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Why, why, why oh why...?

isn't it a privilege to live each day

a live performance,

a festival of kindred spirits

a reflection of soulful conformance

 

I get back up again and again

to do it again and again

watching you procumbent

feels so special when I'm close to you

what opinion has come to represent

 

I thought you should know

when I run out of comments

these sweet arms of spathic will

meet if you keep your memory still

raining down harder where heartbeats fulfill

 

my body aches as it breaks new ground

a tonguetied convergence of silence

deactivating sorrow and regret

for what we are about to embrace

our lateral desire enflames what it can never forget.

 

by anglia24

13h30: 07/10/2007

© 2007anglia24

☀

 

I know, heavily processed. I used some speedlights to help get lighting to the rear flowers with a white behind. It will spilt opinion but I reckon if you're going to process, process quite heavily. Much more to do with getting an arty effect than anything. Colours white and pink work.

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Early in the render process. Probably too much red. After a few hundred frames, I think the red is going to overwhelm. Whatev. I will let it ride.

 

Read about it here.

Illustrations / logo work for The StillPointe Llama Sanctuary

See it BIG

 

Sketch --> Draw --> Add Color --> Add Life Partner --> Texture

 

Oh... and listen to this on loop: www.albinoblacksheep.com/flash/llama

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RPOHIRE is a Recruitment Process Outsourcing (RPO) company with offshore recruiting services providing offshore recruiters , sourcer, Resume Researcher, Recruitment Consultant ,Resourcer; For more details please visit www.rpohire.com

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LB Is a sound reactive project I'm working on. It's still in it's early stages..

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Another test of printing onto receipt paper and scanning the result

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A generative typography using Voronoi diagrams.

A Mexican wolf lays on a table while staff performs health checks, takes measurements and administers vaccines.

Credit: Mexican Wolf Interagency Field Team

Reworking of this image.

 

Artists and passersby at the free art festival, Southsea.

 

Aged with colour tones and HSV, masked multiply layer over the top to bring back the clouds, vignette to finish.

 

Related links:

 

It's Yours, Take It

Southsea - It's Yours, Take It

surface sacn

Unfortunatley the 24 hr delay after iodisation was a mistake with this paper, see the scan with transmitted light, serious fogging could be seen emerging after exposure

15 min exposure bright day blue sky f/6,3 whole plate

Winther's tannin process with Sumac extract

 

Pre-silver brushed 5,2% AgNO3, dried iodised in 4% KJ for 10 min followed by 2 water baths of 10 min each (pure water) blotted off and dried

Sensitized just before exposure with sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double.Exposed moist in a glass sandwich.

Developer brushed and sprayed with 25% alcohol for 1 hr 10 min

Developer consists also of sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double. After brushing sprayed and left wet face up under cover, brushed also just with Sumac extract saving the silver nitrate for later to boost density.

Short wash before 2 x 10 min hypo and 1 hr running water bath

 

Canson Marker paper was pre-silvered and iodized the day before exposure and processing.

The paper behaved well when prepared pre-silvering and iodisation on the same day as exposure and processing.

" I will be back..."

A generative typeface created using autonomous agents, and separation + target behaviour.

Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto

 

Photo by Sara Collaton

 

Performed in Photo Impact by Corel

A few quick snaps of some of my Collodion process Victorian Negatives. A few people have asked to see what the texture looks like. Most of the negatives I have have the gum on both sides whihc makes it a little tricky to know which way round the negative it meant to be.

On this one it looks like the photographer wiped it when it was still a little wet.

Do take a look at my other photographs! www.etsy.com/uk/shop/TallyHoOxford?ref=si_shop

Thanks x

 

Expired Kodak Ektachrome E100VS

Cross Processed

Medium Format

Fuji RVP50 - Cross Processed with C41

 

Original Collection: Experiment Station Publications Photographic Collection (P 132)

 

Item Number: P132:129

 

Image Description: Processing blue lake beans at Blue Lake Packers in Corvallis.

 

You can find this image by searching for the item number by clicking here.

 

Want more? You can find more digital resources online.

 

We're happy for you to share this digital image within the spirit of The Commons; however, certain restrictions on high quality reproductions of the original physical version may apply. To read more about what “no known restrictions” means, please visit the Special Collections & Archives website, or contact staff at the OSU Special Collections & Archives Research Center for details.

 

Trying out the new lasercutter at work, I made an enlarged version of an old growth form. This is cut from 6mm black acrylic - works pretty nicely as a heat mat.

This is my edited version of Belle âme.'s photo.

 

I did this for the Process my photo (not better, just different) Group (Week 12))

The Case of the Found Slide Film

 

We went to New Jersey for Halloween. This is were we were given an Argus camera that was recently found in a garage cleaning. It is a very solid camera, more boxy than my Kodak Signet 40. They were certainly built to last back in the day.

 

When we popped it open, we found a used roll of film.

 

“Whoa, do you think we could develop this?”

 

After a little research, (reading the canister, mostly), the film is ANSCOCHROME and yes, it sounds more interesting if it is in all capital letters. What we know is that it was slide film (I’m actually not sure how we figured that out). It is probably 30 years old. And that it is probably color (chrome gives it away). It has 12 photos from the past and I want them.

 

I brought it into Freestyle where they in turn sent it to Swan Photo Lab, who I was confident could at least diagnose what it is. If they couldn’t handle it, I knew we’d be one step closer to figuring this out.

 

Yesterday, I got the film back.

 

This is what we found out: it does not use E6 but E4 processing and they do not do it. Fair enough. It’s tungsten type film (says on the canister) and that does mean that it is color. Also on the canister: ”Only open in total darkness. Process in 80 F chemistry.” That means little of anything to me, but this may be the key to deciphering the processing/developing type.

 

It also caused a good laugh in the store about warming up chemicals and putting it in. ”Do you guys have any bleach? Let’s put it in that!”

 

A google search in store said that one of the differences between E6 and E4 processing is that a hardener is added to the process. Nowadays, slide film has a hardener added to it in manufacturing, according to Freestyle peeps. I expect that this information will be corroborated once I…

 

TO BE CONTINUED!

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