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2205001GR Unknown Russian woman and Madonna fan Athens Greece #blackandwhite #175 #madonna #knownknowns&unknownknowns #art #realpeople #reallives #truestories #portraits #b&w #photography #instagram #street www.hughes-photography.eu www.hughes-photography.eu www.flickr.com/photos/michael_hughes www.flickr.com/photos/michael_hughes www.hughes.berlin @michaelcameronhughes
“Madurodam (Dutch pronunciation: [maːˌdyːroːˈdɑm]) is a miniature park and tourist attraction in the Scheveningen district of The Hague in the Netherlands. It is home to a range of 1:25 scale model replicas of famous Dutch landmarks, historical cities and large developments. The park was opened in 1952 and has since been visited by tens of millions of visitors. The entirety of net proceeds from the park go towards various charities in the Netherlands.
Madurodam was named after George Maduro, a Dutch law student from Curaçao who fought the Nazi occupation forces, first as a lieutenant in the army and later as a member of the Dutch resistance, and who died at Dachau concentration camp in 1945. In 1946, Maduro was posthumously awarded the Medal of Knight Fourth class of the Military Order of William, the highest and oldest military decoration in the Kingdom of the Netherlands, for the valor he had demonstrated in the Battle of the Netherlands against German troops.”
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Examples of Nazi soldier uniforms in Post-Apoc America. From the BrickForge post-apoc story by me, Oreo (aka Jaak Onidor), Khopesh97, and Hikaro: www.brickforge.com/forum/viewtopic.php?f=25&t=4956 SS officer's torso decal by Joey Lock.
Memorial for the 742 handicaped people of the care facilities Attl and Gabersee close to Wasserburg that were killied by Nazis.
Leitz Summar f:2.0 / 5cm coated(!)
@ f:11
Lens built in 1934
A Nazi built pilot flight training base which was taken over in the 1990s by the CCCP after the reunification of Germany.
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German submarine U-995 is a Type VIIC/41 U-boat of Nazi Germany's Kriegsmarine. She was laid down on 25 November 1942 by Blohm & Voss in Hamburg, Germany, and commissioned on 16 September 1943 with Oberleutnant zur See Walter Köhntopp in command.
German Type VIIC/41 submarines were preceded by the heavier Type VIIC submarines. U-995 had a displacement of 759 tonnes (747 long tons) when at the surface and 860 tonnes (850 long tons) while submerged.[1] She had a total length of 67.10 m (220 ft 2 in), a pressure hull length of 50.50 m (165 ft 8 in), a beam of 6.20 m (20 ft 4 in), a height of 9.60 m (31 ft 6 in), and a draught of 4.74 m (15 ft 7 in). The submarine was powered by two Germaniawerft F46 four-stroke, six-cylinder supercharged diesel engines producing a total of 2,800 to 3,200 metric horsepower (2,060 to 2,350 kW; 2,760 to 3,160 shp) for use while surfaced, two Brown, Boveri & Cie GG UB 720/8 double-acting electric motors producing a total of 750 metric horsepower (550 kW; 740 shp) for use while submerged. She had two shafts and two 1.23 m (4 ft) propellers. The boat was capable of operating at depths of up to 230 metres (750 ft).
The submarine had a maximum surface speed of 17.7 knots (32.8 km/h; 20.4 mph) and a maximum submerged speed of 7.6 knots (14.1 km/h; 8.7 mph).
When submerged, the boat could operate for 80 nautical miles (150 km; 92 mi) at 4 knots (7.4 km/h; 4.6 mph); when surfaced, she could travel 8,500 nautical miles (15,700 km; 9,800 mi) at 10 knots (19 km/h; 12 mph). U-995 was fitted with five 53.3 cm (21 in) torpedo tubes (four fitted at the bow and one at the stern), fourteen torpedoes, and three anti-aircraft guns. The boat had a complement of between forty-four and sixty
At the end of the war on 8 May 1945 she was stricken at Trondheim, Norway. She was surrendered to the British and then transferred to Norwegian ownership in October 1948. In December 1952 U995 became the Norwegian submarine Kaura and in 1965 she was stricken from service by the Royal Norwegian Navy. She then was offered to the German government for the ceremonial price of one Deutsche Mark. The offer was turned down; but the Boat was saved by the German Navy League, DMB, where she became a museum ship at Laboe Naval Memorial in October 1971.
Even more extreme than the Neo-Nazis, the Neo-Neo-Nazis' final solution is to be first to colonize Mars, then blow up Earth.
ネオナチよりも過激で酷いネオネオナチ。あいつらの最終的解決は火星開発競争に勝ち、地球を爆発すること。
I built this in a week or so running up to Japan Brickfest 2018.
Based on the H.A.F.S. Gladiator from Maschinen Krieger and a Norm Macdonald joke (or so the Germans would have us believe...)
a bitter stage in my development, where I could only see evil everywhere...but I'd be dishonest not to post it. done ca. 1996.
Note the KRS ONE lyrics on the right, trying to bring some balance and hope to the sorrow.
