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No matter how you look at it, we’re quickly descending these stairs and are very close to the ground floor:
Identify the Artist XII will return to this photo stream and begin on Sunday, September 29, 2019 (details of art photos being posted at 8:00 PM Eastern Time), ONLY two days from now. The game will run 10 weeks to the middle of December. There will be a two week hiatus at the end of November for the Thanksgiving holiday. Calendrical links are provided below.
.
It’s been fun over the years. Please consider joining in…
.
Identify the Artist XII:
Week 1 Bridges (1001 – 1005)09/29 – 10/3/2019
Week 2 Dogs (2) (1006 – 1010)10/06 – 10/10/2019
Week 3 Farming (1011 – 1015)10/13 – 10/17/2019
Week 4 Musical Interlude (3) (1016 – 1020)10/20 – 10/24/2019
Week 5 Portraits of Painters (2) (1021 – 1025)10/27 – 10/31/2019
Week 6 The Conversation (1026 -1030)11/03 – 11/17/2019
Week 7 FUR (1031 – 1035) 11/10 – 11/14/2019
Week 8 Ham & Eggs (1036 – 1040)11/17 – 11/21/2019
Two Week Hiatus Thanksgiving Holidays
Week 9 Open – Odds & Ends (1041-1045)12/08 – 12/12/2019
Week 10 Reflections (1046 – 1050) 12/15 – 12/19/2019
Top 10 contestants will receive an Art Postcard.
Prize for the 1st and 2nd place contestants is a DVD. From the Criterion Collection:
Abbas Kiarostami
24 Frames
For what would prove to be his final film, Iranian director Abbas Kiarostami gave himself a challenge: to create a dialogue between his work as a filmmaker and his work as a photographer, bridging the two art forms to which he had dedicated his life. Setting out to reconstruct the moments immediately before and after a photograph is taken, Kiarostami selected twenty-four still images—most of them stark landscapes inhabited only by foraging birds and other wildlife—and digitally animated each one into its own subtly evolving four-and-a-half-minute vignette, creating a series of poignant studies in movement, perception, and time. A sustained meditation on the process of image making, 24 Frames is a graceful and elegiac farewell from one of the giants of world cinema.
…
The Rules of the Game:
Posting of a detail fragment of a work of art will take place sometime after 8:00 PM EST, five days a week (Sunday; Monday; Tuesday; Wednesday; Thursday. There are no IDs on Friday or Saturday)
Correct answers are allotted points in the following manner:
First correct respondent receives 6 points
Second: 5 points
third: 4 points
fourth: 3 points
fifth: 2 points
Each respondent after that receives 1 point, whether the artist named is correct or not.. 2 points will be awarded if there were not 5 awards.
Incorrect responses will be awarded at least one point (there is no penalty for guessing...actually encouraged). The opportunity to accrue points can only happen within a maximum of 24 hours. Once the full photograph of the work of Art is elevated and the artist identified, no additional scoring (for that work can occur). (In other words, regardless of pleas, points will not be awarded for a comment/ID made days after the posting). In addition, 15 guesses does not generate 15 points...only 1 point.
A favorite of the photograph will also garnish 1 point (only if nothing else is ventured by the participant,…1 point is not added to any other points awarded).
A summary of scores for the top five positions will be published each Sunday, at the beginning of each set of five photographs.
Caveats / Understanding:
Postings may be held up due to circumstances beyond my control.
Delays in posting may occur each evening. (sorry, no guarantee on 8:00 EST; however, through the years a certain consistency has been attained)
When posted, included with the fragment is the date of the artwork; the gender of the artist; the nationality of the artist; the location where the photograph was taken; and a link to the museum or location.
In addition, as most of you are aware, part of the clues for each identity is a “presence/absence” notation about whether the artist has been in a prior Identity Set. Because flickr’s new format doesn’t facilitate the reading of a long list of names in a “Set’s” overview/description, those lists are also available on request. If you send me an email address that can receive attachments, I will transmit an Windows based Excel sheet with the names of the artists and the number of their paintings/objects. Be sure to specify which format you would like: xlsx; xls; csv; txt – tab delimited – if you don’t specify the default is xlsx MS Office-10). ( non-windows participants should request txt).
