hi4mp3 is the best.

This is My friend's younger sister. Just happened shoot these pictures when i had been to his place. here is a Shaayri (Poem) that wrote yesterday. Its been a long time i wrote a shaayri(Poem). but i was inspired to write one yesterday by this gorgeous little girl !!

 

''bachaon ka to yahi andaaz hai

masoomiyat hi kushi ka raaz hai

 

ye masoom sadaahi rahe masoom yahi duva hai meri

aye khuda khiltahi rahe aise sitaare ye zameen pe teri''

 

Hope u all enjoy the sher and the pictures :) any comments and critics

are much appreciated.Have a wonderful week ahead :)

 

Explored :o)

 

Saray panchi aik dagar pe urtay thay

Kisay pata tha khud main itnay raaz chupaye baitha hai

Waqt wichora ik konay main ghaat lagaye baitha hai

Ik dagar pe urnay walay janay kis kis aurh gaye

 

YES ! mood is nostalgic ...

 

This shot is dedicated to sidra ,my younger sis , who signed her Nikah [marriage bond] few days back ,n today is her birthday too ... she followed me everywhere since childhood.We shared room , clothes , secrets n everything almost , wholeheartedly ... I wish her the very best in every step of life ...

 

n here is one nostalgic number rich with eastern culture too www.youtube.com/watch?hl=en-GB&v=slJ7_g7GXOM&gl=GB

 

..missing Pakistan ,my lovely land of riches n beauty

 

The Aghori (Sanskrit aghora)[2] are ascetic Shaiva sadhus. The Aghori are known to engage in post-mortem rituals. They often dwell in charnel grounds, have been witnessed smearing cremation ashes on their bodies, and have been known to use bones from human corpses for crafting kapalas (skullcups which Shiva and other Hindu deities are often iconically depicted holding or using) and jewelry. Because of their practices that are contradictory to orthodox Hinduism, they are generally opposed by other Hindus.[3][4]

 

Many Aghori gurus command great reverence from rural populations as they are supposed to possess healing powers gained through their intensely eremitic rites and practices of renunciation and tápasya.

 

Contents [hide]

1Beliefs and doctrines

2History

3Adherents

4Spiritual headquarters

5Medicine

6In popular culture

7References

8Further reading

Beliefs and doctrines[edit]

Aghoris are devotees of Shiva manifested as Bhairava,[5] are monists who seek moksha from the cycle of reincarnation or saṃsāra. This freedom is a realization of the self's identity with the absolute. Because of this monistic doctrine, the Aghoris maintain that all opposites are ultimately illusory. The purpose of embracing pollution and degradation through various customs is the realization of non-duality (advaita) through transcending social taboos, attaining what is essentially an altered state of consciousness and perceiving the illusory nature of all conventional categories.

 

Aghoris are not to be confused with Shivnetras, who are also ardent devotees of Shiva but do not indulge in extreme, tamasic ritual practices. Although the Aghoris enjoy close ties with the Shivnetras, the two groups are quite distinct, Shivnetras engaging in sattvic worship.

 

Aghoris base their beliefs on two principles common to broader Shaiva beliefs: that Shiva is perfect (having omniscience, omnipresence and omnipotence) and that Shiva is responsible for everything that occurs – all conditions, causes and effects. Consequently, everything that exists must be perfect and to deny the perfection of anything would be to deny the sacredness of all life in its full manifestation, as well as to deny the Supreme Being.

 

Aghoris believe that every person's soul is Shiva but is covered by aṣṭamahāpāśa "eight great nooses or bonds" - sensual pleasure, anger, greed, obsession, fear and hatred. The practices of the Aghoris are centered around the removal of these bonds. Sādhanā in cremation grounds destroys fear; sexual practices with certain riders and controls help release one from sexual desire; being naked destroys shame. On release from all the eight bonds the soul becomes sadāśiva and obtains moksha.[citation needed]

 

History[edit]

 

Aghori in Satopant.

 

An Aghori man in Badrinath smoking hashish or Cannabis from a chillum in 2011.

Although akin to the Kapalika ascetics of medieval Kashmir, as well as the Kalamukhas, with whom there may be a historical connection, the Aghoris trace their origin to Baba Keenaram, an ascetic who is said to have lived 150 years, dying during the second half of the 18th century.[6] Dattatreya the avadhuta, to whom has been attributed the esteemed nondual medieval song, the Avadhuta Gita, was a founding adi guru of the Aghor tradition according to Barrett (2008: p. 33):

 

Lord Dattatreya, an antinomian form of Shiva closely associated with the cremation ground, who appeared to Baba Keenaram atop Girnar Mountain in Gujarat. Considered to be the adi guru (ancient spiritual teacher) and founding deity of Aghor, Lord Dattatreya offered his own flesh to the young ascetic as prasād (a kind of blessing), conferring upon him the power of clairvoyance and establishing a guru-disciple relationship between them.[7]

 

Aghoris also hold sacred the Hindu deity Dattatreya as a predecessor to the Aghori Tantric tradition. Dattatreya was believed to be an incarnation of Brahma, Vishnu, and Shiva united in the same singular physical body. Dattatreya is revered in all schools of Tantra, which is the philosophy followed by the Aghora tradition, and he is often depicted in Hindu artwork and its holy scriptures of folk narratives, the Puranas, indulging in Aghori "left-hand" Tantric worship as his prime practice.

 

An aghori believes in getting into total darkness by all means, and then getting into light or self realizing. Though this is a different approach from other Hindu sects, they believe it to be effective. They are infamously known for their rituals that include such as shava samskara or shava sadhana (ritual worship incorporating the use of a corpse as the altar) to invoke the mother goddess in her form as Smashan Tara (Tara of the Cremation Grounds).

 

In Hindu iconography, Tara, like Kali, is one of the ten Mahavidyas (wisdom goddesses) and once invoked can bless the Aghori with supernatural powers. The most popular of the ten Mahavidyas who are worshiped by Aghoris are Dhumavati, Bagalamukhi, and Bhairavi. The male Hindu deities primarily worshiped by Aghoris for supernatural powers are manifestations of Shiva, including Mahākāla, Bhairava, Virabhadra, Avadhuti, and others.

 

Barrett (2008: p. 161) discusses the "charnel ground sādhanā" of the Aghora in both its left and right-handed proclivities and identifies it as principally cutting through attachments and aversion and foregrounding primordiality; a view uncultured, undomesticated:

 

The gurus and disciples of Aghor believe their state to be primordial and universal. They believe that all human beings are natural-born Aghori. Hari Baba has said on several occasions that human babies of all societies are without discrimination, that they will play as much in their own filth as with the toys around them. Children become progressively discriminating as they grow older and learn the culturally specific attachments and aversions of their parents. Children become increasingly aware of their mortality as they bump their heads and fall to the ground. They come to fear their mortality and then palliate this fear by finding ways to deny it altogether.[8]

 

In this sense, the Aghora sādhanā is a process of unlearning deeply internalized cultural models. When this sādhanā takes the form of charnel ground sādhanā, the Aghori faces death as a very young child, simultaneously meditating on the totality of life at its two extremes. This ideal example serves as a prototype for other Aghor practices, both left and right, in ritual and in daily life."[9]

 

Adherents[edit]

Though Aghoris are prevalent in cremation grounds across India, Nepal, and even sparsely across cremation grounds in South East Asia, the secrecy of this religious sect leaves no desire for practitioners to aspire for social recognition and notoriety. [1]

 

Spiritual headquarters[edit]

Hinglaj Mata is the Kuladevata (patron goddess) of the Aghori. The main Aghori pilgrimage centre is Kina Ram's hermitage or ashram in Ravindrapuri, Varanasi.[10] The full name of this place is Baba Keenaram Sthal, Krim-Kund. Here, Kina Ram is buried in a tomb or samadhi which is a centre of pilgrimage for Aghoris and Aghori devotees. Present head (Abbot), since 1978, of Baba Keenaram Sthal is Baba Siddharth Gautam Ram.

 

According to Devotees, Baba Siddharth Gautam Ram is reincarnation of Baba Keenaram himself. Apart from this, any cremation ground would be a holy place for an Aghori ascetic. The cremation grounds near the yoni pithas, 51 holy centers for worship of the Hindu Mother Goddess scattered across South Asia and the Himalayan terrain, are key locations preferred for performing sadhana by the Aghoris. They are also known to meditate and perform sadhana in haunted houses.

 

Medicine[edit]

Aghori practice healing through purification as a pillar of their ritual. Their patients believe the Aghoris are able to transfer pollution and health to and from patients as a form of "transformative healing", due to the believed superior state of body and mind of the Aghori.[11][verification needed]

 

In popular culture[edit]

This is an incomplete list of prominent Aghori recognition.

 

The Aghoris and their spiritual home Varanasi heavily influenced the 2016 British suspense thriller film Feast of Varanasi (2016 film) where a reclusive priest called NANA, who lives on the outskirts of Varanasi plays a significant role in film. The character was played by Indian Actor Ashwath Bhatt.

The Aghoris were referred to in the 2016 horror film The Other Side of the Door and were portrayed as a creepy tribe that seem to pop up multiple times to foreshadow otherwordly incidents.

The Aghoris were featured on the first episode of the new Ripley's Believe It Or Not television series, hosted by Dean Cain. The program highlighted the Aghori's rituals.

In Tad Williams' Otherland series, the main member of the resistance group the Circle, Nandi Paradivash, spent several years as an Aghori ascetic while preparing for the final confrontation with the Brotherhood.

In 2006 a Greek documentary by the name of "Shiva's Flesh" shows a Varanasi Aghori by name Black Boom Boom Baba and the existing faith around Aghoris in Varanasi.

The television program Wildboyz starring Steve-O and Chris Pontius featured a segment in which the duo learned about the Aghori culture firsthand. Chris and Steve-O were given the ritualistic alcohol from a skull and were covered in remains of a corpse in the form of ashes. One Aghori also demonstrated the drinking of urine. They hinted that more was filmed but censored when Steve-O remarked "Now imagine what we weren't allowed to show you."

Director Jeff Tremaine, responsible for the Wildboyz, Jackass, etc. felt the bit on the Wildboyz was so successful he wanted to re-shoot it for Jackass Number Two. This time they sent in Dave England, Chris Pontius, and Steve-O. When an Aghori started mutilating his own leg, and jumped at Dave England with the blood everyone decided it was far more than they had planned on, and wanted out. This 'bit' ended up in Jackass 2.5, as Johnny Knoxville foreshadows in the taping of the 'bit'.

On the Dirty Sanchez TV show, in a season called "Sanchez Get High", Welshmen Matthew Pritchard and Lee Dainton meet up with an Aghori ascetic, and shows Pritchard drinking alcohol from a skull.

In popular Finnish Television series Madventures protagonists Riku Rantala and Tuomas Milonoff encounter Aghoris at Varanasi and indulge rituals with them. This segment can be seen in Season 3 of the show.

In the Tamil film Naan Kadavul by Bala, Arya essays the role of an Aghori which won him 2 National awards.

In the Hindi film Raaz: The Mystery Continues by Mohit Suri, J. Brandon Hill plays the role of an American executive who becomes an Aghori.

In the block-buster Telugu film Arundhati, Sonu Sood, the antagonist is a converted Aghora.

A popular novel in Kannada Aghorigala naduve (Life with Agoris) was published in 1980. In that novel one of the popular sites for Aghoris in south India is near Chamundi Hills at Mysore, Karnataka state.

British death metal band The Rotted wrote the lyrics to the song Just Add Nauseam about the Aghori, and the cover of the album it features on Ad Nauseam features a six-armed, three-faced demonic figure loosely based on Indian artwork.

An Aghori was the main character in an episode of Adaalat, an Indian courtroom drama television series. The episode was called "Qatil Aghori", meaning "Murderer Aghori".

An Indian psy-trance DJ and Composer known as Aghori Tantric of Sonic Tantra Records plays dark psy tracks usually over 180BPM.

Swedish Black Metal band Dissection has a song "Maha Kali" which is a dark prayer to the Goddess Kali, the final stage of

Tere Ankho K ju Raaz Hai...

Us Ko Main na jaan laya hai....

6.3.2010, STRASSE VON MESSINA:. Vor Reggio Calabro passiert ein U-Boot der Ohio-Class SSGN (guided-missile submarine, vermutlich USS Georgia (SSGN 729)) die Meerenge vor der Route der Fähre Messina - San Giovanni. Es hat atomare Bewaffnung mit Marschflugkörpern (154 Tomahawk missiles), es gibt nur 4 Schiffe dieser Art weltweit! Im Turm standen Matrosen mit einem MG im Anschlag. Das Schiff hatte keinerlei Kennzeichnung oder Hinweise auf die Zugehörigkeit zu einer Nation. Bis heute sind die U-Boote ein wichtiger Bestandteil der US-amerikanischen Politik der nuklearen Abschreckung.

Besonderes Interesse besteht an den SSBN aufgrund ihrer Fähigkeit, Atomraketen sehr dicht an gegnerisches Territorium heranzutragen. Die entsprechend kurze Reaktionszeit des Angegriffenen führt bei einem Erstschlag zu strategischen Vorteilen. Außerdem sind die Boote mobil und damit durch einen Erstschlag des Gegners schwerer zu zerstören als landgestützte Systeme, weshalb sie wesentlich zu einer Zweitschlagskapazität beitragen. Wahrscheinlich war das U-Boot auf dem Weg nach Libyen oder zum Nahen Osten. Am 6. Juli 2010 erreichte die USS Georgia die Souda Bay auf Kreta, im September schließlich beendete sie ihre 12 Monate währende Fahrt.

Die Boote der Ohio-Klasse zählen mit 170 m Länge zu den größten U-Booten der Welt. In den Kriegen gegen den Irak und Afghanistan führten U-Boote dieser Klasse massiv taktische Landangriffe durch. Bei den vier zu SSGN umgebauten Booten wurden 22 der 24 Rohre umgerüstet, um daraus ebenfalls getaucht Marschflugkörper vom Typ UGM-109 Tomahawk starten zu können. Da ein Tomahawk nur sechs Meter lang ist und im Querschnitt 50 Zentimeter misst, können pro Schacht sieben Flugkörper untergebracht werden, so dass ein Ohio 154 Marschflugkörper transportieren kann. Die zwei restlichen Rohre sind zu Ein- und Ausstiegsluken für Kampftaucher umgerüstet worden, womit die Boote für Spezialoperationen geeignet sind. Für solche Missionen kann jedes Boot auch zwei Dry Deck Shelter außerhalb der Druckhülle mitführen. Die vier SSBN-U-Boote sind: USS Ohio (726), USS Florida (728), USS Georgia (729) und USS Michigan (727). Sie sollen um weitere 6 Exemplare ergänzt werden. Ende April 2017 wurde USS Michigan (727) als Teil einer "Armada" von Präsident Trump nach Nordkroea geschickt. USS Georgia (SSBN 729) is the fourth Ohio-class nuclear powered fleet ballistic missile submarine and the third ship to bear the name of this grand state, one of the thirteen original states of the Union. The keel laying ceremony was presided over by First Lady Rosalyn Carter, wife of President Jimmy Carter, both Georgia natives. The ceremony took place the same day that the USS Ohio, the lead ship of the class, was launched. On November 5, 1982, SSBN 729 was launched and christened by Mrs. Sheila Watkins, wife of Admiral J.D. Watkins, USN, Chief of Naval Operations. The Georgia was commissioned at Naval Underwater Systems Center, New London, CT., February 11, 1984. In November USS Georgia (Gold) arrived at its new homeport of Bangor, Washington.

  

April 1, 1985 USS Georgia (Blue) returned to Bangor after completing its first, two-month, strategic deterrent patrol.

  

May 20, Capt. Larry J. Kramer relieved Capt. Arland W. Kuester as CO of the Blue Crew.

  

In early September, the fourth Ohio-class ballistic missile submarine launched two C-4 missiles as part of Follow-on Operational Test.

  

October 16, SSBN 729 (Blue) returned to homeport after completing its 3rd, two-and-a-half month, strategic deterrent patrol.

  

March 22, 1986 The tugboat Secota (YTM-417) lost power and collided with the the USS Georgia (Blue), that departed for 5th patrol on Feb. 18, near Midway Island. Ten crewman were rescued, but two drowned. USS Georgia received minor damage and Secota sank.

  

August 29, USS Georgia (Blue) departed Bangor, Wash., for its 7th strategic deterrent patrol.

  

June 26, 1987 Capt. P. H. English relieved Capt. Larry J. Kramer as commanding officer of the SSBN 729 (Blue).

  

September ?, Capt. J. M. Rushing relieved Capt. T. W. Turner as CO of the Gold Crew.

  

March 18, 1991 USS Georgia (Blue) returned to NSB Bangor after completing its 23rd, two-and-a-half month, strategic deterrent patrol.

  

September ?, Capt. A. E. Lawver relieved Capt. A. W. Bower, III as CO of USS Georgia (Gold).

  

October 9, SSBN 729 (Blue) returned home after completing its 25th, two-and-a-half month, patrol.

  

November 8, Capt. Richard D. Raaz relieved Capt. John H. Almy, II as CO of the Georgia (Blue).

  

April 26, 1992 USS Georgia (Blue) returned to homeport after completing its 27th, two-month, strategic deterrent patrol.

  

November 25, USS Georgia (Blue) returned to Bangor after completing its 29th, two-and-a-half month, strategic deterrent patrol.

  

July 9, 1993 SSBN 729 (Blue) returned home after completing its 31st, two-and-a-half month, strategic deterrent patrol.

