Gig pics
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The electrified railway line connecting Eger to the mainline at Füzesabony is mostly running in a straight line, without any specifically exciting photo locations.
During the last weekend of May, the retro event thrown by the state railways made many railway fans become quickly interested in the otherwise "boring" line, only offering FLIRT EMUs and Fecske shuttle trains nowadays.
Most of them gathered at the former stop of Andornaktálya alsó to catch the old school trainsets, like the one depicted here, pulled by rarely seen V42 527 engine from 1966.
sorry for the motion blur, but it was pitch-dark and not easy, to get the girls with 1/30 during their dance
I dug through my archives to play a bit in Lightroom. This photo was taken in very low light conditions with a camera and lens not normally known for their low light performance. I'm still impressed with the results 3 years later.
Here's the great
Mr. Nash, onstage at the
Orange Beach arena in
Alabama during a soundcheck
for a CSN show.
The lights onstage are so bright you can barely open your eyes. You know the audience is out there in the dark. The music starts and you hit your cues, singing and dancing. You feel a rush as all the hard work comes together and you are one with the music and the lights.
- - - - -
Happy Toy-in-the-Frame Thursday!
(SOOC, cropped.)
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ATLANTA, GEORGIA - OCTOBER 29: Lee "Faker" Sang-hyeok of T1 speaks onstage during a post match interview after victory against JD Gaming at the League of Legends World Championship Semifinals on October 29, 2022 in Atlanta, GA. (Photo by Colin Young-Wolff/Riot Games)
Canadian SHW bodybuilder Frank McGrath posing onstage at the 2004 Toronto Pro Bodybuilding Invitational.
CW had her fall dance recital this evening. This is a shot of one of the groups. It is taken from the edge of down stage left looking into the wings. There you can see a couple of the stage lights and the next group getting ready for their number.
Just a few of the Liverpool Media Academy (LMA) Choir performing on the William Brown Street outdoor stage during the 2017 Liverpool Pride festivities
Here she is
the legendary
Lolita LaVey, onstage
on the stage of the timeless
El Cid nightclub in Hollywood,
California,
U.S. of A.
She is the producer
of the monthly Lolita LaVey
vaudeville-burlesque
extravaganza, which has starred
many of my friends, including
Amy O'Neill, Akira, Count Smokula,
Tommy Gunn, Vince Wolf,
Brian Chic
and others. But Lolita, always
dressed to the nines (whatever
that means) usually stays backstage.
She told me that
in March, however,
she would perform her own
vaudeville act. And she did. And it
was classic. Fire & Burlesque together
on one stage. It was fiery, sexy,
dynamic, old and new, all at once.
She danced on point at first -
and then the dance came together
with the burlesque fire and
the vaudeville verve
and it was electric and alive
and great.
... onstage in Beijing.
Mccavity from Cats onstage in Beijing ...
www.youtube.com/watch?v=sbfxgxTEO24
Here is a location on YOUTUBE where you can listen to forty-one Andrew Lloyd Webber production numbers, most of which come from Live in Beijing...
video.search.yahoo.com/search/video?p=live+in+bejing+u+tu...
I've only worked on this project for three days and already I'm tired of it. It's the "project abandonment syndrome" and stems from an individual who has always worked only for themselves. In my working world I've worked for a diverse group of entities, doing a diverse number of things to support myself and my dependents. I've been free to change directions often and never had a profession that locked me into the unhappiness of "burn-out." In my art world is primarily where I have been selfish. I chose to concentrate my college years on art with a secondary concentration on education. I had planned a lifetime spent teaching others how to do and appreciate art. So my painting was a very personal thing, done primarily for myself. My mind for years was taking in visuals and rapidly processing them in terms of how this would be painted, where dominants would be placed and how colors would be mixed. The problem arose when my brain so specialized the process that the original pencil sketch became quite enough to quiet my soul. I think that explains my rapid disinterest in projects. That pattern was tempered by the rapidity with which watercolors could be painted.
Then you meet a genius and marvel at the multiplicity of his magical efforts. This man, Andrew Lloyd Webber, not only writes his music, but oversees the addition of lyrics, manages the complicated, meticulous combining of dance, song and orchestration, plus the design of the environment in which these elements will be presented. All of that effort indicates not only a genius at work writing music, but a genius of management and coordination at work doing Musical Theater. Now, with his Masterpiece, Live in Bejing, concert he has added travel, transport and adaptation to the unknown facilities and customs of a culture half way around the world. I take off my hat to Andrew Lloyd Webber for his perfectly executed task and then, as I experience the DVD, I feel the beginning of a miracle. This is not only a feast for the ears and the eyes, it is a reaching out to another culture and offering friendship and love.
Since the ending days of World War II, we have relied upon science and sociology to save us. And that path has come so close for comfort in obliterating us, so many times, we are appalled. What if peace and love could be stimulated through the arts, relieving the sciences to simply find better paths of quality for everyday life?
I listened and focused on the visuals of this magic DVD, until my body felt weightless and my eyes locked permanently on the colors, shapes and movements of this epicurean feast of sight and sound. I just had to share it. And, I have, that is until the "all for me syndrome" kicked in now I find myself wanting to tell you about something else. The mind is a hopeless traveler, so now I'll tie this all down and get back to telling you about beautiful young people who are making magic in the world of the arts through the miracle of film and TV.
I had wanted to put links under each image of performance offering the names of the artists and the sounds they are creating, but at this point, I don't even have them all identified. If that's important to you, you can jot down their names and Google them up for yourself. I'll simply give you a link to much of Sir Andrew's musical numbers and again you can sort them out. And, yes, I know I have used too many images, trapped by the new discovery of a contemporary "style" in art and the ease with which it can be manipulated. However, I know you'll sort that out for me too. If you're interested in an image, you'll click on it and look at it in a larger format, and read whatever is written under it, but If you're not interested, you'll pass it up. I have a general practice of deleting any image that has not been clicked on ten times or more in the first two weeks. It's a practice not etched in marble, but for the most part it keeps my photostream lean and mean, at least as lean and mean as this hopeless body of mine.
I hope you can find the magic I discovered and experience the thrill of Evita, Cats and all the rest.