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Family Child Care Providers take to the State House in support of the bill that would grant them the right to organize in Massachusetts.
My old 50mm literally broke in half a while back and I finally bought another one. I got to thinking about the broken 50 and decided to try and keep it alive, rather than throwing it away.
So, what I did was took the old glass and reversed it onto the front of my new 50. the result: a macro.
i was able to try it out today at the grapevine botanical gardens while we took advantage of the great weather. Im very happy with the results. I had to get extremely close to what i was shooting and had to be quick to shoot as soon as i saw something in focus. what i love is the bokeh surrounding the subject - it reminds me of the lens baby shots i see on flickr.
ill keep experimenting with it.
I havent been this excited about my photography in a long time.
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The 194th Combat Service Support Battalion, 2nd Sustainment Brigade, 2nd Infantry Battalion, participated in the Provider Fury exercise at Warrior Base in Area I during the first week of December. The situational training exercise (STX) lanes trained personnel tactical convoy operations exercise was a culminating event for the battalion, giving soldiers a change to put into action the training they had previously received.
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The 194th Combat Service Support Battalion, 2nd Sustainment Brigade, 2nd Infantry Battalion, participated in the Provider Fury exercise at Warrior Base in Area I during the first week of December. The situational training exercise (STX) lanes trained personnel tactical convoy operations exercise was a culminating event for the battalion, giving soldiers a change to put into action the training they had previously received.
It was a chance for leaders to see what the next steps were for their soldiers, making sure the battalion was ready to provide support that’s second to none.
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GPT was founded in 2000 as the only Outpatient Physical Rehabilitation Agency in the greater Augusta area. We now have 5 locations covering Evans, GA, South Augusta, West Augusta,North Augusta, SC, and Aiken, SC. we are locally owned and operated. We treat a broad range of diagnoses and receive referrals from over 500 different physicians and insurance carriers within our community. We are the largest provider of Aquatic Therapy services in the area with 4 pools located across the community.
I like to test from time to time new photographic films that appear on the market. Here I picked up at my preferred film provider shop in Lyon, France, a cartridge of the Chinese black-and-white film GP3 new in 400 Iso sensitivity. I had in past a satisfactory experience with the GP3 100 ISO that gave good densities and tonal range.
I loaded the film in brand-new Leica M-A (see below the detail about the camera and the lens) and I exposed the film by two very clear and bright days on April 1st and 6, 2026 in the vicinity of Lyon city. The Summilux 1.4/35 mm was equipped with a B+W 022 Yellow 495 MRC filter and the Leica Camera circular shade hood ref. 12486.
To compensate the absorbance. Of the yellow filter, I exposed the whole film for 200 ISO using my Minolta Autometer III fitted with the selective 10° viewer, privileging the shadow areas
Film side marks identification and exposed film leader.
April 8, 2026
69004 Lyon
France
After completion the film was processed using Adox Adonal developer at 1+50 dilution, 20°C, for 13 min according data found on www.digitaltruth.com.
Digitizing was done using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom 15 (15.2.1 March 2026) and edited to the final jpeg pictures without intermediate file. They are presented either as print files with frame or the full size JPEG's together with some documentary smartphone color pictures.
The results show a massively underxposied of the whole film. The exposed film leader and the film side marks were however of good densities, indicating that the developper and process were correct. Likely the results are like a 100 Iso film exposed for 400. Strangely the inner box indication s given by the manufacturer give a « sunny 16 » value for 1/125s (100 ISO).
Film given info in the inner box :
上海
SHANGHAI
GP3 PAN FILM
ISO400/24°快門速度1/125SCC
閃光燈或電子閃光燈
拍照主體應在閃光有效範圍內
請參閱照相機或閃光燈說明書
1/16
1/8
閃光燈
f/5.6
f/ 4
FLASH OR ELECTRONIC FLASH STAY WITHIN FLASH RANGE.
SEE CAMERA OR FLASH INSTRUCTIONS.
參閱下文
沖洗：D-76ORD-23
PROCESS:
顯影：D-76.20°C.10:00
DEV:
定影：
FIX:F-5
in
廠址：中國上海市保定路257號510室
電話：13901735797 郵政編碼：200082
ADDRESS: ROOM 510, No.257 BRODING ROAD
SHANGHAI. CHINA PHONG:13201735727.POSTCODE: 200082
Shanghai
GP3 PAN FILM
ISO400/24°Shutter speed 1/125SCC
Flash or electronic flash
The subject should be within the effective flash range.
