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Saint-Chély-du-Tarn és un poblet molt petit situat en un racó espectacular de les Gorges del Tarn. Per arribar-hi cal atravesar un tunel i un gran pont sobre el riu. És un punt molt popular per als esports d'aventura de la zona.
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The tiny village of St. Chély-du-Tarn is located in a very spectacular corner of the Tarn gorges, and has it's own waterfall.It's a very popular spot for extreme sports.
It's not often that the '69 Bulli looks small, but as I walked back toward it after stopping to take a scenic shot on the outskirts of town along Summit Valley Road, the Bus seemed to have met its match in the oversized, open surroundings, so I took this picture of it under the big desert sky.
Camera: Falcon Miniature (circa 1938, with Minivar 50mm lens)
Film: Rera Pan 100 127 film, developed in Arista Liquid Developer for 7:45 minutes @ 67 degrees, and scanned with an Epson V600 scanner.
A cluster of California buckwheat casts its distinctive shadow on the wooden post and rail of a sturdy fence along the roadside in Summit Valley, with a field of uncut brush behind, and with the mountains which ridge the valley's eastern end as backdrop.
Camera: Falcon Miniature (circa 1938, with Minivar 50mm lens)
Film: Rera Pan 100 127 film, developed in Arista Liquid Developer for 7:45 minutes @ 67 degrees, and scanned with an Epson V600 scanner.
a Fuives, el centre mundial del Ruc Català, un vedell del Berguedà treia el nas encuriosit rera una tanca.
la vedella del Berguedà
www.ramadersbergueda.com/catala/vedel01.htm
la finca Fuives
per veure-la en gran sobre fons negre View On Black
Joshua trees typically don't grow in closely clustered stands locally like birches, aspens, or alders, but tend to grow as stand-alone trees, spread out from one another. We might say, in reference to our current situation, that they naturally practice social distancing :-) Even so, this iconic, solitary joshua always catches my eye as I round the first curve into open country on Arrowhead Lake Road, heading out of town, for its solo posture on the east-facing hillside with only wildflowers, mountains, and clouds for company.
Camera: Falcon Miniature (circa 1938, with Minivar 50mm lens)
Film: Rera Pan 100 127 film, developed in Arista Liquid Developer for 7:45 minutes @ 67 degrees, and scanned with an Epson V600 scanner.
El poble de Vilanova de Meià està a tot hora dominat pels cingles del Montsec. Com el seu nom indica, és la població nova que porta aquest nom, tot i que fou "nova" cap allà al s. XIV-XV. L'antic nucli de Meià es trobava al puig de sobre l'actual poble, on encara queda l'ermita romànica de Meià, antiga parroquia, així com les ruines del castell.
Just rera els cingles del Montsec es trobava el front durant la guerra civil, entre l'abril del 38 i el gener del 39.
ca.wikipedia.org/wiki/Vilanova_de_Mei%C3%A0
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The name of Vilanova de Meià ,means "new town" of Meià. It this case, "new" means new in the XIV Century. It's church is gothic so... The older village stood in the hill above Vilanova (under the cliffs in the picture). There still stands the romanesque church and the ruins of the castle and houses. I supose the name was only Meià, back then. Meià more or less means "middle".
Just after that range stood the front of the spanish civil war for almost a year, from april 1938 to january 1939.
All what you can do, when day after day are....
Tot el que es pot fer, quan día rera día es gris....
CAT
El bosc asserenat i lluminós
on arbre rera arbre
acomboien el silenci.
No cal esperar cap senyal
enllà del bosc i
els seus secrets.
Tot el que et cal
es dins aquesta cambra
i el seu poema.
OC
Lo bòsc seren e luminós
ont arbre après arbre
silenci englobat.
Pas besonh d'esperar cap de signe
al delà del bòsc
e sos secrets.
Tot çò que vos cal
es dins aquesta sala
e son poèma.
