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A restored stretch of Big Spring Run is seen in Lancaster County, Pa., on July 25, 2020. Before a massive restoration effort in 2011, the stream ran like "chocolate milk" because of sediment erosion, according to landowner Matthew Kirchner. When 20,000 tons of legacy sediment were removed, it allowed natural wetlands to quickly return and better handle storm flows. "It's like a filter system," Kirchner said. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
S.C. Army National Guard Soldiers and fire department/EMS rescuers with the S.C. Helicopter Aquatic Rescue Team (SC-HART) program, S.C. Urban Search and Rescue Task Force 1 (SC-TF1), arrive to Table Rock, S.C., and initiate pre-mission operations during their first, 2018, quarterly rescue training event Table Rock, Pickens County, Jan. 17, 2018. The three-day training event includes both day and night operations, with focus on land and water-based rescue, along with incorporating a variety of additional challenges for crews and rescuers, such as extraction of survivors from mountain-wooded areas and other “constricted” scenarios. (U.S. Army National Guard Photo by Staff Sgt. Roberto Di Giovine)
A dead horseshoe crab is seen along a shoreline at Eastern Neck National Wildlife Refuge in Kent County, Md., on June 26, 2014. A nearby restoration project at Hail Cove incorporates a living shoreline designed to slow the rate of erosion. (Photo by Alexander Jonesi/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Perdue staff volunteer with Project Clean Stream to remove trash from the Coty Cox Branch of the Wicomico River in Salisbury, Md., on April 5, 2014. Project Clean Stream is a program of the nonprofit Alliance for the Chesapeake Bay, which supports thousands of volunteers at trash cleanups along waterways across the Chesapeake Bay watershed. (Photo by Steve Droter/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Keith Mayer of the Virginia Institute of Marine Science (VIMS) unloads gear from R/V Bay Eagle at the end of the last day of the Blue Crab Winter Dredge Survey at VIMS in Gloucester Point, Va., on March 8, 2016. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Penn Theatre Arts Fall 2015 Mainstage Production
Directed by Dr. James F. Schlatter.
The Theatre Arts Program’s fall production, BURY THE DEAD, written by Irwin Shaw in 1936, is set “in the second year of the war that is to begin tomorrow night.” The scene is an unnamed battlefield somewhere in the world that also serves as the gravesite for six dead American soldiers. About to be interred, the six young soldiers stand up in their shared grave and plead not to be buried. This crisis is the focus of Shaw’s harrowing and deeply moving and provocative play, directed by Theatre Arts faculty member, Dr. James F. Schlatter, Can a war ever end if the dead won’t be buried? The play will be performed by an ensemble company.
Performances:
November 18–21, 7:00pm
@ Annenberg Center Live, Bruce Montgomery Theatre
theatre.sas.upenn.edu/events/fall-mainstage-production-bu...
provost.upenn.edu/initiatives/arts/stories/2015/11/16/the...
Photo by Michael Premo.
Poverty Initiative Poverty Scholars Program Strategic Dialogue, November 2010. Talk with S'bu Zikode.
A corn field is irrigated in Queen Anne's County, Md., on June 15, 2012. (Photo by Steve Droter/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
After five wonderful years, 3rd Street Kids Club is closing its doors on June 30. Kids Club serves low-income families by providing an after-school program for elementary through middle school youth in the city of Long Beach.
Many of the students have been in the program together since Kids Club opened in 2004. As a final project, the students have worked collaboratively with professional artists from throughout southern California to produce “Fresh off the Scene.” The exhibit features 15 individual works of art by fifth through eighth grade students. Each student selected a concept for their piece based on social issues such as the environment, war, and gender equality.
All of the program’s other students, who range in age from 5 to 10 years, worked on a mural in collaboration with artist Joseph Fernandez.
An opening reception will be held at 4 p.m. on Friday, July 10th at the Pike Rotunda in downtown Long Beach. The exhibit will run through the end of July.
“Fresh off the Scene” is an Urban Canvas production and is hosted by the Phantom Galleries LA.
Artists collaborations include, Michael Pukac, Joseph Fernandez, Tommi Lim, Lisa Ray, Matt Winkler, Marc Anthony Coronado, Jeni Carle and Jude Vela Diallo
For More Information about this event
Contact : urbancanvasart@gmail.com
Friday, July 10, 2009
Time:
4:00pm - 8:00pm
Location:
The Pike at Rainbow Harbor 2nd floor next to Cinemark
Street:
24 Aquarium Way
City/Town:
North Long Beach, CA
View Map
Phone:
5623534583
Email:
Liza@phantomgalleriesla.com
Underwater bay grasses, Poplar Harbor
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Penn Theatre Arts Fall 2015 Mainstage Production
Directed by Dr. James F. Schlatter.
