Nylon Oberbekleidung
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Michal Gabriel, NordArt 2022
Tänzer 1-3, Polyesterharz
Dancer 1-3, polyester resin
205x320x170 cm
238x357x336 cm
Die "Tänzer" (im Bild nur 2+3 von 3) weisen das Element der verlängerten Gliedmaßen auf. Die Inspiration für dieses Stück stammt aus einer Zeit,in der Michal Gabriel Aikido praktizierte und stützt sich auf die Prinzipien der Energieumwandlung. Diese Figuren tanzen durch den Raum und hinterlassen eine Spur der Vitalität.
The "Dancers" (only 2+3 of 3 in the picture) feature the elongated limb element. The inspiration for this piece comes from a period when Michal Gabriel practiced Aikido and draws upon the principles of transforming energy. These characters dance through space, leaving in their wake a trail of vitality.
JSM & Eric Stehfest - Jamie Berry feat. Octavia Rose - Lost In The Rhythm
An immersive event featuring large-scale artworks, educational workshops, family-friendly activities, live music, and dance performances.
Long Wave, By Pneuhaus | Providence, Rhode Island
This large-scale helical sculpture explores motion, perspective, and repetition through a simple, continuous form. The title refers not only to the sine-like geometry of the structure, but also to broader cycles—of time, energy, and perception—that unfold slowly and steadily across space.
Fabricated in Providence, Rhode Island by Pneuhaus, Long Wave spans nearly 330 feet in length and stands over 20 feet tall, creating a presence that meets the vast scale of its surroundings. From different vantage points, the form shifts. Viewed head-on, it compresses into a nested spiral; from the side, it reads as a rising and falling sine wave. The geometry invites movement around and through it, offering a sequence of changing perspectives and a sense of fluid motion suspended in space.
At night, light pulses along the spiral path in programmed rhythms, suggesting orbit, momentum, and passage. The result is a form that feels elemental and in motion—rooted in geometry, animated by light, and shaped by its environment.
The sculpture is built from modular segments, each designed to match the width of standard fabric rolls. The material is a PVC coated polyester fabric that is heat-welded into airtight chambers, making the structure efficient, lightweight, and scalable. Its simplicity allows it to extend to architectural proportions while remaining legible and precise.
Looking down on a 3-strand polyester rope, commonly used as a fender line or mooring line for boats. It is often coiled on a dock in a spiral pattern known as "cheesing down". Taken on a dock in Gzira, Malta using a Canon 50mm 1.4 lens, converted to black and white in Lightroom.
Europe’s biggest airport is a bit of an eye opener when you live in a place where the population is about as diverse as a teaspoon. Head into the departure lounge at Heathrow and pretend you’re in New York or Mumbai. On the tarmac outside, planes wait to whisk you away to distant corners of the globe such as Shanghai, Accra or Bogotá. Heathrow is a veritable Babel; a reminder that it’s a big world out there and we’re just one small speck on the atlas. From my local airport, Alicante and Faro are about as racy as it comes, and to get to where I was bound for, I needed to enter the metropolis and blindly follow the signs until I arrived at gate number twenty-nine. Right now that’s where I was, watching my fellow passengers arrive. Many of them were tall, tanned and healthy looking after a long warm summer. A number of really quite attractive ladies with ice blonde hair and that uber cool aura of Scandinavian sang-froid about them. A few faintly terrifying descendants of Olaf the Hairy, with beards sprouting almost from their noses. It was almost as if I’d walked through a hidden portal and had already arrived in Sweden. If there were any other British travellers amongst us, they weren’t wearing the trademark polyester or sporting tattoos and spotless white trainers like so many of them seem to on the early morning flights from Bristol to the Mediterranean.
I’ve never been to Sweden before, and I was looking forward to my first visit. But my excitement would have to hold on for a while, thanks to a curtain of dark and threatening clouds hanging over West London. “Sorry about the delay," said the captain. “We’re in a queue. The three planes ahead of us are also heading for Sweden and air traffic control won’t let us take off until there’s a window in the weather.” A collective sigh from one hundred and fifty seated and belted passengers. “Sorry about the delay,” announced the cabin crew lead. “We have to stay here behind the curtain now and can’t come out to attend to you. You’ll have to amuse yourselves until we take off.” Well not exactly those words, but you get the idea. And so, for a ninety minute flight to Gothenburg I spent almost three and a half hours sitting next to a tall, thin and rangy man with limbs that sprawled in every direction, including into my ribs while he poked at his phone to tell whoever was picking him up at the other end that there was a delay. At least I’d broken with my usual convention and paid for a window seat, so I was only being interfered with from one side.
Eventually, just as we were wondering whether we’d actually make it to Sweden this afternoon, the break in the weather arrived and the plane careered down the north runway. Soon we were heading over the East Anglian coast to join an army of rising cumulonimbus figures, bent forward in thousands of animal-like forms, marching as one along a lofty highway towards some unseen northern destination. A huge rhino in the sky morphed into a hunched dragon as we passed above its south flank. As we approached the flat open spaces of Denmark, a blanket of glowing cirrus covered them before opening to reveal places I recognised from the map - the tapering sandbar on the northern tip at Skagen, and the port of Hirtshals where the ferries set off to Seydisfjordur on the east coast of Iceland. And then the first sight of the country I was bound for, a sea of rocky skerries, busy with car ferries moving in between them as the locals headed for the sanctuary their island homes at the end of the working day. As we crossed the mainland, unbroken forest and lakes for miles upon end. The lungs of Europe. It was both beautiful and reassuring. I already liked Sweden a lot. And we hadn’t even landed yet.