On this stretch of the famous “Mother Road”—the primary US highway connecting the Midwest and West Coast from the 1920s through the 80s—the road is a pair of roadways—the now unused old road (where I stood to take the picture), which was washed out in several places west of Summit Valley by the floods of 1938, and the “new” road, on the left, built as the original road's replacement. As you can see on the hillside near the center of the image, an enterprising local rancher has cleared away the brush in the form of a “66” to commemorate the famous highway, across which generations of Americans migrated west, especially during the Dust Bowl of the 1930s.
Camera: Falcon Miniature (circa 1938, with Minivar 50mm lens)
Film: Rera Pan 100 127 film, developed in Arista Liquid Developer for 7:45 minutes @ 67 degrees, and scanned with an Epson V600 scanner.
They say you can't judge a book by its cover, but you can probably judge my town, Hesperia, by this prospect on Summit Valley Road, on the city's southwest border. Hesperia is indeed a dry, dusty, high desert town, ringed with mountains, with lots of open space and sagebrush :-)
Camera: Falcon Miniature (circa 1938, with Minivar 50mm lens)
Film: Rera Pan 100 127 film, developed in Arista Liquid Developer for 7:45 minutes @ 67 degrees, and scanned with an Epson V600 scanner.
IN ENGLISH BELOW THE LINE
Aquest cul-de-sac del barri vell de Badalona és l'antiga scaena, o escenari, del teatre romà de Baetulo. La casa de la esquerra ocupa el lloca de la scaena frons (fons del escenari), i els edificis de la dreta, la orchestra, o espai circular entre l'esceneari i els seients. De fet, rera aquests darrers hi ha un altre carrer on es poden veure els fonaments de la graderia (cavea).
ca.wikipedia.org/wiki/Teatre_rom%C3%A0
www.poblesdecatalunya.cat/element.php?e=4134
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This tiny, quiet, cul-de-sac was 2000 years ago the scaena of the Baetulo Roman theatre. The house to the left stands in what was the scaena frons, and to the right the brown wall hides the orchestra and cavea. In fact, the remains of the cavea could be seen from the other side, but are quite in bad shape.
en.wikipedia.org/wiki/Roman_theatre_(structure)
Camera: Certo Dolly 3x4 Modell B ca. 1931
Lens: Steinheil Cassar 2.8/50mm (unvergütet 7 uncoated)
Film: Rera Pan 400 in Rodinal
Digitized with a Panasonic Lumix GH4
Der erste Film mit der Certo Dolly - Windräder am Drei-Freistaaten-Eck bei Feilitzsch in Oberfranken. Hier war bis vor 30 Jahren der Eiserne Vorhang, heute stoßen hier die drei Freistaaten Bayern, Sachsen und Thüringen aufeinander.
The first film with my Certo Dolly - Windmills near the village Feilitzsch in Upper Frankonia. 30 years ago the iron curtain ran through this tranquil countryside, today the three german states Bavaria, Saxonia and Thuringia touch each other at a small spot.
IN ENGLISH BELOW THE LINE
Realment a vegades, el nom fa la cosa. Aquest preciós poblet es diu Bèlcastèl. Situat a la riva del riu que dona nom al departament, el Avairon (Aveyron), és un racó força idilic i turistic.
ca.wikipedia.org/wiki/B%C3%A8lcast%C3%A8l_(Avairon)
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This beautiful village toped by it's castle, is aptly named Belcastel (beautiful castle).
CAT
Compartirem colors i desitjos
de fulles en un espai secret.
Compartirem solc rera solc
el pas dels temp i neguits
OC
Compartirem colors e desirs
de fuèlhas dins un espaci secret.
Partejarem solc après solc
lo passatge del temps e de las preocupacions
Kodak Brownie 127
Rera Pan 400 127 black and white film
Kodak HC 110 1+31 B 6 minutes at 20 celcius
Nikon D700
Tamron Adaptall 2 90mm f/2.5 macro lens
Pixl-Latr
A5 led light pad
Affinity Photo 2
Former YDHR equipment preparing to leave Uxbridge station for the final time as the equipment heads off for greener pastures under RERA
December 21, 2025
Mardi 31 Janvier – Pilgrim, pseudo d’un pote absent mais présent ou il ne faudrait pas. Pilgrim, pèlerin que je traduis aussi par mouton. Pilgrim, c’est presque pingouin. Suis pas d’humeur ce soir, et puis triste aussi, un autre grand musicien vient de nous quitter. Dommage, moi qui avait une belle lectrice pour Kasuré…
The equipment move of former YDHR equipment prepares to leave Uxbridge for the final time. A hard sight to see having been a volunteer of this once great operation.