The Theatre Arts Program’s fall production, BURY THE DEAD, written by Irwin Shaw in 1936, is set “in the second year of the war that is to begin tomorrow night.” The scene is an unnamed battlefield somewhere in the world that also serves as the gravesite for six dead American soldiers. About to be interred, the six young soldiers stand up in their shared grave and plead not to be buried. This crisis is the focus of Shaw’s harrowing and deeply moving and provocative play, directed by Theatre Arts faculty member, Dr. James F. Schlatter, Can a war ever end if the dead won’t be buried? The play will be performed by an ensemble company.
Performances:
November 18–21, 7:00pm
@ Annenberg Center Live, Bruce Montgomery Theatre
theatre.sas.upenn.edu/events/fall-mainstage-production-bu...
provost.upenn.edu/initiatives/arts/stories/2015/11/16/the...
Janet McCabe, the Environmental Protection Agency's deputy administrator, speaks during the National Fish and Wildlife Foundation's announcement of $33.8 million in new grant funding for Chesapeake Bay watershed restoration at an event at Truxtun Park in Annapolis, Md., on Dec. 2, 2022. The grants include NFWF's Small Watershed Grants and Innovative Nutrient and Sediment Reduction programs, and with a boost in federal infrastructure funding, the annual grant slate is the largest ever awarded by NFWF for Chesapeake restoration. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Urban stormwater runoff flows into storm drains in Annapolis, Md., on Nov. 4, 2010. (Photo by Matt Rath/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Finishing work is underway in the middle school program's activities room.
Construction is wrapping up at the Jesse Franklin Taylor Education Center. Des Moines Public Schools' newest facility will house preschool classrooms as well as a new home for the district's middle school alternative program. The building will open for the start of the 2014-15 school year.
Government Island Park is seen in Stafford County, Va., on Dec. 3, 2016. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Marydel, Md.
Caroline County
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
The Eastern Connecticut State University Baseball Team defeated Salisbury University, 3-2, in game two of the 2022 NCAA Division III Baseball Championship Series, capturing the program’s fifth NCAA National Championship. (Photo by Jimmy Naprstek/Kodiak Creative)
Chemistry students from Warwick High School sampled Lititz Run in Lancaster County, Pa., during a biannual field trip that visited eight sites along the stream, which has been listed as impaired by the Pennsylvania Department of Environmental Protection. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
A restoration project using a living shoreline, an artificial stone ribbon reef and low headland breakwaters at each end of Hail Cove protects a shorelines at Eastern Neck National Wildlife Refuge in Kent County, Md., on June 26, 2014. The project was a partnership with U.S. Fish and Wildlife Service (USFWS), Maryland Department of Natural Resources (DNR) and several other partners, and is designed to slow the rate of erosion and protect wildlife habitat in an area visited by songbirds, shorebirds, waterfowl, terrapins and other animals. (Photo by Alexander Jonesi/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Penn Theatre Arts Fall 2015 Mainstage Production
Directed by Dr. James F. Schlatter.
The Theatre Arts Program’s fall production, BURY THE DEAD, written by Irwin Shaw in 1936, is set “in the second year of the war that is to begin tomorrow night.” The scene is an unnamed battlefield somewhere in the world that also serves as the gravesite for six dead American soldiers. About to be interred, the six young soldiers stand up in their shared grave and plead not to be buried. This crisis is the focus of Shaw’s harrowing and deeply moving and provocative play, directed by Theatre Arts faculty member, Dr. James F. Schlatter, Can a war ever end if the dead won’t be buried? The play will be performed by an ensemble company.
Performances:
November 18–21, 7:00pm
@ Annenberg Center Live, Bruce Montgomery Theatre
theatre.sas.upenn.edu/events/fall-mainstage-production-bu...
provost.upenn.edu/initiatives/arts/stories/2015/11/16/the...
National Guard Soldiers from several different states participate in Level 1 Funeral Honors Training Dec. 13, 2018, at Camp Pendleton in Virginia Beach, Virginia. The Virginia National Guard Funeral Honors Program has assisted in providing military honors at funerals for more than 22,500 veterans in Virginia since the program's inception in 2007. (U.S. National Guard photo by Mike Vrabel)
Penn Theatre Arts Fall 2015 Mainstage Production
Directed by Dr. James F. Schlatter.
