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Alcohol gel transfer on Arches 88 paper using hand sanitizer and old overhead transparency material
This transfer was made with some old overhead projection material that Mike Zeis was nice enough to send along to me. It has a lovely "winter" look to it, whether it's snowing or not. :)
There's another version of this image on my blog using the method from my previous posts.
Alcohol gel ink transfer on Arches 88 paper using generic hand sanitizer and old overhead projection material.
Another version on the blog: pushprocessed.blogspot.com/2022/03/along-winter-trails-sn...
LACMA
Los Angeles, California.
Featuring: Phocassa
That's all from me for 2008. Thanks for stopping by and I hope you enjoyed my photos. Till next time, take care and happy holidays. :-)
Lina (Diana camera clone)
Another view shot with a Holga: pushprocessed.blogspot.com/2021/05/north-dam-1.html
Ilford HP5plus 800ASA
Fomadon Excel stock 10:30Min.
camera scan
Fuji X-Pro 2
Micro-Nikkor-PC Auto 55mm F3.5
Valoi 360
NegativeLabPro
Nikon FM2 / Helios 44-2 lens with front element reversed
Another image of this scene on the blog. pushprocessed.blogspot.com/2022/06/here-we-are-again.html
Modified Agfa Isoly
Another version here: pushprocessed.blogspot.com/2021/03/lower-pond-runoff-2.html
With less time to photograph and far too many rolls hanging about to process, I have been trawling through some my 2020-present scans as I slowly compress files to reclaim some megabytes of storage.
In the process, I have been discovering some surprises - images I had set aside as not good enough for one reason or another, and, in the midst of them, this one - what is, for me, a rare wildlife shot on film. While I have been eager to take wildlife photographs on film, it is an undeniably expensive means of obtaining endless blurry photographs. Here, though, it all seems to have come together. Yes, the heron is grainy, but what does that matter in the mist.
Heron beside the Glyme, Blenheim Park, Oxon, late 2020. Pentax SP II with, at a guess, a Super Takumar 300/4.5. Adox CHS II 100 pushed to 200 in ID-11. Very little work on the scan aside from dust removal and some contrast.
Churchie's Official Spy Camera
In-camera panorama
ReraPan 400 film
Another image made with a Holga: pushprocessed.blogspot.com/2022/04/spot-pond-cove-4.html
A lone snowdrop in the woods. Pentax K1000 with Eastman Double X 35mm film pushed one stop in HC-110b
Pentax K1000, Eastman Double X Push Processed +1. HC-110b for 6:30 in the LabBox daylight development tank
Nikon F3, Nikkor 35/2.8 AI, Sunpak 20SR flash, Arista EDU 100@800 push +3 developing, HC-110/dil. B, 15min. Digitized with Nikon D700, AF Micro-Nikkor 60/2.8 D, ES-2, CS-LITE
Modified Agfa Isoly
Kodak Verichrome expired in the seventies
AnotherHolga image of this scene on my blog: pushprocessed.blogspot.com/2022/04/straw-point-6.html
Ilford HP5plus 800ASA
Fomadon Excel stock 10:30Min.
camera scan
Fuji X-Pro 2
Micro-Nikkor-PC Auto 55mm F3.5
Valoi 360
NegativeLabPro
Nikon F3, Nikkor 35/2.8 AI-s, Arista EDU 100@800, push process +3, HC-110/dil. B, 15 min. Digitized with Nikon D700, AF Micro-Nikkor 60/2.8 D, ES-2, CS-LITE
This young lady is among a group of spectators on their horses who are watching a "cutting horse" competition, awaiting their turn.
Due to difficult indoor lighting conditions, I shot this 200 speed film as if it were 400 speed film, then "push processed" it during developing.
Camera: Yashica TL Electro-X, Takumar 135mm f3.5 lens.
Film: Fomapan 200
Developing: Kodak HC-110, dil. H, 15 min.
Fortune Harbour, PEI
Holga
Another view of this on my blog: pushprocessed.blogspot.com/2018/09/fortune-harbour-9.html
Kodak Brownie Hawkeye Flash with flipped lens
Another version made with a 127 camera is on my blog. pushprocessed.blogspot.com/2022/03/winter-light-on-branch...
Two horses soak up the sunshine, waiting to be ridden in a rodeo event. These are quarter horses, typically used for working with livestock such as cattle and sheep.
Camera: Yashica TL-Electro X with Yashinon 50mm f1.7 lens.
Film: Ilford HP5+, pushed 1 stop to 800 ISO.
Developing: Kodak HC-110
Ilford HP5plus 800ASA
Fomadon Excel stock 10:30Min.
camera scan
Fuji X-Pro 2
Micro-Nikkor-PC Auto 55mm F3.5
Valoi 360
NegativeLabPro
Ranchers discussing strategies for roping steers. What (and what not) to do. Team-roping contest, Abilene, Texas, USA.
Camera: Yashica TL Electro-X, Yashinon 50mm f1.7
Film: HP5+ 400 ISO, shot at 800 ISO
Developing: Kodak HC-110, pushed +1
Rolleiflex 2.8F Planar
CinestillBWxx / 800ASA
Adox HC110B(1+31)
[Flares and streaks from an accidental double exposure while digging the camera out - forever part of the moment :) ]
Antique book shops are fascinating to me. Treasures waiting to be found, unexpected discoveries on every shelf and pile.
And in most cases, very knowledgeable ladies and gents that keep track of every book within their realm, often accumulating very deep knowledge of certain genres, authors and topics. Guardians and guides.
Fomapan 100 (320ASA)
Fomadon Excel stock 16:00Min
This was among the first things I checked when I got my latest 2.8F: Focus accuracy is critical in TLR cameras like the Rolleiflex. As the focusing happens through the upper viewing lens with the taking lens below moving along on the front plate - misalignments could occur. Problems would show up mostly with wide open aperture and at close distance. The use of the clever Rolleinar closeup attachments made the test images even more demanding - and nicer to look at.
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Ilford HP5plus 800ASA
Fomadon Excel stock 10:30Min.
camera scan
Fuji X-Pro 2
Micro-Nikkor-PC Auto 55mm F3.5
Valoi 360
NegativeLabPro