Cutting between the long standing feed buildings, a stark reminder of the past directors feasting, while the railway starved. The equipment is off to better pastures under RERA Canada.
CAT
L'ahir i l'avui
s'han consumit.
Els he omplert
i els he buidat.
Sí, el temps se'n va
rera un sortilegi
impossible.
OC
Ièr e uèi
son estats consomats
Los ai emplenats
e los ai voidats.
Òc, lo temps vòla
lançar un encantament
impossible
The final equipment move of former YDHR equipment prepares to leave Uxbridge for the final time. A hard sight to see having been a volunteer of this once great operation.
22 requiring a top up of oil after burning off alot of it from a bad cylinder.
Sitting between the long standing feed buildings, a stark reminder of the past directors feasting, while the railway starved. The equipment is off to better pastures under RERA Canada.
Vue d'une UM de MI2N Altéo en gare de Nation. Ces rames sont en cours de rénovation de mi-vie et les premières rames rénovées vont bientôt revenir en service commercial.
Mission NELY18 : Saint-Germain-en-Laye - Boissy-St-Léger
Z1549/50 + Z1523/24
Kodak Brownie 127
Rera pan 100 127 film
Developed with
Bellini Euro HC 1+31 dilution B 6 1/2 minutes at 20 celcius
Digitised with
Nikon D700
Tamron Adaptall 2 90mm f/2.5 macro lens
Pixl-Latr
A5 size led light pad
Raw files processed with Affinity Photo 2
Camera: Certo Dolly 3x4 Modell B ca. 1931
Lens: Steinheil Cassar 2.8/50mm (unvergütet 7 uncoated)
Film: Rera Pan 400 in Rodinal
Digitized with a Panasonic Lumix GH4
Der erste Film mit der Certo Dolly - Rapsfeld mit Wachturm in Mödlareuth. Der 40-Einwohner-Ort Mödlareuth in Oberfranken liegt an der Grenze zwischen Bayern und Thüringen und wurde 41 Jahre lang vom Eisernen Vorhang in zwei Teile geteilt.
The first film with my Certo Dolly - a canola field with a watchtower at Mödlareuth. The village with 40 inhabitants sits directly at the border between Bavaria and Thuringia and was cut into two halves for 41 years by the Iron Curtain
Camera: Certo Dolly 3x4 Modell B ca. 1931
Lens: Steinheil Cassar 2.8/50mm (unvergütet 7 uncoated)
Film: Rera Pan 400 in Rodinal
Digitized with a Panasonic Lumix GH4
Das erste Bild mit der Certo Dolly zeigt meine Adler M2011 vor dem Haus, in dem ich vor vielen Jahren mit meiner Familie gewohnt habe - eine kleine Reise in meine eigene Vergangenheit ...
The first picture with the Certo Dolly shows my Adler M2011 motorbike in front of a house i lived with my parents many years ago ... a little trip into my personal past
Kodak Brownie 127
Rera Pan 400 127 black and white film
Kodak HC 110 1+31 B 6 minutes at 20 celcius
Nikon D700
Tamron Adaptall 2 90mm f/2.5 macro lens
Pixl-Latr
A5 led light pad
Affinity Photo 2
Camera: Yashica 44 LM
Lens: Yashinon 3.5/60mm
Film: Rera Pan 400 in Cinestill Monobath DF96
Location: Karpfenteich im Aischgrund / Mittelfranken
Carp pond in Aischgrund, Central Franconia, Bavaria
Former YDHR equipment preparing to leave Uxbridge station for the final time as the equipment heads off for greener pastures under RERA
December 21, 2025
Camera: Yashica 44 LM
Lens: Yashinon 3.5/60mm
Film: Rera Pan 400 in Cinestill Monobath DF96
Location: Karpfenteich im Aischgrund / Mittelfranken
Carp pond in Aischgrund, Central Franconia, Bavaria
Picture made with my years '30 Nagel Vollenda 48.
