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Video generated with variables such as location and weather.

 

I'm in Vancouver right now.

 

Check ou the site.

 

www.theunseenvideo.com/

still frame about a motion design work i'm doin.

Still Frame from "K.R.E.S." Animated Video by V5MT, August 2015.

Released on September 2015, with music track by Kevin Carey.

Made this new Krusty Kartoon for my friend Paul here in Moncton. We're both members of the Moncton Photography Facebook group. Paul posted this pic for this week's "Rural Scenery" theme and said that it reminded him of "The Simpsons". He added that all that was missing was Krusty. Challenge accepted!... and a day or so later here is the result. Enjoy!

At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.

 

Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.

Greta - Full video on my Facebook Page : Link in description ➡️ @ethikdesign #motiongraphic #motiondesign #creative #c4d #cinema4d #physicalrender #greta #grenoble #graphicdesign #animation #shortanimation #ethikdesign #digitalart #3dart #3dartist #3dwork #ident #3dvideo #animate #instagood #instamood #inspiration #maxon3d

 

81 Likes on Instagram

 

1 Comments on Instagram:

 

kernsaunders: So cool!

  

Vídeo Institucional PERNAMBUCANAS Out/2007

Realflow search.

render : 3dsmax mental ray.

Devine BUMP festival 2016

i'm very satisfied with how the first draft turned out. i promise it would look so much better when it's done. stay tuned! ;-)

Still frame from Animated Intro

made for Tom Bogaert's "Voyage, voyage" Project.

April 2015.

 

Still Frame from "K.R.E.S." Animated Video by V5MT, August 2015.

Released on September 2015, with music track by Kevin Carey.

Programmes used:

Adobe After Effects

 

Camera:

Canon EOS 60D

 

This is a re-shoot of an earlier video I produced where the basic concept is to visually show the process of making tea in the morning. Then, after the process is finished, enjoying the product you made and taking a break before continuing on with the day. This piece was filmed at my grandmother's house and visually represents the following haiku:

 

how can this be?

this amber liquid sublime

stills my very soul

 

For better video quality go here:

 

www.behance.net/gallery/Haiku-Video/780872

 

Thank you for watching!

Motion Promo for Brokenbeat Night.

Saturday February 7th 2009

www.brokenbeat.com

A free monthly event that promotes live electronic music & live video performance.

 

The promo was a collaboration work with L.A. based video artist/ performer Bryant Place

 

Watch in HD

   

© André Salerno - 2011 www.taocriativo.com.br

  

Animação desenvolvida para a candidatura de São Paulo para EXPO 2020.

Trilha Original: www.ocacasadesom.com.br/

short after effects project done for a short film.

// Personal project. Music sampled from Prefuse 73 - Preparations

 

This piece was created back in the spring of 07. It was meant to be extra eye candy for the Somersault reel. It was originally a single shot of liquid forming a flower as it blossomed, pure liquidy goodness.

Relations 2014. 100 x 150 cm oil,canvas

  

Music: Chris Zabriskie

Still frame from Animated Intro

made for Tom Bogaert's "Voyage, voyage" Project.

April 2015.

 

Animation I did for the 8 hour Cut and Paste competition in Portland, OR.

Handcrafted with love by BYU design students and faculty, for the 5th Typophile Film Festival. A visual typographic feast about the five senses, and how they contribute to and enhance our creativity. Everything in the film is real—no CG effects!

 

Shot with a RED One, a Canon EOS 5D Mark II, a Canon EOS 40D, and a Nikon D80.

Stop motion created with Dragon Stop Motion.

 

Creative Director & Faculty Mentor:

Brent Barson

 

Writing & Storyboarding:

Brent Barson, Jessica Blackham, Analisa Estrada, Meg Gallagher, John Jensen, Regan Fred Johnson, Colin “The Pin” Pinegar

 

Construction, Paint & Glue:

Brent Barson, Wynn Burton, Analisa Estrada, Meg Gallagher, Olivia Juarez Knudsen, Casey Lewis, Reeding Roberts, Deven Stephens, Brian Christensen (Brain Sculpture)

 

Animators:

Brent Barson, Wynn Burton, Analisa Estrada, Meg Gallagher, Olivia Juarez Knudsen, Reeding Roberts, Deven Stephens

 

Cinematographer:

Wynn Burton

 

Editing:

Brent Barson, Wynn Burton, Analisa Estrada, Meg Gallagher, Reeding Roberts

 

Hand Models:

Analisa Estrada, Meg Gallagher, Olivia Juarez Knudsen, Deven Stephens, Michelle Stephens

 

Original Music:

micah dahl anderson - www.micahdahl.com

 

Special thanks to Joe, Jared, Zara, and the Punchut/Typophile crew for enabling this!