The Theatre Arts Program’s fall production, BURY THE DEAD, written by Irwin Shaw in 1936, is set “in the second year of the war that is to begin tomorrow night.” The scene is an unnamed battlefield somewhere in the world that also serves as the gravesite for six dead American soldiers. About to be interred, the six young soldiers stand up in their shared grave and plead not to be buried. This crisis is the focus of Shaw’s harrowing and deeply moving and provocative play, directed by Theatre Arts faculty member, Dr. James F. Schlatter, Can a war ever end if the dead won’t be buried? The play will be performed by an ensemble company.
Performances:
November 18–21, 7:00pm
@ Annenberg Center Live, Bruce Montgomery Theatre
theatre.sas.upenn.edu/events/fall-mainstage-production-bu...
provost.upenn.edu/initiatives/arts/stories/2015/11/16/the...
William (Billy) P. Milton, Jr.,Deputy Director, Office of Human Resources Management, Departmental Management, U.S. Department of Agriculture, addresses the Work Force Recruitment Program’s (WRP) "Your Key To Hiring Student Interns and Employees with Disabilities” event hosted by the United States Department of Agriculture (USDA) in the Jefferson Auditorium, Washington, D.C. on Tuesday, February 7, 2012. USDA Photo by Lance Cheung.
The Army Substance Abuse Program’s Suicide Prevention Program Manager presented the first of a series of intervention-focused training for APG Soldiers and civilians during a two-day session at the Garrison Training Facility, Bldg. 3147, March 21-22.
Lamont Coger, suicide prevention program manager and Spc. Jeffrey Augustin of the U.S. Army Medical Research Institute of Chemical Defense conducted the Applied Suicide Intervention Skills Training, or ASIST, training for Soldiers and noncommissioned officers who are designated suicide prevention coordinators for their units.
CSI Summer Camp participant Morgan Elmore uses her cell phone to photograph evidence in a staged crime scene under the watchful eye of Darrell Davis - Executive Director CAPS-ATO. Photo by Robert Jordan/Ole Miss Communications
An eastern painted turtle rests on a bank in Dorchester County, Md., on March 11, 2014. (Photo by Steve Droter/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
In scratching out a 64-61 win over Maryland Eastern Shore on Saturday evening at the HU Convocation Center, the Hampton University men's basketball team snapped its six-game losing streak.
The Pirates improved to 9-14 overall and 5-5 in the MEAC on the season.
Head coach Edward Joyner Jr. won his 91st career game in the process, becoming the program's all-time winningest Div. I coach – surpassing Steve Merfeld.
Guard Reginald Johnson registered his second straight 20-point game, leading all Pirate scorers with 21 points on 7-for-15 shooting. Guard/forward Dwight Meikle added 16 points and a team-high 11 rebounds for his fourth double-double of the season.
Guard Deron Powers added 11 points and four assists.
The Pirates shot 44.2 percent (23-for-52) from the floor – thanks in large part to a 14-for-25 effort (56.0 percent) in the second half. Hampton scored 25 points off of 16 UMES turnovers, and Hampton held a 26-22 edge in points in the paint.
A layup from Devin Martin with 2:14 left in the game tied the contest at 58-58, before Johnson answered with 1:11 left by converting an acrobatic 3-point play to put the Pirates up 61-58. Dominique Elliott cut that lead to 61-60 with a jumper with 55 seconds left.
But Meikle put his stamp on the game with 42 seconds left, finding space on the fast break before floating in the air, making it look as if he would finger-roll the ball into the hoop, before slamming the ball home with one hand to give the Pirates a 63-60 lead.
The two teams traded free throws down the stretch, but Martin missed both of his 3-pointers in the closing moments to hand the Pirates the hard-fought win.
The UMES led much of the night, though – particularly in the first half. The Hawks opened the game with six straight – thanks to back-to-back 3-pointers from Ryan Andino – before the Pirates cut the lead to 6-5 on a jumper in the paint from junior forward Jervon Pressley.
The Hawks opened the game back up, taking a 22-10 lead at the 8:37 mark after a 3-pointer from Martin. A dunk from Michael Myers and a layup from Devon Walker gave UMES a 29-16 lead with 2:39 left in the half.
But Hampton scored the last seven points of the frame – a jumper and 3-pointer from Meikle and a jumper from Powers – to cut UMES' lead to 29-23 at the break.
That momentum carried into the second half, as the Pirates cut UMES' lead to one on three separate occasions before taking their first lead of the night on a Johnson layup with 15:12 left – putting Hampton up 36-35.
