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Hyons Wood, Walker Titan SF, 6x9 Back, Nikkor 65mm, Rollei Ortho 25+ in HC110

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Rollei Ortho 25+ in HC110

Working on a technique to get continuous tone from Arista Ortho Litho film from Freestyle.

Exposed at 3 ASA with white light pre-flashing. Film processed in D-23 1:2 for 4 minutes.

So far, it looks promising.

Voigtlander Petzval f3.5 lens on the B&J Watson.

Curbar Edge under overcast morning sky, early Autumn. Taken from Froggatt. Goodbye Summer...

 

Chamonix 4x10

Nikkor SW 120mm, F16, 15

Rollei Ortho 25 BW Film

ID 11 Developer

Scanned with Epson V750

 

Thanks to all of my friends for visiting this picture. Kindly leave your comments. Have a wonderful day !

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus in Perceptol, Silver Gelatin Print, 12x16" Ilford Multigrade RC Satin

Bamburgh, Northumberland, Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus in Ilfotec HC, 16"x12" Silver Gelatin Print on Ilford MG RC Satin

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus in HC110

Hyons Wood. Walker Titan SF with Nikkor 210mm, Ilford Ortho Plus in HC110

Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus in HC110 8x10" Silver Gelatin Print on Ilford RC Multigrade Satin,,

Hyons Wood, Walker Titan SF with Nikkor 90mm, Ilford Ortho + in HC110

30-Nov-2025 12:15

 

Ilford Ortho+ 80 @ EI=100

FX37 (Homemade) 1+3 : 7 mins @ 20C

Pre-Wash : None

Inversions first 30 sec then 5 each minute

Two water Stop Baths - 1 min each

Fixer : Ilford Rapid Fixer

Clearing time ½ min. Total fix time 1 min

Initial wash to remove fixer : 1 min

Washing : 10 mins under tap (filtered)

 

Kodak Photo-Flo : 1 ml in 800ml Distilled Water for 2 mins

 

Bronica SQAi + 80mm

 

Highlight = 14

Shadow = 9

Midpoint = 11

 

Filters : Heliopan SH-PMC Yellow 12 (-1)

 

Final LV=10

 

1/2 sec @ f20

Hyons Wood, Mamiya 645E with 50mm shiftLens, Ilford Ortho Plus in HC110, 12" x16" Silver Gelatin Print on Ilford MG RC Satin

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus In Hc110, Silver Gelatin Print on Ilford MG RC Satin Paper

20-Apr-2026 12:05

Ilford Ortho 80+ 80 rated at 80 : N

 

Ebony 45SU

Schneider HM 120 Makro f5.6

Pre-Wash : None

Barry Thornton Two Bath Stock : 4 min 30 sec @ 20C

Stearman Press SP445

Ilford Agitation. 30 sec the 2 every 30 sec

2 x Water Stop Bath

Fixer : Ilford Rapid Fixer 1+4

Clear Time 150 sec. Fix Time 300 sec

Wash for 10 mins in (filtered) running water

Kodak Photo Flo + (.5ml in about 600ml) : 2 mins

 

A agitation - 3 turns every 30 sec

B agitation - 1 turn every 60 sec

 

Movements

Bed Tilt Forwards ; 22°

Front Rise/Fall Fall ; 27㎜

Front Tilt Forwards ; 8°

Back Rise/Fall Rise ; 20㎜

 

Light Readings

High (Zone VIII) : LV=15

Mid (Zone V) : LV=12

Low (Zone IV) : LV=11

Range = 4 stops

No Filters

 

Exposure

1/2s at f45.0 @ EI=80 [N] EV=12⅔

 

DOF

Near 1ft : Focus 1ft : Far 1ft

Hyons Wood, Walker Titan SF with 150mm Lens, Ilford Ortho Plus in HC110,12"x16" Silver Gelatin Print

ortho+ in omega x

2 tray lith onto Argentabrom BH111w

Hyons Wood, Walker Titan SF with Nikkor 210mm Lens, Ilford Ortho Plus in HC110, 12"x16" Silver Gelatin Print on Ilford MG RC Satin

Yesterday I spent some time farting around with some 8x10 Arista Ortho Litho film, trying to get "continuous tone" from it by various means.

This sheet of film was pre-exposed to white light with my enlarger (1 second at f22) to prime the film for exposure (reduces contrast, bumps shadows up a notch), and exposed in camera at 3 ASA. It was then developed in Divided D-23: 90 seconds in Part A, and 2 minutes in Part B. To some degree, this treatment resulted in a more or less continuous tone negative, but its still VERY contrasty. I can see where this might have an application for alt processes, like Salt.

Deardorff camera with the 12" Tuener-Reich Gundlach f6.8 lens, wide open.