  

January 20, 1994 USS Georgia (Blue) returned to Naval Submarine Base Bangor after completing its 33rd, two-month, strategic deterrent patrol.

  

January 29, Capt. R. H. Stoll relieved Capt. Richard D. Raaz as commanding officer of the Blue Crew during a ceremony at the Consolidated Mess Open facilities.

  

March 28, The Ohio-class ballistic missile submarine successfully launched four Trident I (C4) missiles during the first Pacific Fleet Follow-on CINC Evaluation Test in the Atlantic Ocean.

  

April 27, USS Georgia (Gold) returned to Bangor after completing its 34th, two-month, strategic deterrent patrol.

  

August 11, USS Georgia (Blue) returned to Bangor after completing its 35th, two-month, strategic deterrent patrol.

  

November 25, SSBN 729 (Gold) returned to homeport after completing its 36th, 10-week, strategic deterrent patrol.

  

March 9, 1995 USS Georgia (Blue) returned to Bangor after completing its 37th, two-and-a-half month, strategic deterrent patrol.

  

April 26, The fourth Ohio-class ballistic missile submarine arrived in San Francisco for a six-day port visit.

  

June 26, USS Georgia (Gold) returned to NSB Bangor after completing its 38th, two-and-a-half month, strategic deterrent patrol.

  

August 22, Capt. D. A. Roberts relieved Capt. J. C. Bathgate as commanding officer of the Gold Crew.

  

October 4, SSBN 729 (Blue) returned home after more than a two-month strategic deterrent patrol.

  

January 18, 1996 USS Georgia (Gold) returned to Bangor after completing its 40th, 10-week, strategic deterrent patrol.

  

May 25, USS Georgia (Gold) departed homeport for a two-month strategic deterrent patrol.

  

February 13, 1997 USS Georgia (Gold) returned to Naval Submarine Base Bangor after a 45-day strategic deterrent patrol #44.

  

October 20, USS Georgia (Gold) returned to Bangor after completing its 45th, three-month, strategic deterrent patrol.

  

February 2, 1998 USS Georgia (Blue) returned home after completing its 46th strategic deterrent patrol.

  

April 3, Cmdr. Richard H. Moyer relieved Capt. Donald W. Randall as CO of the Blue Crew.

  

September 11, USS Georgia (Blue) returned to Bangor after completing its 48th, two-and-a-half month, strategic deterrent patrol.

  

December 19, USS Georgia (Gold) returned to homeport after completing its 49th, eight-week, strategic deterrent patrol.

  

March 26, 1999 Cmdr. David T. Norris relieved Capt. James M. Shelton as commanding officer of the SSBN 729 (Gold).

  

April 23, USS Georgia (Blue) returned to Bangor after a nearly three-month strategic deterrent patrol.

  

August 12, USS Georgia (Gold) returned to Bangor, Wash., after completing its 51st, two-and-a-half month, strategic deterrent patrol.

  

December 2, USS Georgia (Blue) returned home after completing its 52nd, 10-week, strategic deterrent patrol.

  

March 23, 2000 USS Georgia (Gold) returned to Bangor after two-and-a-half month patrol.

  

October 2?, SSBN 729 (Gold) returned to homeport after completing its 55th, two-month, strategic deterrent patrol.

  

June 14, 2001 USS Georgia (Gold) returned to NSB Bangor after completing its 57th, ten-week, strategic deterrent patrol.

  

January 24, 2002 USS Georgia (Gold) returned to Bangor after completing its 59th, two-and-a-half month, strategic deterrent patrol.

  

August 30, USS Georgia (Gold), commanded by Cmdr. John W. Tammen, Jr., returned home after completing its 61st, two-and-a-half month, strategic deterrent patrol.

  

April 2, 2003 USS Georgia (Gold) returned to homeport after a 10-week strategic deterrent patrol #63.

  

August 8, SSBN 729 (Blue) returned to Bangor after completing its 64th, three-month, strategic deterrent patrol.

  

August 11, Cmdr. John W. Tammen, Jr., relieved Cmdr. Christopher S. Ratliff as the commanding officer of the combined crew.

  

October 30, USS Georgia (Gold) returned to Naval Base Kitsap-Bangor from its last and 65th, seven-week, strategic deterrent patrol marking the end of its career as a Fleet Ballistic Missile submarine.

  

Following Georgia's return to Strategic Weapons Facility, Pacific (SWFPAC) she was involved in an accident that involved one of its Trident I C4 missiles. According to a report in the Washington Times dated March 11, 2004, on Nov. 7, 2003, while the SLBM was being lifted out of its tube by a crane, the nose cone struck a ladder that had mistakenly been left inside the tube. The impact resulted in a 9-inch gash that damaged the cone and came within inches of hitting one of the missile's multiple warheads beneath the metal shroud. Following the incident, the commanding officer of SWFPAC was relieved from command.

  

November 24, 2004 USS Georgia (SSGN 729) arrived at its new homeport of Norfolk, Virginia. Four Ohio-class strategic missile submarines, USS Ohio (SSBN 726), USS Michigan (SSBN 727), USS Georgia (SSBN 728), and USS Georgia have been selected for transformation into a new platform, designated SSGN.

  

December 20, Cmdr. Rodney E. Hutton relieved Cmdr. John W. Tammen Jr. as CO of the US Georgia (Green) during a a change-of-command ceremony held at DeVary Hall, Naval Station Norfolk.

  

February 1, 2005 USS Georgia entered the Norfolk Naval Shipyard. She is the last of four Ohio-class submarines to undergo conversion to SSGN.

  

December 15, 2007 USS Georgia arrived at its new homeport of Naval Submarine Base Kings Bay in Kings Bay, Ga., after leaving Norfolk Naval Shipyards Nov. 29, following the ship's conversion from a ballistic missile to a guided-missile submarine.

  

January 11, 2008 Capt. Brian McILvaine became the new commanding officer of USS Georgia during the ceremony held in Kings Bay.

  

March 28, USS Georgia (SSGN 729) returned to active service during the ceremony held in Naval Submarine Base Kings Bay.

  

November 24, The guided-missile submarine returned to homeport after a pre-deployment testing.

  

July 22, 2009 USS Georgia embarked more than 40 friends and family members in Port Canaveral, Fla., for an overnight tiger cruise.

  

August 6, USS Georgia (Blue), commanded by Capt. Brian McILvaine, departed Kings Bay for its first operational deployment, after undergoing conversion to SSGN, to the U.S. 5th and 6th Fleet Areas of Responsibility. During the twelve-month underway period, the blue crew will rotate duties every three months with the gold crew in Diego Garcia.

  

August 25, SSGN 729 pulled to Souda Bay, Crete, Greece, for a routine port call. The Georgia departed Naples, Italy, Aug. 22.

  

September 28, USS Georgia departed Khalifa Bin Salman Port at Hidd, Bahrain, after a four-day port visit.

  

July 6, 2010 The Georgia (Gold) arrived in Souda Bay, Crete, for a routine port visit.

  

August 7, USS Georgia returned to homeport after completing its first 12-month deployment as guided-missile submarine.

  

August 9, Capt. Michael K. Cockey relieved Capt. Michael W. Brown as CO of the Georgia (Gold) during a change-of-command ceremony at the Naval Submarine Base Kings Bay.

  

September 5, 2011 USS Georgia arrived at Navy Support Facility (NSF) Diego Garcia for routine maintenance and a crew exchange.

  

January 10, 2012 Capt. Daniel G. Christofferson relieved Capt. John K. McDowell as CO of the Georgia (Blue) during a change-of-command ceremony at Diego Garcia.

  

May 18, Capt. Rhett R. Jaehn relieved Capt. Michael K. Cockey as CO of SSGN 729 (Gold) during a change-of-command ceremony at the Naval Submarine Base Kings Bay Chapel.

  

July 15, USS Georgia (Blue) returned to NSB Kings Bay after a 14-month deployment in the U.S. 5th and 6th Fleet AoR.

  

May 16, 2013 USS Georgia (Blue) arrived at Naval Support Activity Souda Bay for a routine port call. The ship recently departed Kings Bay for its third SSGN deployment.

  

August 13, The Georgia (Blue) arrived in Diego Garcia, British Indian Ocean Teritory, for routine maintenance and a crew exchange; Transited Suez Canal northbound on Sept. 14.?

  

December 13, SSGN 729 (Gold) moored outboard the USS Emory S. Land (AS 39) in Diego Garcia for a five-week Fleet Maintenance Availability (FMAV) and to conduct crew exchange.

  

January 10, 2014 Capt. William J. Breitfelder relieved Capt. Daniel G. Christofferson as CO of the USS Georgia (Blue) during a change-of-command ceremony at the NSB Kings Bay Chapel.

  

April 16, The Georgia (Blue) recently arrived in Diego Garcia for routine maintenance and a crew exchange.

  

June 13, Capt. Michael G. Badorf relieved Capt. Rhett R. Jaehn as CO of the USS Georgia (Gold) during a change-of-command ceremony at the NSB Kings Bay.

  

September 29, USS Georgia (Gold) returned to Naval Submarine Base Kings Bay after more than a 17-month deployment in the U.S. 5th and 6th Fleet Areas of Responsibility (AoR).

  

August 14, 2015 Capt. David A. Adams relieved Capt. William J. Breitfelder as CO of the SSGN 729 (Blue) during a change-of-command ceremony at the NSB Kings Bay Chapel.

  

October 31, SSGN 729 (Blue) departed Kings Bay for a routine training off the coast of Florida after an extensive refit period.

  

November 25, USS Georgia struck a buoy #23 in the channel near Fernandina Beach, Florida, while returning to NSB Kings Bay.

  

December ?, The Georgia entered the dry-dock at Trident Refit Facility (TRF) for a damage assessment.

  

January 4, 2016 Rear Adm. Randy B. Crites, Commander, Submarine Group 10 relieved of duty Capt. David Adams due to a "loss of confidence in his ability to command." Capt. William Breitfelder, deputy commander of Submarine Squadron (SUBRON) 16, assumed temporary command of the USS Georgia (Blue).

  

March 3, USS Georgia (Gold) departed NSB Kings Bay for its fourth SSGN deployment.

  

May 8, The Georgia transited the Suez Canal southbound, escorted by USS Porter (DDG 78).

  

May 23, SSGN 729 recently moored at Bravo Wharf, Navy Support Facility (NSF) Diego Garcia for a three-week upkeep and a crew exchange.

 

by allamamiqbal ift.tt/1OWuGuM

Kia hun mein, kyun hun mein, raaz-e-Khuda hun

Ke mein wehshat-e-dar pe uljha khara hun,

Janay kitnay dilon ki dard-e-zuban hun

Han mein Abdul Qadir hoon....

 

song here

www.youtube.com/watch?v=SMDEswPrcvo

Kabhi aisa lagta hai , dil mein ik raaz hai

Jise kehna chahoon , par main keh paaoo na

Aankhon hi aankhon mein keh jaati hai jo ye

Khamoshiyon ki ye kaisi zuba

Maine suna jo na usne kaha ..

Kya aisa hi hota hai pyar

Mere khuda mujhe itna bata

Kya aisa hi hota hai pyar....

  

Ye sach hai chahat pe kabhi kisi ka bhi zor nahin

Dilbar ki yaadon ko bandhe aisi koi dor nahin

Sab kuch vohi par lagta naya

Kya aisa hi hota hai pyar

Mere khuda mujhe itna bata

Kya aisa bhi hota hai pyar

 

listen!!

    

Explored # 109

Aah! Khola Kis Ada Se Tu Ne Raaz-e-Rang-o-Bu

Main Abhi Tak Hun Aseer-e-Imtiaz-e-Rang-o-Bu

-Iqbal

   

How gracefully you opened the secrets of life

I am still a prisoner of the discriminations of life

 

www.facebook.com/infectedpixel

Jis Ka Jaam-e-Dil Shikast-e-Gham Se Hai Na-Ashna

Jo Sada Mast-e-Sharab-e-Aysh-o-Ishrat Hi Raha

 

Hath Jis Gulcheen Ka Hai Mehfooz Nauk-e-Khar Se

Ishq Jis Ka Be Khabar Hai Hijar Ke Azaar Se

 

Kulfat-e-Gham Gharche Uss Ke Rouz-o-Shab Se Door Hai

Zindagi Ka Raaz Uss Ki Ankh Se Mastoor Hai

___________________________________________

 

Whose heart’s cup does not know breaking with grief

Who always remained ecstatic with pleasure and exhilaration

 

The gardener whose hand is safe from thorn’s tip

Whose love is unaware of the pathos of separation

 

Though grief’s affliction is far from his life

The secret of life is concealed from his eyes..

 

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HH Younus AlGohar answers a question from a viewer, who asked what the meaning of Maqam-e-Lolak is.

 

Main points:

 

- According to a Prophetic Tradition, God said, ‘I made this world for you, Prophet Mohammad.’ In another Prophetic Tradition, God said, ‘I was in a hidden treasure. I loved to be known so I created creation.’ These two Prophetic Traditions appear to contradict each other, and therefore people think one of the two is inauthentic. However, it is possible for these two statements to both be authentic.

 

- When a man brings home his new bride, he might say to her that he had the house or her room especially built for her. She’ll get happy but after 10 years, she’ll find out that he had simply gotten a better paying job and his family had expanded. Similarly, if someone is seeing God for the first time, they are given special treatment. He entertains their requests and tells them some new secret that others might not have heard. This treatment continues until someone else comes along, who is seeing God for the first time. For the saints, the situation normalises; they see God often, and after a time it does not affect them as it did in the beginning.

 

- When we go to the shrines of saints, we pray to God using their intermediary; we think that God would listen to our prayers more because these saints are God’s friends. In a similar way, there are some saints that God has given the status of beloved, like the Eternal Divine Bride. For others, they would see God, God entertains their desires for some time until someone new comes. However, God will always accept the requests of the Eternal Divine Bride.

 

- Prophet Mohammad is the closest friend of God. God does not love any saint as much as he loved Prophet Mohamad. So when God said that he created the world for Prophet Mohammad, whatever he says it true, but he was saying this in a moment of love. Moqam-e-Lolak in short is to be at the station of Fana fil Rasool.

 

Watch the video here:

www.youtube.com/watch?v=djQM_OtPHfQ

 

His Holiness Younus AlGohar answers a question from a viewer who asked, ‘It is said that man is the most eminent of all creation. However, we see that Jinn are so powerful that they can dominate a human being and manipulate his thoughts and emotions. How then is he the most eminent?’

 

Main points:

 

- Human beings do not know their reality; they think their body is their reality. They do not know the potential of their soul, and whether or not their soul is even awakened. It is the soul that will be judged on the Day of Judgement, not the body.

 

- There are many types of Jinns. Some are Muslims, Hindus, Christians and Jews. Some Jinns are Companions of Prophet Mohammad, alive even today.

 

- Human beings think they are the best of all, but they do not know that they have to make themselves eminent with the knowledge God gave. If all men were eminent, why do they cause so much bloodshed and rape? Why did God create hell?

 

- The only eminent ones are those who have awakened all their souls and become the master over them. The souls in the human body, when enlightened, enable man to travel beyond this realm. With enlightened souls, he holds the keys to multiple realms. At this stage, no Jinn can dominate him; in fact they would show him great respect.

 

Watch the video here: www.youtube.com/watch?v=N0Ke0x5ET_c

Esha Gupta & Jaey Gajera together at the Promotions of Bollywood Film ' Humshakals '

  

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I have a great fascination for shooting wall art or graffiti ..

So one day a few years back I walked from Dadar Station shooting the murals ..and shot almost all the art painted by students ,,I shot till Mahim.

However all these images a lengthy series is on DVDs that I am now converting as slideshows but in BW and posting it as videos at my You Tube Channel.

I have over 1500 DVDs all my back up,,,since 2007 ,,

Though I have them all at my Flickr timeline I want to showcase my street photography ,,This series is known as Walls .

Incidentally being an incorrigible dumbfucked romantic I had fallen in love with a veiled woman on the wall . and each time I passed her I thought she too was crazy about me ,I poeticized her I even took my granddaughters to meet her and both Marziya and Nerjis shot me posing with her ..

This was one crazy love and it came to an end tragically when her face was defaced by a horrid wall ad and my love story went down the fucking drain.

But I have not given up shooting wall art ,,and the walls metaphorically speak to me ,,created by an Artist and they invoke search for love too ,,,like Anarkali at Waroda Road ,,when she gets tired of her filmy lover on the wall she calls me ..

parwaanaa jal rahaa hai magar jal rahaa hai kyon

ye raaz jaananaa hai to khud ko jalaake dekh

mujh se mat poochh mere ishq mein kyaa rakhaa hai

  

www.youtube.com/watch?v=XKD7HGrn948&feature=youtu.be

 

Main yahaan hoon means" Im here "

 

to say...

 

Tum chhupa na sakogi main woh raaz hoon

 

I'm the secret that you can't hide.

 

Tum bhoola na sakogi woh andaaz hoon

 

I'm the impulse that you can't forget.

 

Main yahaan hoon, yahaan hoon, yahaan hoon, yahaan

 

I'm here, I'm here, I'm here, here.

  

Taken from Veer - Zaara movie

 

aaj phir saahil par khara dekhoun

doobta sooraj

aasmaa'n par phaili taiz laali ko

ik qadam uthaana hai

jaana hai sooraj ki aur

ban kay ik gehra raaz

phaila hai yeh wasse-o-areez samandar

manzil hai woh doobti roshni

rasta hai yeh dolti lehrain

har qatray mein hain chuppay toofaan

na bheegtay huway

guzarna hai anjaanay paaniyon say

ik muajzay tak jaanay ko

ik muajzay say jaana hai

hai yeh ik hairaan-kun pahaili

roshni kay doobnay say pehlay

roshni ki aur qadam uthaana hai

Sound of Raaz Raaz Reboot Emraan Hashmi, Kriti Kharbanda, Gaurav Arora full Hd Video Mp4,Mp3,Audio,Lyrics

Movie Name :- Raaz – Reboot

Written & Directed by :- Vikram Bhatt

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Star Cast :- Emraan Hashmi, Kriti Kharbanda, Gaurav Arora

Singer :- Jubin N...