Please refer to the camera or flash manual.
1/16
1/8
Flash
f/5.6
f/4
FLASH OR ELECTRONIC FLASH STAY WITHIN FLASH RANGE.
SEE CAMERA OR FLASH INSTRUCTIONS.
See below
Develop: D-76ORD-23
PROCESS:
Develop: D-76.20°C.10:00
DEV:
Fix:
F-5 in
Factory Address: Room 510, No. 257 Baoding Road, Shanghai, China
Tel: 13901735797 Postcode: 200082
Develop before : 2026 08
Emulsion No : 1401
Strangely too, the film side mark are printed head-to-tail.
I had quite hard time to process the frames and save what I could from this « false » 400 ISO film and I will keep far away from it in the future !
About the camera :
On February 3, 2026, I took my partly delivered order of January, 2026, at the Leica Boutique, Place Bellecour, Lyon, France. I did this order between two short stays at
Hospital Edouard Herriot to have surgeries. It helped me a lot during these medical sessions to take an external source of distraction, not focused on the surgery moment upsetting necessities.
My project was initially based on the still existing film Leica M camera’s production maintained active today in Wetzlar, Germany. Leica Camera AG offers today for sale 3 film camera’s available in different finishes. These are the Leica M6, Leica M-P and Leica M-A on the margin of a very diverse range of digital Leica camera’s. The M-P and M-A are produced since 2014 and are likely the closest camera’s to the original first Leica M3 in (1954-1966). It is possible that Leica maintained their M film camera’sjust to sustain their iconic heritage in the history of the company.
The Leica M survived a time in the 1970-1980’s due to a modified production (Leica M4-2 then M6) by the Leitz Canada branch that closed in 1990. The Leica M6 was then again produced in Germany followed by the Leica M7. The further versions of Leica M8 to M11 today are digital camera’s.
I own in my camera collection since April 2024, a venerable standing Leica M3 year 1956 that is now, in 2026, 70-year old and in perfect optical and mechanical condition with a single and well matched Summicron 2/5cm. The camera is equipped as shown in the first commercial brochure of the Leica M3 in 1954 (standard lens, bag, shade hood). In general, when practicing photography, it is sometime safe to have a « backup » camera of the same type to be still operant in case of one camera failure. I was then amused to backup my Leica M3 by one of these brand-new produced Leica M.
The Leica M-A is the closest to my M3. It is purely mechanical camera, without any electrical on electronic circuitries. Intentionally, the Leica M-A has resurrected some of the Leica M3 and Leica M2 (1958-1967) features as the metal advance lever, frame counter, engraving, rewind button, and of course their exact shape and dimensions. The front top cover is designed like the M2 with flat optical windows.
The complex range-finder combined to a framed viewer, including an automatic parallax compensation existed in different versions. The viewer of the Leica M3 was however never been mounted on other Leica M than the M3’s . The 0.91 magnification and its design made for focales 5, 9 and 13.5cm was modified on the Leica M-2 to enlarge the direct use of the viewer to the wide angle 35mm lenses to prise of a smaller magnification. The Leica M-A has o 0.72 magnification capable to display the 28mm frames. As a consequence the Leica M-A is more oriented to a common use of 28 and 35mm lenses.
I choose finally to order a M-A in the chrome silver finish with engraving resembling to the M3/M2 camera’s with a lens Summilux 1.4/35mm « Classic » that based on the original lens of 60’s, It was a formidable gift !. Ordering was however not so simple. At first, I was told that the Leica M-A production would be discontinued in Wetzlar … Arguing that the camera is still offered for sale of the on-line French website, I finally got an available box in stock in Wetzlar that was shipped straight to Lyon in 4-5 days. The lens was more slow to get and arrived within 5 weeks.
I could first enjoy the pleasure of comparing in hands my 1956 Leica M3 and my 2026 Leica-M-A. The 70-year old Summicron 2/5cm (branded at this time « Ernst Leitz Wetzlar » fits smoothly and exactly to the M-A and the 50mm frame is automatically selected. The range-finder operates accurately. There is something fantastic to see the two camera side to side separated by 70 years. Installed in the vintage ever-ready leather bag I prepared for the Leica M-A, it is quite hard to detect at a first look that the M-A is a new camera.
