Models in White Clothes
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Photo by - Aveline
SL Model - Aveline
Blue mix - CC
"Thank You Aveline for allowing me to play with one of your photos"
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This stained-glass model of the 1898 courthouse is located in the museum's lobby in Auburn, California.
More model trains. I'm not getting out much, so there will be a few model railway/railroad photos to come :-)
From the top, first and fourth are Triang R248 ambulance carriages from the 1960s. Second and fifth are Triang R58 B units
en.wikipedia.org/wiki/B%E2%80%93unit
which were sold unpowered although the bottom one a previous owner did fit a motor too. The other needs some cosmetic repairs. A UK model seen in the US in real life.
Also show in third spot is the locomotive for the B units, and these all date to the late 1950s.
Introduced by Tiy,
Model Mind is a group promoting self-help and mental health among the Second Life modeling community. We are also a place for SL models can find resources and support each other.
The Website :
tiyialic.wixsite.com/modelmind
Join us!
secondlife:///app/group/f1746434-a3e2-768e-4982-fb6da309e5a1/about
My interview on Google Local Guide Connect
All Photos Are Copyright To Paul Saad , Unauthorised Use Is Not Allowed Without Prior Permission. © Some rights reserved ©
I usually credit models, photographers and everyone involved, but with this picture it is very confusing and hard to determine roles.
Alurcha Niekerk is a painter, and I pose for him. Taking picture of him at work same time. Result of his work is very impressive, and I'm proudly placing it on the wall in my new home. Curious what's on canvas? Check his gallery.
This young couple was enjoying the sunrise and agreed o serve as models for the fun of it. Thanks guys!
Model: Karlijn Nijkamp
Photographer: Bram van Dal
1/250 F/1.8 640 Canon 5DmkIII Sigma 85mm
A location on Strijp-S that I have not visited before. The atmosphere of this location really appealed to us and playing with the available light was a nice challenge.
Detail of Westcliff, a 4mm model rail layout based on the Dorset coast, taken at the National Festival of Railway Modelling, Peterborough, October 2009
credits
The outfit was made of mosty weekend sale items $75 or less.
Outfit
Meva Brianna Pullover with Harness
NANIKA - Helen Shorts White
V.S NAOMI BOOTS
*PerveTTe* Luxury Heart [Garter] [Silver] [r]
Head/Body
LeLUTKA.Head.Nova.2.5
Maitreya Mesh Body - Lara V5.2
Skin and Stuff
DS'ELLES- ALICE- AMBRE (skin)
DS'ELLES BODY MAITREYA -BOM - AMBRE (body skin)
DS'ELLES - Shape Bento ALICE
--- //// PUMEC - LILYA - EYES
tram J0928 hair (S-thick clothes)
FT -Blair Beauty Mark
Model: Ellis Jentjes
Photographer: Bram van Dal
1/2000 F/1.8 250 Canon 5DmkIII Sigma 85mm
A simple photo, where I made use of indirect sunlight, standing on the shadow side of her face and also found the rusty part of the fence to match the color tones in her clothes.
Model: Pauline
Photographer: Bram van Dal
Website: Www.bvdbvphotography.com
Insta: www.instagram.com/bvdbv_photography/
1/1500 F/2.0 320 Canon 5DmkIII Sigma 85mm
You can see every posture as a pose. You can also use the unconscious postures as a pose.
A mobile can help in an easy way to show those unconscious poses.
It doesn't matter to me whether the model is looking at the cell phone or makes eye contact with the camera for a while. The posture appears normal and natural.
Was asked to take some stills for a conference brochure. These are two 3D hearts our company modeled and than printed.
Model: Arine Soem
Backdrop: Backdrops by Andreas
Photographer: Bram van Dal
1/160 F / 2.5 100 Canon 5DmkIII Sigma 85mm
The contrast between the bright gold tones at Arine compared to the beautiful dark brown tones in the background really appeals to me.
In this shoot I tried out my latest backdrop, in which certain color tones in the backdrop repeat themselves.
In the coming period I will look for more options.
But I'm at peace with this photo.
Model: Yara
Photographer: Bram van Dal
1/180 F/4.5 100 Canon 5DmkIII Sigma 85mm
A cool record that I keep looking at, her relaxed appearance, this photo has the right power.
Regardless of whether I work on location, I mainly look at the shadows instead of the light.
In this photo, I used a new lighting setup. I have placed two studio lamps on the right side, the first lamp, I have pointed straight up, placed high and equipped with a large umbrella, this provides a hair light, as for profile lighting, the second studio lamp, is at eye level from her and has the function as fill light.