This camera was made from 1931 till 1934 and takes 16 pictures of format 3x4 cm on 127-film. My camera has a beautiful Leits Elmar 3.5/5cm lens...
No sharpening done in post…
Film: Rera Pan 100
Developed with Rodinal, 13 minutes at 20C, inversions first 30sec, than 1 inversion every minute.
Kodak Brownie 127
Rera Pan 400 127 black and white film
Kodak HC 110 1+31 B 6 minutes at 20 celcius
Nikon D700
Tamron Adaptall 2 90mm f/2.5 macro lens
Pixl-Latr
A5 led light pad
Affinity Photo 2
Bedfordflex with Plasticion (sic) lens. Plastic pseudo TLR 127 film camera made in Hong Kong in the 60's.
Jeudi 11 Mai 2017 – Tu regardes au bout du tunnel et cela ébloui, tu en prends plein les yeux, alors tu n’avances pas, tu attends…
Picture made with my newly acquired Nagel Vollenada 48, a camera that was produced from 1931 till 1934.
The camera was made with a wide variety of lenses and shutters. Mine has a beautiful Leitz Elmar 3.5/50 lens and it really shows.... :-)!
The camera is very small and takes 16 pictures of format 3x4cm on 127-film.
Film used: Rera Pan 100
Developed with Rodinal 1:100 at 20C for 13 minutes, continues inversions for 30 seconds, thereafter 1 inversion every minute.Fixed with Jobo Neutral Fixer.
IN ENGLISH BELOW THE LINE
Fins hi tot la combinació de tons marrons i grisos de la construcció en pedra de les Corberes i maons és preciosa, a Salses.
El fort de Salses sempre m'ha fascinat. La de vegades que el vaig veure tot passant per l'autopista vers el nord, deixant enrera Catalunya pocs quilometres després. Ja fa anys que el vaig poder visitar un parell de vegades, però ara hi he pogut tornar amb diverses càmeres per recrear-m'hi a plaer.
El fort de Salses és un molt important exemple de fortificació de transició entre l'època medieval i l'època moderna. Fou construit per Ferran II d'Aragó com a defensa de la frontera nord de Catalunya en front els francesos. Es construí sense reparar en despeses entre el 1497 i 1503, substituint el ja antiquat castell medieval (les restes del qual encara estan uns 500m al nord). Realment tingué una historia militar prou moguda, amb setges el 1503, 1639, 1640 i 1642. Els 3 darrers fou conquerida, però després de llargs setges.
Amb la signatura del desgraciat i maleït tractat dels Pirineus, el 1659, Salses perdé la seva importancia estragègica, i els francesos el reconvertiren en guarnició de reraguarda, polvorí i presó.
ca.wikipedia.org/wiki/Castell_de_Salses
www.sapiens.cat/monumentfavorit/monument-favorit-2019/mon...
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I love the combination of orange & grey patches in the volumes of brick and stone in this fortress.
The fort of Salses has always fascinated me. When I was young I saw it several times passing the motorway towards the north, leaving Catalonia a few kilometers later. I have visited it a couple of times, long ago, but now I have been able to return to it with several cameras to enjoy myself.
The fort of Salses is a very important example of a fortification of transition between the medieval and modern times. It was built by orders of Ferdinand II of Aragon as a defense of the northern border of Catalonia in front of the French. It was built without repairing expenses between 1497 and 1503, replacing the old medieval castle (whose remains are still 500m to the north). It really had a sufficient military history, with sieges in 1503, 1639, 1640 and 1642. The last 3 were successfull, but after long sieges.
With the signing of the unfortunate and cursed treaty of the Pyrenees, in 1659, Salses lost its strategic importance, and the French converted it into a rear garrison, powder store and prison.