View allAll Photos Tagged POLCA
☑️ stͭyleͤ ⒸⓇⒺⒹⒾⓉⓈ
▶ ▷ Rachele Pastel [Headdress]
▶ ▷ MIURA & Jack Spoon Primavera lashes
▶ ▷ [Glitzz] Polca Gloves
▶ ▷ DO INK Tattoo Joyaux
▶ ▷ VCO SIMIZU Hair
▶ ▷ AZOURY Jacasse
▶ ▷ Ascendant Poppy Latex sheer Mainstore
Konoha:
▶ ▷ Konoha Magnolia intent @ Cosmopolitan Event
▶ ▷ Konoha Citrine Flora
❥Eyes: LOTUS Elvira Eyes @Equal10
❥Skin: [Glam Affair] Proud Skin [Lelutka EvoX] @ The Fifty
❥Gloves: [Glitzz] Polca Gloves @ Anthem
❥Top: *CK* Cookie top @ Mainstore
❥Shape: Customized by Essential's Shapes
❥Featuring: LOTUS| [Glam Affair] | [Glitzz] | Candy Kitten | Essential's Shapes
And lately, I've forgotten who I am
Need to let my energy just drain away
And now my mind is working overtime
It's been a long day
Such a long day...
‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧ ‧:❉:‧
✎ Featuring: COSMOPOLITAN’S 10TH ANNIVERSARY ROUND - 2'ND PART (Until May 28th)
✎ Credits:
» Benedict Desk Set (Chair and Desk Decor included) - by WarHorse at Cosmopolitan Event
» Vintage Pedestal Fan - by WarHorse at Cosmopolitan Event
» Wabash Cabinet - by WarHorse at Cosmopolitan Event
» Esperanza Faux Cowhide Rug - by Spargel & Shine Homes at Cosmopolitan Event
✎ Others:
» ER0505 Hair- by Wings
» Make it Rain Necklace - by Moon Elixir x MUSE
» Alyah Lingerie - by Glitzz
» Polca Stocking - by Glitzz
» Davina Heels - by -KC-
» Carole - Hair Dryer Pose - by La Plume
» Auriana Shape - by me, sold by SHAPERR at Posh Event
✨Glitzz Store
▶[Glitzz] Amelie Lingerie - Megapack New at Mainstore Rigged for maitreya lara/Petite - Freya - Hourglass - Legacy/Perky - Kupra - Reborn
▶[Glitzz] Satin Long Gloves
Make your look even more sexy and seductive with these long silk gloves.
▶[Glitzz] Polca Stockings
This item comes in 15 different colors: Black - Blue - Blush - Burgundy - Dark Plum - Grey - Pink - Hot Pink - Lilac - Marine - Nude - Red -
Top:~Nerido~ Valery Shirt @FaMESHed
Thong:*MC* Desire Thong
Stocking:[Glitzz] Polca Stocking
Pose:Lyrium. Eli series ( Eli Pose 4 [m] )
More details
qui dancent en circles joyeux pour que après ils flotent just before. doucement et se couchent par terre
.
.
no big glittery icons or invitations , please !
★・・・・・★・・・★・・WEARING・・★・・・★・・・・・★
Lingerie:
Violent Seduction - Megaera Corset - Maitreya (FATPACK)
Jewelry Set:
KUNGLERS - Adna necklace & Earrings
Head Accessory:
LODE - Oleander Branch [white]
Heels:
UTOPIA@Design - "EVELINE"
Hair:
DOUX - - Tyrisha Hairstyle
Stocking:
Glitzz - Polca Stocking - Fatpack
On Her
Glitzz Jordana Lingerie for Anthem
Glitzz Polca Stockings
DOUX Bellami Hair for Equal10
On Him
WINGS TZ0710 Hair
Volkstone Howard Chest Body Hair
AMITIÉ The Paris Apartment for ACCESS
Black Sand Oro Dresser White for ACCESS
Ana Poses Caught A Vibe for TMD
More info in my blog, link in information page
Exclusive at Tres Chic
This item comes in 15 different colors: Black - Blue - Blush - Burgundy - Dark Plum - Grey - Pink - Hot Pink - Lilac - Marine - Nude - Red -
Salmon - Turquoise - White
★ For Maitreya Lara - Belleza Freya - Legacy Body ★
★ Fatpack Only ★
★ Try demo before purchasing ★
lingerie: Glace Lingerie by Glitzz available at the mainstore
stockings: polca stocking by Glitzz available at the mainstore
glitzz mainstore taxi: maps.secondlife.com/secondlife/Glitzz/136/117/2497
hair: no beach by no match
backdrop: picnic by foxcity
pose: calica by stun poses
shoes: western boots by neutral tones
[ session ] Ashley T00b (LeL EvoX) v1
NaaNaa's Mermaid Necklace
{le fil casse} Davina Dress and Lynnia Fur Stole
Glitzz Polca Stockings
Idtty Faces - Lelutka Sugar Rush Collection
On Her
Glitzz Winnie Corset
Glitzz Polca Stockings
Stealthic Passion Hair
On Him
[Deadwool] Sean Trousers
[Deadwool] Hart Vest
[Deadwool] Blue Moon Watch
[Deadwool] Full Beard
WINGS TZ0710 Hair
LAVAROCK Poses Couples Bento Poses 119 for eBENTO
Tarsessos Arts Xanadu Armchair
FAPPLE Angel Oak Standing Lamp
More info in my blog, link in information page
I like the colors here!
