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I thought I'd post a "before and after". This is Kodak Ektachrome Tungsten 160, expired in 1978, cross processed. I've used a couple of rolls of this in various cameras and under different lighting conditions. I like these results best so far. In daylight it skewed purple: www.flickr.com/photos/graustark/2499607920/
If you look at the just-scanned version, you can see it started out very red.
This is the same photo as the previous post but processed in Topaz's Black & White Effects. After that, I added a texture from ifdezelle. Having seen others use textures such as this, I thought I'd give it a try. I think it works, at least to some degree, as I like it better than the original, below. What are your thoughts?
Aspaldi ataratako argazki bat barriro prozezatuta, beste toke bat emonez!
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Una foto de hace un tiempo procesada de nuevo dandole otro toque!
I wouldn't do this for their book, but I was playing with making the background less central. Voila, my artificial snoot. Eh.
I wanted to upload something too to thank my friend Zoe for writing me such a wonderful testimonial. I haven't been able to really produced much of what I've wanted lately, and it's really meant a lot to have everyone's kind words lately, I still don't feel like they're merited, especially from such esteemed photographers...seriously, each of the people who've taken the time to write on my behalf have skills I look up to. So, thank you Zoe! Seriously people, check out her masks, they're awesome.
3 Light setup: (all Alien Bees B800's): left right and slight right. Two at 45-degrees through umbrellas at 1/2 power, one center through softbox at 1/4, all fired with PW.
AGENCY: Banjo Sydney
Agency Producer: Richard Frost
Creative Director: Georgia Arnott
Agency Creatives: Sean Larkin, Les Sharpe
Type & 3D : Luca Ionescu | Like Minded Studio
.... looking down on the water from a rickety wooden bridge, over a small stream. The water was flowing over a log, and the 'figures' were marching across it in constantly changing forms ....
Another group shot of yesterdays pintail. Due to the light being into the birds faces I've processed this to bring out the colours of the ducks plumage however this has created this void like sky - pintails in the no-thingness if you like.
I quite like the effect as it completely isolates the ducks - don't feel obliged to comment as an experiment really.
Go Large.
A high key shot!
Credited to the learning's at 'Prem Muthu portrait workshop' I was at, sometime back.
Please - no awards, photos, group invites or graphics!
Please do not use this image on a website without explicit permission from me. Thanks.