View allAll Photos Tagged Nopostprocessing
New Year 2016
Model & Photographer: Michaela Vixen (VampBait69)
Shot on location at the Bridle Thorn Society sim.
Outfit: Ballgown, Lingerie & Matching Shoes from Carrie's Lingerie - the amazing Holiday Limited 2015.
Jewelry from EarthStones
Necklace & Earrings: Diamond Blizzard
Bracelets: Diamond Bangle - Platinum & Diamon Tennis Bracelet - Platinum
Mesh Body & Hands: Maitreya Lara
Feet: Slink High
Eyes: IKON Hope
Hair: Rezology Tendrilicious
New Year 2016
Model & Photographer: Michaela Vixen (VampBait69)
Shot on location at the Bridle Thorn Society sim.
Outfit: Ballgown, Lingerie & Matching Shoes from Carrie's Lingerie - the amazing Holiday Limited 2015.
Jewelry from EarthStones
Necklace & Earrings: Diamond Blizzard
Bracelets: Diamond Bangle - Platinum & Diamon Tennis Bracelet - Platinum
Mesh Body & Hands: Maitreya Lara
Feet: Slink High
Eyes: IKON Hope
Hair: Rezology Tendrilicious
Spring is coming soon but winter still has lots of interest
Fujifilm X-Pro3 ACROS simulation with no post processing. SOOC
I had several visits on this shoot: the first one from the property owner where I had parked my vehicle in the drive of an abandoned house. He was sweet as could be and said he saw my car and thought I might have broken down. After receiving his blessing for being there, it wasn't a couple minutes later, a guy in a tow truck and another man in a pickup pull up next to my car. As it turns out, the tow truck guy was the neighbor on the other side of this property and was not quite as sweet as the owner (evidently, the other guy was his backup in case I was more than he could handle). By the time I took this shot, it was completely dark (to the human eye), and I had a hard time convincing him that there was anything of value to photograph here. He seemed to think I could be a part of a string of burglaries that had been taking place in the area recently. I didn't think my Camry Hybrid or myself presented with such a malicious vibe, but I'm pretty intimidating when paired with my long black jacket and tripod. Sometimes I forget that (totally joking, btw). Anyways, even after telling him I had the blessing of the owner, it still took some persuading before his demeanor softened a bit and he begrudgingly gave me the green light to continue. I left in about five or ten minutes, however, seeing the obvious unease I had instilled in these two men. It is their home, after all. I can respect that and understand his trepidation to a degree (and I know how to pick my battles - this wasn't one of them). This, and the fact that that same gentleman was parked in his driveway with his lights on in his car after our conversation, watching me the entire time. Something about that can be a bit unnerving, but he probably knew that. I found the two, completely opposite responses of these two men (the owner and the latter) very interesting. I guess it's my background in Psychology that makes me contemplate these things. The first man's instinct was along the lines of, "what can I do to help this unknown person that is possibly in need," versus the second gentleman's, "what threat could this person pose to me or my land," reaction. And while I do understand the my last visitors concern, I hope that I tend to lean toward the assumptions of the property owner. It seems more optimistic overall and a much more positive way to look at life in general. After all, it is the people who's first reaction is to serve others (and assume "goodness" before "badness" of the human condition) that are generally the ones that are most satisfied with their life as a whole.
This was the last shot I took right after that conversation (unedited). It was right around the end of nautical dusk (around 45 min. to an hour after sunset), in between Gainesville and Sanger, Texas immediately west of Interstate 35. Natural light and light from the streetlamp behind me. I like the way the residual dusk and streetlights played into the photo, although I don't think it's my very favorite one in the whole set (but it had the most interesting story to go with it). I offered to show a few shots to the guy that seemed so unsettled, thinking it might allay his fears about my intentions, but he declined my offer.
Refractography from the archives. Using a glass bead as a lens.
No post processing or suchlike, Maltby standard SOOC.
Kind of wet this morning so I took this highly reflective shot.
Fujifilm X-Pro3 ETERNA simulation with no post procession. SOOC
Fujifilm X-T2 Provia simulation with no post processing.
First image with my new 50mm f2 Fujinon. Wide open!
Working with a Kodak Kodachrome 25 recipe today for a bit of nostalgia.
Fujifilm X-Pro3 Kodak Kodachrome 25 recipe with no post processing. SOOC
You just never ever get what you want
You just never ever get what you need
[Bloodline - Recoil]
Depressa e svenevole
Tendenzialmente autodistruttiva
Apprezzo il finto - allegro
E anche la dolcezza
Nella mia sfera: gente con problemi
Alcuni se ne compiacciono
Molti si offendono
I più si entusiasmano per poco
La morale non cambia: si complica
L'altruismo rimane un pretesto
Chiunque spera nel cambiamento
E allo stesso tempo ne ha paura
Per non ferirsi ci si astiene
Si diventa più sottili
Amplificando i desideri
Proporzionalmente alla pigrizia
A volte conosco la finta - calma
Altre non credo nel saluto
Quando passa l'ambulanza formuli un pensiero
E contemporaneamente cerchi di schivarla
_
Selfportrait.
My first experience with infrared photography.
Kodak HIE + red filter n. 25
Developed by me with HC110 and printed (always by me, of course) with a filter n. 4.
No postprocessing.
First almost decent snow of the year. Not quite an inch and the schools are closed.
Fujifilm X-Pro3 Classic Chrome simulation with no post processing. SOOC
Waving colour cycling LEDs and a pop of a white Lenser P7 with a plastic glass over the end of the lens. The glass has a hole cut through the end.
No post processing or anything like that.
Couldn't resist the sky today. The clouds were really really nice!
Fujifilm X-Pro3 Classic Neg. simulation with no post processing. SOOC
New Year 2016
Model & Photographer: Michaela Vixen (VampBait69)
Shot on location at the Bridle Thorn Society sim.
Outfit: Ballgown, Lingerie & Matching Shoes from Carrie's Lingerie - the amazing Holiday Limited 2015.
Jewelry from EarthStones
Necklace & Earrings: Diamond Blizzard
Bracelets: Diamond Bangle - Platinum & Diamon Tennis Bracelet - Platinum
Mesh Body & Hands: Maitreya Lara
Feet: Slink High
Eyes: IKON Hope
Hair: Rezology Tendrilicious
I found a nice Kodachrome 25 recipe that reminds me of my beginnings in photography way back in the day. I've decided to apply the simulation on a variety of subjects for awhile.
Fujiflm X-Pro3 with Fujinon XF 23mm f1.4 R lens
New Year 2016
Model & Photographer: Michaela Vixen (VampBait69)
Shot on location at the Bridle Thorn Society sim.
Outfit: Ballgown, Lingerie & Matching Shoes from Carrie's Lingerie - the amazing Holiday Limited 2015.
Jewelry from EarthStones
Necklace & Earrings: Diamond Blizzard
Bracelets: Diamond Bangle - Platinum & Diamon Tennis Bracelet - Platinum
Mesh Body & Hands: Maitreya Lara
Feet: Slink High
Eyes: IKON Hope
Hair: Rezology Tendrilicious