Also, sorry for the bias the timing provides those in the Americas but no matter how I thought about it… I couldn’t come up with a plan to assist Europe; Africa; Asia and Australia
As you may well assume, this is “open book.” In addition use of phone apps such as Magnus; Shazam for Art; Smartify; Google Lens; etc.. is permitted if they actually help?
White ink tattoos / Bad Brains references
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"Attitude"
Don't care what they may say we got that attitude. Don't care what they may do we got that attitude. Hey we got that PMA (positive mental attitude). Hey we got the PMA. Hey we got the PMA.
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"Fearless Vampire Killers"
The bourgeoisie had better watch out for me. All throughout this so called nation, we don't want your filthy money, we don't need your innocent bloodshed. We just wanna end your world. Well my minds made up. Yes, it's time for you to pay, better watch out for me. I'm a member of the F.V.K.
Phulkari
The Embroidered Textiles of Punjab from the Jill and Sheldon Bonovitz Collection.
Phulkari, meaning, “flower work”(phu. = flower, kari = work), is an embroidery originally made throughout Punjab, a region now straddling Pakistan and India. Traditionally, the base cloth was locally handspun and handwoven cotton called khaddar. The thread, called pat, was unplied silk usually imported from China. The dominant embroidery stitch is the darning stitch ( a straight stitch in parallel rows), although artists interspersed it with other stitches. Perhaps because of thread’s high cost, most pieces show embroidery only on one side of the cloth.
Phulkaris were a crucial part of the Punjabi woman’s material wealth. Young girls learned needlework from their older female relatives and friends. Often they made phulkaris for their own dowries, which they brought with them to their husband’s home when they married. Primarily intended as large shawls worn draped over the head, phulkaris could also function as bedding or wall hangings for special funtions. While each phulkari is unique, they may be grouped into types by designs and background colors with names such as thirma (white), sainchi (figurative), or bagh ( garden).
Highlighted here are nineteen superb phulkaris from the Bonovitz Collection, promised gifts to the Philadelphia Museum of Art. All were probably created before the Partition of Pakistan and India in 1947. Also included is a small selection of traditional phulkaris from the Museum’s permanent collection. The exhibition concludes with a creative twenty-first century reinvention of phulkari in the high fashion garments of Manish Malhorta, on of India’s leading designers.
The exhibition is made possible by Jill and Sheldon Bonovitz, the Coby Foundation LTD, and The Stell Kramrisch Indian and Himalayan Art Fund.
From the placard: The Philadelphia Museum of Art.
No matter how you look at it, we’re quickly descending these stairs and are very close to the ground floor:
Identify the Artist XII will return to this photo stream and begin on Sunday, September 29, 2019 (details of art photos being posted at 8:00 PM Eastern Time), ONLY two days from now. The game will run 10 weeks to the middle of December. There will be a two week hiatus at the end of November for the Thanksgiving holiday. Calendrical links are provided below.
.
It’s been fun over the years. Please consider joining in…
.
Identify the Artist XII:
Week 1 Bridges (1001 – 1005)09/29 – 10/3/2019
Week 2 Dogs (2) (1006 – 1010)10/06 – 10/10/2019
Week 3 Farming (1011 – 1015)10/13 – 10/17/2019
Week 4 Musical Interlude (3) (1016 – 1020)10/20 – 10/24/2019
Week 5 Portraits of Painters (2) (1021 – 1025)10/27 – 10/31/2019
Week 6 The Conversation (1026 -1030)11/03 – 11/17/2019
Week 7 FUR (1031 – 1035) 11/10 – 11/14/2019
Week 8 Ham & Eggs (1036 – 1040)11/17 – 11/21/2019
Two Week Hiatus Thanksgiving Holidays
Week 9 Open – Odds & Ends (1041-1045)12/08 – 12/12/2019
Week 10 Reflections (1046 – 1050) 12/15 – 12/19/2019
Top 10 contestants will receive an Art Postcard.