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Sin duda, la zona más bonita de Varsovia es el casco histórico, que fue reconstruido al 100% después de la II Guerra Mundial, puesto que fue completamente devastada por los furiosos bombardeos nazis.
Para reconstruir la ciudad vieja se inspiraron en pinturas de Bernardo Belloto (Siglo XVIII), y dibujos de estudiantes de arquitectura del período de entreguerras. También reutilizaron los materiales originales siempre que fue posible; ladrillos y elementos decorativos rescatados de los escombros fueron insertados en sus lugares originales. Tal vez eso explique que el centro de Varsovia parezca sacado de un cuento de hadas, de una película de época. La belleza de su resultado merecieron que Varsovia forme parte de la lista mundial del Patrimonio de la Unesco, en 1980.
El corazón del casco histórico de Varsovia es la Rynek Stare Miasto, Plaza del Mercado, que está presidida por la estatua de la sirenita guerrera. Según cuenta la leyenda, esta sirenita es hermana de la otra famosa sirenita, la de Copenhague. Explican que las dos hermanas huyeron de las frías aguas del mar Báltico. Una de las hermanas, cansada de nadar, se quedó en Dinamarca y la otra llegó hasta Varsovia, donde fue capturada. Esta sirenita que se llamaba Szawa fue liberada de su captor por un joven pescador llamado War. De la unión de éstos dos nombres surgió el nombre de Varsovia.
La misión de la sirenita era proteger a la ciudad de todos los males, por eso va armada de una espada y un escudo.
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Undoubtedly, the nicest zone of Warsaw is the historical hull, which was reconstructed to 100 % after the World War II since it was completely devastated by the furious bombardments Nazi.
To rebuild the old city were inspired by paintings by Bernardo Bellotto (XVIII century), and drawings of architecture students of the interwar period. They also reused the original materials wherever possible; brick and decorative items salvaged from the rubble, were inserted into their original places. Perhaps that explains that the center of Warsaw seems straight out of a fairy tale, a period film. The beauty of the result deserved Warsaw part of the world heritage list of Unesco in 1980.
The heart of the old town of Warsaw is the Rynek Stare Miasto, Market Square, which is dominated by a statue of the warrior mermaid. According to legend, the mermaid is the sister of another famous Little Mermaid of Copenhagen. They explain that the sisters fled the cold waters of the Baltic Sea. One sister, tired of swimming, stayed in Denmark and the other came to Warsaw, where he was captured. This mermaid named Szawa was released from her captor by a young fisherman named War. For the sum of these two names, was called to Warsaw.
The mission of the Little Mermaid was to protect the city from all evils, so he is armed with a sword and shield.
I think people find the comparisons to the Nazi Germany and the Holocaust ridiculous because the idea that we would, in this day and age, put people in gas chambers and mass kill them is ridiculous.
The main point of the comparison is to note that ordinary Germans ultimately supported crimes against humanity.
The sad reality is that if you consider the wars that we are engaged in, our response to immigrants, our response to refugees, our actions to Muslims, the LGBQ community, to people of color and most importantly our role in the dire climate crisis: ordinary Americans are already supporting crimes against humanity. It's not coming if we don't adjust course: it is already here.
Villa von Hans-Günther Sohl, Wehrwirtschaftsführer unter Hitler und später Vorstandsvorsitzender des Thyssen-Konzerns.
Keller, Raum mit architektonischen Plänen.
~
Villa of Hans-Günther Sohl, Wehrwirtschaftsführer under Hitler and later CEO of the Thyssen Group.
Basement, room with architectural plans.
Kodak Portra 400 120
color negative film
This is one of the roads leading to the interior of a Nazi concentration camp. The idyllic name and location belied its brutal purpose.
"Aléjese del holocausto del día a día, viva la comodidad* del Hotel Nazi"
*ciertas condiciones aplican.
Casco Central
Cabimas, Edo. Zulia
Febrero 22, 2009
Museum - a railway station from which the Nazis deported Jews to extermination camps during World War II.
An anti-Nazi graphic deteriorating on a sign. It may be fading and peeling, but the need for this statement is just as important as ever!
Holocaust Memorial - One block south of the Brandenburg Gate, Berlin.
On 4.7 acres of rolling uneven surface, 2711 concrete blocks (or stelae,) rise eight inches to nearly sixteen feet high, all being three feet wide and nearly eight feet long, with varying angles facing upward. Fifty four rows run north-south, eighty seven, east-west. According to the Architect, Peter Eisenman, it's design produces an uneasy, confusing atmosphere, where, on the whole, the sculpture aims to represent a supposedly ordered system that has lost touch with human reason.
We had walked by the memorial late the day before and I knew I wanted some time here when the light was better. The following morning before heading to Potsdam, we were able to go back and in about fifteen minutes time, capture a few thoughtful images. I walked into the deep area where the blocks were very high, and sat down, looking toward the morning sun. The somber nature of this place was almost overwhelming. Then, the light dancing about at the distant end of my row was silhouetted by a human form... standing there in it's own moment of reflection...
Not meant to be a bright, happy image - rather, it's message may be one of cautious optimism, where a lighter place seems accessible at the far end. As a world society, we must take serious lessons from this very dark part of our collective past.