Johnson then hit a trey to put the Pirates up 39-35 at the 13:32 mark.
Johnson added a layup with 13:14 remaining to give the Pirates a 41-37 lead, before UMES went on a 10-1 run to take a 47-42 lead with 10:39 left to play after a dunk from Elliott. Elliott later gave the UMES a 53-48 lead at the 6:29 mark with a free throw.
After a pair of Martin free throws gave the Hawks a 55-50 lead, the Pirates went on a 7-0 spurt, taking a 57-55 lead with 3:13 left to play after a jumper from Powers.
Red Weasel Media was sitting on the baseline to capture all of the high flying action. Go Pirates!
1956 Continental Mark II Convertible by Derham
$296,500 USD | Sold
From Sotheby's:
The ambition of the Continental Division, the post-war Ford Motor Company marque spearheaded by William Clay Ford, was belied by the simplicity of its mission brief: Build the best luxury flagship available, regardless of cost. Continental’s sole offering, the Mark II, was indeed a car for the ages. Its many attributes included handsome-yet-understated Midcentury styling by John Reinhart and Gordon Buehrig; impeccable, hand-fitted build quality; and, famously, a $10,000 price tag that made it the most expensive car produced in America at the time.
The Continental model range was originally intended to include a four-door limousine and both fabric-top and hardtop convertibles. Unfortunately, the program’s exorbitant costs and the Mark II’s limited volume meant only the two-door sedan reached production (although the retractable hardtop program did lead directly to the marvelous Ford Skyliners). This 1956 Continental Mark II Convertible, commissioned by the Ford Motor Company when the prospects of a production version were brighter, is a breathtaking look at what might have been.
The execution of the Mark II Convertible design was tasked to the Derham Body Company of Rosemont, Pennsylvania, a grand American coachbuilder of the first order. No mere chop job, Derham’s carefully considered build incorporated a fully functional convertible soft top without compromising the Continental’s stunning profile. By October of 1956 the car, initially finished in white over a white and red interior, was ready for its dazzling debut at the Texas State Fair; appearances at shows across the United States followed.
The immense appeal of the convertible design, as elegantly realized by Derham, was obvious. Yet the discontinuation of the Mark II after the 1957 model year, and the reincorporation of the Continental marque into Lincoln, precluded its production. This prototype, the sole example to be built for Continental by the prestigious Pennsylvania coachbuilder, was all that remained of the promising idea.
A SPECTACULAR MARK II’S GLAMOUROUS SECOND ACT
After its time in the spotlight, this unique Mark II was acquired by Martha Firestone Ford—granddaughter of tire magnate Harvey Firestone and wife of William Clay Ford—for her personal use. Before she took ownership, the car was upgraded to the latest 1957 mechanical spec. A new dynamically and statically balanced 300-horsepower, 368-cubic-inch V-8 was installed, along with a new transmission and new-for-1957 Directed Power limited-slip rear differential, and it was refinished in sky-blue over a white and blue Bridge of Weir leather interior. A new black convertible top, along with complementary black Mouton carpets, was fitted, and a special plaque was affixed to the transmission tunnel to note its illustrious ownership.
Mrs. Ford eventually had the Continental repainted in a dark metallic blue-green (the 1957 interior remained intact), then relinquished the car. A sharp-eyed Ford engineer, Bob Wagner, is said to have spotted it in the automaker’s car resale system, eventually acquiring it for himself. Not long after, however, Wagner was instructed to sell the Mark II: Apparently, William Clay Ford had previously promised the car to another interested party, and it going to a Ford employee threatened to create an embarrassing situation for the executive!
Recognizing its significance, Wagner wanted the Continental to go to a dedicated enthusiast of the marque, and by late 1961 a deal was struck with Walter W. Goeppinger. For the Mark II Convertible, Goeppinger would trade his award-winning 1947 Lincoln Continental, plus $5,000. The transaction was completed in May 1962, and the ensuing six decades of Goeppinger family stewardship has proved the wisdom of Wagner’s choice.
Under the care of Walter Goeppinger and his two sons, this cherished Mark II has always benefitted from scrupulous care. Returned to its appealing sky-blue color following Goeppinger’s acquisition, the car enjoyed a repaint by Anderson Restoration in Kanawha, Iowa completed in 2011. Today, with its sky-blue exterior, blue and white interior with black Mouton carpets, black top, and blue tonneau cover, the Continental looks much like it did when Mrs. Ford first took ownership in 1957.