The viewefinder is even more bright and contrasted due to an extensive AR-coating of all optical elements. The shutter has similar, but still a bit different, those strange little noises that occurs on the M3 for the slow speeds, but essentially the two camera’s are indeed and undoubtly Leica’s M ! The grandfather and the grandson are so ressemblant.
About the lens :
After the delivery of my Leica M-A camera body the week before, I had the second part of my order on February 10, 2026, at the Leica Boutique, Place Bellecour, Lyon, France. I did this order in early January 2026, between two short stays at Hospital Edouard Herriot to have surgeries. It helped me a lot during these medical sessions to take an external source of distraction, not focused on the surgery moment upsetting necessities.
My brand-new 2026 Leica M-A (produced since 2014 by Leica Camera AG, Wetzlar, Germany) has the mixed technical features of the original Leica M3 (1954-1966) and Leica M2 (1958-1967). In particular the viewfinder system of the today M-A is inherited of the Leica M2 with a 0.72 magnification that allows the direct view field of a 35mm focal length. On the M3 , with its specific 0.91 magnification viewer, the use of 35mm lenses requires an external optical viewfinder or external optical correction of the built-in viewfinder. As a consequence the M3 appears optimal for the focal of 5, 9 and 13.5cm while the M2 appears more wide-angle lens oriented. The viewfinder of he M-A allows additionally also the framing of 28mm lens.
My idea was then to equip my M-A of a brand-new companion Leica 35mm lens of the current Leica production. The choice felt on the re-edition of an iconic 35mm Leica lens of the 60’s : a Summilux 1.4/35mm that first introduced to the market in 1961 as the first f/1.4 aperture 35mm lens.. This lens was as a modified double Gauss formula keeping the lens compact and not too heavy. The lens was soon highly reputed, especially in the photojournalism domain.
The « Steel Rim » describes a stainless steel ring mounted on the lens front to hold the shade hood. When looking at the optical scheme the modern version of the lens is not exactly the same but Leica keeper the major characteristic with a special softness at wide aperture 1.4 to 2.8 that miked the success of the lens at the time.
Receiving of a brand-new Leica lens is a not so common moment. The lens was packaged in Wetzlar on January 16, 2026 and delivered to the Leica boutique, Place Bellecour, Lyon, France on February, 10, 2026 where I took the precious package. We opened the boxes in the shop and had a good discussion staring at the jewel. When picking-up the lens I did not had my M-A body with me but we tried the mount on another second-hand M-A.
The lens is delivered by default with two shade hoods and rear/front ens caps. The replica of the original lens hood fits, clip-on , to the famous « »stieel rim » but is not curiously usable with filters. The second modern one was designed to be used with the E46 screwed filters. The seller offered for free a Leica UVa II, E46 filter (sliver decor) and a Leica clip-on lens cap E46 to be used with a filter because the default one is a bit too large with a filter on place on the lens. The package includes also a protective Leica black lens pouch, proof certificate and booklet.
I like to test from time to time new photographic films that appear on the market. Here I picked up at my preferred film provider shop in Lyon, France, a cartridge of the Chinese black-and-white film GP3 new in 400 Iso sensitivity. I had in past a satisfactory experience with the GP3 100 ISO that gave good densities and tonal range.
I loaded the film in brand-new Leica M-A (see below the detail about the camera and the lens) and I exposed the film by two very clear and bright days on April 1st and 6, 2026 in the vicinity of Lyon city. The Summilux 1.4/35 mm was equipped with a B+W 022 Yellow 495 MRC filter and the Leica Camera circular shade hood ref. 12486.
To compensate the absorbance. Of the yellow filter, I exposed the whole film for 200 ISO using my Minolta Autometer III fitted with the selective 10° viewer, privileging the shadow areas
Eglise de Neyron, April 1st, 2026
3 Rue de l'Église
01700 Neyron
France
After completion the film was processed using Adox Adonal developer at 1+50 dilution, 20°C, for 13 min according data found on www.digitaltruth.com.
Digitizing was done using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom 15 (15.2.1 March 2026) and edited to the final jpeg pictures without intermediate file. They are presented either as print files with frame or the full size JPEG's together with some documentary smartphone color pictures.