Copyright © 2009 nouf. All rights reserved
-----You may not use this work in any way
On Her
Glitzz Winnie Corset
Glitzz Polca Stockings
Stealthic Passion Hair
On Him
[Deadwool] Sean Trousers
[Deadwool] Monkassin
Volkstone Howard Chest Hair
WINGS TZ0710 Hair
CuCa Designs Bound to Happen for WCF
Tartessos Arts Elite Armchair
[kunst] Vintage SideTable
Apple Fall Whisky Decanter, Argentinian Malbec and Wine Glasses
More info in my blog, link in information page
"Un saltito pa' acá,
otro salto pa' allá,
media vuelta pa' aquí,
media vuelta pa' allá,
dos saltito al costao
y volver al lugar,
y salir otra vez,
como había empezao"
Trecho de "Bailando polca a los saltos", do Folklore Argentino
10º Encontro Ginetes Universitários Bagé, Rio Grande do Sul, Brasil
[Glitzz] Ruby Set - Fatpack
[Glitzz] Polca Stocking - Fatpack
BOTH CAN BE FOUND @THE MAINSTORE LOCATION
Wearing Polca Stockings by Glitzz availabe from Tres Chic event maps.secondlife.com/secondlife/Nika/100/140/22
(...)
O viño é da nosa horta,
que refresca e que conforta,
ide bebendo amodiño...
¡a ver se ó acabala festa,
súbese dalgún á testa,
e cambiámolo camiño!
(...)
Procurá nas vosas festas...
pan e carne en dúas bestas;
tende sempre viño bó
porque, si se dese o caso
de ter que tomar un vaso
tomade siquera dous.
(...)
E vou brindar, meus amigos:
¡Seades todos testigos
da festa que moi a gusto
todos xuntos celebramos,
e moi contentos estamos
neste día de San Xusto!
Casimiro Cubela García, 1980.
(Agradezo a Ana González Costa as achegas dos seus parentes poetas Casimiro e Carmen Cubela García)
MÚSICA: Polca dos Encantiños · Xistra de Coruxo
Topps Blueberry - SL17B - Lace Trim Tops - Maitreya
Bottoms ~Nerido~ Meow Overall Short(Maitreya)-Red
HAIR Doe: Zoie - Flux
stockings [Glitzz] Polca Stockings - White 40%Maitreya
Shoes : CULT : Alana - Maitreya
Cando toca o acordeón o deus da música métese no seu corpo e domínao. Se abstrae escoitando as súas propias melodías e todo o que ocorre á seu redor é alleo a el. O seu cerebro divídese en dous, unha parte para cada man. Pero a súa alma márchase lonxe do seu corpo, que se move ao son da música que toca, sen moverse da cadeira. Vals, polcas, tarantelas.. todo sae do movemento rítmico dos seus dedos e os seus brazos. As súas mans móvense con axilidade polas teclas e aínda que dá a sensación de que as acariña, toda a forza do seu corpo concéntrase nese movemento. A praza esta ausente e a súa mente énchese de imaxes recordos de lugares do pasado , de lugares esquecidos e daqueloutros de onde proveñen os ritmos que saen do espírito. Un pode imaxinar un bico nunha ponte de París un día de choiva. O agarino dos corpos nunha rúa xeada de Moscu ou o alento dun beizos no paso sensual dun tango no Caminito de Buenos Aires A melodía é lenta,ás veces triste e melancólica; ás veces rompedora e con rabia. A xente camiña, todos pasan de longo por diante do acordeonista, que a pesar da choiva, a pesar de chorar, él toca e toca dende moi lonxe sen parar
[Glitzz] Ruby Set - Fatpack
[Glitzz] Polca Stocking - Fatpack
BOTH CAN BE FOUND @THE MAINSTORE LOCATION
Choro (Portuguese pronunciation: [ˈʃoɾu], "cry" or "lament"), popularly called chorinho ("little cry" or "little lament"), is a Brazilian popular music instrumental style. Its origins are in 19th century Rio de Janeiro. In spite of the name, the style often has a fast and happy rhythm, characterized by virtuosity, improvisation, subtile modulations and full of syncopation and counterpoint. Choro is considered the first urban popular music typical of Brazil.