 

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CANVAS Wedding Issue 2013

 

Model : Raaz & Tisha

makeover : Persona

 

Facebook : www.facebook.com/mortuzaalamphotography

 

© "All rights are reserved" worldwide by Mortuza Alam. Please do not use the picture without permission

Model : Raaz

 

© All rights are reserved worldwide by Mortuza Alam. Please do not use the picture without permission

 

Copyright:Mortuza Alam

LO MAAN LIYA Video Song | Raaz Reboot | Arijit Singh | Emraan Hashmi, Kriti Kharbanda, Gaurav Arora #Subscribe, #Sms, #Dial, #Series, #Liya, #Raaz, #Maan, #Emraan, #Kharbanda, #Gaurav #Contfeed

 

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nerjisasifshakir.blogspot.com/

  

Ali imam-e-manasto manam ghulaam-e-Ali

hazaar jaan-e-giraami fidaa-e-naam-e-Ali

 

( Ali is the master of all, I am the slave of Ali

thousands life are to be sacrificed for Ali )

 

Haidariam qalandaram mastam

banda-e-Murtaza Ali hastam

paishwa-e-tamaam rindaaram

ke sage koo-e-sher-e-yazdaanam

 

kabhi deewar hilti hai kabhi dar kaamp jaata hai

Ali ka naam sun kar ab bhi Khaibar kaamp jaata hai

 

( sometimes the wall shakes, sometimes the door trembles

listening the name of Ali, the fort of Khaibar* trembles even now )

 

shaah-e-mardaan Ali

Ali Ali Ali

Ali Maula Ali

 

( king of the brave

Ali

Ali master Ali )

 

patthar pe alam deen ka gaada jisne

lalkaar kar Marhab ko pichaada jisne

 

( who implated the flag of faith in the rocks

who challenged Marhab** and defeted him )

 

Ali Ali Ali

Ali Maula Ali

 

( Ali

Ali master Ali )

 

jap le ja le mere manwaa

yehi naam saccha hai pyaare

yahi naam tere sab dukh taare

isi naam ki barkat ne diye raaz-e-haqeeqat khol

 

( my heart chant this

this is the name that is true

this is the name that removes sufferings

auspiciousness of this name opened the secrets of being )

 

Ali Ali Ali

Ali Maula Ali

 

( Ali

Ali master Ali )

  

shaah-e-mardaan Ali

la fata illa Ali

sher-e-yazdaan Ali

 

( king of the brave

there is no one except Ali

Ali is the lion of God )

  

Ali Ali Ali

Ali Maula Ali

 

( Ali

Ali master Ali )

 

tan per Ali Ali ho zubaan per Ali Ali

mar jaoon to kafan per bhi likhna Ali Ali

 

( my body chants Ali, so does my tongue

if I die, then write Ali on my shroud )

 

Haq Haq

Ali Ali Ali

Ali Maula Ali

 

( truth, truth

Ali

Ali master Ali )

 

bagair hubb-e-Ali muddaa nahin milta

ibadaton ka bhi hargiz sila nahin milta

Khuda ke bandon suno ghaur se Khuda ki qasam

jise Ali nahin milte use Khuda nahin milta

 

( without the love of Ali, desired is not fulfilled

not even the returns for the prayers

O slaves of God listen carefully, by God !!

one who does not realize Ali does not realizes God )

 

Haq Haq

Ali Ali Ali

Ali Maula Ali

 

( truth, truth

Ali

Ali master Ali )

 

basad talash na ab kuch wus'at-e-nazar se milaa

nishaan-e-manzil-e-maqsood raahbar se milaa

Ali mile to mile khaana-e-Khuda sa hamein

Khuda ko dhuudha to wo bhi Ali ke ghar se milaa

 

( don't search for anything now, match the eternal search

match the footprints of the desired destination with guide

to get Ali is like getting a house of God

searching for God too, we found Him in Ali's house )

 

Haq Haq

Ali Ali Ali

Ali Maula Ali

 

( truth, truth

Ali

Ali master Ali )

  

deed Haider ki ibadat hai ye farmaan-e-nabi

hai Ali rooh-e-nabi jism-e-nabi jaan-e-nabi

gul-e-tatheer Ali

haq ki shamsheer Ali

peeron ke peer Ali

 

( sight of Ali is itself is prayer, so said the Prophet

Ali is the soul, body and life of the Prophet )

 

Ali Ali Ali

Ali Maula Ali

 

( truth, truth

Ali

Ali master Ali )

 

dast-e-ilaah kyun na ho sher-e-Khuda Ali

maqsood har ataa hai shah-e-la-fataa Ali

jis tarah ek zaat-e-Muhammad hai bemisaal

paida hua na hoga koii duusra Ali

Bedam yahi to paanch hain maqsood-e-qaaynaat

Khairunnisa, Hasan, Hussain, Mustafa, Ali

 

Ali Ali Ali

Ali Maula Ali

 

( truth, truth

Ali

Ali master Ali )

Faraib-E-Nazar Hai Sakoon-O-Sabaat

Tarapta Hai Har Zarra-E-Kainat

 

Theharta Nahin Karwaan-E-Wujood

Ke Har Lehza Hai Taza Shaan-E-Wujood

 

Samjhta Hai Tu Raaz Hai Zindagi

Faqat Zauq-E-Parwaaz Hai Zindagi

 

Bohat Iss Ne Dekhe Hain Past-O-Buland

Safar Iss Ko Manzil Se Barh Kar Pasand

 

Safar Zindagi Ke Liye Barg-O-Saaz

Safar Hai Haqiqat, Hazar Hai Majaaz

 

From Saqi Nama.

-Iqbal

Shoot for South Asian Bride magazine for SHOW-OFF by Raaz.

 

{facebook }

Esha Gupta & Jaey Gajera together at the Promotions of Bollywood Film ' Humshakals '

  

twitter.com/jaeygajeraindia

  

#Humshakals #SajidKhan #VashuBhagnani #SaifAliKhan #RiteishDeshmukh #TamannaahBhatia #EshaGupta #BipashaBasu #RamKapoor #HimeshReshammiya #JaeyGajera #FoxStarStudios #India #Worldwide #Release #CallerTune — at Ramee Guestline Hotel - Juhu, Mumbai.

238,033 items / 1,997,510 views

 

Last I met Sir when Bala asked me to come to Lilavati Hospital 1103 and he called me close to him as he could barely talk and asked Mr Akshay Kumar to see that he too patronizes me.. and I burst into tears I was reprimanded by Dimpleji but poets have nothing but tears and so my claypot of a heart burst and now it is overflowing today I shall miss him and so will both my grand daughters Marziya Shakir 4 year old and Nerjis Asif Shakir 1 year old.

We will miss Ashirwad .. we will miss his Blessings..

May His Soul Rest In Peace.

Goodbye Sir...

 

From Wikipedia

 

Rajesh Khanna pronunciation (help·info); (born Jatin Khanna) ( 29 December 1942 - 18 July 2012) is an Indian actor of Hindi films,[1] who has also been a film producer and a politician.

  

He appeared in 163 feature films of which 128 as the lead protagonist including 106 as the solo lead hero films and 22 two hero projects and did 17 short films.[2] He won three Filmfare Best Actor Awards and was nominated for the same fourteen times. He received the maximum BFJA Awards for Best Actor (Hindi) – four times[3] and nominated 25 times. He was awarded the Filmfare Lifetime Achievement Award in 2005. Khanna is referred to as the "First Superstar" of Hindi cinema.[4][5][6][7] He made his debut in 1966 with Aakhri Khat and rose to prominence with his performances in films like Raaz, Baharon Ke Sapne, Ittefaq and Aradhana'

 

Early life

 

Khanna was born in Amritsar on 29 December 1942. He was adopted and raised by foster parents who were relatives of his biological parents. Khanna lived in Thakurdwar near Girgaon. Khanna attended St. Sebastian’s Goan High School in Girgaum, along with his friend Ravi Kapoor, who later took the stage name Jeetendra. Their mothers were friends.[8] Khanna gradually started taking interest in theatre and did a lot of stage and theater plays in his school[9] and college days and won many prizes in the inter college drama competitions.[10] Khanna became a rare newcomer who struggled in his own MG sports car to get work in theatre and films in the early sixties.[11] Both friends later studied in Kishinchand Chellaram College(KC).[12] When Jeetendra went for his first film audition, it was Khanna who tutored him. Khanna's uncle changed Khanna's first name to Rajesh when Khanna decided to join films. His friends and his wife call him Kaka.[13]

[edit]Adult life

 

In the late 1960s and early 1970s, Khanna fell in love with the then fashion designer and actress Anju Mahendru.[14] They were in the relationship for seven years. Mahendru states that the couple did not speak to each other for 17 years after the breakup.[15] Later Khanna married Dimple Kapadia in March 1973, six months before Dimple's debut film Bobby released[16] and has two daughters from the marriage.[17] Khanna and Dimple Kapadia separated in 1984 as his schedule kept him away much of the time and Dimple became interested in pursuing an acting career,[18] and thereafter lived separately, but did not complete the divorce proceedings.[19] In the eighties Tina Munim was romantically involved with Khanna till the time she decided to leave the industry to pursue her higher studies.[20] Years of separation brought about mutual understanding between Rajesh Khanna and Dimple Kapadia.[15] Reporter Dinesh Raheja stated that “the bitterness between Rajesh and Dimple washed away", noting that they are seen together at parties and that Dimple campaigned for Khanna's election and also worked in his film Jai Shiv Shankar.[21] Their elder daughter Twinkle Khanna, an interior decorator and a former film actress, is married to actor Akshay Kumar[22] while their younger daughter Rinke Khanna, also a former Hindi film actress,[23] is married to a London-based investment banker Samir Saran.[24]

[edit]Early career (1966–1975)

 

Rajesh Khanna was one of eight finalists in the 1965 All India Talent Contest organised by United Producers and Filmfare from more than ten thousand contestants.[25] Subsequently Khanna won the contest.[26] He made his film debut in the 1966 film Aakhri Khat directed by Chetan Anand, followed by Raaz directed by Ravindra Dave both of which were a part of his predetermined prize for winning the All-India United Producers’ Talent Competition.[27] G.P. Sippy and Nasir Hussain were the first to sign Rajesh Khanna after he won the contest.[28] Aakhri Khat was India’s entry for the Best Foreign Language Film at the 40th Oscar Academy Awards in 1967.[29] Khanna in an interview to Hindu newspaper said,"Though “Aakhri Khat” is my first film, I received my first break as a leading actor in Ravindra Dave's, “Raaz” in 1967. My heroine was Babita, already a popular actress then. Though I had lots of confidence, I was shy in facing the camera initially. In my first three shots, I had to perform with stress on my body language and dialogue delivery. Though I was right with my dialogues, my movements were not up to the mark. Ravindra Dave explained me my scenes and movements very clearly correcting my way of walking".[30] Being under contract with United Producers, he got projects like Aurat, Doli and Ittefaq.[31] He was then noticed for his performances in films like Baharon Ke Sapne, Aurat (1967), Doli, Aradhana and Ittefaq. Later Waheeda Rehman suggested Asit Sen to take Khanna for the lead role in Khamoshi.[32] Through Aradhana he rose to "instant national fame" and film critics referred to him as the first superstar of India.[33][34] In that film, Rajesh Khanna was cast in a double role (father and son) opposite Sharmila Tagore and Farida Jalal. The film also saw the resurgence of Kishore Kumar, who eventually became the official playback voice of Rajesh Khanna. The Kishore Kumar-Rajesh Khanna combination worked miracles and it was almost impossible to see them as separate identities. They became a singer-actor duo and together they gave many songs till 1991.[35] Then in year 1971, Haathi Mere Saathi became the biggest hit and also became the biggest grosser ever till then. Khanna is also credited with giving Salim Khan and Javed Akhtar their first chance to become screenplay writers by offering them work in Haathi Mere Saathi.[36] Javed Akhthar accepted in an interview "One day, he went to Salimsaab and said that Mr. Devar had given him a huge signing amount with which he could complete the payment for his bungalow Aashirwad. But the film's script was far from being satisfactory. He told us that if we could set right the script, he would make sure we got both money and credit."[37]

Rajesh acted alongside Mumtaz in eight successful films.[38] They were neighbours and got along very well, and as a result they shared a great on-screen chemistry. After Khanna married, Mumtaz decided to marry millionaire Mayur Madhwani in 1974. At the time, she was doing three films Aap ki Kasam, Roti and Prem Kahani with Khanna. She decided to quit movies only after completing these films. When she left films Khanna felt very lost. In one of her interviews, Mumtaz was quoted saying "I would pull his leg and tease him about his fan following. Whenever Rajesh entered a hotel in Madras, there was a queue of 600 girls waiting to see him at midnight. As a result, even I would get some importance, as people would ask for my autograph as well. He was very generous with his associates, and would party a lot."

During the peak of his career he would be mobbed during public appearances. Fans kissed his car, which would be covered with lipstick marks, and lined the road, cheering and chanting his name. Female fans sent him letters written in their blood.[39] There used to be a line of cars of his producers and hysterical fans outside his bungalow every day. Actor Mehmood parodied him in Bombay to Goa where the driver and conductor of the bus were called 'Rajesh' and 'Khanna'. Even today, he remains the favourite of mimicry artists, who copy his trademark style and dialogue delivery. During the filming of Amar Prem there was a scene that needed to be filmed at Howrah Bridge with a boat carrying Khanna with Sharmila moving under the bridge. The authorities ruled this scene out as they realized that if the public found out that the hero of the film would be there, it may create problems on the bridge itself, and that it might collapse due to the amount of people trying to get a glimpse of their favourite actor.[40] Film critic Monojit Lahiri remembers “Girls married themselves to photographs of Rajesh Khanna, cutting their fingers and applying the blood as sindoor. Rajesh was God, there has never been such hysteria.”[41]

Several songs sung by Kishore Kumar in the 1970s were based on Rajesh Khanna. During the filming of the song 'Mere Sapnon Ki Rani' in Aradhana, Sharmila Tagore was shooting for a Satyajit Ray film and director Shakti Samanta had to shoot their scenes separately and then join the scenes together.In the seventies, his chemistry with Sharmila Tagore, Mumtaz, Asha Parekh, Zeenat Aman and Hema Malini were also popular with audiences.[42]

The BBC made a film on him, titled Bombay Superstar, in 1974, the shooting for which began the same time when he got married and his film Daag premiered.[43] In the video it can be noticed that Khanna was shooting for Aap Ki Kasam. A textbook prescribed by the Bombay University contained an essay, 'The Charisma of Rajesh Khanna!'.[44]

Sharmila Tagore said in interview to Indian Express, “Women came out in droves to see Kaka (Khanna). They would stand in queues outside the studios to catch a glimpse, they would marry his photographs, they would pull at his clothes. Delhi girls were crazier for him than Mumbai girls. He needed police protection when he was in public. I have never seen anything like this before and since.”[45]

Music remained one of the biggest attractions of all Rajesh Khanna films throughout his career. Many of the musical scores for Khanna's films were composed by Sachin Dev Burman, R.D. Burman and Laxmikant-Pyarelal. The trio of Rajesh Khanna, Kishore Kumar and R.D. Burman went on to make a number of popular films, including Kati Patang, Amar Prem, Shehzada, Apna Desh, Mere Jeevan Saathi, Aap Ki Kasam, Ajnabee, Namak Haraam, Maha Chor, Karm, Phir Wohi Raat, Aanchal, Kudrat, Ashanti, Agar Tum Na Hote, Awaaz, Hum Dono and Alag Alag.

Rajesh Khanna had 15 consecutive solo superhits between 1969 to 1971, which is still an unbroken record in Indian film history.[46] In calculation of the 15 films, 2 hero films like Maryada,Andaz and films with box office result as hits were excluded -Mere Jeevan Saathi, Choti Bahu and Shehzada.

Khanna considered Guru Dutt, Meena Kumari and Geeta Bali as his idols.Khanna dislosed in an interview," My inspirations include, Dilip Kumar's dedication and intensity, Raj Kapoor's spontaneity, Dev Anand's style and Shammi Kapoor's rhythm."[30]

[edit]1976–1978

 

Between 1976 and 1978, Khanna acted in 4 box office hits and in nine films that were not commercially successful. Seven of the unsuccessful films were critically acclaimed and have achieved strong cult status over the years among the viewers and these films included Mehbooba,[47] Bundal Baaz, Tyaag, Palkon Ki Chhaon Mein, Naukri, Chakravyuha and Janata Havaldar which were directed by Shakti Samanta, Shammi Kapoor, Din Dayal Sharma, Meeraj, Hrishikesh Mukherjee, Basu Chatterjee and Mehmood Ali, respectively. Khanna persuaded Samanta to cast his sister-in-law Simple Kapadia opposite him in Anurodh.[48] Films starring Rajesh Khanna and directed by Shakti Samanta tended to be commercially successful, but Mehbooba was an exception.[49][50] The change from romantic and social movies to action oriented multi-starrers caused the decline of Khanna's career in terms of box office ratings to some extent. The declaration of emergency in India had angered the masses and this helped films having the lead character revolting against corruption becoming successes. Actor Joy Mukherjee made Chhailla Babu, a suspense thriller in 1977, which became the only successful film of his as a director[51] and the unexpected success of the Chhailla Babu gave a boost to the career of Khanna.[52] However, Khanna continued basically in solo hero social sober household meaningful films during this era and played a variety of characters in films of various genres. During this phase too he had box office hits like Maha Chor,[53] Chhailla Babu,[54] Anurodh and Karm.

