their own trainers--Aero of Czechoslovakia was designing the L-29 Delfin (Dolphin), while PZL of Poland was working on the TS-11 Iskra (Spark). Surprisingly for the Soviet Union, it issued a requirement for the jet trainer and opened it up to a competition between the two aircraft.

 

Aero's L-29 was designed to be everything a trainer should be: easy to fly, easy to maintain, forgiving of mistakes, and capable of simple aerobatics. As Soviet doctrine called for aircraft capable of operating from austere airstrips, the L-29 was given a strengthened landing gear, and for either weapons training or in emergencies, could be equipped with four underwing hardpoints for bombs, rockets or gunpods. It was not particularly fast and considered underpowered, but that was less important in a trainer.

 

The L-29 would first fly in 1959, and went up against the TS-11 in 1961. To the surprise of many, considering the TS-11 was faster, the L-29 was declared the winner. Suspecting politics and wishing to keep some independence, the Polish Air Force would never use the Delfin, and would make the Iskra its primary jet trainer. For the rest of the Warsaw Pact and the Soviet Union, the L-29 would go into production. NATO would give it the reporting name of Maya.

 

Some 27 nations would eventually fly L-29s, as trainers, but occasionally in combat as well: Egyptian L-29s were pressed into service during the 1973 Yom Kippur (October) War as ground attack aircraft, and they were also used in the Biafran War of 1967-1970 and the First Nagorno-Karabakh War of 1988-1994 between Azerbaijan and Armenia. In these cases, the Delfin did not do well, but it was never intended to fight against modern air defenses. Saddam Hussein reportedly converted a number of his L-29s to drones, intended to carry poison gas towards Coalition forces in 2003, though they never flew.

 

While the L-29 was adequate, as aircraft got faster and more manueverable, the Delfin was becoming obsolete. In response, Aero designed the L-39 Albatros, a more advanced trainer, and L-29 production ended in 1974 after 3665 had been produced. Though most L-29 users replaced it with the L-39, some continued with the Delfin, and Angola and Georgia would use it as late as 2016. After the end of the Cold War, many Delfins became available on the open market, and while not as common as its Western equivalent--the T-33 Shooting Star--or its successor the L-39, L-29s are found in small numbers in the warbird community, and a few have raced in the Reno Air Races.

 

Both of these L-29s belong to the Prop and Jet Museum at Hemet-Ryan Field, California. Both are former Czech Air Force examples, sold off after the Cold War to private American collectors, and were acquired by the museum around 2013. Both are still listed as flyable.

1 2 ••• 17 18 20 22 23 ••• 79 80