The results show a massively underxposied of the whole film. The exposed film leader and the film side marks were however of good densities, indicating that the developper and process were correct. Likely the results are like a 100 Iso film exposed for 400. Strangely the inner box indication s given by the manufacturer give a « sunny 16 » value for 1/125s (100 ISO).
Film given info in the inner box :
上海
SHANGHAI
GP3 PAN FILM
ISO400/24°快門速度1/125SCC
閃光燈或電子閃光燈
拍照主體應在閃光有效範圍內
請參閱照相機或閃光燈說明書
1/16
1/8
閃光燈
f/5.6
f/ 4
FLASH OR ELECTRONIC FLASH STAY WITHIN FLASH RANGE.
SEE CAMERA OR FLASH INSTRUCTIONS.
參閱下文
沖洗：D-76ORD-23
PROCESS:
顯影：D-76.20°C.10:00
DEV:
定影：
FIX:F-5
in
廠址：中國上海市保定路257號510室
電話：13901735797 郵政編碼：200082
ADDRESS: ROOM 510, No.257 BRODING ROAD
SHANGHAI. CHINA PHONG:13201735727.POSTCODE: 200082
Shanghai
GP3 PAN FILM
ISO400/24°Shutter speed 1/125SCC
Flash or electronic flash
The subject should be within the effective flash range.
Please refer to the camera or flash manual.
1/16
1/8
Flash
f/5.6
f/4
FLASH OR ELECTRONIC FLASH STAY WITHIN FLASH RANGE.
SEE CAMERA OR FLASH INSTRUCTIONS.
See below
Develop: D-76ORD-23
PROCESS:
Develop: D-76.20°C.10:00
DEV:
Fix:
F-5 in
Factory Address: Room 510, No. 257 Baoding Road, Shanghai, China
Tel: 13901735797 Postcode: 200082
Develop before : 2026 08
Emulsion No : 1401
Strangely too, the film side mark are printed head-to-tail.
I had quite hard time to process the frames and save what I could from this « false » 400 ISO film and I will keep far away from it in the future !
About the camera :
On February 3, 2026, I took my partly delivered order of January, 2026, at the Leica Boutique, Place Bellecour, Lyon, France. I did this order between two short stays at
Hospital Edouard Herriot to have surgeries. It helped me a lot during these medical sessions to take an external source of distraction, not focused on the surgery moment upsetting necessities.
My project was initially based on the still existing film Leica M camera’s production maintained active today in Wetzlar, Germany. Leica Camera AG offers today for sale 3 film camera’s available in different finishes. These are the Leica M6, Leica M-P and Leica M-A on the margin of a very diverse range of digital Leica camera’s. The M-P and M-A are produced since 2014 and are likely the closest camera’s to the original first Leica M3 in (1954-1966). It is possible that Leica maintained their M film camera’sjust to sustain their iconic heritage in the history of the company.
The Leica M survived a time in the 1970-1980’s due to a modified production (Leica M4-2 then M6) by the Leitz Canada branch that closed in 1990. The Leica M6 was then again produced in Germany followed by the Leica M7. The further versions of Leica M8 to M11 today are digital camera’s.
I own in my camera collection since April 2024, a venerable standing Leica M3 year 1956 that is now, in 2026, 70-year old and in perfect optical and mechanical condition with a single and well matched Summicron 2/5cm. The camera is equipped as shown in the first commercial brochure of the Leica M3 in 1954 (standard lens, bag, shade hood). In general, when practicing photography, it is sometime safe to have a « backup » camera of the same type to be still operant in case of one camera failure. I was then amused to backup my Leica M3 by one of these brand-new produced Leica M.
The Leica M-A is the closest to my M3. It is purely mechanical camera, without any electrical on electronic circuitries. Intentionally, the Leica M-A has resurrected some of the Leica M3 and Leica M2 (1958-1967) features as the metal advance lever, frame counter, engraving, rewind button, and of course their exact shape and dimensions. The front top cover is designed like the M2 with flat optical windows.