Prize for the 1st and 2nd place contestants is a DVD. From the Criterion Collection:
Abbas Kiarostami
24 Frames
For what would prove to be his final film, Iranian director Abbas Kiarostami gave himself a challenge: to create a dialogue between his work as a filmmaker and his work as a photographer, bridging the two art forms to which he had dedicated his life. Setting out to reconstruct the moments immediately before and after a photograph is taken, Kiarostami selected twenty-four still images—most of them stark landscapes inhabited only by foraging birds and other wildlife—and digitally animated each one into its own subtly evolving four-and-a-half-minute vignette, creating a series of poignant studies in movement, perception, and time. A sustained meditation on the process of image making, 24 Frames is a graceful and elegiac farewell from one of the giants of world cinema.
…
The Rules of the Game:
Posting of a detail fragment of a work of art will take place sometime after 8:00 PM EST, five days a week (Sunday; Monday; Tuesday; Wednesday; Thursday. There are no IDs on Friday or Saturday)
Correct answers are allotted points in the following manner:
First correct respondent receives 6 points
Second: 5 points
third: 4 points
fourth: 3 points
fifth: 2 points
Each respondent after that receives 1 point, whether the artist named is correct or not.. 2 points will be awarded if there were not 5 awards.
Incorrect responses will be awarded at least one point (there is no penalty for guessing...actually encouraged). The opportunity to accrue points can only happen within a maximum of 24 hours. Once the full photograph of the work of Art is elevated and the artist identified, no additional scoring (for that work can occur). (In other words, regardless of pleas, points will not be awarded for a comment/ID made days after the posting). In addition, 15 guesses does not generate 15 points...only 1 point.
A favorite of the photograph will also garnish 1 point (only if nothing else is ventured by the participant,…1 point is not added to any other points awarded).
A summary of scores for the top five positions will be published each Sunday, at the beginning of each set of five photographs.
Caveats / Understanding:
Postings may be held up due to circumstances beyond my control.
Delays in posting may occur each evening. (sorry, no guarantee on 8:00 EST; however, through the years a certain consistency has been attained)
When posted, included with the fragment is the date of the artwork; the gender of the artist; the nationality of the artist; the location where the photograph was taken; and a link to the museum or location.
In addition, as most of you are aware, part of the clues for each identity is a “presence/absence” notation about whether the artist has been in a prior Identity Set. Because flickr’s new format doesn’t facilitate the reading of a long list of names in a “Set’s” overview/description, those lists are also available on request. If you send me an email address that can receive attachments, I will transmit an Windows based Excel sheet with the names of the artists and the number of their paintings/objects. Be sure to specify which format you would like: xlsx; xls; csv; txt – tab delimited – if you don’t specify the default is xlsx MS Office-10). ( non-windows participants should request txt).
Also, sorry for the bias the timing provides those in the Americas but no matter how I thought about it… I couldn’t come up with a plan to assist Europe; Africa; Asia and Australia
As you may well assume, this is “open book.” In addition use of phone apps such as Magnus; Shazam for Art; Smartify; Google Lens; etc.. is permitted if they actually help?
Matricula: PMA
Matricula UIC: Laes 43 71 429-2-XXX P
Carga: Coches
Tipo: Portacoches
Propietario: Pecovasa
The Shape Of Time
Korean Art After 1989
What you see is the unseen / Chandeliers for Five Cities (detail), 2015, by Kyungah Ham
The PMA thinkTANK is a creative, fast-paced learning environment which gathers foodservice thought leaders to connect on critical issues facing the industry. In support of PMA’s vision of bringing together the global produce and floral community to grow a healthier world, the thinkTANK is uniquely positioned to serve as a catalyst for breaking down silos and facilitating meaningful connections in the spirit of discovering innovative ways to increase consumption, drive sales and position produce as #HalfThePlate.