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This is a close up of the TT3+ Module.
As you can see it's not stock.
I remove the trim pot for pre seting the audio input to the pic.
On this variant it's not needed. (You can save it for use as a volume control if you want)
I use the Pin 2 Carrier detect.
You can also see one of the two 'chip' caps I use on the data side of the DB9 connector.
This is a recomended mod to keep RFI out of the TT3 module. Have another one on the DC input side.
I also solder the modules DB9 connectors to the micro processor cover. This makes a very firm mount.
Module M17 hooked up to a Yaesu FTM-500 receiving traffic from a hotspot running WPSD linked to a M17-M17 C reflector
Strip Light: 90 degrees from camera
The photos in this set are part of a series of lighting experiments I did in the studio. I worked with a great model and learned more about the gear. I wanted to see how the light looked on her body. I found significant differences with subtle changes to the lighting technique. I didn't plan on publishing the photos but thought they came out great. Plus Dina is a very expressive model.
A generative typography using particles, edge detection, grid tiling, binary coding and SVG modules.
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One of my own images that lacked proper black and white points. Shadow and highlight adjustments of 12 and 209 respectively. No mid-tone adjustment.
So far I have been using recordable sound modules that are for stuffed animals. Radioshack also sells a recordable sound module kit, and I’ve seen some recordable greeting card components on ebay, but have yet to find a consistent source for them. The size of your sound module may affect the size of your flipbook pages and will certainly affect the size of your sound module housing, if you choose to include one.
This was taken in the Julian Alps in Slovenia. I like the shot because (a) as the title implies, it represents a very strong memory of my last holiday, (b) it capture the sense of reasonably high altitude – the neighbouring peaks and the level of the clouds and (c) the figures, particularly those ascending the hidden slope in the foreground, add perspective. My challenge was trying to get the balance right between texture and contrast due to the very bright foreground. I've tried to address this using curves, but I'm not convinced I've achieved much.