[edit]1979–1991

 

After 1978, Khanna starred in critically acclaimed commercially successful films[55][56] such as Amardeep, Phir Wohi Raat, Bandish,[57] Thodisi Bewafaii, Dard, Kudrat, Dhanwan, Ashanti (1982 film), Avtaar, Agar Tum Na Hote, Souten, Jaanwar, Asha Jyoti, Awaaz,[58] Naya Kadam,[59] Hum Dono, Babu, Aaj Ka M.L.A. Ram Avtar,[60] Shatru,[61] Insaaf Main Karoonga, Anokha Rishta, Nazrana, Angaarey, Adhikar (1986),Amrit, Awam (film) (from 1979–1991). Director Bharathiraja decided to remake his 1978 Tamil box office hit film "Sigappu Rojakkal" in Hindi with Khanna playing the role of a psychopath.[62] Kamal Haasan who played the same role in Tamil won South Filmfare Best Actor Award for his portrayal.[63] But the Hindi movie was seen as controversial by traditional and orthodox Hindi moviegoers and was not a commercial success, although Khanna's performance has been rated later higher by critics than the original.[64]

Tina Munim and Rajesh Khanna became the leading on and off screen couple of the 80’s with hits like Fiffty Fiffty, Suraag, Souten, Aakhir Kyun, Bewafai, Insaaf Main Karoonga and Adhikar(1986).[65] Ram Awatar Agnihotri wrote that Tina Munim showed the first sparks of the dedicated actress she would become in the films "Alag Alag" and "Adhikar", both with Khanna.[66] His on screen pair with Shabana Azmi, Smita Patil,Padmini Kolhapuri and Poonam Dhillon was also popular in the eighties[67]He also acted in the Marathi hit film "Sundara Satarkar" in 1981.[68] He has performed in the least number of multi-starrer films in comparison to his contemporaries and portrayed the central character in the few multistarrers he acted. Khanna delivered multi-starrer superhits like Rajput, Dharm Aur Qanoon,[69] Paapi Pet Ka Sawaal Hai, Zamana (1985), Dil-E-Nadan and Ghar Ka Chiraag. He did three potboiler movies with Jeetendra, which were blockbusters-Dharam Kanta,[70] Nishaan and Maqsad.[71] In the year 1984, his film Maqsad became the 2nd highest box office superhit film earning 8.5 crores.[72]Aaj Ka M.L.A. Ram Avtar is one of the memorable political films of Rajesh Khanna. Khanna played the character of a corrupt politician in this film. Viewers praised his role in the film.[73] The year 1985 saw him turn a producer with Alag Alag. Eleven films, with Khanna in the lead, released in 1985 and eight of these became hits and in addition had two films with him in special appearance.[74] Before joining politics one of his last films as the lead hero was Swarg released in 1990. David Dhawan regards Swarg as his most favorite directorial venture and said in an interview " Swarg did well. Though a serious film, people even today talk about it as it struck a chord. I was working with Rajesh Khanna for the first time. I shared a good rapport with him. He never threw tantrums on the sets."[75]

He experimented with films of different genres like tragedy in Babu as a rickshaw puller, thriller in Redrose as a psycopath, political adventure in Awam, negative roles in Dhanwan and Redrose, fantasy in Bundalbaaz and Jaanwar, crime in Phir Wohi Raat and Angarey, suspense in Chakravyuha and Iteefaq, comedy in Hum Dono and Masterji, action in Ashanti, family dramas like Aanchal and Amrit and Agar Tum Na Hote, variety of social films like Avtaar, Naya Kadam, Akhir Kyun and with different themes like reincarnation theme in Kudrat, patriotism in Prem Kahani, immature young love theme handled in different ways in films like Anokha Rishta, Nazrana and Dil E Nadan and did college romance in Bandish. He has played variety of characters as the lead hero – as a postman in Palkon Ki Chaon Mein, as a lawyer who proves that his senior has committed a rape 25 years earlier in Kudrat, as a politician in Aaj Ka MLA Ram Avtaar, as a young musician forced by fate to marry two women in Asha Jyoti, as professional advocate in Awaaz, fisherman in Prem Bandhan, a revolutionary patriot who is torn apart by love and policeman like in Prem Kahanai, as a righteous farmer in Bandhan etc.

He shared a close relationship with R.D. Burman[76] and Kishore Kumar. The trio were friends and have worked together in thirty two films.[77] Work of Pancham with Khanna is regarded as legendary and far superior than any other actor-music director combinations.[78] The king of playback singing Kishore Kumar had even credited Rajesh Khanna for his resurgence, so much so that he sang for Alag Alag, the first film produced by Rajesh Khanna without charging anything.[79][80] In 1985 Pancham found himself being sidelined after failure of few films but Rajesh Khanna was among the few who continued to stand by him.[81] Rajesh and Pancham worked together even after the death of Kishore in the films Jai Shiv Shankar, the unreleased film Police Ke Peechhe Police (both produced by Khanna ) and Sautela Bhai. Khanna even helped Leena Gangully and Amit Kumar in completing Mamta Ki Chhaon Mein, the last film directed by Kishore who died before the completion of the film.

Pyarelal quoted in an interview that “Rajesh Khanna was lucky for us and we were lucky for him too. From the 1969 Do Raaste to the 1986 Amrit, we gave hits together both as films and as music scores.... When we went on our first overseas concert tour in 1984, he came and danced to three songs. He was very particular about his music and would take a tape home if he could not assess a song. He would then give his feedback after a day or two. But if he liked a song at the sitting, he would loudly shout “Wah! Wah!” in appreciation…. It was God’s blessing that we came up with such a vast range of hit songs for him, including in his home productions Roti and films like Chhailla Babu, Chakravyuha, Fiffty Fiffty, Amar Deep and Bewafai. Incidentally, he had a stake in Mehboob Ki Mehndi too.[38] He had great interest in music and a terrific sense of melody too. His music is dominated by Pancham (R.D. Burman) and us and we accepted Shakti Samanta’s Anurodh only because Rajesh Khanna had some misunderstanding with Pancham then and did not want to work with him."[38] Khanna would always request music directors to fit in Kishore Kumar wherever possible. In fact, Kishoreda was very reluctant to sing "Waada Tera Waada" in Dushman and suggested Laxmikant Pyarelal to get it sung by Rafi. Then Laxmikant made Kishoreda meet Rajesh Khanna and Khanna winked at Laxmikant and told Kishoreda that in that case the song should be scrapped. On hearing this Kishore immediately agreed to sing it by himself for Khanna.[38]

Actors who were part of the cast of most of his films include Ashok Kumar, Sujit Kumar, Prem Chopra, Madan Puri, Asrani, Bindu, Vijay Arora, Roopesh Kumar, Dina Pathak and A. K. Hangal, who remained part of his " working team" since the start until the late eighties. The lyricist whom he preferred for his movies was Anand Bakshi. Films by Shakti Samanta with Khanna in the lead, music by Pancham and lyrics by Anand Bakshi had people swooning over. The films Samanta directed without Khanna in the eighties were duds.[82][83] His other close friends from the film industry include Raj Babbar, J. Om Prakash and Jeetendra.

Celebrities of the post-2000 era, like Madhur Bhandarkar, say that they take at least three or four turns in Carter Road even today only to see Khanna.[84] The younger generation stars like Imran Khan still regard Rajesh Khanna as someone who would take the top slot as the most romantic hero of all time.[85] Shahrukh Khan idolises Rajesh Khanna and has opined,"Rajesh Khanna you can’t touch".[86] Actor Tom Alter confessed “I still dream of being Rajesh Khanna. For me, in the early 1970s, he was the only hero – romantic to the core, not larger than life, so Indian and real – he was my hero; the reason I came into films and he still is.”[87] Actor Irrfan Khan accepted in an interview, "The kind of craze witnessed by Rajesh Khanna has not been duplicated by anyone. He was the biggest and the most real star Bollywood has produced. I'd say stardom is that feeling of being possessed by your idol; you are so overwhelmed with euphoria you lose touch with reality."[88] Rajesh Khanna was the last superstar to set fashion trends.[89] The trend of wearing guru kurtas and belt on shirts became famous in seventies and eighties because of Khanna.[90]

Khanna was awarded Filmfare Special Award in 1991 for having starred in 101 films as the solo lead hero and just 21 two hero films in short span of 25 years. Khanna gave 35 Golden Jubilee Hits in period 1967-1975 and 3 in 1976-78 and 35 more in 1979-1991 and gave 22 Silver Jubilee Hits in period 1966-1991.By 2011, he held record for the Hindi actor with most number of author backed lead hero films - 106 solo hero films and having done only 22 two hero films.[91]

[edit]Later career (1992-present)

 

From the early nineties onwards he stopped acting and served as M.P. of New Delhi Constituency from 1991 to 1996. During that period, he returned to acting, playing the lead in Khudai(1994), which was about a father and son both falling in love for the same woman. After 1992, he appeared in only 10 films and declined most film offers. He made a comeback as a NRI in Aa Ab Laut Chalen(1999), and Kyaa Dil Ne Kahaa(2002) and played the solo lead in films Sautela Bhai in 1996, Pyar Zindagi Hai in 2001 and Wafaa in 2008.He did 4 television serials in period 2000-2009.

[edit]Television

 

He is a life member of the International Film And Television Research Centre, the International Film And Television Club and the Asian Academy of Film & Television.[92] He is the Guest Faculty of 'Specialized Cinema Courses At Asian School Of Media Studies'. On 10 April 1999 Khanna inaugurated the live concert of S.P. Balasubramanyam held at Lal Bahadur Shastri Stadium, Hyderabad as a tribute to Pancham.[93] In 2001 and 2002, Rajesh played the lead in two television serials: Aapne Parai (B4U & DD Metro)[94] and Ittefaq (Zee TV).[95] He performed in a video album based on Tagore's songs (Rabindra Sangeet) without payment.[96] He also endorsed Star se Superstar tak – a talent hunt programme in 2007 and donated a Gold Trophy of Rs.1 crore. In its Silver Jubilee Episode on 14–15 March 2008, K for Kishore aired a Rajesh Khanna special. He signed on to star in a TV serial with Creative Eye Banner (Dhiraj Kumar) in 2007, and in 2008 performed in a TV serial, Bhabhima, with Leena Ganguly as his co-star. His successful TV serial Raghukul Reet Sada Chali Aayi began in November 2008 and ended in September 2009.[97] Khanna cited the lack of good roles for actors like him in the films as the reason for him not appearing much in films after 2001. He said in an interview on being queried about his decision to do TV serials, "The reach of TV is much more than cinema today and one episode of my serial is likely to be watched by more people than a super-hit film".[98] In 2009, on his 67th birthday, Shemaroo Entertainment released his films and a song collection titled Screen Legends-Rajesh Khanna-the Original Superstar.[99] In May 2012, Havells, the fan making company endorsed Khanna as Brand Ambassador for their new ad campaign featuring him in solo advertisements.[100]

[edit]Political and business career

 

Rajesh Khanna was a member of Parliament for the Congress Party, from the New Delhi constituency, where he won the 1992 by-election, retaining his seat until the 1996 election.[101] When Khanna was M.P he worked full time as a politician and did not accept new acting assignements.[102] He has since been a political activist for the Congress Party and campaigned for Congress in Punjab for 2012 elections.[103]

Khanna and a group of foreign investors have bought land in Shirdi on which they plan to build a religious resort for disciples of Sai Baba of Shirdi.[104]

[edit]Health

 

In June, 2012, it was reported that Rajesh Khanna's health had been deterorating for some time,[105] [106] On 23 June 2012 he was admitted to Lilavati Hospital due to some health complications. He was discharged on 8 July 2012 from the hospital and was reported to be fine.[107] [108][109][110] On 14th July 2012, Rajesh Khanna was readmitted in city's Lilavati hospital. He was admitted due to weakness and low blood pressure," Mr Khanna's estranged wife, Dimple Kapadia said. [11

Model : Raaz & Sakib

 

© All rights are reserved worldwide by Mortuza Alam. Please do not use the picture without permission

 

Copyright:Mortuza Alam

 

Bollywood veteran Rajesh Khanna was at his dramatic best when he received the lifetime achievement trophy at the International Indian Film Academy (IIFA) awards in Macau from his "Anand" co-star Amitabh Bachchan late on Saturday (June 13) night.

 

Khanna, who featured in hits like "Aradhana", "Kati Patang" and "Amar Prem" in his four-decade long career, kept referring to Big B as "babumoshai", in the manner in which he addressed Bachchan in their 1971 heartwarming hit "Anand".

 

It took me 40 years and 180 films to get this IIFA Life time Achievement award-along journey I must say I am very grateful to IIFA, (event organisers) Wizcraft, committee members and babumoshai. Babumoshai, thank you very very much," Khanna said in his acceptance speech.

 

“It is after 16 years later that we are together on a stage. I thank him from the bottom of my heart," he added.

 

Khanna, 66, also belted dialogues from his famous films to entertain the audience. And he even appreciated Bachchan's successful journey in his professional life.

 

Life should be big, not necessarily long, and my babumoshai is living life big - living life king size. (Look) from where to where he has reached in so many years. We started with ’Anand' and today we are on this platform. He is very dear to me, he is my babumoshai," he said.

 

Khanna received a standing ovation from industry members as well as the audience.

 

Whatever I am, I am because of you, my audience. My audience members, Hindu, Muslim, Sikh or Christian - everyone was responsible to make me an actor to a star to a superstar to what I am today. Thank you all," he said.

 

www.masala.com/12738-thank-you-babumoshai-rajesh-khanna-t...

 

From Wikipedia, the free encyclopedia

 

Rajesh Khanna pronunciation (help·info); (born Jatin Khanna on 29 December 1942) is an Indian actor of Hindi films,[1] and has been Hindi film producer and an Indian politician.

He appeared in 163 films of which 106 had him as the solo lead hero and 22 were two hero projects.[2] He won three Filmfare Best Actor Awards and was nominated for the same fourteen times. He received the maximum BFJA Awards for Best Actor (Hindi) – four times and nominated 25 times. He was awarded the Filmfare Lifetime Achievement Award in 2005. Khanna is referred to as the “First Superstar” of Hindi cinema.[3][4][5][6] He made his debut in 1966 with Aakhri Khat and rose to prominence with his performances in films like Raaz, Baharon Ke Sapne, Ittefaq and Aradhana.

 

Khanna was born in Amritsar on 29 December 1942. He was adopted and raised by foster parents who were relatives of his biological parents. Khanna lived in Thakurdwar near Girgaon. Khanna attended St. Sebastian’s Goan High School in Girgaum, along with his friend Ravi Kapoor, who later took the stage name Jeetendra. Their mothers were friends.[7] Khanna gradually started taking interest in theatre and did a of stage and theater plays in his school[8] and college days and won many prizes in the inter college drama competitions.[9] Khanna became a rare newcomer who struggled in his own MG sports car to get work in theatre and films in the early sixties.[10] Both friends later studied in Kishinchand Chellaram College(KC).[11] When Jeetendra went for his first film audition, it was Khanna who tutored him. Khanna's uncle changed Khanna's first name to Rajesh when Khanna decided to join films. His friends and his wife call him Kaka.[12]

[edit]Adult life

 

See also: Dimple Kapadia, Kishore Kumar, R.D.Burman, Jeetendra, and Simple Kapadia

In the late 1960s and early 1970s, Khanna fell in love with the then fashion designer and actress Anju Mahendru.[13] They were in the relationship for seven years. Mahendru states that the couple did not speak to each other for 17 years after the breakup.[14] Later Khanna married Dimple Kapadia in 1973 and has two daughters from the marriage.[15] Khanna and Dimple Kapadia separated in 1984 as his schedule kept him away much of the time and Dimple became interested in pursuing an acting career,[16] and thereafter lived separately, but did not complete the divorce proceedings.[17] In the eighties Tina Munim was romantically involved with Khanna till the time she decided to leave the industry to pursue her higher studies.[18] Years of separation brought about mutual understanding between Rajesh Khanna and Dimple Kapadia.[14] Reporter Dinesh Raheja stated that “the bitterness between Rajesh and Dimple washed away", noting that they are seen together at parties and that Dimple campaigned for Khanna's election and also worked in his film Jai Shiv Shankar.[19] Their elder daughter Twinkle Khanna, an interior decorator and a former film actress, is married to actor Akshay Kumar[20] while their younger daughter Rinke Khanna, also a former Hindi film actress,[21] is married to a London-based investment banker Samir Saran.[22]

[edit]Early career (1966–1975)

 

Rajesh Khanna was one of eight finalists in the 1965 All India Talent Contest organised by United Producers and Filmfare from more than ten thousand contestants.[23] Subsequently Khanna won the contest.[24] He made his film debut in the 1966 film Aakhri Khat directed by Chetan Anand, followed by Raaz directed by Ravindra Dave both of which were a part of his predetermined prize for winning the All-India United Producers’ Talent Competition.[25] G.P. Sippy and Nasir Hussain were the first to sign Rajesh Khanna after he won the contest.[26] Khanna in an interview to Hindu newspaper said,"Though “Aakhri Khat” is my first film, I received my first break as a leading actor in Ravindra Dave's, “Raaz” in 1967. My heroine was Babita, already a popular actress then. Though I had lots of confidence, I was shy in facing the camera initially. In my first three shots, I had to perform with stress on my body language and dialogue delivery. Though I was right with my dialogues, my movements were not up to the mark. Ravindra Dave explained me my scenes and movements very clearly correcting my way of walking".[27] Being under contract with United Producers, he got projects like Aurat, Doli and Ittefaq.[28] He was then noticed for his performances in films like Baharon Ke Sapne, Aurat (1967), Doli, Aradhana and Ittefaq. Later Waheeda Rehman suggested Asit Sen to take Khanna for the lead role in Khamoshi.[29] Through Aradhana he rose to "instant national fame" and film critics referred to him as the first superstar of India.[30][31] In that film, Rajesh Khanna was cast in a double role (father and son) opposite Sharmila Tagore and Farida Jalal. The film also saw the resurgence of Kishore Kumar, who eventually became the official playback voice of Rajesh Khanna. The Kishore Kumar-Rajesh Khanna combination worked miracles and it was almost impossible to see them as separate identities. They became a singer-actor duo and together they gave many songs till 1991.[32] Then in year 1971, Haathi Mere Saathi became the biggest hit and also became the biggest grosser ever till then.Khanna is also credited with giving Salim Khan and Javed Akhtar their first chance to become screenplay writers by offering them work in Haathi Mere Saathi.[33] Javed Akhthar accpeted in an interview "One day, he went to Salimsaab and said that Mr. Devar had given him a huge signing amount with which he could complete the payment for his bungalow Aashirwad. But the film's script was far from being satisfactory. He told us that if we could set right the script, he would make sure we got both money and credit."[34]

Rajesh acted alongside Mumtaz in eight successful films.[35] They were neighbours and got along very well, and as a result they shared a great on-screen chemistry. After Khanna married, Mumtaz decided to marry millionaire Mayur Madhwani in 1974. At the time, she was doing three films Aap ki Kasam, Roti and Prem Kahani with Khanna. She decided to quit movies only after completing these films. When she left films Khanna felt very lost. In one of her interviews, Mumtaz was quoted saying "I would pull his leg and tease him about his fan following. Whenever Rajesh entered a hotel in Madras, there was a queue of 600 girls waiting to see him at midnight. As a result, even I would get some importance, as people would ask for my autograph as well. He was very generous with his associates, and would party a lot."

