EOS 500; HP5@1600

EOS 500; HP5@1600

EOS 500; HP5@1600

EOS 500; HP5@1600

EOS 500; HP5@1600

EOS 500; HP5@1600

Minolta X-700; Kodak TMax @800

on white:

www.flickriver.com/photos/149829109@N03/33714271338/

Minolta X-700; Kodak TMax 400@800

on white:

flickriver.com/photos/149829109@N03/31895690367/

Minolta X-700; Kodak TMax @ 800

on white:

flickriver.com/photos/149829109@N03/44833573135/

Minolta X-700; Kodak TMax400@800

Minolta X-700; Kodak TriX @1600

... for Anonymous Visitor.

on white:

flickriver.com/photos/149829109@N03/46661153824/

Minolta X-700; Kodak TMax 400 @800

on white:

flickriver.com/photos/149829109@N03/46221236862/

Minolta X-700; Kodak TMax @ 800

on white:

flickriver.com/photos/149829109@N03/44637478094/

Minolta X-700; Kodak TMax 400@800

on white:

flickriver.com/photos/149829109@N03/47734551222/

Minolta X-700; Kodak TMax 400 @ 800

Minolta x-700; Kodak TriX @1600

on white:

flickriver.com/photos/149829109@N03/28099445678/

Minolta X-700; Kodak TMax 400@800

on white:

flickriver.com/photos/149829109@N03/46818183762/

Minolta x-700; Kodak TMax @ 800

on white:

flickriver.com/photos/149829109@N03/44530202095/

Minolta X-700; Ektar pushed 2 stops

HP5 @1600

for Bo: Minolta X-700; Ektar pushed 2 stops

Minolta X-700; Kodak TMax 400@800

on white:

flickriver.com/photos/149829109@N03/32529002797/

Bumble Arizona on Ilford HP5

HP5@1600

Minolta x-700; Kodak TMax @800; 35mm

on white:

flickriver.com/photos/149829109@N03/43703733074/

Minolta X-700; Kodak TMax 400@800

on white:

flickriver.com/photos/149829109@N03/45498488322/

Minolta X-700; Kodak TriX @1600

on white:

flickriver.com/photos/149829109@N03/42576641194/

... for Wolfi Wolf.

some Keith Murray:

www.youtube.com/watch?v=yLxEOreIF1s

J Dilla, master of Hip Hop, who produced this beat found an incredible sample of Bill Evans, master of Jazz.

Minolta X-700; Kodak Ektar 100@400

Minolta X-700; Kodak TMax 400@800; 35mm

on white:

flickriver.com/photos/149829109@N03/40028182663/

Minolta X-700; Kodak TMax 400@800

Mamiya RB67 Pro SD; Ilford Hp5@1600

Minolta X-700; TMax 400@800

on white:

flickriver.com/photos/149829109@N03/46697858412/

Taken with my Leica M7 that I no longer have, 50mm Summilux ASPH and HP5.

Tsim Sha Tsui, Hong Kong

| instagram |

Minolta x-700; Kodak TMax 400 @800; 35mm

on white:

flickriver.com/photos/149829109@N03/29950253628/

Surfing with an oil refinery as a backdrop.

Kodak Retina IIc, HP5 plus @ 1600 ISO, DD-X 1+4.

I used this camera: flic.kr/p/2iK6W8D

Minolta x700; Ilford HP5+ @1600

on white:

flickriver.com/photos/149829109@N03/40663260352/

Kodak Ektar 100 accidentally pushed to @400. To compensate underexposure, I overdeveloped the film. The results were somewhat surprising, some increased grain and contrast, and colour shifting towards yellow.

Leica IIIf

Summitar 2.0/50

Ilford Pan 100@1000

XTol 1+1

Shoulder to shoulder, they form an impenetrable line against intrusion.

Film: Ilford HP5+ pushed to 1600

Camera: Hasselblad X-Pan with 45 mm lens

Developed in Ars-Imago #9 (rodinal) 1:99 semi-stand.

Digitised with an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.

canon AE1P

helios 44-2 58mm f2

m42 macro extension tube

m42 teleconverter

fd -> m42 adapter

hp5 @3200

home development d76

v600 scan

Canon Elan 7, ef 50mm f1.8, Arista Edu 400 at 3200

Leica MP

Hexanon 1.2/60

Fomapan 100 @800

HC-110