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A page from an ongoing (never ending) art book series. Made with lots of found materials!
Prints for sale here: www.etsy.com/shop/findingmachine
Lumen print on Fomatone MG warm tone variable gradation matte 532-II paper, ~3 hour exposure, not fixed.
This image is protected by copyright and may not be used in any way, for any purpose, without my written permission. Please contact me if you would like to use any of my photos.
[lumen print 270a & b]
“Printed Word”
corner of an old nursery rhymes book,
within 2 3/4 inches, yes size matters! ;-P
Jiggety-jog!
HMM everyone!
People may hear your Words,
but they feel your Attitude.
( John C. Maxwell )
😄 HAPPY MACRO MONDAY TO EVERYONE 😄
Quote (by Meher Baba) typed into a text field in “WORD”
(< 2” x 2” incl. neg. space) printed with an inkjet printer on paper and
taken a macro of on August 8th, 2019, uploaded for #MacroMondays #PrintedWord
ƒ/2.8
4.5 mm
1/5 Sec
ISO 400
Dedicated to CRA (ILYWAMHASAM)
I try to save them when I find them dead, but they are so fragile. I had to draw on the antennae.
precious little creatures.
lumen print.
The orchid is backlit by a softbox acting as a scrim - a snoot is providing additional light on the center of the main orchid.
Toyo 45G View Camera Fujinon A 240mm f/9. Ilford FP4+ @125. 1/60 sec f/16 ASA 125.
Standard development in Ilfosol-3 @1:9 dilution.
Printed on Ilford MG Fiber Classic - Glossy. Ilford MG Developer @1+9. Six seconds exposure with dodging of the central petals and 3 seconds burning of the leaves and stem.
Despite taking all of the expected measures, my developing time for this contact print was uncomfortably fast. I have ordered some silver chloride photo paper, which is much slower, and I may experiment with one of the old school developers...
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for 8 minutes. Borders masked with Scotch removable Magic Tape.
Salt Print toned with Selenium 1:50.Intrepid Mk2 8x10 with Fujinon f/5.6 300 CM-W and Ilford HP5+ developed in PMK Pyro. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for four minutes. Borders masked with Scotch removable Magic Tape.
Lake Lucerne
near Weggis LU
Schweiz
Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+
Lithprint onto unknown Baryta paper
Cropped to portrait format to fit my A4 scanner
I'm still discovering old prints in my basement.
Vandyke brownprint from digitized film negative printed on vellum paper. Contact printed for 3 minutes in direct sunlight.
Photo taken with Brownie box camera: Six-16 Brownie
Film: Verichrome Pan 616 (2.5" x 4.25" negatives), expired in 1975
Developing: Caffenol-C
Classic lumen print on warmtone silver gelatine paper.
Bought this old Fotokemika paper on a Swedish net auction site. Emaks K 888 UB 24x30 cm, claimed to be unopened. It probably wasn't, as it was heavily fogged, even for lith printing. But Ag + UV light never goes wrong.
There's almost no scenario when silver gelatine papers are not usable. The last resort is lumen printing, which worked out well also in this case (warmtone papers being more "photogenic" than cold tone papers).
Photogram using a Fresh Fern + Sunlight + Silver gelatine paper, 30 min in Swedish evening sunlight.
No developer. No stop bath. No fix. No toning. Just Sun and Silver.
PS borders.
Heading out to the Bangkok Comic Con :D Hope I can get some decent shots. Catch you guys in the evening! Later! :)
I dig tikis and just had to make a piece to make prints. Share the tiki love.
prints and more info available at
Rodenstock imagon lens with TriX in rodinal
Printed on Adox
Developer: Moersch Sepia
Toning: Cobalt 2 min. Iron 2 min. (more or less)
the dry print was a bit darker than when he got out of the bath.