Originally choro was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrument, other times as part of the rhythm.
Structurally, a choro composition usually has three parts, played in a rondo form: AABBACCA, with each section typically in a different key (usually the tonal sequence is: principal key->relative mode->sub-dominant key). There are a variety of choros in both major and minor keys.
In the 19th century, choro resulted from the style of playing several musical genres (polka, schottische, waltz, mazurka and habanera) by carioca musicians, who were already strongly influenced by African rhythms, principally the lundu and the batuque. The term “choro” was used informally at first to refer to the style of playing, or a particular instrumental ensemble, (e.g. in the 1870s flutist Joaquim Antônio da Silva Callado formed an ensemble called "Choro Carioca", with flute, two guitars and cavaquinho), and later the term referred to the music genre of these ensembles. The accompanying music of the Maxixe (dance) (also called "tango brasileiro") was played by these choro ensembles. Various genres were incorporated as subgenres of choro such as "choro-polca", "choro-lundu" "choro-xote" (from schottische), "choro-mazurca", "choro-valsa" (waltz), "choro-maxixe", "samba-choro", "choro baião".
Just like ragtime in the United States, tango in Argentina and habanera in Cuba, choro springs up as a result of influences of musical styles and rhythms coming from Europe and Africa.
In the beginning (by the 1880s to 1920s), the success of choro came from informal groups of friends (principally workers of postal/telegraphic service and railway) which played in parties, pubs (botecos), streets, home balls (forrobodós), and also the large success of musical scores of Ernesto Nazareth, Chiquinha Gonzaga and others pianists, published by print houses. By the 1910s, many of the first Brazilian phonograph records are choros.
Much of the mainstream success (by the 1930s to 1940s) of this style of music came from the early days of radio, when bands performed live on the air. By the 1950s and 1960s it was replaced by urban samba in radio, but was still alive in amateur circles called "rodas de choro" (choro gatherings in residences and botecos), the one most famous was the "roda de choro" in the house of Jacob do Bandolim, in Jacarepaguá, and the "roda de choro" in the pub "suvaco de cobra" in the Penha.
In the late 1970s there was a successful effort to revitalize the genre in the mainstream, through TV-sponsored nation-wide festivals in 1977 and 1978, which attracted a new, younger generation of professional musicians. Thanks in great part to these efforts, choro music remains strong in Brazil. More recently, choro has attracted the attention of musicians in the United States, such as Mike Marshall and Maurita Murphy Mead, who have brought this kind of music to a new audience.
Most Brazilian classical composers recognize the sophistication of choro and its major importance in Brazilian instrumental music. Radamés Gnattali said it was the most sophisticated instrumental popular music in the world. Heitor Villa-Lobos defined choro as the true incarnation of Brazilian soul. Notably, both composers had some of their music inspired by choro, bringing it to the classical tradition. The French composer Darius Milhaud was enchanted by choro when he lived in Brazil (in 1917) and he composed the ballet Le Boeuf sur le toit, in which he quotes close to 30 Brazilian tunes.
According to Aquiles Rique Reis (a Brazilian singer), ”Choro is classical music played with bare feet and callus on the hands”
O Grupo Ocean, de Aracajú, Sergipe, comandado pelo maestro Ananias dos Santos, tem um ótimo repertório de choro, seresta e samba-canção. Contatos para show ou aquisição de CD's e DVD's, através do telefone 079-8812-0719
*Vanilla Bae* Lili Bra & Panty
maps.secondlife.com/secondlife/Vanilla%20Bae/65/129/21
Glitzz Polca Stocking - Fatpack
Choro (Portuguese pronunciation: [ˈʃoɾu], "cry" or "lament"), popularly called chorinho ("little cry" or "little lament"), is a Brazilian popular music instrumental style. Its origins are in 19th century Rio de Janeiro. In spite of the name, the style often has a fast and happy rhythm, characterized by virtuosity, improvisation, subtile modulations and full of syncopation and counterpoint. Choro is considered the first urban popular music typical of Brazil.
Originally choro was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrument, other times as part of the rhythm.
Structurally, a choro composition usually has three parts, played in a rondo form: AABBACCA, with each section typically in a different key (usually the tonal sequence is: principal key->relative mode->sub-dominant key). There are a variety of choros in both major and minor keys.
