Bronica SQ-a Zenzanon-PS 80 mm f2,8

Rolleicord Vb Xenar 75mm f/3.5 -- HP5+ @ISO200 in HC-110 dil.H 8' 19.5C

Self developed; negative scanned with EpsonV850

aurora caeruleum

Roll 5, Frame 6

Mamiya RZ67 Pro II

Fujifilm Velvia ISO100

Mamiya 645 80mm at 2.8

Fuji400h

Epson v800

Taken with Yashica - Medium Format - Kodak Film Trix 400

wasco

analogue/redscale/pinhole

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Shibuya Crossing; swarming masses version

Mamiya C330

105mm f/3.5

Fuji Pro 160 NS 120 film

Mamiya RB67

mandoalvarez.com/

More goofing off on instagram here------->@mandoalvarez

▽Film

Fujifilm PRO 400H

▽Camera

Lomography Diana F+

Mamiya RB67

Mamiya RB67

Follow me on instagram: www.instagram.com/kostiantyn.bon

Also subscribe on telegram where I plan to share filmphotography experience: t.me/bonkonstfilm

Lester A. Dine 105mm f2.8 1:1 Macro FUJIFILM GFX 50S II

KIEV 88 80/2,8 ilford FP4

mamiya C330 + 135/4.5

kodak ektar 100

MODEL: Wendy Waggoner

MUA/HAIR: Jessy Pagel Diaz

Strobist:

Einstein 640 boomed up in large Octabox with grid.

Pentax 645Z

1/125 @ F/10

ISO 100

PENTAX-FA645 150mm F2.8 [IF]

Pocket Wizards II

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Yashica D and Rollei RPX 80 film

Pentax67Ⅱ

Fujifilm PRO400

A portrait of me

あたたかな想い出をたくさん残してあげたい。

Meguro, Tokyo

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Kodak Ektar 100

British Resort

Mamiya RB67

Yesterday I didn't feel it, but today I did… {March 26, 2020 // 68}

March 26, 2008

When I’m supporting someone and they don’t get the outcome they wanted at the end, I feel its because I have failed them. That is the only downside of working in a team for me. When we don’t exceed, I feel I could have done something different and I’ve ‘cursed’ the project. Irrational, maybe. Tough day, yes. Perspective, whose got some?

Pentax 67 / Ilford Delta 3200

let.it.fall

Hasselblad with Kodak T-Max.

pontiac gto - chur 2014 - hasselblad 500 c/m - carl zeiss planar C T* 80mm f2.8 - kodak ektachrome E100SW - expired2005 - xpro

Mamiya RB67

Cambodia