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus in HC110

Hyons Wood, Walker Titan SF with Rodenstock 150 mm, Ilford Ortho+ in HC110

01-Sep-2025 17:51

 

Ilford Ortho+ 80 (Expired 18 months) @ EI 100

D23 (Home made) 1+1 : 9 mins @ 20C

Pre-Wash : None

Inversions first 30 sec then 3 every 30 sec

Two water Stop Baths - 1 min each

Adofix P2 Fixer

Clearing time 2 min. Total fix time 4 mins

Initial wash to remove fixer : 1 min

Washing : 10 mins in running water

Kodak Photo Flo : 1 ml in 800ml distilled water for 2 minutes

 

Mamiya 6 Automat (Olympus 75mm f3.5)

 

Filters : Vintage Ceneiplan Yellow (-1)

 

1/100 sec @ f11

Hyons Wood, Walker Titan Sf with Rodenstock 150mm, Ilford Ortho+ in HC110, 16"x12" Silver Gelatin Print on Ilford MG RC Satin Paper

30-Nov-2025 13:35

 

Ilford Ortho+ 80 @ EI=100

FX37 (Homemade) 1+3 : 7 mins @ 20C

Pre-Wash : None

Inversions first 30 sec then 5 each minute

Two water Stop Baths - 1 min each

Fixer : Ilford Rapid Fixer

Clearing time ½ min. Total fix time 1 min

Initial wash to remove fixer : 1 min

Washing : 10 mins under tap (filtered)

 

Kodak Photo-Flo : 1 ml in 800ml Distilled Water for 2 mins

 

Bronica SQAi + 40mm

 

Highlight = 16

Shadow = 8

Midpoint = 12

 

Filters : Heliopan SH-PMC Yellow 12 (-1)

 

Final LV=11

 

1/4 sec @ f22

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus In Hc110, Silver Gelatin Print on Ilford MG RC Satin Paper

This is an old portrait from 2014 of Juliet made on Kodak ortho X-ray film cut down to 3x4 for use in my Graflex RB Series B SLR camera, fitted with a 150mm f/4.5 Zeiss Tessar lens. I ran across it while looking at photos made with that camera in anticipation of receipt of a newly acquired 4x5 version of the same camera fitted with a 190mm f/4.5 Kodak Anastigmat lens. I'm reserving judgment on the Kodak lens until I can test it, but examples I've seen by others are very encouraging. Worst case scenario, I decide to swap the Kodak lens for a Tessar, or maybe even a Heliar, though the closest match in focal length I can find is 210mm, which is not a serious problem. Having the same camera in 4x5 will make it much easier for me to use a wide range of films available in that format. Although I have to say, I love the way this film works in combination with this vintage camera/lens and Juliet's timeless features.

Did I mention my "new" 4x5 is actually 2 "new" 4x5s and both shutter curtains are broken? I'll need to repair the shutter curtain, which I've never done, before I can actually use it. I want to bring it with me when I return to Israel in July, but that's probably wishful thinking.

01-Sep-2025 17:56

 

Ilford Ortho+ 80 (Expired 18 months) @ EI 100

D23 (Home made) 1+1 : 9 mins @ 20C

Pre-Wash : None

Inversions first 30 sec then 3 every 30 sec

Two water Stop Baths - 1 min each

Adofix P2 Fixer

Clearing time 2 min. Total fix time 4 mins

Initial wash to remove fixer : 1 min

Washing : 10 mins in running water

Kodak Photo Flo : 1 ml in 800ml distilled water for 2 minutes

 

Mamiya 6 Automat (Olympus 75mm f3.5)

 

Filters : Vintage Ceneiplan Yellow (-1)

 

1/100 sec @ f11

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Ilford Ortho + in HC110

20-Apr-2026 12:52

Ilford Ortho 80+ 80 rated at 80 : N

 

Ebony 45SU

Schneider HM 120 Makro f5.6

Pre-Wash : None

Barry Thornton Two Bath Stock : 4 min 30 sec @ 20C

Stearman Press SP445

Ilford Agitation. 30 sec the 2 every 30 sec

2 x Water Stop Bath

Fixer : Ilford Rapid Fixer 1+4

Clear Time 150 sec. Fix Time 300 sec

Wash for 10 mins in (filtered) running water

Kodak Photo Flo + (.5ml in about 600ml) : 2 mins

 

A agitation - 3 turns every 30 sec

B agitation - 1 turn every 60 sec

 

Movements

Bed Tilt Forwards ; 30°

Front Rise/Fall Fall ; 31㎜

Front Tilt Backwards ; 3°

Back Tilt Backwards ; 22°

 

Light Readings

High (Zone VIII) : LV=15

Mid (Zone V) : LV=12

Low (Zone IV) : LV=11

Range = 4 stops

No Filters

 

Exposure

1/2s at f35.0 @ EI=80 [N] EV=12

 

DOF

Near 1ft : Focus 1ft : Far 1ft

Ilford Ortho Plus 80

Hyons Wood, Walker Titan SF with Nikkor 90mm, Rollei Ortho 25+@ISO40 in HC110

Priestclose Wood, Mamiya 645E, Ilford Ortho Plus in HC110, 16"x12" Silver Gelatin Print on ilford MG RC Satin

I was bored. So I desided to waste a roll of Ilford Ortho 80 with my Canon P.