In the 19th century, choro resulted from the style of playing several musical genres (polka, schottische, waltz, mazurka and habanera) by carioca musicians, who were already strongly influenced by African rhythms, principally the lundu and the batuque. The term “choro” was used informally at first to refer to the style of playing, or a particular instrumental ensemble, (e.g. in the 1870s flutist Joaquim Antônio da Silva Callado formed an ensemble called "Choro Carioca", with flute, two guitars and cavaquinho), and later the term referred to the music genre of these ensembles. The accompanying music of the Maxixe (dance) (also called "tango brasileiro") was played by these choro ensembles. Various genres were incorporated as subgenres of choro such as "choro-polca", "choro-lundu" "choro-xote" (from schottische), "choro-mazurca", "choro-valsa" (waltz), "choro-maxixe", "samba-choro", "choro baião".
Just like ragtime in the United States, tango in Argentina and habanera in Cuba, choro springs up as a result of influences of musical styles and rhythms coming from Europe and Africa.
In the beginning (by the 1880s to 1920s), the success of choro came from informal groups of friends (principally workers of postal/telegraphic service and railway) which played in parties, pubs (botecos), streets, home balls (forrobodós), and also the large success of musical scores of Ernesto Nazareth, Chiquinha Gonzaga and others pianists, published by print houses. By the 1910s, many of the first Brazilian phonograph records are choros.
Much of the mainstream success (by the 1930s to 1940s) of this style of music came from the early days of radio, when bands performed live on the air. By the 1950s and 1960s it was replaced by urban samba in radio, but was still alive in amateur circles called "rodas de choro" (choro gatherings in residences and botecos), the one most famous was the "roda de choro" in the house of Jacob do Bandolim, in Jacarepaguá, and the "roda de choro" in the pub "suvaco de cobra" in the Penha.
In the late 1970s there was a successful effort to revitalize the genre in the mainstream, through TV-sponsored nation-wide festivals in 1977 and 1978, which attracted a new, younger generation of professional musicians. Thanks in great part to these efforts, choro music remains strong in Brazil. More recently, choro has attracted the attention of musicians in the United States, such as Mike Marshall and Maurita Murphy Mead, who have brought this kind of music to a new audience.
Most Brazilian classical composers recognize the sophistication of choro and its major importance in Brazilian instrumental music. Radamés Gnattali said it was the most sophisticated instrumental popular music in the world. Heitor Villa-Lobos defined choro as the true incarnation of Brazilian soul. Notably, both composers had some of their music inspired by choro, bringing it to the classical tradition. The French composer Darius Milhaud was enchanted by choro when he lived in Brazil (in 1917) and he composed the ballet Le Boeuf sur le toit, in which he quotes close to 30 Brazilian tunes.
According to Aquiles Rique Reis (a Brazilian singer), ”Choro is classical music played with bare feet and callus on the hands”
Are we packaged?
and do we hang here
suspendered
on a string
held only by plastic pegs
blown by the gusts of acceptability?
Ilse 11.06.2013
A sad day.
prayers for a woman who gave more than she took
and is leaving us
:: BodyTunez ::
Shape: ::Midori's Store:: Umbra Shape (Maitreya Lara)
Hersteller: ::Midori's Store::
★ Surl: maps.secondlife.com/secondlife/ORIGINE/136/231/543
Body:
Hersteller:
★ Surl: Maitreya
Head: Kaya Head 3.1
Hersteller: LeLUTKA
★ Surl: LeLUTKA
Skin:
Hersteller:
★ Surl: amara beauty
Hair:
Hersteller: NOVA. Dylan
★ Surl: NOVA
OUTFIT:
Dress: .Q. Hauteur -BLACK- [GenXC,,Reborn,Legacy,Lara,Kupra.Peach]
Hersteller: Q. Hauteur
★ Surl: Q. Hauteur
Stockings: [Glitzz] Polca Stocking - Fatpack
Hersteller: [Glitzz]
★ Surl: [Glitzz]
Accessoires: Accessories - for Maitreya Bento - Rings 1
Hersteller: [FORMANAILS]
★ Surl: [FORMANAILS]
Nails: Dalila Pearls Pink Nail Kit ALMOND PACK 02
Hersteller: Dalila
★ Surl: Dalila
♥ Kisses ♥
like my fb page!
Photographer: Shavonne Wong/ Zhiffy Photography
Designer: Dira Dekriadi / Polka.Polca
Model: Atika Betty
Makeup: Zann Toh
Assistants: Caleb, Gerald
like my fb page!
Photographer: Shavonne Wong/ Zhiffy Photography
Designer: Dira Dekriadi / Polka.Polca
Model: Atika Betty
Makeup: Zann Toh
Assistants: Caleb, Gerald