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Espace Rive Droite , le 07 avril 2018 à Turckheim
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This partial view of the elongated rectangle that is this Piazza is looking northward with the church of Sant'Agnese in Agone on the left. On the right is Fontana dei Quattro Fiumi (1651) by Gian Lorenzo Bernini, topped by the Obelisk of Domitian. More detail from Wikipedia is below. This image is a HDR from three handheld photos merged in Adobe Lightroom. Click on the image to view large. I am very happy with how well Lightroom has preserved detail.
Piazza Navona is a public open space in Rome, Italy. It is built on the site of the Stadium of Domitian, built in the 1st century AD, and follows the form of the open space of the stadium. The ancient Romans went there to watch the agones ("games"), and hence it was known as "Circus Agonalis" ("competition arena"). It is believed that over time the name changed to in avone to navone and eventually to navona.
The space currently occupied by the Piazza Navona was originally the Stadium of Domitian, built by Emperor Titus Flavius Domitianus in 80 AD. Following the Fall of the Western Roman Empire, the stadium fell into ruin, being quarried for building materials. Very little of it remains today.
Defined as a public space in the last years of 15th century, when the city market was transferred there, Piazza Navona was transformed into a highly significant example of Baroque Roman architecture and art during the pontificate of Innocent X and whose family palace, the Palazzo Pamphili, faced the piazza. It features important sculptural creations: in the centre stands the famous Fontana dei Quattro Fiumi or Fountain of the Four Rivers (1651) by Gian Lorenzo Bernini, topped by the Obelisk of Domitian, brought in pieces from the Circus of Maxentius; the church of Sant'Agnese in Agone by Francesco Borromini, Girolamo Rainaldi, Carlo Rainaldi and others; and the aforementioned Pamphili palace, also by Girolamo Rainaldi, that accommodates the long gallery designed by Borromini and frescoed by Pietro da Cortona.
Piazza Navona has two other fountains. At the southern end is the Fontana del Moro with a basin and four Tritons sculpted by Giacomo della Porta (1575) to which, in 1673, Bernini added a statue of a Moor, wrestling with a dolphin. At the northern end is the Fountain of Neptune (1574) also created by Giacomo della Porta; the statue of Neptune, by Antonio Della Bitta, was added in 1878 to create a balance with La Fontana del Moro.
During its history, the piazza has hosted theatrical events and other ephemeral activities. From 1652 until 1866, when the festival was suppressed, it was flooded on every Saturday and Sunday in August in elaborate celebrations of the Pamphili family. The pavement level was raised in the 19th century, and in 1869 the market was moved to the nearby Campo de' Fiori. A Christmas market is held in the piazza square. [Wikipedia]
Piazza delle Erbe (Market's square) is a square in Verona, northern Italy. It was once the town's forum during the time of the Roman Empire.
The northern side of the square is occupied by the ancient town hall, the Torre dei Lamberti, the Casa dei Giudici ("Judges' Hall") and the frescoed Mazzanti Houses. The western side, the shortest one, features the Baroque Palazzo Maffei, decorated by statues of Greek gods. It is faced by a white marble column, on which is St. Mark's Lion, symbol of the Republic of Venice.
The north-western side occupies the site of the ancient Roman Capitol Hill, which looked towards the forum. Numerous of its buildings facing the square have maintained façade frescoes. On the southern side is the crenllated Casa dei Mercanti ("House of the Merchants", also known as Domus Mercatorum), now the seat of the Banca Popolare di Verona. Other buildings, the tall houses of the Ghetto, are reminiscent of medieval tower-houses.
The square's most ancient monument is the fountain (built in 1368 by Cansignorio della Scala), surmounted by a statue called Madonna Verona, which is however a Roman sculpture dating to 380 AD. Also historical is the capitello, dating to the 13th century, during which it was used for several ceremonies, including the oath of investment of the city's medieval podestà and pretors. Towards Via Cappello is another column, with a 14th-century aedicula with reliefs of the Virgin and the Saints Zeno, Peter and Christopher
Genova uno scorcio del Teatro Felice, in ricordo di Aldo Rossi,
progetto del 1981 "Aldo Rossi e Ignazio Gardella"
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Piazza del Campo is the main public space of the historic center of Siena, Tuscany, Italy and is regarded as one of Europe's greatest medieval squares. It is renowned worldwide for its beauty and architectural integrity. The Palazzo Pubblico and its Torre del Mangia, as well as various palazzi signorili surround the shell-shaped piazza. At the northwest edge is the Fonte Gaia.
The twice-a-year horse-race, Palio di Siena, is held around the edges of the piazza. The piazza is also the finish of the annual road cycling race Strade Bianche.The open site was a marketplace established before the thirteenth century on a sloping site near the meeting point of the three hillside communities that coalesced to form Siena: the Castellare, the San Martino and the Camollia. Siena may have had earlier Etruscan settlements, but it was not a considerable Roman settlement, and the campo does not lie on the site of a Roman forum, as is sometimes suggested. It was paved in 1349 in fishbone-patterned red brick with 8 lines of travertine, which divide the piazza into 9 sections, radiating from the mouth of the gavinone (the central water drain) in front of the Palazzo Pubblico. The number of divisions is held to be symbolic of the rule of The Nine (Noveschi) who laid out the campo and governed Siena at the height of its mediaeval splendour between 1292-1355. The Campo was and remains the focal point of public life in the City. From the piazza, eleven narrow shaded streets radiate into the city.
The palazzi signorili that line the square, housing the families of the Sansedoni, the Piccolomini and the Saracini etc., have unified rooflines, in contrast to earlier tower houses — emblems of communal strife — such as may still be seen not far from Siena at San Gimignano. In the statutes of Siena, civic and architectural decorum was ordered :"...it responds to the beauty of the city of Siena and to the satisfaction of almost all people of the same city that any edifices that are to be made anew anywhere along the public thoroughfares...proceed in line with the existent buildings and one building not stand out beyond another, but they shall be disposed and arranged equally so as to be of the greatest beauty for the city."
The unity of these Late Gothic houses is affected in part by the uniformity of the bricks of which their walls are built: brick-making was a monopoly of the commune, which saw to it that standards were maintained.
At the foot of the Palazzo Pubblico's wall is the late Gothic Chapel of the Virgin built as an ex voto by the Sienese, after the terrible Black Death of 1348 had ended.