During the peak of his career he would be mobbed during public appearances. Fans kissed his car, which would be covered with lipstick marks, and lined the road, cheering and chanting his name. Female fans sent him letters written in their blood.[36] There used to be a line of cars of his producers and hysterical fans outside his bungalow every day. Actor Mehmood parodied him in Bombay to Goa where the driver and conductor of the bus were called 'Rajesh' and 'Khanna'. Even today, he remains the favourite of mimicry artists, who copy his trademark style and dialogue delivery. During the filming of Amar Prem there was a scene that needed to be filmed at Howrah Bridge with a boat carrying Khanna with Sharmila moving under the bridge. The authorities ruled this scene out as they realized that if the public found out that the hero of the film would be there, it may create problems on the bridge itself, and that it might collapse due to the amount of people trying to get a glimpse of their favourite actor.[37] Film critic Monojit Lahiri remembers “Girls married themselves to photographs of Rajesh Khanna, cutting their fingers and applying the blood as sindoor. Rajesh was God, there has never been such hysteria.”[38]

Several songs sung by Kishore Kumar in the 1970s were based on Rajesh Khanna. During the filming of the song 'Mere Sapnon Ki Rani' in Aradhana, Sharmila Tagore was shooting for a Satyajit Ray film and director Shakti Samanta had to shoot their scenes separately and then join the scenes together.

The BBC made a film on him, titled Bombay Superstar, in 1974, the shooting for which began the same time when he got married and his film Daag premiered.[39] In the video it can be noticed that Khanna was shooting for Aap Ki Kasam. A textbook prescribed by the Bombay University contained an essay, 'The Charisma of Rajesh Khanna!'.[40]

Sharmila Tagore said in interview to India Express, “Women came out in droves to see Kaka (Khanna). They would stand in queues outside the studios to catch a glimpse, they would marry his photographs, they would pull at his clothes. Delhi girls were crazier for him than Mumbai girls. He needed police protection when he was in public. I have never seen anything like this before and since.”[41]

Music remained one of the biggest attractions of all Rajesh Khanna films throughout his career. Many of the musical scores for Khanna's films were composed by Sachin Dev Burman, R.D. Burman and Laxmikant-Pyarelal. The trio of Rajesh Khanna, Kishore Kumar and R.D. Burman went on to make a number of popular films, including Kati Patang, Amar Prem, Shehzada, Apna Desh, Mere Jeevan Saathi, Aap Ki Kasam, Ajnabee, Namak Haraam, Maha Chor, Karm, Phir Wohi Raat, Aanchal, Kudrat, Ashanti, Agar Tum Na Hote, Awaaz, Hum Dono and Alag Alag.

Rajesh Khanna had 15 consecutive solo superhits between 1969 to 1972, which is still an unbroken record in Indian film history.[42] The commercial success of his films declined during 1976–78.In calculation of the 15 films, 2 hero films like Maryada,Andaz and films with box office result as hits were excluded -Mere Jeevan Saathi, Choti Bahu and Shehzada.

Khanna considered Guru Dutt, Meena Kumari and Geeta Bali as his idols.Khanna dislosed in an interview," My inspirations include, Dilip Kumar's dedication and intensity, Raj Kapoor's spontaneity, Dev Anand's style and Shammi Kapoor's rhythm."[27]

[edit]1976–1978

 

Between 1976 and 1978, Khanna acted in nine films that were not commercially successful. Seven of these were rated highly by critics upon their release and have achieved strong cult status over the years among the viewers and these films included Mehbooba,[43] Bundal Baaz, Tyaag, Palkon Ki Chhaon Mein, Naukri, Chakravyuha and Janata Havaldar which were directed by Shakti Samanta, Shammi Kapoor, Din Dayal Sharma, Meeraj, Hrishikesh Mukherjee, Basu Chatterjee and Mehmood Ali, respectively. Khanna persuaded Samanta to cast his sister-in-law Simple Kapadia opposite him in Anurodh.[44] Films starring Rajesh Khanna and directed by Shakti Samanta tended to be commercially successful, but Mehbooba was an exception.[45][46] K. Balachander then remade his film Arangetram in Hindi as Aaina with Mumtaz in the lead and Khanna in a cameo appearance in 1977. This film was also unsuccessful. The change from romantic and social movies to action oriented multi-starrers caused the decline of Khanna's career in terms of box office ratings to some extent. The declaration of emergency in India had angered the masses and this helped films having the lead character revolting against corruption becoming success.[47] Actor Joy Mukherjee made Chhailla Babu, a suspense thriller in 1977, which became the only successful film of his as a director[48] and the unexpected success of the Chhailla Babu gave a boost to the career of Khanna.[49] However, Khanna continued basically in solo hero social sober household meaningful films during this era and played a variety of characters in films of various genres. During this phase too he had box office hits like Maha Chor,[50] Chhailla Babu,[51] Anurodh and Karm.

[edit]Later career (1979–present)

 

After 1978, Khanna starred in critically acclaimed commercially successful films[52][53] such as Amardeep, Phir Wohi Raat, Bandish,[54] Thodisi Bewafaii, Dard, Kudrat, Dhanwan, Avtaar, Agar Tum Na Hote, Souten, Jaanwar, Asha Jyoti, Awaaz,[55] Naya Kadam,[56] Hum Dono, Babu, Aaj Ka M.L.A. Ram Avtar,[57] Shatru,[58] Insaaf Main Karoonga, Anokha Rishta, Nazrana, Angaarey, Adhikar (1986) and Amrit(from 1979–1991). Director Bharathiraja decided to remake his 1978 Tamil box office hit film "Sigappu Rojakkal" in Hindi with Khanna playing the role of a psychopath.[59] Kamal Haasan who played the same role in Tamil won South Filmfare Best Actor Award for his portrayal.[60] But the Hindi movie was seen as controversial by traditional and orthodox Hindi moviegoers and was not a commercial success, although Khanna's performance has been rated later higher by critics than the original.[61]

Tina Munim and Rajesh Khanna became the leading on and off screen couple of the 80’s with hits like Fiffty Fiffty, Suraag, Souten, Aakhir Kyun, Bewafai, Insaaf Main Karoonga and Adhikar(1986).[62] Ram Awatar Agnihotri wrote that Tina Munim showed the first sparks of the dedicated actress she would become in the films "Alag Alag" and "Adhikar", both with Khanna.[63] He also acted in the Marathi hit film "Sundara Satarkar" in 1981.[64] He has performed in the least number of multi-starrer films in comparison to his contemporaries and portrayed the central character in the few multistarrers he acted. Khanna delivered multi-starrer superhits like Rajput, Dharam Aur Kanoon,[65] Zamana, Dil-E-Nadan, Ashanti, Awam (film) and Ghar Ka Chiraag. He did three potboiler movies with Jeetendra, which were blockbusters-Dharam Kanta,[66] Nishaan and Maqsad.[67] Aaj Ka M.L.A. Ram Avtar is one of the memorable political films of Rajesh Khanna. Khanna played the character of a corrupt politician in this film. Viewers praised his role in the film.[68] The year 1985 saw him turn a producer with Alag Alag. Eleven films, with Khanna in the lead, released in 1985 and seven of these became hits and in addition had two films with him in special appearance.[69] Before joining politics one of his last films as the lead hero was Swarg released in 1990. David Dhawan regards Swarg as his most favorite directorial venture and said in an interview " Swarg did well. Though a serious film, people even today talk about it as it struck a chord. I was working with Rajesh Khanna for the first time. I shared a good rapport with him. He never threw tantrums on the sets."[70]

He experimented with films of different genres like tragedy in Babu as a rickshaw puller, thriller in Redrose as a psycopath, political adventure in Awam, negative roles in Dhanwan and Redrose, fantasy in Bundalbaaz and Jaanwar, crime in Phir Wohi Raat and Angarey, suspense in Chakravyuha and Iteefaq, comedy in Hum Dono and Masterji, action in Ashanti, family dramas like Aanchal and Amrit and Agar Tum Na Hote, variety of social films like Avtaar, Naya Kadam, Akhir Kyun and with different themes like reincarnation theme in Kudrat, patriotism in Prem Kahani, immature young love theme handled in different ways in films like Anokha Rishta, Nazrana and Dil E Nadan and did college romance in Bandish. He has played variety of characters as the lead hero – as a postman in Palkon Ki Chaon Mein, as a lawyer who proves that his senior has committed a rape 25 years earlier in Kudrat, as a politician in Aaj Ka MLA Ram Avtaar, as a young musician forced by fate to marry two women in Asha Jyoti, as professional advocate in Awaaz, fisherman in Prem Bandhan, a revolutionary patriot who is torn apart by love and policeman like in Prem Kahanai, as a righteous farmer in Bandhan etc.

He shared a very close relationship with R.D. Burman[71] and Kishore Kumar. The trio were very close friends and have worked together in more than thirty films.[72] Work of Pancham with Khanna is regarded as legendary and far superior than any other actor-music director combinations.[73] The king of playback singing Kishore Kumar had even credited Rajesh Khanna for his resurgence, so much so that he sang for Alag Alag, the first film produced by Rajesh Khanna without charging anything.[74][75] In 1985 Pancham found himself being sidelined after failure of few films but Rajesh Khanna was among the few who continued to stand by him.[76] Rajesh and Pancham worked together even after the death of Kishore in the films Jai Shiv Shankar, the unreleased film Police Ke Peechhe Police (both produced by Khanna ) and Sautela Bhai. Khanna even helped Leena Gangully and Amit Kumar in completing Mamta Ki Chhaon Mein, the last film directed by Kishore who died before the completion of the film.

Actors who were part of the cast of most of his films include Ashok Kumar, Sujit Kumar, Prem Chopra, Madan Puri, Asrani, Bindu, Vijay Arora, Roopesh Kumar, Dina Pathak and A. K. Hangal, who remained part of his " working team" since the start until the late eighties. The lyricist whom he preferred for his movies was Anand Bakshi. Films by Shakti Samanta with Khanna in the lead, music by Pancham and lyrics by Anand Bakshi had people swooning over. The films Samanta directed without Khanna in the eighties were duds.[77][78] His other close friends from the film industry include Raj Babbar, J. Om Prakash and Jeetendra.

Pyarelal quoted in an interview that “Rajesh Khanna was lucky for us and we were lucky for him too. From the 1969 Do Raaste to the 1986 Amrit, we gave hits together both as films and as music scores.... When we went on our first overseas concert tour in 1984, he came and danced to three songs. He was very particular about his music and would take a tape home if he could not assess a song. He would then give his feedback after a day or two. But if he liked a song at the sitting, he would loudly shout “Wah! Wah!” in appreciation…. It was God’s blessing that we came up with such a vast range of hit songs for him, including in his home productions Roti and films like Chhailla Babu, Chakravyuha, Fiffty Fiffty, Amar Deep and Bewafai. Incidentally, he had a stake in Mehboob Ki Mehndi too.[35]

Celebrities of the post-2000 era, like Madhur Bhandarkar, say that they take at least three or four turns in Carter Road even today only to see Khanna.[79] The younger generation stars like Imran Khan still regard Rajesh Khanna as someone who would take the top slot as the most romantic hero of all time.[80] Shahrukh Khan idolises Rajesh Khanna and has opined,"Rajesh Khanna you can’t touch".[81] Actor Tom Alter confessed “I still dream of being Rajesh Khanna. For me, in the early 1970s, he was the only hero – romantic to the core, not larger than life, so Indian and real – he was my hero; the reason I came into films and he still is.”[82] Actor Irrfan Khan accepted in an interview, "The kind of craze witnessed by Rajesh Khanna has not been duplicated by anyone. He was the biggest and the most real star Bollywood has produced. I'd say stardom is that feeling of being possessed by your idol; you are so overwhelmed with euphoria you lose touch with reality."[83] Rajesh Khanna was the last superstar to set fashion trends.[84] The trend of wearing guru kurtas and belt on shirts became famous in seventies and eighties because of Khanna.[85]

From the early nineties onwards he stopped acting and served as M.P. of New Delhi Constituency from 1991 to 1996. During that period, he returned to acting, appearing in Khudai(1994). He made a comeback as a NRI in Aa Ab Laut Chalen(1999), and Kyaa Dil Ne Kahaa(2002). In September 2007, he officially announced his planned return to the big screen, signing a contract for several new films, including some television serials.

[edit]Television

 

He is a life member of the International Film And Television Research Centre, the International Film And Television Club and the Asian Academy of Film & Television.[86] He is the Guest Faculty of 'Specialized Cinema Courses At Asian School Of Media Studies'. On 10 April 1999 Khanna inaugurated the live concert of S.P. Balasubramanyam held at Lal Bahadur Shastri Stadium, Hyderabad as a tribute to Pancham.[87] In 2001 and 2002, Rajesh played the lead in two television serials: Aapne Parai (B4U & DD Metro)[88] and Ittefaq (Zee TV).[89] He performed in a video album based on Tagore's songs (Rabindra Sangeet) without payment, and is currently in the process of creating his own music channel "R.K. Music Channel".[90] He also endorsed Star se Superstar tak – a talent hunt programme in 2007 and donated a Gold Trophy of Rs.1 crore. In its Silver Jubilee Episode on 14–15 March 2008, K for Kishore aired a Rajesh Khanna special. He signed on to star in a TV serial with Creative Eye Banner (Dhiraj Kumar) in 2007, and in 2008 performed in a TV serial, Bhabhima, with Leena Ganguly as his co-star. His successful TV serial Raghukul Reet Sada Chali Aayi began in November 2008 and ended in September 2009.[91] Khanna cites the lack of good roles for actors like him in the films these days. He said in an interview on being queried about his decision to do TV serials, "The reach of TV is much more than cinema today and one episode of my serial is likely to be watched by more people than a super-hit film".[92] In 2009, on his 67th birthday, Shemaroo Entertainment released his films and a song collection titled Screen Legends-Rajesh Khanna-the Original Superstar.[93]

[edit]Political and business career

 

Rajesh Khanna was a member of Parliament for the Congress Party, from the New Delhi constituency, where he won the 1992 by-election, retaining his seat until the 1996 election.[94] He has since been a political activist for the Congress Party.

Khanna and a group of foreign investors have bought land in Shirdi on which they plan to build a religious resort for disciples of Sai Baba of Shirdi.[95]

[edit]Awards, honours and recognitions

 

Main article: List of Rajesh Khanna's awards, honours and recognitions

[edit]Filmography

 

[edit]Actor

Main article: Rajesh Khanna filmography

[edit]Producer

YearFilm

1985Alag Alag

1989Police Ke Peeche Police

1990Jai Shiv Shankar

[edit]Co-Producer

YearFilm

1971Mehboob Ki Mehndi

1974Roti

1995Barsaat

[edit]Playback Singer

Baharon Ke Sapne (1967)

Safar (1970)

Raja Rani (1973)

Shehzada (1972)

Amar Prem (1972)

Daag (1973)

Ajnabee

Souten (1983)

Esha Gupta & Jaey Gajera together at the Promotions of Bollywood Film ' Humshakals '

  

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From Wikipedia, the free encyclopedia

  

Rajesh Khanna (Hindi: राजेश खन्ना About this sound pronunciation (help·info); Punjabi: ਰਾਜੇਸ਼ ਖੰਨਾ, Urdu: راجيش کھنہ) (born Jatin Khanna on 29 December 1942) is a multiple Filmfare and BFJA award-winning Indian actor from Hindi films,[1] and has been Hindi film producer and an Indian politician.

