View allAll Photos Tagged Musikmesse
The photo was taken during Sergey's performance at the D'Addario Guitar Festival - NAMM Musikmesse Russia, in Moscow.
Sergey Tabachnikov (born April 17, 1987, Samara, USSR) - guitarist, musician, leader of the Nobody.one group. Without any musical education, he became one of the most popular guitarists in the country.
Tabachnikov plays compositions that are completely different in style. But critics and viewers alike agree that his work is nevertheless closer to instrumental and blues rock. He began playing the guitar at the age of 11. Sergei is self-taught, he does not advise others to use the services of teachers, believing that if you wish, you can learn to play on your own.
Sergey Tabachnikov, in addition to his musical career, maintains his blog on YouTube, in which he uploads reviews of guitars and accessories to them. The videos are very popular among both novice musicians and professionals due to their interesting presentation style and specific humor.
Sergey takes the performances of his group more than seriously. The funny guy from the video about guitars disappears somewhere and a professional musician appears on the stage who completely surrenders to playing the guitar.
The Nobody.one group is actively touring Russia and the CIS countries, participating in many festivals, including the invasion. However, speaking of popularity, unfortunately, the group is known only to a narrow circle of viewers, but we hope this situation will change soon, and the general public will learn about the talented guys and their leader!
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for more of MUSIKMESSE please visit my professional stream:
www.flickr.com/photos/4dreamz/sets/72157626449278612
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Please NOTE and RESPECT the copyright.
© 2018 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
find more pics of your favorite musicians in my professional stream: www.flickr.com/photos/4dreamz/albums/72157626449278612
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And please NOTE and RESPECT the copyright.
© 2017 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
find more pics of your favorite musicians in my professional stream: www.flickr.com/photos/4dreamz/albums/72157626449278612
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And please NOTE and RESPECT the copyright.
© 2017 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
for more of the MUSIKMESSE please visit my professional stream: www.flickr.com/photos/4dreamz/sets/72157626449278612
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Please NOTE and RESPECT the copyright.
© 2016 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
find more pics of your favorite musicians in my professional stream: www.flickr.com/photos/4dreamz/albums/72157626449278612
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And please NOTE and RESPECT the copyright.
© 2017 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
find more pics of your favorite musicians in my professional stream: www.flickr.com/photos/4dreamz/albums/72157626449278612
----
And please NOTE and RESPECT the copyright.
© 2017 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
for more of the MUSIKMESSE please visit my professional stream: www.flickr.com/photos/4dreamz/sets/72157626449278612
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Please NOTE and RESPECT the copyright.
© 2016 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
for more of MUSIKMESSE please visit my professional stream:
www.flickr.com/photos/4dreamz/sets/72157626449278612
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Please NOTE and RESPECT the copyright.
© 2018 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
for more of the MUSIKMESSE please visit my professional stream: www.flickr.com/photos/4dreamz/sets/72157626449278612
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Please NOTE and RESPECT the copyright.
© 2016 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
Panel discussion “Print Publishing: Glorious Future or Sentimental Past?”
Serious music publishers are often asked whether they believe that sheet music has a future.
Is sheet music just a declining market in which there is already too much competition; Is there actually untapped potential to expand the sheet music market; Will other technologies take over from paper any time soon; Does the tradition of musicians building well-printed libraries of music for their instrument or voice have a future; Might the modern generation prefer just to download and print out their own sheet music as and when they need it; Can anybody really make money from a product whose real inventory and distribution costs are so high?
In short, is printed paper the ideal delivery mechanism for the future of serious music, or is this just part of the sentimental attachment to the old-fashioned way of doing things that is a general problem with the world of serious music?
The future of sheet music, glory or doom, will be discussed at the ICMP Panel at the Frankfurt Musikmesse on 1 April from 15:00 to 17:00 in Hall 3 level Via, room Kontrast. The Panel discussion will be followed by a reception.
Confirmed panellists are:
• Kathleen Marsh (CEO Music Notes, USA)
• Christopher Smith (Chairman Halstan, UK)
• Larry Morton (President Hal Leonard, USA)
• Thomas Tietze (Chairman of the Bureau of Sheet Music and Rental Material and Member of the DMV Board, Germany)
• Wolf-Dieter Seiffert (Managing Director Henle Verlag, Germany)
The Panel will be moderated by Nicholas Riddle, Managing Director of Peters Edition (UK) and Member of the Board of ICMP.
for more of the MUSIKMESSE please visit my professional stream: www.flickr.com/photos/4dreamz/sets/72157626449278612
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Late Rent 2013 Musikmesse Warm Up Party -- Jon Hammond Band plays the theme song for long-running New York TV Show
The Jon Hammond Show at Jon's annual Musikmesse Warm Up Party in the famous old Jazzkeller Frankfurt:
Tony Lakatos tenor saxophone
Totó Giovanni Gulino drums
Joe Berger guitar
Jon Hammond organ
©JH INTL ASCAP - Late Rent - Behind The Beat
behindthebeat.com/2004/12/jon-hammond-late-rent/
Special Thanks / Dankeschön Thomas Eich Tecamp / THC amplification, Detlef Kinsler - Journal Frankfurt journal-frankfurt.de/funkyjazz
Kultur
JOURNAL FRANKFURT Alle Nachrichten Kultur My home away from home - Interview: Detlef Kinsler
Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.
Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party"...cont.
*excerpt: 27. März 2013 Interview: Detlef Kinsler