The complex range-finder combined to a framed viewer, including an automatic parallax compensation existed in different versions. The viewer of the Leica M3 was however never been mounted on other Leica M than the M3’s . The 0.91 magnification and its design made for focales 5, 9 and 13.5cm was modified on the Leica M-2 to enlarge the direct use of the viewer to the wide angle 35mm lenses to prise of a smaller magnification. The Leica M-A has o 0.72 magnification capable to display the 28mm frames. As a consequence the Leica M-A is more oriented to a common use of 28 and 35mm lenses.
I choose finally to order a M-A in the chrome silver finish with engraving resembling to the M3/M2 camera’s with a lens Summilux 1.4/35mm « Classic » that based on the original lens of 60’s, It was a formidable gift !. Ordering was however not so simple. At first, I was told that the Leica M-A production would be discontinued in Wetzlar … Arguing that the camera is still offered for sale of the on-line French website, I finally got an available box in stock in Wetzlar that was shipped straight to Lyon in 4-5 days. The lens was more slow to get and arrived within 5 weeks.
I could first enjoy the pleasure of comparing in hands my 1956 Leica M3 and my 2026 Leica-M-A. The 70-year old Summicron 2/5cm (branded at this time « Ernst Leitz Wetzlar » fits smoothly and exactly to the M-A and the 50mm frame is automatically selected. The range-finder operates accurately. There is something fantastic to see the two camera side to side separated by 70 years. Installed in the vintage ever-ready leather bag I prepared for the Leica M-A, it is quite hard to detect at a first look that the M-A is a new camera.
The viewefinder is even more bright and contrasted due to an extensive AR-coating of all optical elements. The shutter has similar, but still a bit different, those strange little noises that occurs on the M3 for the slow speeds, but essentially the two camera’s are indeed and undoubtly Leica’s M ! The grandfather and the grandson are so ressemblant.
About the lens :
After the delivery of my Leica M-A camera body the week before, I had the second part of my order on February 10, 2026, at the Leica Boutique, Place Bellecour, Lyon, France. I did this order in early January 2026, between two short stays at Hospital Edouard Herriot to have surgeries. It helped me a lot during these medical sessions to take an external source of distraction, not focused on the surgery moment upsetting necessities.
My brand-new 2026 Leica M-A (produced since 2014 by Leica Camera AG, Wetzlar, Germany) has the mixed technical features of the original Leica M3 (1954-1966) and Leica M2 (1958-1967). In particular the viewfinder system of the today M-A is inherited of the Leica M2 with a 0.72 magnification that allows the direct view field of a 35mm focal length. On the M3 , with its specific 0.91 magnification viewer, the use of 35mm lenses requires an external optical viewfinder or external optical correction of the built-in viewfinder. As a consequence the M3 appears optimal for the focal of 5, 9 and 13.5cm while the M2 appears more wide-angle lens oriented. The viewfinder of he M-A allows additionally also the framing of 28mm lens.
My idea was then to equip my M-A of a brand-new companion Leica 35mm lens of the current Leica production. The choice felt on the re-edition of an iconic 35mm Leica lens of the 60’s : a Summilux 1.4/35mm that first introduced to the market in 1961 as the first f/1.4 aperture 35mm lens.. This lens was as a modified double Gauss formula keeping the lens compact and not too heavy. The lens was soon highly reputed, especially in the photojournalism domain.
The « Steel Rim » describes a stainless steel ring mounted on the lens front to hold the shade hood. When looking at the optical scheme the modern version of the lens is not exactly the same but Leica keeper the major characteristic with a special softness at wide aperture 1.4 to 2.8 that miked the success of the lens at the time.
Receiving of a brand-new Leica lens is a not so common moment. The lens was packaged in Wetzlar on January 16, 2026 and delivered to the Leica boutique, Place Bellecour, Lyon, France on February, 10, 2026 where I took the precious package. We opened the boxes in the shop and had a good discussion staring at the jewel. When picking-up the lens I did not had my M-A body with me but we tried the mount on another second-hand M-A.
The lens is delivered by default with two shade hoods and rear/front ens caps. The replica of the original lens hood fits, clip-on , to the famous « »stieel rim » but is not curiously usable with filters. The second modern one was designed to be used with the E46 screwed filters. The seller offered for free a Leica UVa II, E46 filter (sliver decor) and a Leica clip-on lens cap E46 to be used with a filter because the default one is a bit too large with a filter on place on the lens. The package includes also a protective Leica black lens pouch, proof certificate and booklet.