 

During his career, he appeared in over 160 films of which 96 had him as the solo hero and 17 were two hero projects.[2] He won three Filmfare Best Actor Awards and was nominated for the same fourteen times. He received the maximmmum BFJA Awards for Best Actor (Hindi)- four times and was nominated for the same 27 times.He was awarded the Filmfare Lifetime Achievement Award in 2005. Khanna is referred to as the “First Superstar” of Indian cinema.[3][4][5] He had "the biggest and the maddest fan following, especially his female fans," which, according to Entertainment One India, has not been duplicated since he rose to fame in the 1970s.[6] He made his debut in 1966 with Aakhri Khat and rose to prominence with his performance in films like Raaz, Baharon Ke Sapne, Doli, Ittefaq and with Aradhana became the first superstar.These successes from late sixties put him among the most successful actors in the Indian film industry and has since become one of the most prominent figures in the history of Indian cinema. In addition to acting, Khanna has worked as a playback singer and film producer and was an elected member of the Indian Parliament served a five year tenure as MP from 1991 to 1996.

  

Early life

 

Khanna was born in Amritsar on 29 December 1942. He was raised by foster parents (relatives of his biological parents) who were childless. Khanna lived in Thakurdwar near Girgaon. Khanna attended St. Sebastian’s Goan High School in Girgaum, along with his friend Ravi Kapoor, who later took the stage name Jeetendra. Their mothers were kirtan[clarification needed] pals.[7] Khanna gradually started taking interest in theatre and did a lot of plays in his school and college days and won many prizes in the inter college drama competitions.[8] Khanna became a rare newcomer who struggled in his own MG sports car to get work in theatre and films in the early sixties.[9] Both friends later studied in Kishinchand Chellaram College(KC).[10] When Jeetendra went for his first film audition, it was Khanna who tutored him. Khanna's uncle changed Khanna's first name to Rajesh when Khanna decided to join films. His friends and his wife call him Kaka.[11]

Adult life

See also: Simple Kapadia, Kishore Kumar, R.D.Burman, and Jeetendra

 

In the late 1960s and early 1970s, Khanna fell in love with the then fashion designer and actress Anju Mahendru.[12] They were in the relationship for seven years. Mahendru states that the couple did not speak to each other for 17 years after the breakup.[13] Later Khanna married Dimple Kapadia in 1973 and has two daughters from the marriage.[14] Khanna and Dimple Kapadia separated in 1984 as his schedule kept him away much of the time and Dimple became interested in pursuing an acting career,[15] and thereafter lived separately, but did not complete the divorce proceedings.[16] In the eighties Tina Munim was romantically involved with Khanna till the time she decided to leave the industry to pursue her higher studies.[17] Years of separation brought about mutual understanding between Rajesh Khanna and Dimple Kapadia.[13] Reporter Dinesh Raheja stated that “the bitterness between Rajesh and Dimple washed away", noting that they are seen together at parties and that Dimple campaigned for Khanna's election and also worked in his film.[18] Their elder daughter Twinkle Khanna, an interior decorator and a former film actress, is married to actor Akshay Kumar[19] while their younger daughter Rinke Khanna, also a former Hindi film actress,[20] is married to London-based investment banker Samir Saran.[21]

Early career (1966–1975)

 

Rajesh Khanna was one of eight finalists in the 1965 All India Talent Contest organised by United Producers and Filmfare from more than ten thousand contestants.[22] Subsequently Khanna won the contest.[23] He made his film debut in the 1966 film Aakhri Khat directed by Chetan Anand, followed by Raaz directed by Ravindra Dave both of which were a part of his predetermined prize for winning the All-India United Producers’ Talent Competition.[24] G.P. Sippy and Nasir Hussain were the first to sign Rajesh Khanna after he won the contest.[25] Khanna in an interview to Hindu newspaper said,"Though “Aakhri Khat” is my first film, I received my first break as a leading actor in Ravindra Dave's, “Raaz” in 1967. My heroine was Babita, already a popular actress then. Though I had lots of confidence, I was shy in facing the camera initially. In my first three shots, I had to perform with stress on my body language and dialogue delivery. Though I was right with my dialogues, my movements were not up to the mark. Ravindra Dave explained me my scenes and movements very clearly correcting my way of walking".[26] Being under contract with United Producers, he got projects like Aurat, Doli and Ittefaq.[27] He was then noticed for his performances in films like Baharon Ke Sapne, Aurat (1967), Doli, Aradhana and Ittefaq. Later Waheeda Rehman suggested Asit Sen to take Khanna for the lead role in Khamoshi.[28] Through Aradhana he rose to "instant national fame" and film critics referred to him as the first superstar of India.[29][30] In that film, Rajesh Khanna was cast in a double role (father and son) opposite Sharmila Tagore and Farida Jalal. The film also saw the resurgence of Kishore Kumar, who eventually became the official playback voice of Rajesh Khanna. The Kishore Kumar-Rajesh Khanna combination worked miracles and it was almost impossible to see them as separate identities. They became a singer-actor duo and together they gave many songs till 1991.[31] Then in year 1971, Haathi Mere Saathi became the biggest hit and also became the biggest grosser ever till then.Khanna is also credited with giving Salim Akhtar and Javed Akhtar their first chance to become screenplay writers by offering them work in Haathi Mere Saathi.[32] Javed Akhthar accpeted in an interview "One day, he went to Salimsaab and said that Mr. Devar had given him a huge signing amount with which he could complete the payment for his bungalow Aashirwad. But the film's script was far from being satisfactory. He told us that if we could set right the script, he would make sure we got both money and credit."[33]

 

He formed popular on screen pairs with actresses Sharmila Tagore, Asha Parekh, Mumtaz, Hema Malini, Zeenat Aman, Tina Munim, Shabana Azmi, Smita Patil and Poonam Dhillon.[34][35]

 

In films like "Anand", "Namak Haram", "Bawarchi" and "Naukri" directed by Hrishikesh Mukherjee, Khanna always had author-backed roles and for this reason Khanna charged only half of his market rate while doing these films.[36] Indiatimes ranked Anand amongst the Top 25 Must See Bollywood Films.[37]

 

Rajesh acted alongside Mumtaz in eight successful films.[38] They were neighbours and got along very well, and as a result they shared a great on-screen chemistry. After Khanna married, Mumtaz decided to marry millionaire Mayur Madhwani in 1974. At the time, she was doing three films Aap ki Kasam, Roti and Prem Kahani with Khanna. She decided to quit movies only after completing these films. When she left films Khanna felt very lost. In one of her interviews, Mumtaz was quoted saying "I would pull his leg and tease him about his fan following. Whenever Rajesh entered a hotel in Madras, there was a queue of 600 girls waiting to see him at midnight. As a result, even I would get some importance, as people would ask for my autograph as well. He was very generous with his associates, and would party a lot."

 

During the peak of his career he would be mobbed during public appearances. Fans kissed his car, which would be covered with lipstick marks, and lined the road, cheering and chanting his name. Female fans sent him letters written in their blood.[39] There used to be a line of cars of his producers and hysterical fans outside his bungalow every day. Actor Mehmood parodied him in Bombay to Goa where the driver and conductor of the bus were called 'Rajesh' and 'Khanna'. Even today, he remains the favourite of mimicry artists, who copy his trademark style and dialogue delivery. During the filming of Amar Prem there was a scene that needed to be filmed at Howrah Bridge with a boat carrying Khanna with Sharmila moving under the bridge. The authorities ruled this scene out as they realized that if the public found out that the hero of the film would be there, it may create problems on the bridge itself, and that it might collapse due to the amount of people trying to get a glimpse of their favourite actor.[40] Film critic Monojit Lahiri remembers “Girls married themselves to photographs of Rajesh Khanna, cutting their fingers and applying the blood as sindoor. Rajesh was God, there has never been such hysteria.”[41]

 

Several songs sung by Kishore Kumar in the 1970s were based on Rajesh Khanna. During the filming of the song 'Mere Sapnon Ki Rani' in Aradhana, Sharmila Tagore was shooting for a Satyajit Ray film and director Shakti Samanta had to shoot their scenes separately and then join the scenes together.

 

The BBC made a film on him, titled Bombay Superstar, in 1974, the shooting for which began the same time when he got married and his film Daag premiered.[42] In the video it can be noticed that Khanna was shooting for Aap Ki Kasam. A textbook prescribed by the Bombay University contained an essay, 'The Charisma of Rajesh Khanna!'.[43]

 

Sharmila Tagore said in interview to India Express, “Women came out in droves to see Kaka (Khanna). They would stand in queues outside the studios to catch a glimpse, they would marry his photographs, they would pull at his clothes. Delhi girls were crazier for him than Mumbai girls. He needed police protection when he was in public. I have never seen anything like this before and since.”[44]

 

Music remained one of the biggest attractions of all Rajesh Khanna films throughout his career. Many of the musical scores for Khanna's films were composed by Sachin Dev Burman, R.D. Burman and Laxmikant-Pyarelal. The trio of Rajesh Khanna, Kishore Kumar and R.D. Burman went on to make a number of popular films, including Kati Patang, Amar Prem, Shehzada, Apna Desh, Mere Jeevan Saathi, Aap Ki Kasam, Ajnabee, Namak Haraam, Maha Chor, Karm, Phir Wohi Raat, Aanchal, Kudrat, Ashanti, Agar Tum Na Hote, Awaaz, Hum Dono and Alag Alag.

 

Rajesh Khanna had 15 consecutive hits between 1969 to 1972, which is still an unbroken record in Indian film history.[45] The commercial success of his films declined during 1976–78.

 

Khanna considered Guru Dutt, Meena Kumari and Geeta Bali as his idols.Khanna dislosed in an interview," My inspirations include, Dilip Kumar's dedication and intensity, Raj Kapoor's spontaneity, Dev Anand's style and Shammi Kapoor's rhythm."[26]

1976–1978

 

Between 1976 and 1978, Khanna acted in nine films that were not commercially successful. Seven of these were rated highly by critics upon their release and have achieved strong cult status over the years among the viewers and these films included Mehbooba,[46] Bundal Baaz, Tyaag, Palkon Ki Chhaon Mein, Naukri, Chakravyuha and Janata Havaldar which were directed by Shakti Samanta, Shammi Kapoor, Din Dayal Sharma, Meeraj, Hrishikesh Mukherjee, Basu Chatterjee and Mehmood Ali, respectively. Khanna persuaded Samanta to cast his sister-in-law Simple Kapadia opposite him in Anurodh.[47] Films starring Rajesh Khanna and directed by Shakti Samanta tended to be commercially successful, but Mehbooba was an exception.[48][49] K. Balachander then remade his film Arangetram in Hindi as Aaina with Mumtaz in the lead and Khanna in a cameo appearance in 1977. This film was also unsuccessful. The change from romantic and social movies to action oriented multi-starrers caused the decline of Khanna's career in terms of box office ratings to some extent. The declaration of emergency in India had angered the masses and this helped films having the lead character revolting against corruption becoming success.[50] Actor Joy Mukherjee made Chhailla Babu, a suspense thriller in 1977, which became the only successful film of his as a director[51] and the unexpected success of the Chhailla Babu gave a boost to the career of Khanna.[52] However, Khanna continued basically in solo hero social sober household meaningful films during this era and played a variety of characters in films of various genres. During this phase too he had box office hits like Maha Chor,[53] Chhailla Babu,[54] Anurodh and Karm.

Later career (1979–present)

 

After 1978, Khanna starred in critically acclaimed commercially successful films[55] such as Amardeep, Phir Wohi Raat, Bandish,[56] Thodisi Bewafaii, Dard, Kudrat, Dhanwan, Avtaar, Agar Tum Na Hote, Souten, Jaanwar, Asha Jyoti, Awaaz,[57] Naya Kadam,[58]Hum Dono, Babu, Aaj Ka M.L.A. Ram Avtar,[59] Shatru,[60] Insaaf Main Karoonga, Anokha Rishta, Nazrana, Angaarey, Adhikar (1986) and Amrit. Director Bharathiraja decided to remake his 1978 Tamil box office hit film "Sigappu Rojakkal" in Hindi with Khanna playing the role of a psychopath.[61] Kamal Haasan who played the same role in Tamil won South Filmfare Best Actor Award for his portrayal.[62] But the Hindi movie was seen as controversial by traditional and orthodox Hindi moviegoers and was not a commercial success, although Khanna's performance has been rated later higher by critics than the original.[63]

 

Tina Munim and Rajesh Khanna became the leading on and off screen couple of the 80’s with hits like Fiffty Fiffty, Suraag, Souten, Aakhir Kyun, Bewafai, Insaaf Main Karoonga and Adhikar(1986).[64] Ram Awatar Agnihotri wrote that Tina Munim showed the first sparks of the dedicated actress she would become in the films "Alag Alag" and "Adhikar", both with Khanna.[65] He also acted in the Marathi hit film "Sundara Satarkar" in 1981.[66] He has performed in the least number of multi-starrer films in comparison to his contemporaries and portrayed the central character in the few multistarrers he acted. Khanna delivered multi-starrer superhits like Rajput, Dharam Aur Kanoon,[67] Zamana, Dil-E-Nadan, Ashanti, Awam (film) and Ghar Ka Chiraag. He did three potboiler movies with Jeetendra, which were blockbusters-Dharam Kanta,[68] Nishaan and Maqsad.[69] Aaj Ka M.L.A. Ram Avtar is one of the memorable political films of Rajesh Khanna. Khanna played the character of a corrupt politician in this film. Viewers praised his role in the film.[70] The year 1985 saw him turn a producer with Alag Alag. Eleven films, with Khanna in the lead, released in 1985 and seven of these became hits[clarification needed] and in addition had three films with him in special appearance.[71] Before joining politics one of his last films as the lead hero was Swarg released in 1990. David Dhawan regards Swarg as his most favorite directorial venture and said in an interview " Swarg did well. Though a serious film, people even today talk about it as it struck a chord. I was working with Rajesh Khanna for the first time. I shared a good rapport with him. He never threw tantrums on the sets."[72]

 

He experimented with films of different genres like tragedy in Babu, thriller in Redrose, political adventure in Awam, negative roles in Dhanwan and Redrose, fantasy in Bundalbaaz and Jaanwar, crime in Phir Wohi Raat, comedy in Hum Dono and Masterji, family drama like Aanchal and Amrit and Agar Tum Na Hote, social film like Avtaar, Akhir Kyun and with different themes like reincarnation theme in Kudrat, patriotism in Prem Kahani, college romance in Bandish and professionalism in Awaaz.

 

He shared a very close relationship with R.D. Burman[73] and Kishore Kumar. The trio were very close friends and have worked together in more than thirty films.[74] Work of Pancham with Khanna is regarded as legendary and far superior than any other actor-music director combinations.[75] The king of playback singing Kishore Kumar had even credited Rajesh Khanna for his resurgence, so much so that he sang for Alag Alag, the first film produced by Rajesh Khanna without charging anything.[76][77] In 1985 Pancham found himself being sidelined after failure of few films but Rajesh Khanna was among the few who continued to stand by him.[78] Rajesh and Pancham worked together even after the death of Kishore in the films Jai Shiv Shankar, the unreleased film Police Ke Peechhe Police (both produced by Khanna ) and Sautela Bhai. Khanna even helped Leena Gangully and Amit Kumar in completing Mamta Ki Chhaon Mein, the last film directed by Kishore who died before the completion of the film.

 

Actors who were part of the cast of most of his films include Ashok Kumar, Sujit Kumar, Prem Chopra, Madan Puri, Asrani, Bindu, Vijay Arora, Roopesh Kumar, Dina Pathak and A. K. Hangal, who remained part of his " working team" since the start until the late eighties. The lyricist whom he preferred for his movies was Anand Bakshi. Films by Shakti Samanta with Khanna in the lead, music by Pancham and lyrics by Anand Bakshi had people swooning over. The films Samanta directed without Khanna in the eighties were duds.[79][80] His other close friends from the film industry include Raj Babbar, J. Om Prakash and Jeetendra.