Befitting its historical importance, this Mark II has been shown and documented extensively over the years, including appearances in Automobile Quarterly, numerous magazines and Lincoln Continental Owners Club publications, as well as Rolling Sculpture, A Designer and His Work by Gordon M. Buehrig. It is offered with an extensive history file assembled by the Goeppinger family, including correspondence with the Ford family and historic photographs.
Now ready for its next caretaker, the Mark II Convertible by Derham is an irresistible opportunity for a collector of notable Continentals and Lincolns. Moreover, this Continental represents an important moment in the history of the American automobile—a moment when the Ford Motor Company set out to build an exquisite luxury car to challenge the world, no matter the cost…and succeeded with flying colors.
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Kristina and I headed over to RM Sotheby's at the Monterey Conference Center to view some glorious cars at their auction preview.
- - -
Had a blast with our auto-enthusiast friend and neighbor, Fred, at Monterey Car Week 2022.
The Rod and Reef Slam fishing tournament is held on the Choptank River on Oct. 7, 2017. The tournament was hosted by the Chesapeake Bay Foundation to highlight the return of trophy fish species that rely on oyster reef habitat in Chesapeake Bay. Cook's Point is a site where CBF has installed reef balls to spur oyster recovery, and other partners that restored reefs featured in the tournament include NOAA, Coastal Conservation Association, and Maryland Department of Natural Resources. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Photos from the Penn State Golf Course Turfgrass Management Program's Class of 2010 Graduation.
Not pictured (Aaron Bower)
Students in the College of DuPage Culinary program’s Cake Decorating Foundations 1174 class created custom gingerbread houses that were donated to Helping Hand Center, a nonprofit organization dedicated to improving the lives of children and adults with disabilities.
JSC2011-E-067473 (21 July 2011) --- In the shuttle flight control room in JSC's Mission Control Center in Houston, NASA astronaut Michael Lopez-Alegria (left), deputy director of the flight crew operations directorate for International Space Station, stretches to shake hands with STS-135 ascent flight director Richard Jones. Standing between those two, from the left, are Paul Hill, director of JSC's mission operations directorate, John McCullough, chief of the flight directors office, and Norm Knight, deputy chief of the flight directors office. The men were watching monitors that showed TV coverage of the landing and post-landing activity of STS-135 -- the Space Shuttle Program's final mission -- several hundred miles away at the Kennedy Space Center in Florida. Photo credit: NASA
Photo by Michael Premo.
Poverty Initiative Poverty Scholars Program Strategic Dialogue, November 2010. Talk with S'bu Zikode.
Maryland state and federal government officials meet at MedStar Harbor Hospital in the Cherry Hill neighborhood of Baltimore to announce Bipartisan Infrastructure Law funding for cleanup projects throughout the Chesapeake Bay watershed on May 2, 2022. Speakers included MedStar Harbor Hospital president Hill Donaldson, EPA Region Three Regional Administrator Adam Ortiz, EPA Deputy Administrator Janet McCabe, Sen. Ben Cardin, Sen. Chris Van Hollen, Rep. Dutch Ruppersberger, Rep. John Sarbanes, Rep. Kweisi Mfume, Rep. Jamie Raskin, and Maryland State Senator Sarah Elfreth. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Crab docks are seen on Scotts Cove in Chance, Md., on Aug. 6, 2010. (Photo by Matt Rath/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
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The “Partner-in-Mission Award” winner in the Mountain-Prairie Region this year was The June Sucker Recovery Implementation Program, based in Salt Lake City, Utah. This collaborative partnership includes federal, state, and local members from wildlife and natural resource management organizations, water user and conservation associations, and reclamation agencies. The program’s implementation committee collectively contributes nearly $10 million annually in cash and water benefits for the recovery of the endangered June sucker fish.
Credit: June Sucker Recovery Program
(Photo by Caitlin Finnerty/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Brady Bowers plants marsh grass at the West River United Methodist Center's living shoreline in Anne Arundel County, Md., on Aug. 3, 2021. The living shoreline was the first project to break ground under Maryland's Resiliency through Restoration Initiative. (Photo by Ethan Weston/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Eric J. Hilton, an associate professor of marine science and curator of the Nunnally Ichthyology Collection, holds a preserved American shad (Alosa sapidissima) specimen at the Virginia Institute of Marine Science (VIMS) in Gloucester Point, Va., on Aug. 2, 2013. The collection contains more than 100,000 freshwater, estuarine and marine fish specimens for use in research and education. After taking on “orphaned” specimens from two other laboratories, VIMS has become the only institution to actively maintain a collection of Chesapeake Bay and mid-Atlantic fish. (Photo by Steve Droter/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.