Steve was waiting in the arrivals hall. Strange that we’d only met once before, but we greeted each other like old friends, before racing north on the dual carriageway across an earthy green forest landscape of Spruce and Silver Birches towards the view that had appeared in my feed some months earlier. I’d asked where it was. Steve didn’t know. Petra made enquiries and was duly told. Close to home for them, it transpired. A three person effort to get this shot then.
We did at least get there before darkness fell, with just enough time to grab a handful of quickly composed shots. Steve had come here on a scouting mission in June and bagged the glow that was never going to be on offer this evening. But when you’re only here once, you take what you get and do the best you can with it, and it’s always going to be worth pointing your camera at with its collection of opposing headlands disappearing into the distance.
It would have been so easy to share this image in black and white. Too easy maybe. And that’s why I decided I wasn’t going to. I wanted to capture the cool blue hour tones of that first evening in Sweden, with a week of wall to wall photography lying in wait. This was just the start of what turned into a brilliant adventure that we will both remember for a very long time.
I’m sure many of you are familiar with Steve, but just in case you’ve aren’t, and haven’t seen the love with which he photographs the place he’s so lucky to call home, here’s a link: www.flickr.com/photos/159409878@N08/
I was curious to find something unusual for this group's letter t, and I found this rather fun. I hope that you enjoy!
Textile materials are fibers, yarns, and fabrics made by weaving, knitting, or bonding natural or synthetic threads. Common natural materials include plant-based cotton and linen, and animal-based wool and silk. Popular synthetic options are polyester and nylon, which are derived from chemical compounds.
With heartfelt and sincere thanks for your kind visit. Have a wonderful day, stay healthy, stay alert, appreciate the beauty around you, enjoy being creative, stay safe, 😊😊😍
A still-life close-up of tread and sewing materials on some handwritten notes.
Developed with Darktable 3.6.0.
My waterproof rain jacket.
100% Polyester with Polyurethane (PU) Backing.
Macro Mondays: Cloth
Happy Macro Monday!!
Polyester -- 350kg. -- H. 5,50 m. (soc. Huyghen de Liège)
Charleroi
Thank you for your comments & Fav.!
Karsten Nicolai *1965
Acrylic and magnetic tape on polyester-covered aluminium frame 200 x 400 cm (detail)
Städel Museum, Frankfurt am Main
Hesse, Germany 26.11.2021
sammlung.staedelmuseum.de/en/work/static-12
Karsten Nicolai *1965
Acryl und Magnetband auf polyesterbezogenem Aluminiumrahmen 200 x 400 cm (Ausschnitt)
Städel Museum, Frankfurt a.M.
Hessen, Deutschland 26.11.2021
Museum of Contemporary Art in Kraków
monochromatic sculpture of steel, concrete, wood, polyester, styrofoam, grey coating
Polyester resin with pigments
ca 20 x 10 x 10 cm
poured in handmade silicone mould poured in multisessions
enlarge for more and much detail
Polyester resin with pigments
ca 20 x 10 x 10 cm
poured in handmade silicone mould poured in multisessions
enlarge for more and much detail
A pretty polyester satin blouse, with draped sleeves and princess seams. Made from the Pendrell Blouse pattern, and worn with a Beignet skirt, also made by me!
More on the blog here:
sewaholic.net/pendrell-sew-along-17-my-finished-teal-blouse/
I used to go to Fry's Electonics and buy four-packs of these. Now, they go through the permanent magnet eraser a few times and then they're landfill.
I reduced the original panorama. It came out HUGE. My poor old Macintosh gagged on it. The CPU usage was floored at 100%.
Journalism grade image.
Source: 2,400x1,300 8-bit JPeG reduced from a 17,800x10,300 pixel 16-bit TIFF 1GB panorama file.
Please do not copy this image for any purpose.
Chlorophyl reflects infrared light making the grass look like a layer of snow. I cut a LEE 87 polyester filter to fit on a Rokinon 12mm lens. This image was a 30 second, f4, ASO 200 exposure. The long exposure caused some blurring of the clouds and the tops of the Arborvitae trees. Processed on my iPad using Snapseed.
Polyester resin with pigments
ca 20 x 10 x 10 cm
poured in handmade silicone mould poured in multisessions
enlarge for more and much detail
Handmade Polyester Resin Charm. I picked the tiny flowers inside. These are really hard to photo. I was wondering what you thought about it? I know the photos are the most important part of any web site. I think this might be the best one I took today. There are more photos on etsy to. www.etsy.com/people/myeyestudios?ref=hdr_user_menu
CasAnus by Joep van Lieshout
Collectie Verbeke Foundation
This polyester sculpture, a gigantic replica of the human digestive system was designed by the Dutch artist Joep Van Lieshout as an exclusive apartment. The raw natural shapes and colours stand in sharp contrast to the pristine white interior of the construction.
The room contains a double bed, a table, a shower and a toilet. CasAnus is also equipped with lightening, running water and electric heating.
One night in Joep Van Lieshout’s installation costs €120 for two people. Breakfast and access to the museum are included in the price.
Please make your reservation at least a week in advance by email: info@verbekefoundation.com
a7riv + Venus Optics Laowa 15mm F4 Wide Macro
more on my blog : www.laurencephilomene.com/blog/sweet-temptations-polyeste...
you can buy prints of this image here : society6.com/product/cheetos-forever_print#1=45