 

Pyarelal quoted in an interview that “Rajesh Khanna was lucky for us and we were lucky for him too. From the 1969 Do Raaste to the 1986 Amrit, we gave hits together both as films and as music scores.... When we went on our first overseas concert tour in 1984, he came and danced to three songs. He was very particular about his music and would take a tape home if he could not assess a song. He would then give his feedback after a day or two. But if he liked a song at the sitting, he would loudly shout “Wah! Wah!” in appreciation…. It was God’s blessing that we came up with such a vast range of hit songs for him, including in his home productions Roti and films like Chhailla Babu, Chakravyuha, Fiffty Fiffty, Amar Deep and Bewafai. Incidentally, he had a stake in Mehboob Ki Mehndi too. He had great interest in music and a terrific sense of melody too. His music is dominated by Pancham (R.D. Burman) and us and we accepted Shakti Samanta’s Anurodh only because Rajesh Khanna had some misunderstanding with Pancham then and did not want to work with him.”[38] Khanna would always request music directors to fit in Kishore Kumar wherever possible. In fact, Kishoreda was very reluctant to sing "Waada Tera Waada" in Dushman and suggested Laxmikant Pyarelal to get it sung by Rafi. Then Laxmikant made Kishoreda meet Rajesh Khanna and Khanna winked at Laxmikant and told Kishoreda that in that case the song should be scrapped. On hearing this Kishore immediately agreed to sing it by himself for Khanna.[38]

 

Celebrities of the post-2000 era, like Madhur Bhandarkar, say that they take at least three or four turns in Carter Road even today only to see Khanna.[81] The younger generation stars like Imran Khan still regard Rajesh Khanna as someone who would take the top slot as the most romantic hero of all time.[82] Sharukh Khan idolises Rajesh Khanna and has opined,"Rajesh Khanna you can’t touch".[83] Actor Tom Alter confessed “I still dream of being Rajesh Khanna. For me, in the early 1970s, he was the only hero — romantic to the core, not larger than life, so Indian and real — he was my hero; the reason I came into films and he still is.”[84] Actor Irrfan Khan accepted in an interview, "The kind of craze witnessed by Rajesh Khanna has not been duplicated by anyone. He was the biggest and the most real star Bollywood has produced. I'd say stardom is that feeling of being possessed by your idol; you are so overwhelmed with euphoria you lose touch with reality."[85] Rajesh Khanna was the last superstar to set fashion trends.[86] The trend of wearing guru kurtas and belt on shirts became famous in seventies and eighties because of Khanna.[87]

 

Akshay Kumar was a fan of Khanna since his childhood and later when he became Khanna's son-in-law, he told "Look at what destiny had in store for me. I married my idol's daughter! I still can't believe it. Who wasn't his fan in the 1970s? I remember queuing up for hours to watch Aradhana, Amar Prem, Kati Patang. These are among my favourite films of all times."[88] When Action Replayy, a film starring Akshay in the lead released in 2010, Akshay ensured that Rajesh Khanna was the first person to watch the film in theaters. On the eve of the film's release Akshay said "The film is set in the era that belongs to my father-in-law. I am proud of being part of the family now. Mr Khanna will be the first person to watch the film. I'm determined about that."[89] Action Replayy was a film which paid homage to the decade when Rajesh Khanna ruled.[90] Amitabh Bachchan, while presenting the lifetime achievement award to Khanna at the IIFA awards of 2009 acknowledged, "The word superstar in the Indian film industry was for the first time coined for him".[91]

 

From the early nineties onwards he stopped acting and served as M.P. of New Delhi Constituency from 1991 to 1996. During that period, he returned to acting, appearing in Khudai(1994). He made a comeback as a NRI in Aa Ab Laut Chalen(1999), and Kyaa Dil Ne Kahaa(2002). In September 2007, he officially announced his planned return to the big screen, signing a contract for several new films, including some television serials.

Television

 

He is a life member of the International Film And Television Research Centre, the International Film And Television Club and the Asian Academy of Film & Television.[92] He is the Guest Faculty of 'Specialized Cinema Courses At Asian School Of Media Studies'. On April 10, 1999 Khanna inaugurated the live concert of S.P. Balasubramanyam held at Lal Bahadur Shastri Stadium, Hyderabad as a tribute to Pancham.[93] In 2001 and 2002, Rajesh played the lead in two television serials: Aapne Parai (B4U & DD Metro) [94] and Ittefaq (Zee TV).[95] He performed in a video album based on Tagore's songs (Rabindra Sangeet) without payment, and is currently in the process of creating his own music channel "R.K. Music Channel".[96] He also endorsed Star se Superstar tak - a talent hunt programme in 2007 and donated a Gold Trophy of Rs.1 crore. In its Silver Jubilee Episode on 14–15 March 2008, K for Kishore aired a Rajesh Khanna special. He signed on to star in a TV serial with Creative Eye Banner (Dhiraj Kumar) in 2007, and in 2008 performed in a TV serial, Bhabhima, with Leena Ganguly as his co-star. His successful TV serial Raghukul Reet Sada Chali Aayi began in November 2008 and ended in September 2009.[97] Khanna cites the lack of good roles for actors like him in the films these days. He said in an interview on being queried about his decision to do TV serials, "The reach of TV is much more than cinema today and one episode of my serial is likely to be watched by more people than a super-hit film".[98] In 2009, on his 67th birthday, Shemaroo Entertainment released his films and a song collection titled Screen Legends-Rajesh Khanna-the Original Superstar.[99]

Political and business career

 

Rajesh Khanna was a member of Parliament for the Congress Party, from the New Delhi constituency, where he won the 1992 by-election, retaining his seat until the 1996 election.[100] He has since been a political activist for the Congress Party.

 

Khanna and a group of foreign investors have bought land in Shirdi on which they plan to build a religious resort for disciples of Sai Baba of Shirdi.[101]

  

Salam Dosto With New Islamic Videos Interpretation Of Dreams Khwabon Ki Tabeer In Urdu-Khawab Main Sharam gah Ko Dekhna AJ ki video me hum bat krain gay agr kisi ko khawab me shramgah nazar ae ya to apni dekhy ya kisi aurat ki ya mard to in sary khawabon ki tabeer aledha ha ap plz video ko pori dekhain mazeed detail k lye Share this khawab ki tabeer خواب میں عورت کی شرمگاه دیکھنا Subscribe For More Wazaif ❤Related Qurani Wazaif❤ Wazifa for love apna ghar lene ka wazifa Wazifa for students Dolatmand banny ka Wazifa Kala jadu ka tor in hindi Wazifa for success Wazifa for hajaat Khwabon Ki Tabeer In Urdu - Khwab Main Sharmgah Dekhnay Ki - Khwab Main Genitals Parts Dekhnay Ki TabeerTabeer Khwabon Ki Tabeer In Urdu "Agar khwab mein dekhay ke us ne sharamgah ke dhanp liya hai to daleel hai ke is ka raaz foran poshida ho ga. Aur ehle tabeer ne bayan kiya hai ke agar dekhay ke is ki sharamgah ka kuch hissa barhana hai aur is ne dhanp liya hai aur kisi ne nai dekha to dalel hai ke agar bemaar hai to shifa aur tandrusti paye ga. Aur agar qarzdar hai to qarz se surkhuru ho ga aur agar khoufzada hai to aman rahe ga. Agar dekhay ke is ki sharamgah barhana hai aur wo sharminda hua hai to daleel hai ke buray haal se naik haal ki taraf aye ga aur agar dekhay ke us ne jaan bhooj kar apni sharamgah ko barhana kiya hai to daleel hai ke esa kam kare ga jis se sazaa ka mustahiq ho ga ya use koi aafat pohnchay gi ko jis se log ibrat haasil karen gay." Khwabon Ki Tabeer In English "If you saw in dream that you cover your genitals parts so its mean your secret will remain. If you saw that your some genitals parts are open and did not see anybody so its mean if you are ill you will get well soon, If you are debtors then you will get out of this, If you are fearful then you will in peace." --------------------------------------------------------------------------------- Please Subscribe Here:- www.youtube.com/channel/UCOQGJbVpkHDa3l_R0EA_CgQ FACEBOOK:- ift.tt/2pOCx6j TWITTER:- twitter.com/DesiNuskhay GOOGLE+:- ift.tt/2pdAz33 ------------------------------------------------------------------------------- Desi Nuskhay Aur Wazaif channel is about all general health related issues in Urdu / hindi, Urdu Totkay, Hindi totkay, Health News in Urdu, health tips, beauty tips & ghareloo totkay, Islamic Knowledge in Urdu.Cooking Recipes in Urdu. We also provide the information about vegetable benefits in urdu, sabzion ke faide, fruits benefits for health, phalon ke faide, We also discuss life issues like... How to live a happy and healthy life in urdu. We provide general information about your health for more information and treatments please contact your doctor. For more videos please subscribe www.youtube.com/channel/UCOQGJbVpkHDa3l_R0EA_CgQ ----------------------------------------------------------------------------- Health Disclaimer: The information on this channel is designed for educational purposes only. It is not intended to be a substitute for informed medical advice or care.

#126 on 10/22/07

 

Tum jo paas aa gaaye (When you came so close)

Hum jo sharma gaye (I dropped my gaze and got shy)

Raaz-e-dil paa gaaye (and found the secrets of our hearts)

 

Tum bhi pehle pehel (You reached there first)

Hum bhi pehle pehel (And I reached there first)

 

Jab nigaahen mili (When our eyes met)

Dil mein kaliyan khili (Our hearts blossomed)

Jaise lehraa gaaye (As though they were singing)

 

Tum bhi pehle pehel (You reached there first)

Hum bhi pehle pehel (And I reached there first)

 

Wasl ki raat mein (On this special night)

Haath hai haath mein (Hand in hand)

Baat hi baat mein (Lost in our words)

Baat ponchi kahaan (Where have these words led us?)

 

Ik mulaqaat mein (In just one meeting)

Dekha yeh khwaab toh (We saw this dream)

Dil hai betaab toh (And the heart is in unrest)

Dono ghabraa gaaye (And both of us are afraid)

 

Tum bhi pehle pehel (You reached there first)

Hum bhi pehle pehel (And I reached there first)

 

Ishq zanjeer hai (Love is a sharp knife)

Ishq ik teer hai (Love is a piercing arrow)

Ishq taqdeer hai (Love is everyone’s destiny)

Ishq ik khaab hai (Love is like a dream)

 

Jiska dil naam hai (The thing called the heart)

Who toh ik jam hai (Is like a glass of wine)

Jaam chhalka gaaye (And then the glass overflowed)

 

Tum bhi pehle pehel (You reached there first)

Hum bhi pehle pehel (And I reached there first)

 

Tum bhi pehle pehel (You reached there first)

Hum bhi pehle pehel (And I reached there first)

 

Tum jo paas aa gaaye (When you came so close)

Hum jo sharma gaye (I dropped my gaze and got shy)

Raaz-e-dil paa gaaye (and found the secrets of our hearts)

  

COVER FEATURE

 

Psycho Geography

A black comedy about a murderous north-country caravan trip, BEN WHEATLEY’s Sightseers taps into a tradition of urban couples coming horribly unstuck in the English countryside. The director and his two writer-stars talk to Ben Walters.

 

FEATURES

 

Bomb culture

Fifty years after the Cuban Missile Crisis, writer-director SALLY POTTER revisits 1962 in Ginger & Rosa. She talks to Sophie Mayer.

 

Breaking the waves

Best known for intense crime dramas, JACQUES AUDIARD has gone for a more offbeat, lyrical approach with his new film Rust and Bone. He talks to Thomas Dawson.

 

Seoul survivor

IM KWONTAEK has directed more than 100 films in his career, holding up a mirror to the changes in his country since the Korean War. By Tony Rayns.

 

The Beat goes on

It’s taken 50 years for Jack Kerouac’s Beat classic On the Road to reach the screen. Demetrios Matheou talks to director WALTER SALLES and his cast on set in Montreal

 

Things overlooked

The Shining is back in a longer print, its secrets probed in the new documentary Room 237. By Michael Atkinson

 

PLUS: ‘A Little Touch of Amber’, a Shining-inspired short story by David Thomson.

 

Editorial: Cinema’s fall

Reader Offers

  

RUSHES

 

Nick James talks to CLARE STEWART, new director of the BFI London Film Festival, about this year’s edition.

 

Hannah McGill explores the significance of the typewriter in film.

 

Mark Cousins asks what makes a great building for a film museum.

 

Jonathan Romney examines John Malkovich’s portrayal of the Duke of Wellington.

  

THE INDUSTRY

 

Charles Gant investigates why a remake of a Michael Caine film took 15 years to reach the screen.

 

Charles Gant assesses the performance of Polish films at the UK box office.

 

David Locke on how film festivals can help give a leg-up to niche titles.

 

Nick Roddick talks to veteran film-festival programmer Marco Müller.

  

FESTIVALS

 

Nick James rounds up the best of Venice and Tom Charity reports from Toronto.

  

DEEP FOCUS

 

Mark Duguid explores the darker currents running through the diverse 1940s and 50s output of Ealing Studios, usually best known for its comedies.

 

PLUS: Josephine Botting on studio head MICHAEL BALCON.

  

WIDE ANGLE

 

Michael Brooke explores this year’s LFF Experimenta strand on Peter Kubelka.

 

Paul Mayersberg charts the links between Lang’s The Woman in the Window and Kubrick’s Eyes Wide Shut.

 

Brad Stevens takes a fresh look at a pair of 1970s gems starring Tuesday Weld.

 

Frances Morgan tunes in to a new film that travels Ireland in search of silence.

 

Bryony Dixon looks at silent-era censors.

 

Agnieszka Gratza on radical 1960s New York renaissance man Aldo Tambellini.

 

David Cairns revisits Closed Circuit.

  

FORUM

 

Letters The meaning of giallo, S&S poll.

 

James Bell queries the notion of truth in Bart Layton’s The Imposter.

  

FILMS OF THE MONTH

 

Beasts of the Southern Wild

 

Five Broken Cameras

 

Frankenweenie

 

Ginger & Rosa

  

OTHER FILM REVIEWS

 

Call Me Kuchu

The Campaign

Elena

For a Good Time, Call...

Hit & Run

Hotel Transylvania

House at the End of the Street

Inbred

Keep the Lights On

Keith Lemon: The Film

Looper

Madagascar 3: Europe’s Most Wanted

On the Road

The Penguin King 3D

Pitch Perfect

The Possession

Private Peaceful

Pusher

Raaz 3: The Third Dimension

Resident Evil: Retribution

Room 237: Being an Inquiry into The Shining in 9 Parts

Ruby Sparks

Rust and Bone

Sinister

Sister

Sparkle

St. George’s Day

Stitches

Taken 2

Tempest

  

DVD FEATURES

 

David Jenkins salutes the immediacy and energy of Samuel Fuller’s Park Row.

 

Graham Fuller unpicks the pre-feminist agenda of a trio of films from Gainsborough Pictures.

 

Lee Hill revisits one of the lesser-known films of the American New Wave, End of the Road.

  

DVD REVIEWS

 

Casa de Lava

Crime Does Not Pay: the Complete Shorts Collection (1935-1947)

Dying Room Only

Hell Is a City, Isn’t Anyone Alive?

Korczak

Lady Snowblood/Lady Snowblood 2: Love Song of Vengeance

Lawrence of Arabia

Oedipus Rex

Pursued

Puzzle of a Downfall Child

Das Testament des Dr Mabuse

Tetsuo: the Iron Man/Tetsuo II: Body Hammer

Wings

A Woman Under the Influence

  

TELEVISION

 

Hatfields & McCoys

Prisoners of War

Star Trek: The Next Generation – Season 1

  

BOOKS

 

Henry K. Miller enjoys an overview of the films of Olivier Assayas and a memoir by the director himself.

 

Paul Mayersberg surveys a critically acute exploration of troubled Hollywood director Nicholas Ray.

 

Nick James takes issue with a political analysis of 21st-century cinema.

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Mike Glatzer

    

Michael Glatzer Photography

    

2012

Atlanta

Bobby Dodd Stadium

Boston College

Fall

Georgia

Georgia Tech

Places

            

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Aaa (Sufi Chants)

 

Ali Imam Manasto Manam Ghulam E Ali

Hazaar Jaan E Girami Fida E Naam E Ali

 

Haiderium Qalndaram Mastam

Banda-E-Murtaza Ali Haastam

Paishwa-E-Tamaam Rinda Nam

Ke Sagay Koo E Shair E Yazdanam

 

Kabhi Deewar Hilti Hai, Kabhi Dar Kaanp Jata Hai

Ali Ka Naam Sun Ker Ub Bhi Khaiber Kaanp Jata Hai

 

Shah E Mardaan E Ali

Ali Ali, Ali Ali, Ali Ali, Aliii Aliii

Ali Ali Ali Ali, Ali Ali, Ali Ali Ali Ali Ali Ali...

Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Ali Alii

 

Ali Maula Ali, Ali Maula Ali

Ali Maula Ali, Ali Maula Ali

Aaa Ali Maula Ali, Ali Maula Ali

Ali Maula Ali, Ali Maula Ali

 

Jab Jaan Tan Say Nikle Lab Per Mere Yeh He Hoga

Alii Ali Maula Ali, Ali Maula Ali

Aaa Ali Maula Ali, Ali Maula Ali

Ali Maula Ali, Ali Maula Ali

 

Japle Japle Re Manwa

Yehi Naam Sacha Hai Pyaare

Yehi Naam Tere Sub Dukh Taale

Isi Naam Ki Barkat Ne Diyeh Raaz-E-Haqiqat Khol

 

Tu Bhi Kar Ali, Ali Maula Ali

Aaa Alii Ali Maula Ali, Ali Maula Ali

Aaa Ali Maula Ali, Ali Maula Ali

Ali Maula Ali, Ali Maula Ali

 

Kab Kisi Benawa Say Kehta Hoon

Sub Ke Haajat Rawa Say Kehta Hoon

Baat Shair-E-Khuda Say Kehta Hoon

Door Ho Ja Nazar Say Ey Mushkil

Warna Mushkil Kusha Say Kehta Hoon

 

Q K Woh Hein Mere Ali Ali

Ali Maula Ali, Ali Maula Ali

Aaa Ali Ali Maula Ali

Aaa Ali Ali Maula Ali, Ali Ali Ali Ali Ali

 

Shah-E-Mardaan-E-Ali La Fata Illah Ali

Shair-E-Yazdaan Ali Ali

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Maula Ali Ali Maula Ali Ali Maula Ali Ali

 

Haq Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa

Haq Ali Ali Ali Maula Ali Ali

 

Tan Per Ali Ali Ho Zubaan Per Ali Ali

Mar Jaoon To Kafan Pe Bhi Likhna Ali Ali

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Maula Ali Maula Ey Maula

Maula Ali Maula Ali Maula Ali Maula Maula...

Ey Moula Ali Moula, Moula Ali Moula

Moula Ali Moula Ali Moula Ali Moula Ali...