 

Watch this video on Vimeo. Video created by Brent Barson.

At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.

 

Learn more about VFS's one-year Digital Design program at vfs.com/digitaldesign.

 

i was feeling really hungry, and thought about donuts :D

Strobist Info: Single speedlight in soft box behind subject. The background is the face of the soft box. The other reflections in the spring are just from the windows in the room.

Transición de Saab para el Canal Viajar.

a scene from the latest video from Option Z, watch the entire video www.youtube.com/watch?v=fArZ_gy2zJ4

Stop-Motion Graphics + GIF ANIMATION

 

TYPE IN MOTION

 

educational workshop 2011-1012

 

ludidactica.com/

 

TUTORIAL:

typeinmotionblog.fbarrie.org/2012/01/19/tutorial-gif-anim...

 

vimeo.com/scottgeersen/twtwb-titles

 

Title Sequence: Concept, Pitch, Boards, Design, Direction, Animation, Compositing, Project Management.

 

This Australian film by Director Stuart Beattie is an adaptation of John Marsden’s classic first novel of the “Tomorrow” series, which has been translated into 7 languages and captured the imaginations of teenagers across the globe.

 

Following on from a successful titles pitch (work.scottgeersen.com/twtwb-titles-pitch) to director Stuart Beattie and EP Andrew Mason, I designed and directed the main-on-end title sequence for the film, leading a team of in-house and freelance artists, as well as undertaking much of the animation and compositing work myself.

 

My brief, partly self-initiated and partly from the director and EP, was to represent scenes pivotal to both plot and characters in an accelerated journey that was as forceful, aggressive, and stirring as possible.

 

To do so, a highly stylised, almost painterly approach was chosen, referencing visual cues very familiar to teen audiences – graphic novels, comics, silhouettes, illustrations. The most striking moments from the film were reduced and broken down into iconic representations, giving them much greater emotional resonance.

 

Subtle use of 3D space and perspective injects depth and tension, and frames are vividly depicted in the rich orange, brown, and gold tones of the Australian summer – a palette that is simultaneously vibrant and dangerous, suggestive of idyllic bush sunsets and fiery explosions. Search- and flood-lights, explosions, and gun flashes impart sharp details to the silhouetted forms, at once highlighting and simplifying specific features of each scene.

 

Process:

Once production began with a team of 5 (including myself), we had only 3 weeks to produce more than 90 seconds of 2K motion graphics and 3D, mostly from scratch. While I had pitched my own visual interpretations of narrative events, Stuart was very keen to more closely represent actual shots from the film – including key images of characters. This was a tricky process, as I never managed to see a cut of the film before the cinema release! While perhaps an unusual situation for a titles designer to be in, I was helped along by the film’s editor Marcus D’Arcy, and an intimate knowledge of original novel. In the end, about 50% of shots came from my original pitch, and my team and I created additional styleframes as Stuart relayed his ideas.

 

To complete the project, I enlisted the help of several freelancers. Daniel Balzer was our 3D artist, working in Cinema 4D. Morten Rowley provided additional 3D in Maya, and Daniel Bavell provided painted/illustrated elements. Designer Jess Morgan set up the opening title cards and logo as well as comping the final shot of the sequence.

 

Credits:

Titles Director: Scott Geersen

Art Direction: Scott Geersen

Design/Animation/Compositing: Scott Geersen, Daniel Bavell, Daniel Balzer, Morten Rowley, Jess Morgan

3D: Daniel Balzer, Morten Rowley

Lab Producers: Prue Fletcher, Jayne Herrmann

Still Frame from "K.R.E.S." Animated Video by V5MT, August 2015.

Released on September 2015, with music track by Kevin Carey.

Long Exposure Exploration of Water's Journey

 

Step into the aquatic waltz portrayed in this long exposure photograph, where flowing waters gracefully perform a ballet of light and motion. The extended exposure time captures the fluidity of every movement, creating a mesmerizing spectacle of nature's rhythmic dance.

 

Location: Alcalá del Júcar's

www.sweat.ws

Our amazing pet in 5 colors

Sweat Motion Graphics Animación Postproducción Barcelona XXX Edición Video Vfx Composición After Effects

By George Pal

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