View allAll Photos Tagged NCP
The cargo barges Altair Sentinel and Javalina will tow an orbital colony to it's new homeworld, along with the North Central Positronics expeditionary fleet. The newest editions are a pair of heavy fighters and the pilot ship D.B.Thatcher.
Almost finished, better pictures to come. Next will be a couple of smaller service vehicles to land on the platform.
This is Abby Street multi-story car park in the center of Leicester.
However its more like Silent Hills multi-story car park as there is abandoned hotel on the top floor. The Sky Plaza Hotel has been vandalized and due to this the lifts (elevators) don't work.
Work has started on repairing the hotel but its not being rushed, so parking spaces are easy to find on the higher levels.
Below is a photo of Haymarket Bus Station, Abby Street NCP is in the middle of the photo. The brick tower houses the Lifts (Elevators) to the car park and the hotel.
I usually shot in black and white, but two years ago I was lucky to have with me a roll of Kodak Portra 160 loaded on my Fuji GA 645 Pro.
I was completely focused on this little girl with her grandparents and almost did notice this big red ship!
The photo was taken at the dock of Marina di Ravenna (Italy).
Photo by Pietro Bevilacqua
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Helsinki is a city with endless photographic opportunities, even in a cold and gray afternoon…
March 2017, near the Kiasma Museum of Contemporary Art.
Fomapan 400 exposed at iso 250 with a Pentax K1000, developed in Ilford ID-11 1+3.
Photo by Pietro Bevilacqua
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The old man, which of the two boats is he watching? The small boat or the big ship? The one that falls or the one that has just left?
This is one of the beautiful sides of photography.
Kodak Portra 160 with a Fujifilm GA645 Professional at the port of Ravenna, Italy (2016).
Photo by Pietro Bevilacqua
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Shot taken inside an old and luxurious abandoned villa, with 6x6 camera Zenza Bronica SQ-B.
I love the performance of Portra 400 in particular with these lenses, the Bronica Zenzanon, I find that enhance the yield of pastel colors typical of Portra, giving a particularly soft and refined appearance.
More simply, I love film!
Photo by Michele Nicoletti
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After three 35mm film frames, here we have a shot from a 120 Ilford HP5 film.
This photograph was taken in february 2017 in Macerata, Italy, with a Fujifilm GA645 Professional, a great medium format rangefinder camera with a f/4.0 60mm lens.
Photo by Pietro Bevilacqua
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I don’t know why (lie), but I like this shot…a bit of geometry, tones contrasts, the little man in the upper right corner…the right mix of what I like in photography!
Helsinki Music Centre in March 2017, on Fomapan 400 (developed in ID-11) with a Pentax K1000.
Photo by Pietro Bevilacqua
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Another shot from Milan, Italy…in a really cloudy day I was struck by the dark coat of the man and the geometries of the staircase.
A shot taken with a Canon AE-1 coupled with a 50mm lens on the Ilford HP5 exposed at iso 320.
Photo by Pietro Bevilacqua
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First post of this project! I’m a little bit excited…I hope it will be a long and fun way!
This shot is taken in Porto Recanati (Italy) in january 2017, on a Rollei RPX 100 film with a Pentax K1000 and its great 50mm lens.
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The Kodak GPT 100T (exp 2001) obviously reveal its best qualities under artificial light.
Shoot in Lisbon not long ago, with a Yashica mat 124g.
Photo by Francesca Ottobelli
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Let’s go back to black and white, my comfort zone.
Here we are in inside the beautiful Helsinki Music Centre, in the background we see the Kiasma Museum of Contemporary Art. Really love architecture in Helsinki, can’t wait to go back!
Shot taken in March 2017 on Fomapan 400 film exposed at iso 250 with a Pentax K1000.
(Film developed in Ilford ID-11 1+3)
Photo by Pietro Bevilacqua
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A shot taken in february of last year in Milan, Italy.
As you can read on the sprocket holes, the film was an Ilford HP5 exposed at 320 iso, as a camera I had a Canon AE-1.
Photo by Pietro Bevilacqua
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I like very much the ordinary views that we find daily in our cities but I like this Ilford HP5 even more!
It comes from a 2006 expired reel, I developed it in Fomadon LQR with two pleasing results: present grain but quite fine and great contrast.
Shot taken in April in Macerata (Italy), with a Pentax K1000 and a 50mm lens.
Photo by Pietro Bevilacqua
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Today is still about Fuji, but this time is an expired Fuji Pro 400h. The colors are a bit faded compared to the fresh one, but still no grain!
This pic was taken in Lisbon, Praça da Figueira (2017).
Photo by Francesca Ottobelli
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The red color, a magnet for the eyes!
Not bad this cheap and expired Fujicolor 100, nominally exposed and developed normally in Tetenal C-41.
Here we are in Canosa di Puglia, Italy, in September 2016.
Obviously the camera used is the K1000, the small Pentax tank!
Photo by Pietro Bevilacqua
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The wonderful colors of an expired Fuji Reala: fine grain and no expired effects, a little cold though! It’s a pity this film is out of production.
The pic was taken in Turin, using a Yashica Mat 124 G.
Photo by Francesca Ottobelli
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Stalin and Mao
......and why not Pol Pot?
Lenin vergab seinen Feinden, Stalin ließ seine Freunde hinrichten.
Aus Russland
Kodak Ektar 100, warm tones (maybe a little too much for me), and not very easy to expose in my opinion. Shot taken in Marina di Ravenna (Italy) in January 2016 using a Pentax K1000.
I really like the winter beach and its facilities without humans!
Photo by Pietro Bevilacqua
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