Polaroid of a Polaroid
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trying minimalistic landscape on Polaroid BLUE. I expected a little more sharpness...
here are still 2 packs of Pola Blue. Thinking what to shoot...
With all the playing around I do, I can't believe I never tried this feature before called Polaroid Transfer, Very cool effect. Maybe I just haven't tried it on the right pic.
This time, playing around with a sunset at my favorite place on the coast, Pescadero State Beach, between Half Moon Bay and Santa Cruz, California.
A pot of chives growing on the edge of my patio. The afternoon sun makes the flower heads glow. I like to cut them off and use them in salad.
"Roid Week Spring 2023 . Day 4 . 2/2
Polaroid 110a Refit & Convert to 4x5 Film, and use the 120 film back
Develop：Arista C41 39C 3:30 mins
Blix: 6:30mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson E800
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The Polaroid Land Camera Model 900 Electric Eye. This was my father's camera, and it was used heavily during the early 1960s. My most vivid memory is the smell of the "coating" agent that was swabbed over the print (its purpose was to remove developing reagent.) My sister saved this camera from oblivion, and recently gave it to me.
Softbox with egg crate grid, high right. Small amount of fill from white reflector, left.
il mio 5° rivelato in una polaroid è un attimo del mio quotidiano. Lo sappiamo tutti che questo flacone , più che un profumo, è un'icona, un segno indelebile nel nostro immaginario. Ho fotografato un' icona che fa parte del mio quotidiano da diversi anni, la sua presenza in questa composizione, tra i colori, che non sono vividi come quelli che conosciamo nella pop art, ne richiamano ugualmente lo stile, diventa così un gioco tra modernità e tradizione. Una piccola oasi di lusso, trasformata in un frammento visivo che parla di me.
My 5th, revealed in a Polaroid, is a moment from my everyday life. We all know that this bottle, more than a fragrance, is an icon, an indelible mark in our imagination. I photographed an icon that has been part of my daily life for several years. Its presence in this composition, among the colors—though not as vivid as those we know in pop art—still evokes its style, becoming a play between modernity and tradition. A small oasis of luxury, transformed into a visual fragment that speaks of me.
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Scattata con Polaroid Now +
Pellicola i-Type Colot Film
Luce ambiente
Non manipolata digitalmente
Digitalizzata
Ascoli Piceno Aprile 2025
Taken with Polaroid Now +
i-Type Colore Film
Ambient light
Not digitally Manipulated
Ascoli Piceno April 2025
Finally got around to spending some time working out the image corrections needed for printing on Polaroid B&W iType on the Polaroid Lab Printer.
Then spent some more time getting the lift process "perfected". The B&W film has a milky coating (which doesn't appear to come off) on what would be the top side which reduces contrast of the lifts. I "fixed" this by flipping my images before printing and mounting the lifts milky side down.
Very fresh prints and very hot water make the separation of Polaroid layers quite simple.
Polaroid 110a Refit & Convert to 4x5 Film
Film: HP4 4x5 400ASA
Develop：HC110 1+31; 7mins
Fix: 8mins
Scan：Epson E800
© All Rights Reserved
dal meeting romani di ieri!
lei mi ha chiesto se non avessi intenzione di iniziare a breve un nuovo progetto fotografico quando io sogno un 365 da prima ancora che arrivasse la reflex e lo vorrei con tutto il cuore, ma il tempo, il tempo mi ruba tutto quanto
have a nice week C=
Finally got around to spending some time working out the image corrections needed for printing on Polaroid B&W iType on the Polaroid Lab Printer.
Then spent some more time getting the lift process "perfected". The B&W film has a milky coating (which doesn't appear to come off) on what would be the top side which reduces contrast of the lifts. I "fixed" this by flipping my images before printing and mounting the lifts milky side down.
Very fresh prints and very hot water make the separation of Polaroid layers quite simple.
The relationship between what exists of the unseen and the images that are created in one's mind via the written word (when it pertains to the photograph, the photographer and the camera); the like and dislike-ness of an image; the obscure, the observance, the 'is' and 'isn't' between the possibilities of an image being discovered via language, and how an image's "reality" is forced elsewhere, for psychological means. Distant memories. Anti-photography as a kind of "what if"?