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Model: Saga Siamese
Photographer: Justin Bonaparte​
Today I took part at an orchid photography workshop and I really like some of my pics.
This one is my favourite.
I uploaded my first set of blends, "80 Male Underwear Models," almost exactly one year ago.
www.flickr.com/photos/qthomasbower/sets/72157616358449900/
That set was meant to be sardonic, tongue-in-cheek, and highly mathematical. Since then, I have worked on my blending technique much of the last year, and so I decided to revisit my initial subject matter.
Let me know what you think!
Freelance Photographic Arts & Photojournalist Asia
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(c) Copyright 2014
Model: Victoria Bell
Photographer: Justin Bonaparte​
Model: Mindy VZ
Photographer: Bram van Dal
Camera settings:
Shutterspeed: 1/100
Aperture: F / 2.8
ISO: 1000
Camera: Lumix S1
Lens: 50 mm 1.4
Working with layers and heights is a great way to create depth in a photo. By looking this way, you will discover new possibilities and you can consider which environment as a backdrop.
Portraits of model Vicki Blatchley. Cobham, UK. August 11, 2014. Photo: ©Edmond Terakopian. Shot on a Leica M (Type 240) using a Leica 50mm Noctilux ASPH. Processed in Lightroom, Nik Software Silver Efex Pro and Alienskin Exposure 6.
Taken from a seafront road in Plymouth, a number of models placed on the sea wall. Actual RN ships in the background.
Model: Els Thorn
Photographer: Bram van Dal
1/1000 F / 2.5 250 Canon 5DmkII 85mm
When taking a photo, I try to look at the photos together with the model and look from the perspective of the photographer, model, but also from the viewer.
At the viewer we look at what an impact of the photo is. Playing with the distance to the camera is an example of how you can increase the impact of a photo, but also on this photo, the way of making contact with the camera.
In this photo is the way Els Thorn looks in combination of her expression, which ensures that you keep looking at this picture for longer.