 

Trondheim, Norway

 

Canon P

Ilford Ortho Plus 80

Dev; 510 Pyro

 

Developed and scanned at home

I was bored. So I desided to waste a roll of Ilford Ortho 80 with my Canon P.

 

Trondheim, Norway

 

Canon P

Ilford Ortho Plus 80

Dev; 510 Pyro

 

Developed and scanned at home

Hyons Wood, Mamiya 645E, Ilford Ortho+ in HC110

I'm always considering alternatives to the "brand name" films I use, now that things have gotten SO expensive. Ilford's FP4+ 8x10 in 25 sheet boxes is now over $200, and though I am grateful to have cached a few boxes before it reached the $200 point, I need to consider what I can afford in the years to come.

 

With that in mind, I pulled out a package of Arista Ortho Litho film I had in the darkroom and made a test: I gave it a second of white light exposure (under the enlarger) and then exposed the film rating it at 3ASA to make this image. The film was developed (by inspection) in Pyrocat HD for four minutes, and this was the result. It wasn't too difficult to get "continuous tone" from this ridiculously cheap film, with a little extra effort. Who knows - it might be able to coax it into making a decent negative suitable for salt printing.

01-Sep-2025 17:22

 

Ilford Ortho+ 80 (Expired 18 months) @ EI 100

D23 (Home made) 1+1 : 9 mins @ 20C

Pre-Wash : None

Inversions first 30 sec then 3 every 30 sec

Two water Stop Baths - 1 min each

Adofix P2 Fixer

Clearing time 2 min. Total fix time 4 mins

Initial wash to remove fixer : 1 min

Washing : 10 mins in running water

Kodak Photo Flo : 1 ml in 800ml distilled water for 2 minutes

 

Mamiya 6 Automat (Olympus 75mm f3.5)

 

Filters : Vintage Ceneiplan Yellow (-1)

 

1/100 sec @ f8

Orthochromatic Film

Ilford Ortho Plus ISO80

120 Medium Format 6x6

 

No Crop, No Filter

 

Rolleiflex Automat Model 2 made in 1938 in Germany. Pre World War II.

 

External Light Meter Used:

Weston Master 5

 

f4 1/50

Overexposed by a stop or 2 I think, but I kind of like the misty grey, lacking tones giving it a vintage effect perhaps.

 

Focal Depth of Field Distance = 4m-5m

 

Manual Focus using Magnifying Glass and Focusing screen.

 

Development:

ILFOTEC DD-X 10.5 Mins

Ilford Fixer 4.5 Minutes

Adox Wetting Agent 4 Minutes

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus in HC110, 8x10" Silver Gelatin Print on Ilford RC Multigrade Satin

Photo taken in Villa Carmen, Pillcopata, Peru.

 

PE1008

 

2023/09/19

 

1782

 

FCUT 1050

 

DSCN9797-CU_SAAL-BR60-50_CM_M_SH-VAL32-EXP0P10-DPN99-FINN

  

Frosinone, Italy - 2016

02-Mar-2023 15:07 - Ilford Ortho80+ 80 @ EI 50

5 min pre wash @ 24C

Developed in Prescosyl (A=5ml + B=25ml + Water=500mm)

8 mins (N-1/3) @ 24C

2 post dev water wash of 5 inversions @ 24C

John Finch Alkali Fix 1+4 : 5 mins @ 24C

5,5,10,15,20 inversion washes to give 10 minutes

Final Water bath : 500ml with 1ml of Ilfotol

 

Ebony 45SU + Rodenstock 210-S f5.6

 

front shift : 1cm down

 

Highlight = 14 (-1.5 = 12.5)

Shadow = 9

Midpoint = 11

 

Filter : 1.5 hard grad on sky

 

Final EV = 11

 

1/2 sec @ f22

jane i think i still like the first one of these better...what do you think?

Working on a technique to get continuous tone from Arista Ortho Litho film from Freestyle.

Exposed at 3 ASA with white light pre-flashing. Film processed in D-23 1:2 for 4 minutes.

So far, it looks promising.

Voigtlander Petzval f3.5 lens on the B&J Watson.

Rolleiflex MX-EVS + Ilford Ortho Plus film. © John Lehmann. All Rights Reserved

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