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Baghair Hubb-E-Ali Mud'daa-A Nahi Milta

Ibadaton Ka Bhi Hargiz Sila Nahi Milta

Khuda Ke Bando Suno Ghour Say Khuda Ki Qasam

Jisay Ali Nahi Miltay Usay Khuda Nahi Milta

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Basak Talash Na Ab Kuch Wus'at-E-Nazar Se Milaa

Nishaan E Manzil E Maqsood Raahbar Se Milaa

Ali Mile To Mile Khaana-E-Khuda Sa Hamein

Khuda Ko Dhonda To Wo Bhi Ali Ke Ghar Se Milaa

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Khuloos E Dil Say Ali Ka Jo Naam Laita Hai

Wohi To Lazzat Umr-E-Tamaam Laita Hai

Khuda Ke Bando Suno Ghour Say Khuda Ki Qasam

Ali Ka Naam To Girton Ka Thaam Laita Hai

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Paighambari Ke Chaand Ka Hala Ali Ali

Baatil Ki Teergi Ka Ujala Ali Ali

Paigham-E-Kirtigar Ka Jouhar Ali Ali

Imaan Ke Sadakh Ka Hai Kauhar Ali Ali

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Maula Ali Maula...

Maula Maula Maula

Maula Ali Maula Maula Ali Maula

Maula Ali Maula Maula Ali Maula...

 

Haq! Haq! Haq! Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Ustaad-E-Jibrael-E-Mukaraam Ali Ali

Maula-E-Kainaat Moazzam Ali Ali

Sirdaar-E-Ambiya Ka Tabassum Ali Ali

Chashm-E-Junoon-E-Afzal-O-Akram Ali Ali

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Ibadatoon Ka Jo Unwaan Hai To Zikr-E-Ali

Kamaal-E-Markaz E Eeman Hai To Zikar-E-Ali

Sukoon-E-Qalb Ka Saaman Dhoondne Walo

Sukoon-E-Qalb Ka Saaman Hai To Zikar-E-Ali

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Ali Maula Haq Ali Ali Ali Maula Ali Ali

 

Mojod-E-Kaaba Deen Mukammal Ali Ali

Paighambari Ka Shahid-E-Awwal Ali Ali

Vird-E-Zubaan Ehl-E-Zamana Ali Ali

Yakta-E-Roozgaar Yagana Ali Ali

Altaf-E-Bebadal Ka Khazana Ali Ali

Insaan Ki Azmatoon Ka Tarana Ali Ali

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Qawwali Vocables...

Haq Haq Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Nazar Haqeeqat Shaanas Paayi To Kia Kahoon Kis Ada Ko Daikha

Her Aik Zarray Mein Jalwa Farmaa Mohammad-O-Murtaza Ko Daikha

Qasam Khuda Ki Ali Nabi Say, Nabi Ali Say Juda Nahi Hai

Ali Ko Daikha, Nabi Ko Daikha, Nabi Ko Daikha, Khuda Ko Daikha

 

Haq Haq Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

Sahar Hoi Shab E Mairaaj Ki To Logo Ne

Jamaal-E-Pak Rukh-E-Sayyad-Ul-Bashar Daikha

Kaha Ghulamo Ne Hum Se Bhi Kijiyeh Irshaad

Jo Kuch Huzoor Ne Yasha-A Arsh Per Daikha

 

To Harfashaa Hue Lale Labe Rasool E Kareem

Ajeeb Martaba Haider Ka Arsh Per Daikha

Wali Wali Ki Sada Thi Jahan Jahan Pohche

Ali Ali Nazar Aye Jidhar Jidhar Daikha

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

 

Deed Haider Ki Ibadat Hai Ye Farmaan E Nabi

Deed Haider Ki Sub Ker Lo

Deed Haider Ki Sub Ker Lo

Deed Haider Ki Sub Ker Lo

 

Jin Ki Mehfil Hai Woh Mehfil Mein Zaroor Aate Hein

Aao Sub Ker Lo Deed Haider Ki

Sub Ker Lo Deed Haider Ki

Aaa Sub Ker Lo Deed Haider Ki

 

Nigaah E Raah Mein Bicha Do K Aap Aye Hein

Diloon Ko Farsh Bana Do K Aap Aaye Hein

Sub Ker Lo Deed Haider Ki

Sub Ker Lo Deed Haider Ki

 

Deed Haider Ki Ibadat Hai Yeh Farmaan E Nabi

Hai Ali Rooh E Nabi Jism E Nabi Jaan E Nabi

Gul-E-Tatheer Ali, Haq Ki Shamsheer Ali

Peeron Ke Peer Ali Ali

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Aaa Haq Ali Ali Ali Maula Ali Ali

 

dono aalam ke hein waliyon pe waliat un ki

sari dunya ke imamon pe immamat unki

husn e taqdeer ali nabi ke wazeer wali

haq ki tasverr ali alii

 

Haq Ali Ali Ali Maola Ali Ali

Haq Ali Ali Ali Maola Ali Ali

Haq Ali Ali Ali Maola Ali Ali

Aaa Haq Ali Ali Ali Maola Ali Ali

 

ghareebon da zamane vich sahara hai ali maula

mohammad jiss da maula us da maula hai ali maula

 

Haq Ali Ali Ali Maola Ali Ali

Haq Ali Ali Ali Maola Ali Ali

Haq Ali Ali Ali Maola Ali Ali

Aaa Haq Ali Ali Ali Maola Ali Ali

 

un ki Saem hai walidat ki jagah harm-e-kaaba

aankh kholi to chehra e mohammad dekha

noor e tanveer ali, badr e muneer ali

malik e taqdeer alii alii

 

Haq Ali Ali Ali Maola Ali Ali

Haq Ali Ali Ali Maola Ali Ali

Haq Ali Ali Ali Maola Ali Ali

Aaa Haq Ali Ali Ali Maola Ali Ali

 

dast e ilaah kiyoon na ho sher e khuda ali

maqsood her ataa hai shah e la fata ali

jiss tarah hai aik zaat e mohammad hai bemisaal

paida howa na hoga koi dosra ali ali

 

Haq Ali Ali Ali Maola Ali Ali

Haq Ali Ali Ali Maola Ali Ali

Haq Ali Ali Ali Maola Ali Ali

Aaa Haq Ali Ali Ali Maola Ali Ali

 

Her Ik Wali K Dil Ki Sada Hai Ali Ali

Khuld E Bari Ki Aab-O-Hawa Hai Ali Ali

Jo Aaye Haq Ka Raahnuma Hai Ali Ali

Mahboob-E-Mustafa Khuda Hai Ali Ali

 

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

Haq Ali Ali Ali Maula Ali Ali

 

Shah E Mardaan E Ali

La Fata Illa Ali

Shair E Yazdaan Ali Ali

Haq Ali Ali Maula Ali Ali... Aaa

 

www.pakizm.com/nusrat/haqaliali.htm

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Dosto aaj hum nay aap k liye daulat main barkat aur ghurbat say rihai k liye aik aesa mustanid wazifa share kiya hai jo agar Jummah k din kiya jaye to Allah us shakhs ki for hajat puri krtay hain. Ramzan k ilawa pura saal bhi aap yeh wazifa ikhtiar kr sktay hain.Hi Friends!! I’m here with this new video of Malik Riaz Kon Sa Wird Roz Karta Hai| Assalam o Alaikum Brothers and Sisters , desi nukhay or wazaif Ki Janib sy aik new video lay kar hazir howa hain aaj jo amal btya ja raha hon vo Malik Riyaz ka raaz hai vo apni zindagi min yeh 3 kam har waqat karty hin yehi waja hai keh un ki dolat min boht he ziyada izafa ho raha hai. Vo raaz kia hai jany es video min. Akhaar min aap say aik choti si guzarish hi keh aa pes video ko ziyada say ziyada share Karin or bhaion or bhahnon say Hmari Guzarish hai keh vo es video ko jahan tak ho saky share Karin tah majboor logo tak yeh pohnch saky or vo be apna ziabitas ka ellaj karwa saky. Akhar min aap say meri chori si guzarish hi keh asi mazeed achi achi videos ky lye aap hmara channel desi nuskhay or wazaif Zaroor Subscribe kijye ga. --------------------------------------------------------------------------------- Please Subscribe Here:- www.youtube.com/channel/UCOQGJbVpkHDa3l_R0EA_CgQ FACEBOOK:- ift.tt/2pOCx6j TWITTER:- twitter.com/DesiNuskhay GOOGLE+:- ift.tt/2pdAz33 ------------------------------------------------------------------------------- Desi Nuskhay Aur Wazaif channel is about all general health related issues in Urdu / hindi, Urdu Totkay, Hindi totkay, Health News in Urdu, health tips, beauty tips & ghareloo totkay, Islamic Knowledge in Urdu.Cooking Recipes in Urdu. We also provide the information about vegetable benefits in urdu, sabzion ke faide, fruits benefits for health, phalon ke faide, ehria Town K Bani Malik Riaz Ka Shumar Pakistan Kay Chand Ameer Shakhyat May Huta Ha Uno Nay Apni Ameeri Ka Raaz Batatay Huaie Amarat Kay Khawab Dakhnay Walay Nojwano KO 3 Tajaveez Bhe De Haian Jin Per AMal Karnay Say Kamyabi K Amkanat Kai Guna Berh Jatay Haian. Apnay AK Video Pegam May Malik Riaz Nay Inkashaf Kayea Ha k Uno Nay Rawal Pindi K Muslim High School May High Taleem Hasil Ki Aur Dosray Saal 333 Numbro K Sath Matric May Pass Huaie Agar Ak Number Bhe Kam Ata To Dosray Saal Bhe Fail He Huta. Bouth Gurbet Dakhi Aur ALLAH Nay Pesa Bhe Bouth Dayea. Ameer Logo Ki Katabaian Parhi Jis May Lakha Tha K 39 Larko May Say 35 Larkay NaLiaq He Thay. Billgets Ko He Dakh Laian Agar Universty Say Na Nakala Jata TO Aj Es Ko Bill Gets Koi Na Katha. Malik Riaz Nay Batayia Ha K ALLAH Nay Logo Say Koi Kam Lenay Hutay Haian. Aur Esi Taraf Laga Data Ha. Ma Aj Agar DR Na Huta TO Kuch Aur Position Huti. Uno Nay 3 Asool Nojwano K Sath Share Kayea Aur Batayia K Khawish: Wish Sub Say Pehlay Ap K Andar Ameer Hunay Ki Khawish Huni Chaiea. Agar Ap Kuch Aur Kam Bhe Karna Chatay Haian To Pehlay Es Ki Khawish Zarori Ha. ALLAH K Sath Karobar Ya Es Ki Rah May Kharach Karna. Malik Riaz Nay Kaha Ha K ALLAh K Sath Karobar Karna Chaiea Yani Es K Rastay May Farag Dili Say Sadqa Kharat Karna Chaiea Ap Agar ALLAH Ki Rah May 1 Lac Kharach Karaian Gaye TO ALLAH Es Ka 70 Guna Budla Day Ga. APnay Kam Say Muhabet. Apnay Kam Say Coetment Huni Chaiea APnay Kam Karnay Ka Jazba Huna Chaiea Ap Ka Azam Jetna Mazboot Hu Ga Kamyabi Utni AP K Kareeb Hu Ge ALLAH Asiania Peda Karay Ga Aur Mind Kamyabi Ki Soch May Rahay Ga Aip Ki Zindgi May ALLAH Koi Na KOi Asa Kam Karata Ha Go Haqooq ul Ebad May Atta Ha To Dosto Ap En 3 Batoo Per AMal Karaian To Kamyabi Ap K Kadam Chumay Gi Aur Ap Ameer Hu Gaian Gaye.wazifa Dolatmand Ban'ny Ka Wazifa|Ameer Hone Ki Dua Ameer Hone Ki Dua | Dolatmand Ban'ny Ka Wazifa rizq my izafy ka wazifa Ameer Hone Ki Dua, Dolatmand Ban'ny Ka Wazifa, wazifa, muslimummah, ameer hone, dolat kamane, rizq mein barkat, Ameer Hone Ki Dua - Dolatmand Ban'ny Ka Wazifa We also discuss life issues like... How to live a happy and healthy life in urdu. We provide general information about your health for more information and treatments please contact your doctor. For more videos please subscribe www.youtube.com/channel/UCOQGJbVpkHDa3l_R0EA_CgQ ----------------------------------------------------------------------------- Health Disclaimer: The information on this channel is designed for educational purposes only. It is not intended to be a substitute for informed medical advice or care.

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Haq Ali

ali imam manasto manam ghulaam e ali

hazaar jaan e giraami fida e naam e ali

haideree m kalam daram mastam

banda e murtaza ali hastam

peshwa e tamaam marda na moon

ke sage kue sher-e-yazdaanam

kabhi deewar hilti hai kabhi dar kaamp jaata hai

ali ka naam sunkar ab bhi khyber kaamp jaataa hain

shaah-e-mardaan ali

ali mola ali, ali mola ali

jab jaan tan se nikale labb par mere yahi hoga

ali mola ali, ali mola ali

japle japle re manwaa

yahi naam sachcha hain pyaare

yahi naam tere sab dukh taale

isi naam kee barkat ne diye raaz e haqeeqat khol

tu bhi kar ali, ali mola ali

kab kisee be nawaa se kahta hoon

sab ke haajait rawaan se kahta hoon

baat sher-e-khuda se kahtaa hoon

door hoja nazar se ae mushkil

warna mushkil khusha se kahta hoon

kyunki woh hain mere ali ali

shaah-e-mardaan ali

la fata lillaah ali

sher-e-yazdaan ali

haq ali ali ali mola ali ali

tan par ali ali ho zubaan par ali ali

marjaaoon to kafan pe bhi likh na ali ali

haq ali ali ali mola ali ali

bagaair hubb e ali muddaa a nahin milta

ibaadaton ka bhi hargiz silaa nahin milta

khuda ke bando suno gaur se khuda ki kasam

jise ali nahin milte khuda nahin milta

k(b)asak talaash na kuch us ate nazar se mila

nishaan e manzil e maqsood raahbar se milaaa

ali mile to mile khaana-e-khuda se hamein

khuda ko dhoondha to wo bhi ali ke ghar se mila

khuloos-e-dil se ali ka jo naam leta hai

wohi to lazzat umr e tamaam leta hain

khuda ke bando suno gaur se khuda ki kasam

ali ka naam to girto ko thaam leta hai.

paigumbari ke chaand ka haala ali ali

baatil ki teergi ka ujaala ali ali

paigaam e k(t)irthgaar ka jauhar ali ali

imaan ke sadakh ka hai gauhar ali ali

ustaad e jibraaeel e mukarram ali ali

mola-e-kaaenaat muazamm ali ali

sardar e ambiyaan ka tabassumm ali ali

chashm-e-junoon e afzal o akram ali ali

ibaadaton ka jo unwaan hai to zikr e ali

kamaal e markaz e imaan hai to zikr e ali

sukoon e qalb ka saamaan dhoondhne waalon

sukoon e qalb ka saamaan hai to zikr e ali

maujood e kabaa din e mukammal ali ali

paigambaree ka shaahid-e-awwal ali ali

d(h)ir de zubaan e alhe zamaana ali ali

yakhtaa e roz gaal yagaana ali ali

altaaf e be badal ka khazaana ali ali

insaan ki azmaton ka taraana ali ali

nazar haqeeqat shinaas paayi to kya kahoon kis ada ko dekha

har ek zarre mein jalwe farmaan mohammad o murtaza ko dekha

kasam khuda ki ali nabi se

nabi ali se juda nahin hain

ali ko dekha nabi ko dekha

nabi ko dekha khuda ko dekha

sahar hui shab-e-meraaj ki to logon ne

jamaal e paak rukh e syed ul bashar dekha

kahaa ghulaamon ne humse bhi kijeeye irshaad

jo kuch huzur ne yaasha ah arsh par dekha

to harfashaa hue lale labe rasool e kareem

ajeeb martaba haider ka arsh par dekha

wali wali ke sada thee jahaan jahaan pahoche

ali ali nazar aaye jidhar jidhar dekha

deed haider ki ibaadat hai ye farmaan-e-nabi

deed haider ki sab karlo

jinki mahfil ho woh mahfil mein zaroor aate hain

aao sab kar lo deed haider kee sab kar lo

nigaah e raah mein bichaado ke aap aaye hai

dilon to farsh bana do ki aap aaye hain

deed haider ki sab karlo

deed haider ki ibaadat hai ye farmaan-e-nabi

hai ali rooh e nabi jism nabi jaan nabi

gul e tatheer ali haq ki shamsheer ali

hain piron ke pir ali

har ek wali ke dil ki sadaa hai ali ali

khu(r)l de baree ki aab o hawaa hai ali ali

jo aaye haq ka raahnumaa hai ali ali

mahboob e mustafaa-o-khuda hain ali ali

Shah e mardaan ali ...

  

my tribute to the late nusrat fateh ali khan

  

Late Nusrat Fateh Ali Khan

 

This is one of the Qawwali that have seen me lose consciousness

Fall on the floor, at Ajmer , in the presence of Peersaab Fakhru Miya Hujra No 6 .

At Carter Road while hearing this on my walkman, I just went into a trance and swoon, I don’t take drugs, but than the name of Hazrat Ali is a drug that cures all diseases of the mind and soul.

I have one wish call it another heresy of my thoughts but to do the dance of the whirling dervish to the chant of Ya Ali…

I don’t want to got to Turkey where this dance has been commercialized for tourist attraction…

  

#ustadnusratfatehalikhan

#haqali

#qawwali

#beggarpoet